What are the key differences between traditional and mesh lacrosse pockets. How does a traditional pocket affect ball control and release. Why is proper tension control crucial in traditional stringing. What are the pros and cons of using a traditional lacrosse pocket.
The Art of Traditional Lacrosse Stringing: Understanding the Basics
Traditional lacrosse stringing is a craft that has been passed down through generations of players. It involves using leather straps, cross-lace, and intricate knots to create a pocket that offers unique performance characteristics. While mesh pockets have become increasingly popular due to their consistency and ease of use, traditional pockets still hold a special place in the hearts of many lacrosse enthusiasts.
Traditional pockets are known for their superior ball control, enhanced feel, and customizable performance. However, they also require more maintenance and skill to keep in optimal condition. Understanding the nuances of traditional stringing can help players make informed decisions about their equipment and potentially elevate their game.
Popular Styles of Traditional Pockets
- Pita Pocket
- Traditional Pocket
- Heat Pocket
Each of these styles offers unique characteristics and performance benefits, catering to different playing styles and preferences.
Traditional vs. Mesh: Comparing Lacrosse Pocket Types
When choosing between a traditional and mesh pocket, players must consider various factors. Is one inherently better than the other? The answer lies in understanding the strengths and weaknesses of each type.
Advantages of Traditional Pockets
- Enhanced ball control
- Soft, comfortable feel for the ball
- Greater customization options
- Improved ball release and feel during passing and shooting
Advantages of Mesh Pockets
- Consistency in all weather conditions
- Easier maintenance
- More forgiving for beginners
- Lower cost in the long run
Are traditional pockets superior to mesh? While they offer certain performance benefits, the choice ultimately depends on the player’s skill level, playing style, and willingness to maintain their equipment.
The Intricacies of Traditional Pocket Performance
Traditional pockets are renowned for their unique performance characteristics. Understanding these can help players maximize their potential on the field.
Ball Control and Hold
How does a traditional pocket enhance ball control? The leather straps provide a soft cradle for the ball, allowing for better retention during cradling and dodging. This increased hold can give players more confidence when carrying the ball in traffic or executing complex moves.
Feel and Release
Why do some players prefer the feel of a traditional pocket? The natural materials used in traditional stringing offer a distinct feel that many players find superior to mesh. During passing and shooting, players can feel the ball roll off the pocket and shooters, providing valuable feedback and potentially improving accuracy.
Mastering Tension Control in Traditional Stringing
One of the most critical aspects of traditional stringing is tension control. Proper tension throughout the pocket is essential for optimal performance and consistency.
Sidewall Tension
How tight should the sidewalls be in a traditional pocket? The sidewalls should be strung very tightly to provide stability and maintain the pocket’s shape. This tight sidewall tension helps prevent the pocket from shifting or bagging out during play.
Leather Depth and Pocket Shape
How does leather placement affect pocket depth? The positioning of the leather straps determines the depth and overall shape of the pocket. Lowering the leathers creates a deeper pocket, while raising them results in a shallower pocket. Finding the right balance is crucial for achieving the desired performance characteristics.
Maintaining Your Traditional Pocket: Tips and Tricks
Traditional pockets require more maintenance than their mesh counterparts. Regular care and adjustment are essential to keep the pocket performing at its best.
Regular Inspection and Adjustment
- Check knots and leather condition frequently
- Adjust tension as needed to maintain pocket shape
- Replace worn components promptly
Weather Considerations
How does weather affect traditional pockets? Leather can stretch or shrink depending on humidity and temperature. Players should be prepared to make adjustments based on weather conditions to maintain consistent performance.
Customizing Your Traditional Pocket: Color and Style Options
One of the most appealing aspects of traditional pockets is the ability to customize their appearance. Players can express their personality and style through their equipment choices.
Leather Color Options
- Black
- Brown
- White
Gut and Sidewall Color Choices
A wide range of colors is available for gut and sidewall strings, including:
- Traditional colors: Black, White, Navy, Red
- Bright options: Neon Yellow, Neon Orange, Neon Pink
- Team colors: Carolina Blue, Maroon, Purple, Royal
Head Dyeing Options
Can lacrosse heads be dyed to match the stringing? Many players choose to have their heads dyed to complement their pocket color scheme. Popular dye colors include:
- Solid Black
- Solid Navy
- Solid Red
- Solid Royal
- Solid Kelly Green
Choosing the Right Head for Your Traditional Pocket
Selecting the appropriate head is crucial for achieving the best results with a traditional pocket. Different head designs can complement or hinder the performance of a traditional string job.
Popular Head Options for Traditional Stringing
- ECD Rebel Defense and Offense
- Maverik Optik 2.0
- Nike Alpha Elite
- STX Surgeon 900
- Warrior Evo QX-O
How does head shape affect traditional stringing? Heads with a more pinched throat and gradual flare tend to work well with traditional pockets, as they provide better hold and a more natural channel for the ball.
The Future of Traditional Lacrosse Stringing
As lacrosse equipment continues to evolve, what does the future hold for traditional stringing?
Blending Tradition with Innovation
Will we see new materials incorporated into traditional pockets? Some stringers are experimenting with synthetic leathers and hybrid designs that combine elements of both traditional and mesh pockets. These innovations aim to offer the best of both worlds: the feel and performance of a traditional pocket with the consistency and lower maintenance of mesh.
Preserving the Craft
How can the art of traditional stringing be preserved for future generations? Many lacrosse communities are focusing on teaching young players the skills of traditional stringing through clinics and mentorship programs. This not only helps preserve the craft but also gives players a deeper appreciation for their equipment and the sport’s heritage.
Traditional lacrosse stringing remains a beloved aspect of the sport, offering players unique performance benefits and a connection to lacrosse’s rich history. While it may require more effort to maintain, many players find the rewards well worth the investment. Whether you’re a seasoned veteran or a curious newcomer, exploring the world of traditional pockets can open up new possibilities for your game and deepen your appreciation for the artistry behind lacrosse equipment.
Custom Stringing – Men’s Lacrosse Traditional Pocket
Pick Your Head
— Please Select –ECD Mirage 2.0 ECD Rebel Defense ECD Rebel Offense Gait Torq Maverik Havok Maverik Kinetik 2 Maverik Lock Maverik Optik 2.0 Maverik Tactik 2.0 Nike Alpha Elite Nike C.E.O. 2 +
$10.00
Nike Lakota 2.0 Nike Prime Elite Goalie Head +
$10.00
Nike Vapor Elite Nike Vapor Pro (Out Of Stock)Stringking Mark 2A Stringking Mark 2G Goalie Head Stringking Mark 2D Stringking Mark 2V STX Duel II +
$10.00
STX Eclipse II Goalie Head +
$15.00
STX Stallion U 700 STX Surgeon 900 STX Ultrapower (Out Of Stock)STX X20 TRUE HZRDUS TRUE Vektr Under Armour Command 2.
0 Under Armour Command G Goalie Head Warrior Evo QX-D +
$10.00
Warrior Evo QX-O +
$10.00
Pick Your Leather Color
— Please Select –Black Brown White
Pick Your Gut Color
— Please Select –Black Carolina Grey Maroon Navy Neon Yellow Orange Red Royal Teal White Yellow
Sidewall Color
— Please Select –Black Carolina Blue Forest Green Grey Kelly Green Maroon Navy Neon Green Neon Orange Neon Pink Neon Yellow Orange Purple Red Royal Teal Vegas Gold White Yellow
Pick Your Hockey Lace Color
— Please Select –Black Carolina Blue Grey Kelly Green Maroon Navy Neon Green Neon Orange Neon Pink Neon Yellow Orange Purple Red Royal Teal Vegas Gold White Yellow
Do You Want Your Head Dyed?
— Please Select –Yes +
$10.
00
No
Dyed Head Color
— Please Select –Solid Athletic Gold Solid Black Solid Dark Green Solid Kelly Green Solid Light Blue Solid Maroon Solid Navy Solid Orange Solid Pink Solid Purple Solid Red Solid Royal Solid Vegas Gold Solid Yellow
Traditional Stringing vs. Mesh Pocket
A ton of customers come into our retail stores and ask for a traditional. The first question we always ask them is why? Most of the time, the answer is “because it looks cool” but sometimes we get someone who actually knows the pros and cons of using a traditional stick. So a traditional pocket involves leathers and cross-lace and some crazy knots to make a cool looking pocket. Some of the most popular styles are the Pita Pocket, the Traditional Pocket, and the Heat Pocket. Even though these are all considered traditional sticks, they will all perform different. So why do we ask people why they want their sticks strung traditional? Well if they don’t have a good answer, we usually recommend they don’t use one.
Sure they are cool and perform pretty well, but they are expensive to have strung and if you aren’t capable of tweaking the pocket yourself, your game will suffer. Traditional sticks are a ton of maintenance due to the amount of knots that keeps the pocket together. If something goes wrong in a traditional and you aren’t sure how to fix it, it will most likely perform horribly.
HEAT POCKET:
PITA POCKET:
TRADITIONAL POCKET:
Now what makes a traditional better than a mesh pocket? Well I wouldn’t say anything makes them better or worse, but it all comes down to preference. A traditional pocket has way more control over the ball. The leathers provide a soft resting place for the ball to stay while cradling. Another feature of a traditional pocket is the release. You can feel the ball roll out of the head and off the shooters as you pass or shoot. Sometimes if strung incorrectly the ball will catch under the shooters because the leathers are too soft and the ball will hook.
When I see traditional pockets that people string up the main issue I see is tension control. The sidewalls should always be strung super tight and how low you drop the leathers determines how deep you want you pocket. When compared to a mesh pocket a traditional will outperform in hold, whip, and feel…so it’s a shame to see these on the way out. If you’re trying to play it safe, use a mesh pocket. They are the most consistent and easy to use. If you are trying to string a tradi for the first time by yourself, buy a TradiTree. This tool will allow you to string a traditional pocket very easily.
Best Lacrosse Heads for Traditional Stringing
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If you’re looking for the best lacrosse heads for traditional stringing, one of two things is likely true: either you’ve just been made aware of the benefits traditional pockets offer and realized why these old-style pockets are trending again, or you’ve been around the lacrosse game long enough to realize the history of these pockets is proof they work in experienced hands.
Whatever the case, this article will highlight some of the advantages and potential drawbacks of traditional stringing while highlighting several heads designed to perfectly facilitate a traditionally strung pocket.
Advantages of stringing your LAX head with a traditional pocket
While some players, particularly newer players, will request traditional stringing because it looks really cool and is growing in popularity again, serious players know there are some real advantages to this approach to la pockets.
When they are strung correctly and broken in, traditional pockets offer unrivaled feel.
These pockets help players feel more connected to the ball, creating a soft cradle for carrying and offering consistency with passes and shots.
These pockets are also great for players driven to shoot.
Well known players such as Mike Springer and Jesse Hubbard, known for shot speed and accuracy, both swear by traditional stringing because these pockets allow players to shoot harder than traditional mesh pockets and, when strung correctly, enhance accuracy.
Traditional pockets and some things to keep in mind before you get one
Traditional pockets look really cool and they perform really well on the field, but there are some potential drawbacks to this style of stringing that you need to keep in mind before switching up your lacrosse head.
First, traditional stringing is a hand-crafted affair that you need to know how to do unless you want to pay for a professional to string your lacrosse head.
Videos like this one offer easy-to-follow directions for stringing traditional, but you’ll need patience and practice as you perfect your pocket.
Second, traditional stringing doesn’t offer the same degree of consistency and hold over time because this pocket style tends to break in and stretch with use.
So, if you’re planning to use a traditional pocket, you’ll need to learn how to tighten and tweak your pocket to ensure it performs consistently over time.
If you want a lacrosse pocket you can string once and never mess with again, the traditional pocket probably isn’t for you.
Third, the break in time is important for daily use and critical if you play in any kind of wet weather.
Once a traditional pocket is broken in, particularly the leathers used to string the traditional pocket up, it will perform admirably in all kinds of weather – even rain.
A new traditional pocket, though, can be a disaster if you play in the rain or wet conditions before the leathers are fully broken in.
If you do wind up playing in wet conditions with a traditional pocket, you’ll want to let the pocket dry with a lax ball positioned where you would like the pocket to form to ensure the leathers don’t shrink too much and throw off your entire pocket design.
Finally, to really enjoy traditional stringing, you need a good quality head that won’t break.
Nothing frustrates a player more than a broken head when the traditional pocket was still in perfect shape.
Mesh pockets are easier to buy and string up, so many players will use this option if they are used to going through heads quickly.
Improvement in materials engineering and head design technologies lead to more durable lacrosse heads that stand up even with repeated play, but you won’t want to string a traditional pocket on one of the lower quality options on the market.
Traditional pocket styles
There are many different pocket style options that all fall into the “traditional stringing” category, which means you can still customize your lacrosse pocket for your position and style of play while still wielding a traditional stick.
Though they are all considered traditional stringing pockets, each of these styles performs different on the field.
Some of the most popular traditional stringing options are the PitaPocket, the Traditional Pocket, and the Heat Pocket.
Each of these are single string pockets and you can find video tutorials to try then on your own here.
In addition to these unique styles, it’s important to note that you can also string pockets styles similar to mesh varieties on the market.
An experienced stringer can create high, mid, or low pockets and incorporate highly customized degrees of whip into each style.
StringKing Men’s Mark 2V Midfield Unstrung Lacrosse Head
The StringKing Mark 2V Midfield lacrosse head is a traditional stringer’s dream.
This head offers professional grade performance with all of the stringing essentials to craft any variety of traditional pocket you can dream of.
Each sidewall features 29 stringing holes that allow for complete customization and the ability to fine tune any pocket style to create the performance that best supports your style of play.
This head is also great for traditional stringing because the StringKing’s advanced bone growth optimization software that allows engineers to identufy high impact areas and low stress areas to build up the head where you need the reinforcement and keep it light where you don’t.
This technology makes it possible for a stronger, lighter, and stiffer lacrosse head.
The lightweight bolt included with this head also strengthens and adds stability, going through the front and back of the shaft to secure the head from both ends to effectively eliminate shaft rattle.
For midfielders, the aggressively angled scoop design of the Mark 2V is a particular advantage.
This design acts like a funnel to allow full speed groundball recovery from any angle of attack.
View at Amazon for more information on how this product might work for your game.
Pros:
- 29 stringin holes on each sidewall for ultimate stringing capabilities
- Advanced bone growth optimization software used to optimize material construction for a lighter, stronger, stiffer head
- Aggressively angle school for ground ball dominance
Cons:
- This head is easiest to install on one of the StringKing shafts to get the most benefit from the included attachment bolt.
Warrior Evo 5 Unstrung Lacrosse Sticks
The Evo 5 is Warrior’s latest Evo series head. With a wider head shape, this lax head is perfect for outside shooters.
The Evo 5 features upgrades for enhanced ball control and performance on the field.
This head combines strength and durability with features that enhance stringing, making it a great option if you’re interested in playing with a traditional stringing pocket.
One of the key upgrades tothe Evo 5 is Tilt-Tech.
This is a new, angled string hole design that makes it easier to string sidewall strings tighter.
This creates more pocket tension that improves ball release.
You’ll enjoy the most ball control and and quicker release with a mid or low pocket because of this head’s symmetrical sidewall design.
Durability and stability are important factors when choosing a lacrosse head for a traditionally strung pocket.
In addition to the added durability afforded by Symrail design, this head also provides a more secure head to shaft connection, eliminating throat rattle.
Loc-Throat design features legs that spread to provide internal and external pressure to create a more secure fit when you insert the screws into your shaft.
View at Amazon for more information on how this product might work for your game.
Pros:
- Tilt-Tech string hold design for enhanced ball release and improved pocket tension
- Mid to low pocket bottom rail design enhances ball control and speeds release
- Improved stiffness and optimized strength-to-weight ratio due to Sym-Rail
Cons:
- Over time, this head tends to pinch a bit at the throat. You’ll want to inspect your head for signs of stress once you’ve been using it for a while.
Maverik Optik 2.0 Lacrosse Head Unstrung (Black)
Offensive middies interested in using a traditional lacrosse head for precision passing and power shooting will find many attractive upgrades have been made to the Maverik Optik 2.0.
These design elements and technologies improve durability while also enhancing performance on the field for more accuracy and power when shooting and passing.
Traditional stringing works well on the Optik 2.0 because this head features more stringing holes than its predecessor, not providing 20 holes on each sidewall for unlimited customization options.
Maverik’s X-rail technology distributes stress and enhances stiffness to ensure this lacrosse head remains stiff and holds its shape while optimizing flex for better energy transfer when shooting and passing. Control Core techno,logy is a process
Maverik uses to redistribute and balance weight that ensures this head is durable without any of the extra weight to slow a midfielder down.
The added strength and durability these technologies provide not only enhances traditional stringing, they improve ball control for better performance.
For middies focused on dominating ground balls, Ground Control is another great design feature Maverik has incorporated into the Optik 2.0 design.
This design creates a precision angle to the scoop that allows you to grab ground balls on the run with greater accuracy and control.
For shooters, Maverik’s Optimal Release Point and a Level 3 Bottom Rail are key enhancements to the 2.0.
These technologies and design elements promote extreme energy transfer when shooting that enhance shooting accuracy and precision passes.
View at Amazon to learn more about how this product could work for your lacrosse game.
Pros:
- 20 stringing holes allow for unlimited customization options when traditional stringing
- Control core and Ground Control promote improved ball control and enhance ground ball retrieval
- Optimal Release Point adds hold to maximize energy transfer for more powerful shots and passes
Cons:
- This is a lighter weight head and may work best for offense-oriented midfielders than those who find themselves in the midst of more punishing defense maneuvers.
Featured image credit: Shutterstock.com
Men’s Lacrosse Pockets, Stringing, Mesh, Traditional & Hybrids –
Traditional Thursday: How To String Traditional
Today we’re showing you how to string traditional lacrosse pockets, but we’re not just teaching you how to string ONE pocket… we’re teaching you how to string ALL the pockets!
Ok, maybe we’re not showing you how to string all the pockets, as there are really an infinite number of options and variations out there in the world of traditional stringing, but we’re showing you how to string a LOT of different traditional pockets!
Take your time, watch the videos, and try each one… we want to see the final products!
How To String Traditional
This is the classic traditional pocket.
One string, asymmetrical diamonds, standard sidewalls, a couple of straight shooting strings. This is the OG of traditional, and its lasting power comes from the fact that IT WORKS!
Six Shooter Traditional Tutorial
The six shooter is another classic traditional pocket, and it’s been around for decades. Miles Thompson uses one and that brought the general public’s fascination with this pocket back in force.
Pita Pocket Tutorial
The pita pocket is another traditional variant that has been around for a while.
It was made famous by Loyola players who used it heavily in the 90s and early 2000s. Another name for it is the Dog Track pocket, which comes from Loyola, because they are the Hounds, and hounds race on a dog track!
Multiple String Traditional Pocket
You can also string a traditional pocket using multiple strings. The methodology is definitely different from that of a single string tutorial, but it allows you to use more colors! Yay!
Tradmesh Tutorial
If you’re looking for more traditional knowledge, make sure you Subscribe to the LaxAllStars YouTube Channel! We have videos on how to waterproof leathers, how to string mesh, how to shave down a wooden lacrosse stick, reader questions answered, and so much more. Subscribe and check us out!
Traditional Stringing vs. Mesh Pocket
A ton of customers come into our retail stores and ask for a traditional. The first question we always ask them is why? Most of the time, the answer is “because it looks cool” but sometimes we get someone who actually knows the pros and cons of using a traditional stick. So a traditional pocket involves leathers and cross-lace and some crazy knots to make a cool looking pocket. Some of the most popular styles are the Pita Pocket, the Traditional Pocket, and the Heat Pocket. Even though these are all considered traditional sticks, they will all perform different. So why do we ask people why they want their sticks strung traditional? Well if they don’t have a good answer, we usually recommend they don’t use one. Sure they are cool and perform pretty well, but they are expensive to have strung and if you aren’t capable of tweaking the pocket yourself, your game will suffer. Traditional sticks are a ton of maintenance due to the amount of knots that keeps the pocket together.
If something goes wrong in a traditional and you aren’t sure how to fix it, it will most likely perform horribly.
HEAT POCKET:
PITA POCKET:
TRADITIONAL POCKET:
Now what makes a traditional better than a mesh pocket? Well I wouldn’t say anything makes them better or worse, but it all comes down to preference. A traditional pocket has way more control over the ball. The leathers provide a soft resting place for the ball to stay while cradling. Another feature of a traditional pocket is the release. You can feel the ball roll out of the head and off the shooters as you pass or shoot. Sometimes if strung incorrectly the ball will catch under the shooters because the leathers are too soft and the ball will hook. When I see traditional pockets that people string up the main issue I see is tension control. The sidewalls should always be strung super tight and how low you drop the leathers determines how deep you want you pocket. When compared to a mesh pocket a traditional will outperform in hold, whip, and feel…so it’s a shame to see these on the way out.
If you’re trying to play it safe, use a mesh pocket. They are the most consistent and easy to use. If you are trying to string a tradi for the first time by yourself, buy a TradiTree. This tool will allow you to string a traditional pocket very easily.
Category: Pocket Builders | TurtleMesh
Category: Pocket Builders | TurtleMesh
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Buckskin Pocket With Head
Navy Blue and Michigan Yellow
Static Shock Pocket With Head
Custom Stringing – Men’s Lacrosse Traditional Pocket
Pick Your Head
— Please Select –ECD Mirage 2.
0 ECD Rebel Defense ECD Rebel Offense Gait Torq Maverik Havok Maverik Kinetik 2 Maverik Lock (Out Of Stock)Maverik Optik 2.0 Maverik Tactik 2.0 Nike Alpha Elite Nike C.E.O. 2 +
$10.00
Nike Lakota 2.0 Nike Prime Elite Goalie Head +
$10.00
Nike Vapor Elite Nike Vapor Pro (Out Of Stock)Stringking Mark 2A Stringking Mark 2G Goalie Head Stringking Mark 2D Stringking Mark 2V STX Duel II +
$10.00
STX Eclipse II Goalie Head +
$15.00
STX Stallion U 700 (Out Of Stock)STX Surgeon 900 STX Ultrapower STX X20 TRUE HZRDUS TRUE Vektr Under Armour Command 2.0 Under Armour Command G Goalie Head Warrior Evo QX-D +
$10.
00
Warrior Evo QX-O +
$10.00
Pick Your Leather Color
— Please Select –Black Brown White
Pick Your Gut Color
— Please Select –Black Carolina Grey Maroon Navy Neon Yellow Orange Red Royal Teal White Yellow
Sidewall Color
— Please Select –Black Carolina Blue Forest Green Grey Kelly Green Maroon Navy Neon Green Neon Orange Neon Pink Neon Yellow Orange Purple Red Royal Teal Vegas Gold White Yellow
Pick Your Hockey Lace Color
— Please Select –Black Carolina Blue Grey Kelly Green Maroon Navy Neon Green Neon Orange Neon Pink Neon Yellow Orange Purple Red Royal Teal Vegas Gold White Yellow
Do You Want Your Head Dyed?
— Please Select –Yes +
$10.00
No
Dyed Head Color
— Please Select –Solid Athletic Gold Solid Black Solid Dark Green Solid Kelly Green Solid Light Blue Solid Maroon Solid Navy Solid Orange Solid Pink Solid Purple Solid Red Solid Royal Solid Vegas Gold Solid Yellow
STX Blog | What’s the Difference Between Mesh and Traditional Pockets?
Hey there.
Let me start by introducing myself. My name is Charlie and I’m a self-proclaimed, all-out stringing enthusiast. I’m been a stringer for the women’s game for five years, specifically international play, working closely with Team England and Team Scotland. My work has also appeared on the rosters of more than 20 other national teams at major championships. Working with STX has meant that I’ve been able to use lacrosse to travel and meet some of my favourite players and people in the sport.
Hanging with some of my favorite Team England players, including Claire Faram and Laura Merrifield.
As you read this, World Lacrosse sits on the edge of passing a major overhaul that could revolutionize the women’s game in unprecedented ways. Okay, maybe that’s a tad dramatic, but it’s true that we haven’t seen a change with such massive potential impact in decades.
Last year, the United States approved the use of mesh pockets for women and now World Lacrosse (previously the FIL) is considering a rule to approve the use of mesh and previously non FIL-approved pockets for international play.
For players across the world, this means there’s a whole host of pocket options newly available to them. As always, with more options come more questions: Is mesh the right choice for your game? Is there a way to mix the best of the traditional pocket with the efficiency and ease of the mesh pocket? How do you even string a mesh pocket?
Hanging with the squad in the States at STX’s HQ.
My hope is that this short piece will help you gain a better understanding of the mesh pocket, answer a few of those burning questions and encourage the skeptic in all of us to give it a go.
Before we get into it, let me clarify — mesh is by no means new. In fact, it’s been a staple of the men’s game for years.
So, it’s about time women had the opportunity to weigh in and benefit from this major innovation…
Your style, your choice
STX Pocket Line-up: Crux Mesh Pro, Crux Mesh, Traditional & ProForm.
There are a variety of options available to you depending on your style of play and how much time you like to spend customizing your pocket.
The Crux Mesh Pro is a full mesh pocket and provides a ‘fit-and-forget’ approach. After some initial tweaking to ensure the pocket sits within the legal requirements, you’re set. The most common adjustments are as simple as retying the bottom string or adjusting the shooters in order to tighten up your release.
Spotlight: Crux Mesh Pro.
The narrower 7-diamond Crux Mesh offers a bridge between a more traditional set-up and a full mesh pocket.
Pairing the narrow pocket with leather runners provides a stiffness that accentuates the mesh channel. Maintaining the pocket simply requires adjusting the bottom string and keeping tabs on the leathers to ensure the channel stays defined.
Spotlight: Crux Mesh.
Putting durability to the test
While our signature downcast and rainy weather has inspired many a great music lyric and movie scene, the constant mix of cold and wet can do some serious damage to sports equipment. But you’re in luck! Mesh is water-resistant and more durable than traditional materials. Especially for players in the UK, this means your pocket will last longer and sustain performance through bad weather, maintaining its grip on the ball. And with the Crux Mesh Pro option, you don’t have to worry about your leathers rotting after many a rain game.
Bonus: In addition to enhanced durability features, the mesh pocket is lighter than a traditional set-up!
The learning curve
So, what are the cons? Not going to lie, when mesh was first approved in the States, the stringing purist in me was dead-set against it. It wasn’t until I rocked up to LaxCon and the team threw me a Crux 600 and a piece of Crux Mesh that I started to explore and embrace the possibilities.
One of my favorite weekends of the year — LaxCon. Find me in the zone at the Stringers’ Union.
Of course, with these possibilities comes a bit of a learning curve, but it doesn’t take long to adapt to the ease and efficiency of a mesh set-up. Check out this video with Liz Hogan for some quick tips and mesh stringing hacks.
A sweet spot that stays
When strung properly, mesh provides a strong, consistent sweet spot — it doesn’t bag out with time and use, and the resulting channel ensures a smooth release.
Because of the sweet spot, you’ll find that you’re able to dangle the head further back than you can safely do with a traditional set-up. And when working the stick around the side, you’ll find the mesh hugs the ball securely. For players looking to perfect that sidearm low-to-high corner stinger, this makes a huge difference.
Swap-easy
Finally, a mesh pocket is removable, so if you unfortunately rip your mesh or a string, repair and replacement is cost-effective and doesn’t require an entirely new head. You can keep your signature head with all its personality and memories!
Still not convinced? For a complete breakdown of all your traditional and mesh pocket options, What Kind of Lacrosse Pocket Should I Get? is a must-read!
90,000 Fashion dictionary. Fashion terms with illustrations
Fashion Dictionary
(a glossary of fashion terms with illustrations)
Argyle – a pattern of diagonal rhombuses or squares and intersecting diagonal lines.
The geometry of the argyle pattern adorned the kilts and rugs of the famous Scottish Campbell clan. The pattern got its name from the name of the area of Scotland, in which the Campbells lived. Most often, the argyle pattern is used in knitted items.He came into fashion in the 1920s thanks to the British company Pringle of Scotland, which produces luxury knitwear and knitted items. The argyle V-neck sweater is a classic symbol of British style.
Alpaca – animal hair (alpaca) from the genus of llamas. Wool is fibrous and silky from it knit expensive knitwear, also used in costume fabrics.
Ascot – a type of wide tie that resembles a neckerchief.The name comes from the name of the Royal Ascot Races in Great Britain, where the dress code was just such a scarf tie. Ascot is now common as a groom’s accessory at weddings before 6pm.
Buggy (baggy jeans) – loose, baggy look, jeans lowered on the buttocks.
Bardotka – blouse reduced to the size of a bra.
Named for Brigitte Bardot, who appeared in such a blouse on the screen.
Bateau neckline is a boat-shaped neckline.
Bermuda – elongated shorts. Classic Bermuda shorts have arrows, tucks, welt pockets, belt loops, cuffs, knee length and are made of sand-colored cotton fabric.
Bispok (bespoke) – production of any things on an individual order (from the English be spoken – “agreed in advance”).
Black tie (black tie) – strict dress code, requiring a tuxedo and bow tie.
Bolo tie – consists of two braided cords fastened and tightened to the collar with a buckle. Came into vogue in the Wild West. The name comes from the word boleadoras – a hunting device that looks like a strong cord with heavy balls at the ends.
Bomber – short light jacket. This model was originally created for the US Air Force and was worn by bomber pilots.
The jacket was equipped with elastic cuffs on the sleeves, as well as a knitted stand-up collar.Later, a bright orange lining appeared at the insistence of the rescue service – so evacuated pilots and surviving pilots were easier to see from a height.
Borsalino – most often under borsalino they mean fedora: a soft felt hat with a silk ribbon on the crown and three dents, and borsalino is a trademark of an Italian company that has been producing such hats since the mid-19th century.
Ankle boots are a mix of shoes and ankle boots.As a type of fashionable footwear, appeared relatively recently. The French name “ankle boots” literally means “ankle boots”.
Brogues – perforated shoes. They can be either with open lacing or with a closed one. A characteristic feature is a detachable toe of various configurations. Usually brogues have a tapered toe, lacing and a low heel. Stylists of “Image Industry” will help you to choose the right brogues
Boutonniere – a flower in the buttonhole of a jacket.
Wayfarer (wayfarer) – the model of the iconic glasses from Ray-Ban, produced since 1952.
Vicuña – a species of wild llamas found in the Red Book, the wool of this animal is considered the most expensive in the world. 200 grams of wool is cut from each animal once every 2 years. After processing the wool, a fiber with a thickness of 12-13 microns is obtained. Only a very limited number of producers have access to purchase vicuna wool.
Winkle picker – pointed flat shoes (entered into men’s fashion in the late 1950s).
Tie – regatta – a tie with a ready-made factory knot – on a tape that fastens under the collar.
Guide-line – the semantic core of the show, a memorable detail.
Leggings – a kind of shoe covers with buttons on the side and a strap that tightens under the heel.Originally intended to protect shoes, they are now a stylish accessory.
Can be either short or long to the knee.
Leg warmers – a piece of clothing (can also be attributed to accessories), reminiscent of socks cut at the bottom, worn over shoes. Originally made from leather, now more often from wool and knitwear. Leggings are often used as an element of sportswear, for example, in professional dances, leggings are worn during rehearsals to quickly warm up the leg muscles.
Guinem is a print on a cotton fabric, which is a small check on a white background, a distinctive feature of which is that the stripes of a muted tone, forming a check, form a dark square at the intersections.
Gladiators – a type of sandals with a lot of straps and ropes on a flat sole. The name bears in itself the history of the appearance of this shoe, previously a large number of straps were necessary for the convenience of a fighter’s maneuverability.Now the straps have a decorative function.
Glovelettes – long gloves with clipped fingers.
Boa – a fur scarf or skin with the head and legs of an animal that fits the neck.
Duffle coat (monticot) – a short coat with a hood with a fastener in the form of loops made of cord or leather and wooden buttons in the shape of a fang.
Deserts – boots with a suede upper with a rubber sole with two pairs of lace holes.The desserts were created by the famous Nathan Clark, Clark’s artisan.
Derby – shoes with open lacing, in which the sides are sewn over the front (ankle boots are sewn over the vamp). Derby can be with or without perforation. This type of footwear bears its name in honor of their inventor, the Earl of Derby, but in England these boots are called “Bluchers” after the Prussian Marshal Blucher, who participated in the Battle of Waterloo. According to the legend, the soldiers of the Blucher army wore boots with open lacing.Derby shoes are considered the most versatile shoe (less formal than Oxfords).
Jute sole – sole covered with jute or hemp rope.
Dorsay – the style of shoes that cover the toe and heel and open the bend of the foot.
Camerband – a wide belt for men, which is worn with a tuxedo.
Cape – Cape coat with a cut for the arms.
Gatsby cap – (aka “Newsboy cap” and “eight-piece cap”) Gatsby’s name comes from the novel by Francis Scott Fitzgerald “The Great Gatsby”, in which the protagonist wore such a cap.
The Gatsby cap has a curved visor and a rounded cut, distinguished by a more curvaceous shape, dividing the upper part into 8 sewn panels and a button, trimmed with material at the very top. The top of the cap can be sewn to or detached from the visor.
Covercot – a light men’s coat, which is an elongated jacket. Initially, the carpet coat came into fashion as a riding jacket. Now it is part of the men’s business wardrobe.
Creepers – boots with a dense rubber sole (platform), in a classic design they are decorated with leather weaving.
Clutch (clutch) is a small elegant women’s handbag without handles, it is carried in the hand or clamped under the arm.Translated from English, the word “clutch” means to grab.
Loafers (from the English loafer, ie loafer) – boots resembling moccasins, they differ from moccasins by the presence of a rather thick sole with a low heel. Classic loafers have decorative leather tassels. For the first time in mass production, this shoe was launched by the Spalding family from New Hampshire in the early 1930s. In the 1950s, Gucci began selling its signature loafers with a gold-plated bridge buckle.Loafers are available for men and women.
Martins (Dr Martins boots) – army-type shoes for everyday life. The boots are designed by an army doctor and are comfortable and durable.
Initially, they were popular with older ladies, now they are favorites with informal youth.
Menadier (Menadier) is a small handbag with a thin long handle or chain. From the word “flirt”.
Menudier – miniature solid handbag-box without handles and straps.
Mitts – fingerless gloves, in which the division (bell) is only on the thumb, these are a kind of cut-off mittens.
Moccasins – traditional footwear of North American Indians. Moccasins are sewn in a special way: the leather top is pulled from below onto the last and from above it is fastened with an open seam.
Moonbuts (lunar rovers) – warm winter footwear for out-of-town walks. The design and name owes its name to the first man landing on the moon, which inspired shoe designer Giancarl Zanatta.
Mules – mules, originally popular among women of easy virtue, later became home shoes for aristocrats in the 17th century, and in the 1950s became popular thanks to Hollywood stars who wore them with feather pom-poms.
Norfolk – aristocratic hunting jacket from the time of Sherlock Holmes. Classic Norfolk single-breasted, has patch pockets and a belt at the waist. The jacket got its name thanks to the Duke of Norfolk, from whose estate the fashion for this model went.
Oxfordets – women’s low shoes with laces, with a low heel and a thick sole. Element of youth fashion of the 20th century.
Panier – a whalebone frame, reminiscent of a basket (hence the name in French. Panier – basket), to add splendor to the skirt. Another name for this piece of women’s clothing is tansy (from German Fischbein – whalebone).
Parasol – an umbrella that protects from the sun.It is usually made of paper or lace.
Paisley (Indian cucumber) – a decorative ornament in the form of a drop of Indian or Persian origin, also known as “Indian cucumber”. In various sources, its shape is compared with the fruit of a mango, cypress or palm tree.
Plastron (aka ascot) – a type of short and wide tie, often worn for special occasions.
Plexiglass – shoes are shoes with transparent elements made of flexible plastic (called plexiglass).Such shoes are not recommended for wearing in hot weather and require particularly careful care so that the transparent inserts are always in perfect transparent condition.
Harness – an accessory in women’s fashion, consisting of belts in different sling, which is worn over a dress or blouse.
Preppy – style in clothes. The name of this style is an abbreviation for pre-college preparatory, which is the name for educational institutions preparing for admission to prestigious universities.The main distinctive features of the style are elegance, neatness, classics, high cost and emblem or brand symbols. Style elements: Oxford shirts, polos, cotton threesomes, bright cropped trousers, sporty dresses and pastel chinos.
Shoes are preferred without heels. Preppy girls should look as fresh and natural as possible with a minimum amount of makeup on their face. Accessories are very important in this style, these are a variety of scarves, gloves, hats, bows, ties, cufflinks, etc.p.
The preppy style is also used in classic clothing in some sports such as golf, squash, tennis and lacrosse. This is due to the fact that the listed sports have always been the prerogative of people from high society.
Famous preppy brands: Ralph Lauren Polo, Lacoste, Vineyard Vines, Brooks Brothers, Tommy Hilfiger, Gant.
New preppy – correlation of modern fashion with preppy style, reorientation of the classic preppy style to a freer way.
Prepsters in a narrow sense are adherents of the preppy style, if you look at this phenomenon more broadly, these are, first of all, educated, intelligent and emphatically well-mannered young people who value their time and comfort, preferring expensive branded things.
The Prepsters maintain a healthy lifestyle, political system and family traditions. Glasses are often worn, not as a fashion accessory, but out of necessity.
Plume – small bags with a loop.
Polo – sports shirt with a soft turn-down collar and a fastener to the middle of the chest.
Ridikule (from the French reticule – funny, from the Latin reticulum – mesh) is a soft-shaped women’s handbag in the form of a pouch on a silk cord or chain, decorated with embroidery, rhinestones, beads, etc., initially in the form of miniature wicker bags, that’s why they got the name “retikul”, which translated from Latin means “net”, “wicker bag”.However, later they began to be called derisively “reticules”, which translated from French means “funny”. The prototype of the reticule was a handicraft bag, which from the middle of the 18th century. brought into fashion the Marquis de Pompadour.
Clogs – a type of sandals with a thick wooden sole.
Sabot – translated from French – a wooden shoe. Initially, clogs were worn by low-income strata of the French population and peasants, because they were comfortable to walk on paving stones and did not get wet.In the 16th and 17th centuries, this type of footwear fell in love with French women of fashion. In Holland, clogs are called “klomps”, in Lithuania – “klumpes”, in England – “clogs”.
Sling is a backpack bag, but with one strap.
Slip-ons – summer sneakers without lacing with a rubber sole. Slip-ons were invented by Paul Van Doren (founder of Vans, which is why in America such shoes are called Vans shoes). Originally designed as a lightweight surfing shoe.
American Ivy Style Students Style – 80s golden youth style, same as preppy style.The Ivy League is an association of eight prominent private American universities (Brown, Harvard, Yale, Columbia, Cornell, Pennsylvania, Princeton, and Dartmouth College).
The name comes from the ivy shoots that surround the buildings of these universities.
Temdera – women’s boots with a wide shaft.
Tishaida – a model of glasses with small round lenses in a thin frame. Especially popular in the 1960s, they were worn as part of the hippie subculture.
Heelys – sneakers equipped with wheels in the heel area.
Chelsea boots – This model was invented in Britain in the 19th century. A distinctive feature of Chelsea boots is the insert on the sides of the elastic band, so no lacing or zipper is required, they are easy to put on and take off. They were originally working class shoes. At the beginning of the 21st century, they gained popularity in fashion circles.
Shemiza – long shirt as underwear.Until the 14th century, shemiz was sewn from flax or hemp (hemp was rougher), and after the 14th century cotton became the main material.
Eglet – plastic or metal end of the lace, thanks to which it is easier to thread the laces through the eyelets of the boots.
Espadrilles (in Latin America they are called alpargats ) – summer shoes (for men and women), cloth slippers with a rope sole made of natural materials.Worn on bare feet. They appeared in Spain among peasants and in the south of France among miners. Came into fashion in the 80s of the twentieth century. The main trendsetter of espadrilles in the 20th century was Salvador Dali, who wore their traditional version with ties around the ankle. With the invention of the elastic band, these ties gradually disappeared, and the shape of espadrilles became more like home slippers with a heel counter.
The dictionary is periodically updated with new terms from the world of fashion, stay tuned.
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Author’s column
Last week I already wrote about the fourth book published some time ago about the adventures of the charming maniac Dexter Morgan.Of course, first of all, the book will be of interest to fans of the series, but based on personal experience, I want to add that Jeff Lindsay’s novels themselves are pretty good detective stories, otherwise they would not have received such a gorgeous film adaptation.
In order to form a certain idea of the novel based on personal experience, the publishing house AST offered to lay out the first three chapters of the novel for familiarization. So pleasant reading.
I warn you in advance that the text below may have problems with missing hyphens, unnecessary hyphens and spaces.
These are problems of this text exclusively, caused by reformatting costs, and do not apply to the finished printed product.
A little explanation for those who have just joined us: Dexter Morgan is best known as a character in the American television series Dexter (in the Russian translation of “Dexter’s Justice”), but he first appeared precisely as the hero of the Jeff Lindsay series of novels.
Dexter is a killer maniac, but an unusual maniac. He strictly adheres to his code of conduct, developed for him by his adoptive father Harry.Dexter only kills serial killers who eluded justice. Although, to be honest, sometimes Dexter specifically allows the release of the criminal in order to deal with the killer himself. The point is, Dex is the leading medical examiner at the Miami Police Department. He has a half-sister, Deborah, a girlfriend, Rita, and a number of friends in the police department. None of them know about the true nature of Dexter, because he is good at pretending, to please people and is well versed in human psychology.
Only the first book of the cycle was screened, which formed the basis for the first season of the series. In the future, both the book cycle and the television series began to develop in different directions, each year accumulating a list of discrepancies. In total, there are currently five seasons of the series and five books about Dexter. In Russian, the publishing house AST published the first two books of the cycle – “Dexter’s dormant demon” and “Good friend Dexter” (second version of the design). “Dexter in Action” is the fourth book in the cycle.
Chapter 1
Pardonez moi, monsieur. Ou est la lune? *
Alors, mon ancien, la lune est ici, ouvre la Seine, e’norme, rouge et humide **.
Merci, mon ami ***, now I see, and – take it easy! – this is the most suitable night for the moon, a night as if created for piquant pleasures in the moonlight, for a dance of death performed by Demonic Dexter and his very close friend.
But merde alors! **** Moon over la Seine? It turns out Dexter is in Paris! Quelle horreur! ***** The dance cannot be performed, in Paris – no way! Not to find him here a friend, not to hide in Miami nights, not to give the remains to the waters of the warm and gentle ocean.Here – only taxis, tourists and this huge and lonely moon.
And, of course, Rita. Rita is everywhere, leafing through a phrasebook, getting confused in maps, rustling with pages of guidebooks and piles of leaflets promising delight and happiness and, by the way, miraculously giving all this … to her. Only to her. Parisian bliss went exclusively to the newlywed, while her newly-married husband, formerly the high priest of lunar lightness, Dexter the Disciplined Virtuous, can only marvel at the moon and firmly hold the impatiently shuddering Dark Passenger in the hope that the happy madness will soon end and we will return to orderly life is a life of hunting other monsters with a knife.
Because Dexter loves to cut free, cheerfully and clearly, and now he is forced to follow Rita everywhere, marvel at the moon and savor the irony of the honeymoon, where everything honey and lunar is forbidden.
So, Paris. Dexter humbly walks in the flagship’s wake, examines what is supposed to be, nods and occasionally makes witty remarks like “wow!” or “uh-huh …”, and Rita gives herself free rein, releasing the thirst for Paris, clogged up in her all these years.
What about Dexter himself? Is he able to resist the legendary delights of the City of Light? After all, even he is obliged to see all this brilliance, even inside him an echo of even a feigned feeling must stir. Does it happen: Dexter is in Paris, but he doesn’t feel anything at all?
Of course not. Dexter feels a lot. Feels tired. And boredom. And a growing urge to find someone to play with. Would rather! The sooner the better, if it is for cleanliness; for some reason, family life whets the appetite.
Well, agreement is agreement: Dexter will have to do one thing in order to be able to do another. In Paris, as well as at home, Dexter follows the maintenir le deguisement ******. Even the French, sophisticated people, would shudder to learn about the monster, an inhuman monster, whose whole life is subordinated to doom all other monsters to their well-deserved death.
And Rita, in her new image of a blushing, embarrassed newlywed, is a wonderful deguisement for my true self. Who would believe that this creature, meekly weaving after the ideal embodiment of American tourism, is a cold and unfeeling killer?
Of course not, mon frère. C’est impossible *******.
Now, alas, très impossible ********. No hope of slipping away for a couple of hours and getting a well-deserved rest. Not here, because in these parts, Dexter is not known to anyone, and he himself does not know the habits of the local police.In an unfamiliar and foreign country – it is impossible, the harsh laws of the Harry Code do not apply here. Harry was a cop in Miami, and everything in Miami spun at his word. But Harry had no French words, and French cops were not at all familiar to me; no matter how the darkness beats in the backseat, it’s too risky here.
Actually, it’s terribly insulting – after all, the Parisian streets seem to be made for ominous ambushes. Narrow, dark, chaotically tangled.
So it seems: here is Dexter, wrapped in a cloak, gripping a dagger, hastily gliding along the gloomy alleys, hurrying to meet in these old, similar houses, hanging low, calling to the bad… And the streets themselves are open spaces for slaughter, the pavements are made of boulders such that they would have been ripped out in Miami long ago, thrown them over the windows of passing cars, otherwise they would have sold them to builders on new roads.
Alas, this is not Miami. Paris. And I’m biding my time, letting Dexter’s new, vital double bottom harden, while I myself hope to get through one more – the last – week of Rita’s dream honeymoon. I drink French coffee (weak by Miami standards) and vin de table ********* (alarming, blood red) and admire my young wife’s talent for absorbing everything French.She didn’t learn to blush so sweetly, asking: “Table pour deux, s’il vous plait” Rita’s dreams: they nod, smile and literally are ready to sing “La vie en rose” *********** when they lead us to the table.
Ah, Paris. Ah, l’amour ************.
During the day we rush through the streets, checking the very important clues on the map, and in the evenings we spend in intricate restaurants, where French music is often served in addition to food.We even went to the play “The Imaginary Sick” at the “Comedie Française”. I don’t know why it’s given without translation at all, exclusively in French, but Rita seems to like it.
And after a couple of days she seems to like the show at the Moulin Rouge just as much. In general, in my opinion, my wife likes everything in Paris, even river walks. I’m silent that it’s much better to relax on the water in Miami, at home, where she never even wanted to ride a boat, but, frankly, I’m starting to wonder what’s going on in her head.
She throws herself at every city landmark. The Eiffel Tower, Arc de Triomphe, Versailles, Notre Dame – all fell under the pressure of a passionate blonde armed with a ruthless guide.
The price for deguisement is too high for me, but Dexter is the perfect soldier.
Wandering on and on, laden with family commitments and water bottles. He does not complain about the heat, or about worn legs, or about the wild crowds of tourists in tight shorts, souvenir T-shirts and flip flops.
However, one day he makes a timid attempt to show interest. Bus tour of Paris; the voice on the tape mutters (in eight languages) the names of delightful places of extraordinary historical significance; Dexter’s brains boil almost audibly . .. and suddenly a thought comes! After all, it would only be fair if here, in the City of eternally sounding accordions, a center of culture was found for a monster exhausted by wanderings … and now I know which one. At the next stop, I hesitate at the door of the bus, wanting to ask the driver a simple and innocent question.
– Excuse me, won’t we drive along Morgue Street?
The driver is listening to the iPod. Discontentedly tugs the earpiece out of his ear, gives me an arrogant look, raises an eyebrow in bewilderment.
Morgue Street, I repeat. – Are we going down Morgue Street?
I speak louder and louder, in vain attempts to explain myself to a non-American, then I stop and pause in confusion. The driver continues to stare at me. Hip-hop tinkles in the dangling earpiece. Then the driver jerks his shoulder and bursts out with a short and impetuous tirade in French, hotly exposing my utter ignorance; shoves the earpiece into his ear and opens the bus door.
I follow Rita, humble, submissive, not much disappointed. It would seem so simple – to honor Morgue Street with a stop, to pay tribute to this important cultural landmark of the world of monsters … I repeat my question later, to the taxi driver, I get the same answer; Rita translates with a somewhat embarrassed smile.
“Dexter,” she mutters. – You have a terrible pronunciation.
“My Spanish is better,” I say.
“It doesn’t matter,” she says.- There is no street Morgue.
– What ?!
– This is fiction.
Edgar Allan Poe invented it. In fact, Morgue Street does not exist!
The effect is as if from the words “Santa Claus does not exist!”. No Morgue Street? Isn’t there a delightful historic mountain of Parisian corpses? Really ?! No, this is probably exactly the case. Rita’s knowledge of Paris is vast. There can be no mistake – she has read a huge number of guidebooks in her life.
And I retreat, again I hide in the shell of unrequited compliance; the smallest glimmer of interest faded like Dexter’s conscience.
There are three days left before returning home to the blessed depravity and bustle of Miami. We have a day at the Louvre. And it piques some curiosity even for me; even though I am soulless, this does not mean at all that I do not appreciate art. Quite the opposite. After all, art is the creation of ordered images with the aim of producing a meaningful effect on the senses. Isn’t Dexter doing the same thing? Of course, in my case, “impact” has a more literal meaning, nevertheless, I am able to appreciate other means and forms of expression.
So, with this very definite interest, I followed Rita to the Louvre, through the huge courtyard and down through the glass pyramid of the entrance. The wife decided to visit the museum on her own, without tourist groups: not out of dislike for the stinking crowds of gawking, drooling, depressingly ignorant rams clinging to any guide, but because Rita was driven by a desire to prove her ability to get rid of any museum, even a French one.
Under her leadership, we stepped straight to the line at the ticket office, where we spent a few minutes until Rita finally bought the tickets.And now forward to the wonders of the Louvre!
The first miracle appeared to us immediately upon leaving the foyer and into the premises of the museum itself. In one of the first galleries, as many as five excursion groups crowded, at the entrance fenced off with a red velvet cord. Rita made a hmmm-like sound and pulled my hand. We hurried away, away from all this crowd, and I turned around as I walked – everyone was looking at the Mona Lisa.
– How small! I gasped.
“She’s been grossly overrated,” Rita said sternly.
I understand that on a honeymoon it is supposed to recognize a life partner from new sides, but I have never met such a Rita before. The one whom, as it seemed to me, I knew, in my presence did not express any firm opinions, all the more contrary to conventional wisdom. And then he suddenly declares that the most famous painting in the world has been “overrated”! Boggles the mind . .. at least mine.
– This is the Mona Lisa! – I objected. – How can you overestimate it?
My wife grunted again and only pulled my hand harder.
– Let’s go see Titian! Much prettier! Titian’s canvases were very nice. As well as Rubens, although I did not notice anything in them that would explain the naming after them of the classic Ruben sandwich with smoked beef and Swiss cheese. However, I turned out to be hungry and now, remembering about food, I managed to carry Rita through the next three very long halls with very beautiful paintings in a cafe on one of the upper floors.
We had a snack on sandwiches, which were very expensive and tasted only slightly more edible than the food at the airport, and then wandered through the museum until the evening, looking at paintings and sculptures.There were just so many of them, and by the time, already at dusk, we again went out into the yard, my once magnificent brain was completely enslaved.
– Well … – I remarked, tiredly getting out into the air. – The day was long …
– Oh yes! – responded the wife. Her huge eyes are sparkling, and in general she does not seem to be tired at all. – Simply incredible!
Then Rita took my arm and pressed herself with such a feeling as if this whole museum was created by me personally. It became more difficult to walk, but in the end, this is how people are supposed to behave during their honeymoon in Paris, so I did not mind, and we stumbled on.
Around the corner of the museum a girl with piercings all over her face stepped towards us and thrust a piece of paper into Rita.
– And now it’s time to see the real art! She announced. – Tomorrow night, huh?
– Merci, – Rita responded indifferently, and the girl went on to distribute leaflets.
– It seems that she has a little free space on the left, you can still pierce … – I said thoughtfully. – And in the eyebrow more …
Rita narrowed her eyes, examining the sheet of paper.
– A… This is a performance!
Now it’s my turn to squint in confusion.
– Where?
– Wow, how interesting! – exclaimed Rita. – By the way, tomorrow evening we are not going anywhere … We will definitely go!
– Where are we going?
“This is great,” she announced.
Maybe Paris is indeed a magical city. Rita was right.
______________________________________________________ ________________
* Excuse me, monsieur, where is the moon? (fr.)
** Here, my dear, the moon rises over the Seine, huge, red and wet (fr.).
*** Thank you, my friend (FR).
**** Damn it! (fr.)
***** What a horror! (fr.)
****** Maintain visibility; disguise (fr.).
******* My brother. It is impossible (fr.).
******** Absolutely impossible (fr.).
********* Table wine (fr.).
********** Table for two, please (FR).
*********** Let.: “Life in a Pink Light”, the title of the song performed by Edith Piaf (fr.).
************ Love (fr.).
Chapter 2
“Wonderful” was located in a shady alley, not far from the Seine, in the area that Rita anxiously called “Rive Gauche”: the exhibition space with its showcase turned to the street and was called “Reality”.
We had a haste lunch (we even neglected the dessert!) In order to be in time for the exhibition by seven thirty in the evening, obeying the instructions from the leaflet.There were already about two dozen visitors inside, huddled in groups of several in front of the flat TV screens hung on the walls. It looks like a museum … I grabbed the booklet from the counter. The text was printed in French, English and German. Scrolling down to the English section, I began to read.
Literally from the very first sentences, my eyebrows climbed onto my forehead. The brochure turned out to be a kind of manifesto, full of rattling passion, which, perhaps, could only be adequately translated into German. Push the boundaries of art! New facets of sensations! Destroy the conventions that separate art from life! Down with the mossy Academy of Arts! Let Chris Burden, Rudolf Schwarzkogler, David Nebreda and other pioneers do their job; it’s time to crush all the walls! Forward to the twenty-first century! “Forward” we were asked to jerk right today, through a new masterpiece called “Jennifer’s Leg”.
Such fervor, combined with an extremely idealistic attitude, has always seemed to me a very dangerous combination, even somewhere funny… only at this moment Someone Else was amusing himself, having fun from the heart … From the deep crypts of Dexter’s House there was a quiet laugh and whistle of the Dark Passenger, and, as always, his weight sharpened my senses … … Indeed, is the Dark Passenger capable of appreciating an art exhibition?
Now I looked around with different sensations. The whisper of the spectators crowded near the screens no longer seemed to me a tribute to art. In their muffled mutters, disbelief, on the verge of horror, rustled almost indistinctly.
I looked at Rita. The wife read, frowned, shook her head.
– I heard about Chris Burden, he is American. But this one here, Schwarzkogler … – She stumbled over a complicated surname – after all, all these years Rita had been studying French, not German. – Oh … – She finished reading and blushed. – Here they write, he … he cut off his own … – Rita raised her head and looked around at the people in the room. Everyone stared at the screens in silence. – Lord …
– Maybe let’s go from here? I suggested.My inner friend was having fun.
But Rita had already stepped to the nearest screen and saw what was there. Her mouth opened involuntarily, her lips twitched as if they were trying to pronounce a very long and complicated word.
– There … there … there … – she babbled.
I glanced briefly at the screen and made sure that Rita was right again: everything happened there.
“There” was shown a video about a certain girl dressed as a stripper: all feathers and sequins. Such a costume usually involves an enticing, seductive pose, but instead, the girl lifted one leg on the table and swung her vibrating saw.She threw her head back, opened her mouth wide in agony … Fifteen short seconds without a sound. The plot ended and went back to the beginning: the girl did the same thing again.
– My God … – muttered Rita. – This … this is, apparently, editing, some kind of trick … Surely!
I was not so sure. Firstly, the Passenger has already hinted to me that interesting things are happening here. And secondly, I recognized the expression on the face of the girl in the frame all too well – thanks to my own artistic exercises.Her pain was real, this is absolutely true, real torment on the edge, and yet, despite my extensive experience, I have never met a person who wants to personally inflict so much suffering on himself. Now it is clear what made the Passenger laugh so much. Although I myself was no longer funny – if such things become fashionable, I will have to look for a new hobby.
However, a curious plot twist … in other circumstances I would love to have a look at the other screens. Now … I have a certain responsibility for Rita – such a sight is clearly not for her.
– Let’s get out of here, – I called. – Let’s eat dessert! The wife just shook her head and repeated:
– Surely editing!
And stepped to the next screen.
I followed her and was rewarded with another fifteen-second looped plot: the same girl, in the same outfit. This time she cut a piece of flesh from her leg. A dull, endless agony now froze on her face, as if the pain had lasted so long that it became familiar, but no less excruciating.So strange … I suddenly remembered the face of the heroine from the movie that Vince Matsuoka had brought to my bachelor party before the wedding – I think, “Bardak in a student dorm” or something like that. Through the pain and fatigue, this face shone with some strange satisfaction from the category of “Have you seen it all ?!” So the girl admired her own leg, the meat from which was cut to the bone from the knee to the lower leg.
– My God, – Rita whispered and moved to the next screen.
I do not pretend to understand human nature.For the most part, I try to relate to the world from a standpoint of logic, although this greatly complicates my attempts to figure out why people do this and not otherwise. You see, Rita always seemed to me very sweet, cheerful and bright, like the heroine of children’s books. She could burst into tears at the sight of a run over cat on the road. And here, please, methodically examines the exhibits of the worst you rate in your life. He knows that on the next screen everything will be the same and even worse – visual, repulsive muck.And all the same, he does not rush to the exit, but calmly moves on to the next screen.
New visitors came to the gallery, and I watched the horror reflected on their faces. The passenger obviously liked it here, but to be honest, the idea of the exhibition tired me out. I could not comprehend the meaning of the action taking place. After all, what’s the salt? Okay, Jennifer cuts her leg in pieces. So what? Why try, inflict unthinkable pain on yourself, because sooner or later life will do it all for you? What does this prove? And what will happen next?
Rita, however, was determined to go through all the troubles and steadily moved from one video to another.I had only to follow her and nobly endure the repeated exclamations “My God, my God!” after every new nasty thing.
A particularly large group of spectators has gathered at the far end of the room. They were looking at something behind the fence, but we could only see the metal frame from our place. Judging by their faces, there was something stunning in the frame, the real culmination of the exhibition. I already wanted to be there sooner and get rid of this whole gallery, but Rita insisted on watching all the videos first. In each of them, the heroine did more and more monstrous things with her leg, and, finally, on the last screen, in a film a little more than the usual fifteen seconds, she just sat and stared at her leg, from which there was almost nothing left, only a smooth white bone from knee to ankle. The foot was intact and seemed like an incomprehensible process on the pale long leg.
Now the expression on Jennifer’s face became even stranger: exhausted, exultant pain, as if the girl had finally clearly proved something to someone.I looked at the booklet again, but what exactly the artist was proving to us was not explained there.
Rita obviously did not know this either. In a kind of silent numbness, she watched and watched the final plot, and only on the third circle shook her head again and, as if hypnotized, took a step to the side. My wife rushed to the far end of the room, where a large group of people were gathered around the metal frame.
There, obviously, was the central exhibit of the entire exhibition, what it was all started for, I thought, and the Passenger chuckled in agreement.For the first time, Rita was unable to crush your usual “Oh my God.”
Jennifer’s bone leg stood on a square plinth of unpainted plywood in a metal frame. This time, the whole thing, from the knee and below.
– Well, – I remarked. – At least we now understand that this is not a montage and not a focus.
“This is a dummy,” said Rita, but it seemed she didn’t believe herself.
Somewhere on the street, in the blaze of the lights of the most beautiful city in the world, church bells were ringing eight.However, here, in the small gallery, there was neither beauty nor brilliance, and the ringing of the bells seemed too loud – so loud that it even drowned out my familiar inner whisper, hinting that the most interesting was ahead. Nevertheless, I listened to the hint and turned around in search of something new (after all, I’m used to the fact that this voice is almost always right).
The atmosphere is noticeably heated. As soon as I turned around, the door flew open and Jennifer herself entered, sparkling with sparkles.
Until now it seemed to me that the exhibition was quiet, but compared to the silence that followed now, a real carnival was raging here before.Jennifer hobbled into the center of the hall on crutches. Her face was pale and gloomy. A dress of feathers dangled from his emaciated body, and his steps were slow and hesitant – it seemed, from not being used to crutches. The stump in place of the freshly cut leg was wrapped in a white bandage.
We were standing at a pedestal with a bone. Jennifer hobbled past us, and Rita staggered back, so as not to touch the one-legged girl. I looked at my wife – she turned pale and barely breathed.
The crowd of spectators, just like Rita, parted, and Jennifer finally reached and froze in front of her own leg.She stared, looked for a long time (it’s like the whole audience suddenly forgot how to breathe), then suddenly you put a crutch out of one hand, leaned closer and stroked the bone.
– Beauty!
I turned to Rita, wanted to joke that “ars longa” *, but I was late.
Rita fainted.
______________________________________________________ ___________________
* Fragment of the catch phrase “Ars longa, vita brevis est” – “Life is short, art is eternal” (lat.).
Chapter 3
We arrived home in Miami on Friday night, two days later. Vicious passengers walked all over the airport, shoving each other at the luggage belt, and tears welled up in my eyes. Someone tried to drag Rita’s suitcase off the tape, barked at me when I took away her property … Welcome home!
And even if I didn’t have enough extra sentimentalism, I received mine in full literally on Monday, on the first working day.I got out of the elevator and immediately bumped into Vince Matsuoka.
– Dexter! He cried. – Have you got the donuts?
What a hearty greeting . .. that means they missed me here! If only I had a heart, I would appreciate it fully.
– I don’t eat donuts anymore. Now – only croissants *.
– What? Vince blinked.
– Je suis Parisien **, – I explained. He shook his head.
– You didn’t bring donuts in vain. In the morning they summoned to South Beach, there is some kind of game going on, on the beach, and donuts in the area are not available.
– Quel tragique ***, – I sympathized.
– Will you be like this all day? – offended Vince. – Because we are still oh how far away from the evening …
That day really dragged on. On top of that, there are journalists and onlookers in three rows behind the yellow police tape that encloses a stretch of beach on the southern tip of South Beach. I was sweating as I made my way through the crowd that surrounded the scene. There, on the sand, twenty feet from the bodies, Angel Batista was crawling on his knees, looking for something invisible to mere mortals.
– How are you? – I greeted.
– Until she gave birth. He didn’t even look up.
– Well, well. And Vince said some kind of game is going on here. He narrowed his eyes, leaned even lower towards the sand.
– Aren’t you afraid of sand flies? – I forged it. Angel just nodded and announced:
– They weren’t killed here. From one blood … – He peered. – No, it’s not blood.
– I was lucky.
– And yet, – added Angel, with tweezers picking up something microscopic in a transparent bag prepared in advance.- They also have … – And he fell silent, but this time not because he was absorbed in his mysterious activities with invisible objects, but as if looking for words so as not to frighten me ahead of time. There was a rustling in the silence between us, as if something were spreading its wings in the dark depths of Dextermobile.
– What? – I could not resist.
Angel shook his head slowly.
– They were .. . decorated. – From these words, the spell over him seemed to dissipate; my colleague briskly jumped up from his place, glued a transparent bag, carefully put it aside and sat down on his knees again.
If he is not going to explain anything to me, then he will have to go and find out what everyone is so ominously silent about. And I walked another twenty feet forward to where the bodies lay.
Two bodies, male and female, slightly over thirty. Selected clearly not for beauty. Both are pale, puffy, hairy. They have been carefully laid out on colorful beach towels, a favorite among tourists from the Midwest. A kind of carelessly opened book sat on the woman’s lap (a lady’s novel in a flashy pink cover, so beloved by Michigan on vacation): “Vacation Season.”The most ordinary married couple on the beach.
To emphasize the pleasure they were supposed to experience, translucent plastic diving masks were glued to both faces; from the mask, the human face turns into a huge fake smile, but the real face is still visible through the plastic. Miami, the city of eternal smiles!
But these two beach-goers had a somewhat strange reason to smile, so strange that my Dark Passenger burst into croaking laughter.The bodies were opened from the ribs to the abdomen, and then the flaps of skin were pulled apart, exposing the insides. I guessed even without the joyful hiss of my dark friend that the insides were not quite ordinary.
Someone took out all the usual entrapment (a good start!). No sticky guts for you, no bloody mess. No, all the terribly disgusting dirt was removed from there. And then the female body cavity was beautifully and tastefully turned into a basket of tropical fruits, like those with which hotels welcome special guests.I noticed a couple of mangoes, papayas, a few oranges and grapefruits, pineapple and, of course, bananas. The ribcage was even tied with a bright red ribbon, and the neck of a bottle of cheap champagne protruded from the depths of a fruit vase.
The man was decorated with somewhat more frivolous and dissimilar objects. Instead of a bright and pretty platter of fruit, his exposed belly was filled with giant sunglasses, a snorkeling swim mask, empty tanning lotion tubes, and a box of traditional Latin American puff pastries.Amid all this wildness on the beach, there was a distinct lack of donuts. A brochure or magazine was stuck in the gutted cavity. I leaned closer, trying to see the cover: the South Beach Swimsuit calendar. The head of a sea bass protruded from behind the calendar: the fish opened its mouth in a kind of sinister grin, reminiscent of a plastic mask glued to the face of a dead man.
Someone was walking along the sand. I turned around.
– Your friend? – asked my sister Deborah, coming closer and nodding at the body.I should probably say “Sergeant Deborah,” since my job is to be polite to someone who has reached such a high position. Usually I am really quite courteous and can even ignore such tricks. But in her hand my sister was holding something that instantly neutralized all my politically correct impulses. She managed to get a donut somewhere (with whipped cream, my favorite!) And now she took a huge bite. What an injustice!
– What do you say, brother? Deborah chuckled with her mouth full.
– I’ll tell you that you had to take a donut for me too! – I was indignant.
Deborah grinned, and I felt even more offended, because her lips were smeared with chocolate icing.
– I took it! – explained Deborah. – And then I got hungry and ate everything!
It’s nice when my sister smiles, especially since in the last few years she rarely did it (the smile was unimportantly combined with her favorite image of a cop). But this sight did not generate a surge of brotherly warmth in me – mainly because I never got the donut.However, exploring human nature, I learned that people tend to rejoice in the happiness of their neighbors, and tried to portray this as believably as possible.
– I’m very happy for you!
– You are not at all happy, you are sulking! Deborah objected. – Well, what can you say?
She stuffed the last of the donut into her mouth and nodded again at the corpses.
Of course, Deborah, unlike all other people on earth, had the right to count on my special skill – the intuitive ability to recognize the motives of such murders committed by sick and perverted animals, because she was the only relative of myself, the same sick pervert.However, the fun of the Dark Passenger gradually faded, and I did not wait for any special clues as to why the madman wanted to decorate the corpses with such a greeting to our entire society. I listened for a very long time and intently (pretended to study the bodies), but I did not hear or saw anything – only an irritated cough was barely audible from the gloomy depths of Dexter’s chateau. And Deborah was waiting for an official statement from me.
– All this is somewhat pretentious … – I squeezed out.
“Wow, that’s a word,” she snorted.- And what the hell does that mean?
I hesitated. Usually I easily delve into the essence of absurd murders: my special insight in matters of this kind tells me exactly what twists of the subconscious have led to the appearance of certain human remains. But in this case, I did not understand anything. Even a professional like me is not omnipotent; Neither I nor my inner assistant had any idea who needed to turn the ridiculous fat woman into a fruit basket.
Deborah looked at me expectantly, and I was afraid to blurt out something stupid – suddenly my sister would take her for a shrewd guess and go to the wrong steppe.On the other hand, my reputation required me to express some kind of competent opinion.
“Nothing definite,” I began. “It’s just …
And he hesitated because he realized that I was going to give out a really correct guess. The passenger chuckled approvingly in agreement.
– Yes, tell me already! Deborah demanded in her usual irritated tone.
What a relief!
“Everything here was done with cold calculation, although usually in a different way,” I explained.
Debs burst out laughing.
– “Usually”! For whom is it usually – for you, or what ?! So, so, let’s go to the individual … Okay, let’s go.
– Usually for those who are capable of this. You need some kind of passion, some kind of sign that the one who did it, it was … um … it was very necessary to do just that. But here it is different. Kind of like … “What else can I have fun with?”
– Do you think this is entertainment? She asked. I shook my head angrily – my sister clearly did not want to delve into my words.
– No, I’m trying to explain to you! The entertainment should be the murder itself, this is always evident from the corpses – and here everyone started not for the sake of murder, this is only a way to achieve something.A way, not a goal … Why are you looking at me like that?
– So this is how you feel … – she held out. I was somehow even confused … it’s me, impudent Dexter, who won’t go into his pocket for a word! Deborah was still struggling to get used to who I was, who her father raised me to be. And I perfectly understood how difficult it is for her to accept all this in everyday life, especially at work … after all, her job was to track down people like me and send them to the electric chair.
On the other hand, such conversations were given to me, oh, how hard it was. Even with Deborah … it’s like discussing oral sex with your own mother. In general, I decided not to intrusively change the subject and said:
– You see, the main thing here is not the murders themselves, but what they did with the bodies further.
Deborah stared at me for a minute, then shook her head.
– I would like the hell to understand what you mean … – she drawled. – But even more I want to find out what’s going on in your head!
I took a deep breath and let it out slowly. The hiss reminded me of the sounds that my Passenger used to make, and it calmed me down a little.
– Listen, Debs! – I tried again. “I mean, it’s not the killer we got. Our hero loves to play with dead bodies, not with living ones.
– Is there a difference?
– Yes.
– But he still kills? – she asked.
– Apparently.
– And will most likely kill again?
– Probably, – I confirmed, drowning out the mocking inner confidence, heard only by me alone.
– So what’s the difference? Deborah insisted.
– The difference is that the murders will take place in different scenarios. It is not clear neither when he will kill the next time, nor who, it is not clear at all, which usually helps to catch the killer. All that remains is to wait and hope for good luck.
– Damn! I never knew how to wait.
A little away from the scene of the crime, at the parked cars, there was an incomprehensible bustle, and someone heavy shuffled breathlessly across the sand in our direction.Detective Coulter.
– Morgan, – he puffed, and we both responded:
– Huh?
“Not you,” he told me. – And you, Debbie!
Deborah grimaced – she hated being called Debbie.
– What?
“You and I are partners in this matter,” he said. – The captain said.
“I’m already doing it,” Deborah objected. “I don’t need any partner.
“We need it now,” Coulter said and took a sip of soda from a huge bottle.- Found more similar to these … In the “Elven Gardens”.
“Lucky you,” I remarked, turning to Deborah, and when my sister glared viciously, I added: “Now you won’t have to wait!
_________________________
* Croissants, bagels (fr.).
** I am a Parisian (fr.).
*** What a pity! (fr.)
The text of the novel was kindly provided by the publishing house AST.
HockeyOpt
Original review can be found at icehockey360. ru
Since 2016, Graf has structured its product range and currently offers three product lines. Overload is a family of classic skates. It includes three models: G735, G709 and G703, differing in the shoe, which can be seen on the slide below.
Overload line of skates.
Three models of the Overload line of skates
The Technology family – skates made with a modern design approach and high-tech materials.The line includes seven models: G35, G1035, G3035, G5035, G7035, G8035 and the flagship G9035, an overview of which you can find at the link.
Technology line of skates.
The brand’s freshest product is the PeakSpeed line. It includes five models of different levels: PK1100, PK2200, PK3300, PK4400 and the top-end PK7700, which will be discussed in this material.
PeakSpeed line of skates.
The flagship of the PeakSpeed line is the PK7700.
The first thing you notice is the unusual design for Graf. Light green has always been the signature color for the Swiss brand. In the case of PeakSpeed, the decision was made to use a more aggressive red, which should emphasize the high dynamic characteristics that the manufacturer has endowed with these skates. Not everyone liked the new design. Personally, I think that the design came out quite restrained, as befits Graf.
Outside of the ridge.
Inner side of the ridge.
Front part of the ridge.
Heel part of the ridge.
The main feature of the PK7700 model is their low weight, and it is this characteristic that the manufacturer focuses on. So skates in size 8R (R – regular (standard boot fullness), W – wide (increased boot fullness)) weigh 780 grams. Of these, boots – 537 g., A glass (Cobra 5000) – 122 g., blade – 121 gr.
The weight of the different parts of the PK7700 skate in size 8R.
My copy in the size 10.5R already weighs exactly 900 grams, and the blade for a glass of size 288 weighs 135 grams. For skates of the Graf brand, the weight is very low, but in comparison with competitors it is not a record (for comparing this indicator, I propose a table).
The weight of the PK7700 model in size 10.5R is 900 g.
Model | Size | Weight |
Bauer Vapor X: 60 | 10.5D | 922 gr. |
CCM U + CL | 10D | 914 gr. |
Bauer Vapor X7.0 | 11EE | 998 gr. |
Reebok 11K | 10D | 935 gr. |
Reebok 20K | 10D | 920 gr. |
Bauer Supreme TotalOne NXG | 10D | 815 gr. |
CCM RBZ | 9.5D | 859 gr. |
Reebok Ribcor | 10D | 946 gr. |
Easton Mako | 10D | 926 gr. |
CCM Tacks | 9.5D | 878 gr. |
Easton Mako II | 10D | 950 gr. |
CCM Ribcor 50K | 10D | 1023 gr. |
Bauer Vapor 1X | 9.5EE | 881 gr. |
CCM JetSpeed | 9. 5D | 808 gr. |
Bauer Supreme TotalOne MX3 | 10D | 842 gr. |
Graf Ultra G9035 | 10.5D | 1000 gr. |
Bauer Supreme 1S | 10D | 884 gr. |
CCM Super Tacks | 10D | 886 gr. |
Such a low weight was achieved due to the use of composite material in the construction of the boot. Its structure is very similar to what we saw in the CCM RBZ and JetSpeed skates: mesh-reinforced polymer. The heel, boot contour and heel are trimmed with synthetic material of impressive thickness. The smooth, glossy surface will pick up damage easily, just like Reebok skates did. In the area of the upper four eyelets, the manufacturer has placed an overlay of dense matte synthetic leather, which should keep the boot from rubbing with the shin guards (if the player uses a fit over the protective tongue and boot).
Construction materials of the boot.
Composite shoe structure.
The upper edge of the boot has a comfortable overlay – Flexfit Collar. The wall of the boot is wrapped in a layer of medium foam and covered in soft Clarino. Compared to competitors’ solutions, the Graf version feels much softer, allowing for an even more comfortable contact between the boot and the player’s foot.
Flexfit Collar.
The joint of the sidewall of the boot and the plastic toe has a traditional design and is significantly different from the pattern that the manufacturer used in the G9035. Two elements are simply stitched together in four lines, without the use of special stops and reinforcement. In this case, the joint has an average rigidity or slightly higher, which allows you to count on an appropriate level of protection when the puck hits this area. Although, as practice shows, hitting the joint is always quite painful even in skates with a very rigid structure, as in the Super Tacks model from CCM.
Joint of the plastic protection of the toe and the wall of the boot.
In the photo you can clearly see the pointed heel part of the boot, which forms a kind of pocket under the heel of the foot. A similar shape is obtained due to the fact that the boot is made of two separate sidewalls, which are connected in the heel part (vertical seam).
Wedge-shaped heel of the boot.
Wedge-shaped heel of the boot.
The heel of the boot has a modest thickness. Its construction includes only a thick layer of glossy synthetic material, reinforced with a semi-rigid insert inside (flexible plastic). It contacts the user’s foot through a very thin layer of foam. There is no special hinge for folding the backdrop, but thanks to its thin design, folding occurs without much effort. As a result, the movements are quite free.
Boot heel construction.
Boot heel construction.
The plastic toe cap is made of Grilamid branded impact-resistant material. The lower part, on which the manufacturer’s name is applied, has a smooth surface, the rest is rough with a rough texture. The shape of the visor is reminiscent of those previously used in Reebok and CCM skates, with a distinctive rounded shape for a tighter fit.
Plastic finger guard design.
A tongue is sewn to the plastic protection of the sock: it is based on white felt 5 mm thick. On the outside, it is lined with dense synthetic materials, which we have already seen as materials for the exterior. The inner filling of the tongue has an asymmetric pattern: the padding of medium density foam on one side is twice as large as on the other. According to the manufacturer’s idea, this should help to avoid its displacement during tightening and operation. Controversial decision: there could be more foam, since there is no dense / rigid foam or plastic in the structure.For many it will be surprising, but similar protective elements were absent in the G9035 model. To be fair, I would like to note that there was much more foam in the last one, which puts the PK7700 variant in a much less advantageous position. Fighting weight is a good thing, but if I were considering these skates as the main ones, then the first thing I would think about was strengthening the tongue and secured a rigid plastic insert in front. This would increase the level of protection when hitting the washer and reduce the intensity of the lacing pressure on the rise.
Form of plastic protection.
The base of the tongue is a layer of white felt.
Two-material outer protective tongue.
External finishing of the tongue.
The lining of the boot is made of several materials. The heel and top edge of the boot are covered with Clarino, which has a rough and grippy surface. The main part is occupied by a gray hydrophobic liner, which repels water and dries quickly.At the same time, I would note the low tenacity of the material, which becomes even lower when wet. All this reduces the degree of contact between the player’s foot and the boot. Of the positive properties, it should be said about the comfortable surface of the main finishing material, which is practically unable to rub the foot.
Boot lining.
Boot lining.
Boot lining.
A unique feature of the PK7700 is the plastic toe cap.We’ve already seen a similar solution in the Easton Mako / Mako II skate, in which the surface above the toes was padded with a soft material for a tighter fit. In the PK7700, soft silicone (1-2 mm thick) is located over the entire inner area of the plastic toe. This finish improves both comfort and protection. Dwelling on the last point, it is worth noting that the protection is of a sufficient level: despite the rounded shape of the shield (the probability is higher that the blow will go on a tangent), the blow is tangible. This has already become a recent trend: skates cannot provide full protection and you need to be prepared for the fact that every frontal blow of decent strength will be unpleasant.
It should be noted that the foam layer in the ankle area is very thin and at the same time the padding is not very dense: everything is done to save weight. After thermoforming, the position of the lateral and medial ankles is almost invisible in the foam.
The volume of foam in the heel of the boot.
The skate comes with very simple and unremarkable, hydrophobic coated medium density foam insoles that don’t even have a drain hole. But, if this is important, then you can do them yourself.
Standard insoles.
The sole of the boot is made of thick plastic, which looks rather strange if you want to save weight as much as possible. The plastic has two large drainage holes to help drain moisture from the boot, many holes and cutouts to facilitate construction.
Thick plastic sole.
The outsole is already made of composite material. It’s thin and has cutouts under the glass posts – another way to keep your skates lighter.
Outer cover made of composite material.
The outer composite escutcheon is very thin.
Model PK7700 was my first opportunity to get acquainted with Graf’s signature glass – Cobra 5000.Their distinguishing feature is their low weight (they are positioned as the lightest glasses on the market, but I am sure that the difference between them is not so great) and frost resistance, which makes them the best choice for outdoor use. The glass is riveted to the boot with 14 rivets, four of which are copper (the RMS bolting system was abandoned due to weight savings – the RMS system requires a thick sole). I noted that some of the rivets have a hole nearby, as I understand it, drilled by mistake.Still, skates are made by hand.
The glass is fastened to the boot using rivets.
The plastic used for the glass is more similar to the one used by Reebok / CCM in the E-Pro. I draw conclusions only on the basis of tactile sensations and how softly they perceive impacts and how easily they are cut.
The size of the glass (aka the size of the blade) is indicated in the heel.
All glasses on the market are distinguished not only by the material from which they are made, but also by the way of fastening the blade.The Cobra 5000 uses a circuit that is reasonably similar to that of Bauer’s Tuuk LS2 cups. In front, the blade clings to the plastic with a spike, and in the back part a special hairpin is used, which does not go into the boot, but into the end part of the rear rack of the glass. To fix it, a special sleeve is screwed onto the stud, for tightening which a screwdriver is used. The advantage of this scheme over the version from Bauer is that the blade (theoretically) can be changed without removing the skate from the foot, as well as in easier access to the mount: a regular screwdriver is enough, while to work with Bauer fasteners, you need key on a long leg.
Mounting the blade in a glass.
Blade mounting system.
Blade mounting system.
Of particular interest is the blade installed in the glass – Cobra 2.0 Ti. Their feature is the deposition of titanium particles, which makes the edge harder. The spray protects it from damage, which increases the interval between sharpening. The blade has a matte surface and a radius of 10 ft.
Cobra Blade Weight 2.0 Ti in the size 288 – 135 g.
Very often I am asked the question: which glasses are better and why professionals often put a different model from their native one. Everything is very simple, each glass has its own geometry, where the most important parameters are height and slope. The skate boot is responsible for the comfort of the fit, and all the riding habits are preserved in the glass. That is why the players put their usual glass on a comfortable shoe of some new model, so as not to catch a sense of balance again and not to waste time on adaptation.You can see the differences in the geometry of the glasses by following the link. In the case of the PK7700, it is not only the glass that sets the tilt, but also the blade. At the same time, this bundle gives the smallest possible slope in the market.
Graf PeakSpeed PK7700 Skate Scheme.
Skate diagram Graf G9035.
Going directly to my operating experience, it is worth talking about the reasons why the skate test turned out to be incomplete. In fact, there are two of them and both of them are associated with the last of the boot:
1.The depth of the boot is too deep (boot for high instep). With a low to medium instep (Bauer Vapor and Supreme are great, the Nexus is already too deep), my foot, like in the case of the G9035, does not press in the midfoot and heel of the sole of the boot. All this leads to its separation during skating, which makes it difficult for me to control the skates. By the way, the G9035 and PK7700 have a deeper boot than Bauer’s Nexus family.
What is the depth of the boot.
2. The PeakSpeed line skate boot has a fairly narrow mid and heel portions with a fairly wide forefoot (in full R they sit on my foot with a small margin – coefficient 2.76). The problem lies precisely in the middle of the boot – a caliper is integrated into it, which should support the high arch of the foot. Comparing the soles of the PK7700 and CCM JetSpeed skates, we can see that even compared to the very narrow heel and midfoot model, the Graf model is even more compact.The flat platform passes into the wall of the boot, which supports the arch of the foot. In my case, the foot in this area is wider than the flat part and it turned out that the rigid caliper rests on the sole of the foot, causing a feeling of squeezing.
Narrow middle section of PK7700 skate boot.
Width of the narrowest part of the sole in the middle of the boot.
All these difficulties, which directly influenced the operation of skates, remind once again that skates should be chosen, first of all, for the anatomy of the foot.As a result, the model / line that you originally wanted to purchase may not be suitable at all. By being principled in this matter, you can get serious problems during operation, to the point that you cannot use them at all.
Skates designed by Graf Canada.
Most of the questions about the PK7700 model were related to the stiffness of the boot: many were interested in the effect of such active weight loss on this parameter.We are already accustomed to the fact that Graf skates have to be massive and weighty. It is against the background of earlier models of the brand that the novelty really stands out for its low weight. If you compare the G9035 and PK7700, then the first will be 100 grams. heavier (exactly 1 kg. in size 10.5R), but it also offers a taller (see skate diagrams) and stiffer boot. However, speaking about Graf skates, one should rather speak not about stiffness, but about the density of the boot: they are traditionally not oak, but “tight”. For this parameter, I would place the PK7700 between the Reebok 11K and 20K skates.
Indication of completeness on the tag sewn to the tongue.
Indication of the size on the tag sewn to the tongue.
If the boot is divided into zones, then its lower part has increased rigidity, which makes it possible to more reliably protect the rib of the foot. Above, the boot is already less rigid: if you wish, you can even push it a little (as I said above, the PK7700 boot is not oak), and in the upper part of the wall it is quite easy to bring it together: you should be guided by the Reebok 11K and 20K models.In terms of defense, I was not able to fully test the skates. They hold the ordinary load normally, but hard shots into the side of the boot (interceptions of gears) and dense wrist throws showed that the highest level of protection should not be expected. The rule fully works: the lightening of any piece of equipment is most often due to a decrease in its rigidity, and hence its protective properties. They could have been increased with a more impressive layer of padding, but there is not much foam either.
Areas of the boot with different stiffness.
Ankle support when riding is consistent with the stiffness level of the boot. I would compare the PK7700 in this parameter to the Reebok 11K: the boot feels like a roll, especially after such incredibly hard CCM Super Tacks (even users of Bauer skates with a composite boot complain about their rigidity). For a high level of comfort, Graf offers a tighter (stretchy) boot that never digs into the tops of the foot, giving the player a soft contact with the skates.This is why many people choose not only Graf products, but also Reebok.
Outline of the outside of the boot.
Outline of the inner side of the boot.
Speaking of the fit of the boot on the foot, it can be called tapered: the boot actively tapers from the front to the heel. At the same time, there is an additional narrowing in the middle part, as roughly shown in the diagram below.
Approximate foot proportions for which the PeakSpeed family will fit.
A nice bonus to the PK7700 boot design is the ability to gently wrap the player’s foot: the upper edge of the boot along the entire eyelet line is actively pressed against the instep and smoothly wraps around the ankle. This gives the skate a nice snug fit and a great sense of control over them. I consider the wedge-shaped shape of the heel of the boot to be a controversial point: this cavity is not completely filled, which forms a small negative space that reduces the grip of the foot with the boot. For the sake of fairness, I note that the reliability of fixing the heel is more influenced by the correspondence of the depth of the boot to your instep. Ideally, the lacing will securely press the foot against the sole of the boot.
While the PK7700 is similar in height to the Bauer Vapor and CCM Ribcor, which I consider to be quite maneuverable skates, the flagship PeakSpeed is more ankle-tight. The fact is that the Vapor and Ribcor have a certain taper of the boot, which provides the ankle with additional mobility.The boot of the PK7700 skates is tightly pressed against the leg along the entire height, which creates a certain feeling of stiffness. This effect can be neutralized by lacing: if you do not lace up all the eyelets. But this will further increase the load on the ankle.
Due to the mismatch of the boot lasts for my foot, it is quite difficult for me to talk about the intricacies of riding: you feel very uncomfortable and insecure. It is very difficult to assess the dynamics and maneuverability of skates, when during skating the heel constantly comes off the sole and discomfort arises in the foot.I can note that the heel does bend while rolling, but not as smoothly as it is implemented in the Supreme line from Bauer and Easton Mako. This is more important for those who are accustomed to making wide free steps when riding or who rolls a lot with their backs forward.
Finishing off the conversation about skating PK7700, it is worth sharing your impression of the Cobra 5000 glass bundle + Cobra 2.0 Ti blades. For all the time, I have had the opportunity to use almost all types of glasses available on the market. I think that is why I have not experienced any difficulties with the signature glass of Graf.It feels like it’s gently sloping and with minimal slope and this causes minimal imbalance. Having extensive experience in operating different models, it is already very difficult to objectively assess the complexity of the transition from one cup model to another. I can only say that the transition was very easy for me and turned out to be absolutely imperceptible: I got up and drove off. In terms of blades, they feel very similar to traditional models such as Bauer’s LS2 and CCM’s SB Black. Even the structure of the ground surface makes it possible to draw parallels between these glands.At the same time, they do not seem so knurled, since the edge is more tenacious and harder: the sharpening really lasts longer than in the models mentioned above. In order not to damage the coating, I recommend removing the burr after sharpening with a soft single wire with a ceramic slingshot, or carefully remove it with a bar directed to the edge at an angle, acting on the very bottom of the blade.
The thermoforming process for the PK7700 skates is no different from what I described in the review of the G9035 model.Follow the link and follow this procedure by analogy. The shape of the PK7700 boot is slightly better than the G9035, which is expected, since the boot wall of the flagship of the PeakSpeed line is less massive. It bends better, which allows you to more effectively follow the contours of the foot.
The PeakSpeed line matches the Graf Parallel Skate family. You need to measure the parameters of your foot and choose the size based on the tabular data. You will also find recommendations in choosing the size and completeness in the review of the G9035 model at the link.
Summing up, it is worth noting that the main difference between the two families of Graf skates is not the weight, but the last, and this is to be expected. If we take into account that the boot in the G9035 is taller and wider (middle and heel parts) with a more powerful wall, then under equal conditions the difference would be even less than 100 grams. In terms of fit, the two rulers have comparable forefoot widths, but the G9035 offers a wider midfoot and slightly bulkier heel. The differences are really significant. So the model G9035 came up to my foot, but it is not ideal in terms of the depth of the boot either: the instep is too high, which also leads to the separation of the foot in the heel.
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STX Blog | What’s the Difference Between Mesh and Traditional Pockets?
Hey there.
Let me start by introducing myself. My name is Charlie and I’m a self-proclaimed, all-out stringing enthusiast. I’m been a stringer for the women’s game for five years, specifically international play, working closely with Team England and Team Scotland. My work has also appeared on the rosters of more than 20 other national teams at major championships. Working with STX has meant that I’ve been able to use lacrosse to travel and meet some of my favourite players and people in the sport.
Hanging with some of my favorite Team England players, including Claire Faram and Laura Merrifield.
As you read this, World Lacrosse sits on the edge of passing a major overhaul that could revolutionize the women’s game in unprecedented ways. Okay, maybe that’s a tad dramatic, but it’s true that we haven’t seen a change with such massive potential impact in decades.
Last year, the United States approved the use of mesh pockets for women and now World Lacrosse (previously the FIL) is considering a rule to approve the use of mesh and previously non FIL-approved pockets for international play.
For players across the world, this means there’s a whole host of pocket options newly available to them. As always, with more options come more questions: Is mesh the right choice for your game? Is there a way to mix the best of the traditional pocket with the efficiency and ease of the mesh pocket? How do you even string a mesh pocket?
Hanging with the squad in the States at STX’s HQ.
My hope is that this short piece will help you gain a better understanding of the mesh pocket, answer a few of those burning questions and encourage the skeptic in all of us to give it a go.
Before we get into it, let me clarify — mesh is by no means new. In fact, it’s been a staple of the men’s game for years. So, it’s about time women had the opportunity to weigh in and benefit from this major innovation…
Your style, your choice
STX Pocket Line-up: Crux Mesh Pro, Crux Mesh, Traditional & ProForm.
There are a variety of options available to you depending on your style of play and how much time you like to spend customizing your pocket.
The Crux Mesh Pro is a full mesh pocket and provides a ‘fit-and-forget’ approach. After some initial tweaking to ensure the pocket sits within the legal requirements, you’re set. The most common adjustments are as simple as retying the bottom string or adjusting the shooters in order to tighten up your release.
Spotlight: Crux Mesh Pro.
The narrower 7-diamond Crux Mesh offers a bridge between a more traditional set-up and a full mesh pocket. Pairing the narrow pocket with leather runners provides a stiffness that accentuates the mesh channel. Maintaining the pocket simply requires adjusting the bottom string and keeping tabs on the leathers to ensure the channel stays defined.
Spotlight: Crux Mesh.
Putting durability to the test
While our signature downcast and rainy weather has inspired many a great music lyric and movie scene, the constant mix of cold and wet can do some serious damage to sports equipment. But you’re in luck! Mesh is water-resistant and more durable than traditional materials. Especially for players in the UK, this means your pocket will last longer and sustain performance through bad weather, maintaining its grip on the ball. And with the Crux Mesh Pro option, you don’t have to worry about your leathers rotting after many a rain game. Bonus: In addition to enhanced durability features, the mesh pocket is lighter than a traditional set-up!
The learning curve
So, what are the cons? Not going to lie, when mesh was first approved in the States, the stringing purist in me was dead-set against it. It wasn’t until I rocked up to LaxCon and the team threw me a Crux 600 and a piece of Crux Mesh that I started to explore and embrace the possibilities.
One of my favorite weekends of the year — LaxCon. Find me in the zone at the Stringers’ Union.
Of course, with these possibilities comes a bit of a learning curve, but it doesn’t take long to adapt to the ease and efficiency of a mesh set-up. Check out this video with Liz Hogan for some quick tips and mesh stringing hacks.
A sweet spot that stays
When strung properly, mesh provides a strong, consistent sweet spot — it doesn’t bag out with time and use, and the resulting channel ensures a smooth release. Because of the sweet spot, you’ll find that you’re able to dangle the head further back than you can safely do with a traditional set-up. And when working the stick around the side, you’ll find the mesh hugs the ball securely. For players looking to perfect that sidearm low-to-high corner stinger, this makes a huge difference.
Swap-easy
Finally, a mesh pocket is removable, so if you unfortunately rip your mesh or a string, repair and replacement is cost-effective and doesn’t require an entirely new head. You can keep your signature head with all its personality and memories!
Still not convinced? For a complete breakdown of all your traditional and mesh pocket options, What Kind of Lacrosse Pocket Should I Get? is a must-read!
8 Things You Need to String a Lacrosse Head (With Images) – Lacrosse Pack
So you finally took the initiative to string a lacrosse head on your own. Great! The first hurdle that you have to climb is figuring out what materials you actually need to string a lacrosse head.
The essential materials for stringing a lacrosse head are listed below:
- Unstrung Lacrosse Head
- Mesh
- 22-24″ Top String
- 22-24″ Side Wall Strings (2)
- 6-8″ Bottom String
- Shooting Strings
- Scissors
- Lighter
- Pliers (optional)
Now that you know what these required stringing materials are, I assume you want to know what these materials actually look like. I provided pictures for each of the stringing components listed above so that you know what to look for when actually purchasing these materials. Keep reading further to take a look at these detailed images.
Appearance & Function of the Materials Needed to String a Lacrosse Head
In this section, I will provide a definitive explanation of the physical characteristics and function of each of the materials you need to string your lacrosse head. The subsequent descriptions and images will help you to easily identify the signature characteristics of each of these items prior to purchase.
1.) Unstrung Lacrosse Head
Description: The unstrung lacrosse head is comprised of plastic, enclosing an open face where the pocket will ultimately be. Furthermore, there are a succession of deliberate holes along precise sections in the plastic material. This is totally normal.
Lacrosse heads can either be bought pre-strung or unstrung. If your lacrosse head is currently in the pre-strung form, you will have to strip the strings off until your head resembles the image above.
Be mindful when severing the stringing materials from the lacrosse head, as you may wish to reuse certain materials later down the road.
Function: The unstrung lacrosse head supplies the framework for the eventual lacrosse pocket. The holes fabricated along the plastic of the head serve as anchoring points for where the mesh will be fastened to the plastic head.
2.) Mesh
Description: The mesh is the nylon material that has a series of diamond configurations throughout the entire structure. These diamond configurations vary depending on what type of mesh you choose to implement into your lacrosse pocket. Certain mesh diamond structures may appear larger, whereas other mesh diamond structures may appear smaller.
The most common type of mesh is 10 diamond mesh. It acquired its name because the maximum amount of diamonds per row in the mesh is ten.
The number of diamonds alternates every row. The first row consists of ten diamonds, the second row consists of nine diamonds, the third row consists of ten diamonds, and so on. This type of mesh comes equipped with fifteen “ten diamond” rows.
Function: The mesh forms the foundation of the lacrosse pocket. This is the portion of the pocket where the ball actually sits in the lacrosse head. The diamond configurations of the nylon material influence how the ball is retained and thrown from the pocket. Particular mesh structures and mesh materials affect ball retainment and throwing capability to varying degrees.
3.) 22-24″ Top String
Description: The top string is a 22-24 inch thin strand of nylon string. The top string occasionally has a plastic tip on the end of the nylon strand. Otherwise, it is standard for the end of the nylon strand to be burnt.
Take care that the top string is at least 22 inches prior to stringing your lacrosse head. If you use a string that does not meet this length requirement, you may find halfway through the stringing process that you do not have enough material to finish up the job. It is far better to have excess length on the top string than not enough.
Occasionally, two nylon top strings are needed for more advanced top string techniques. For stringing novices, I would recommend first mastering the basic fundamental top string. As you progress along your stringing journey, then I would begin to experiment with more advanced stringing techniques that require the use of two top strings.
Function: The top string secures the top of the mesh to the top of the lacrosse head, hence the term top string. The top string must be extremely taut in order to fasten the mesh tightly to the head. If the top string is too loose, the ball will click off the plastic part of the lacrosse head and reduce accuracy.
As previously mentioned, certain top string techniques require two separate nylon strings. The theory is that the use of two nylon strings better fastens the mesh to the top of the lacrosse head, resulting in improved accuracy.
4.) Side Wall Strings (2)
Description: Just like the top string, the sidewall strings are 22-24 inches in length. As opposed to the top string, there are two side wall strings rather than just one. Certain side wall strings also come fitted with a plastic tip, whereas others just come fitted with a burnt tip.
Again, make sure these sidewall strings meet the length requirement. You do not want to have to restart the sidewall stringing process midway through.
Function: The primary function of the side wall strings is to securely fasten the sides of the mesh to the lacrosse head.
The secondary function of the side wall strings is to allow for complete pocket customization. There are an array of knots that can be used to make your own unique side wall stringing pattern.
Each type of knot influences the pocket in a different way. For example, certain knots allow the ball to sit deeper within the pocket. Other knots make the pocket shallower. The sidewall pattern that a stringer elects to use can help to accentuate particular play styles. For this reason, many stringers in the lacrosse community consider the side wall strands to be the most important aspect of the pocket.
5.) Bottom String
Description: The bottom string is the shortest of the thin nylon strings needed to string a lacrosse pocket. The length of the bottom string is typically 6-8 inches.
It is common for stringing novices to confuse the bottom string with the top string and the side wall strings despite the difference in length. This is why I harped on utilizing the correct length for the top string and the side wall string before. If you mistakenly use the bottom string as the top string or the side wall string, it will cause problems later on.
Function: The main purpose of the bottom string is to secure the bottom of the mesh to the lacrosse head. Without the presence of the bottom string, the ball will simply drop out of the pocket to the ground.
Furthermore, how tight or loose the bottom string is a large determinant of how deep the ball will sit within the lacrosse pocket. A loose bottom string increases the depth of the lacrosse pocket, whereas a tight bottom string results in a shallower lacrosse pocket. It is crucial that you find the middle ground between loose and tight to ensure that the depth of your lacrosse pocket falls within the legal limits.
6.) Shooting Strings
Description: Lacrosse shooting strings can be comprised of nylon laces, synthetic, or cotton. These strings in particular are much wider than the thin nylon strands used for the top string, sidewall strings, and bottom string.
Generally, shooting strings are roughly the same length as the side wall, measuring anywhere from 22-24 inches. The length that players like to cut their shooting strings is highly variable relative to the fixed length of the top string or the sidewall strings.
Certain players prefer to keep their shooting strings lengthy to leave room for adjustment in the future. Other players prefer to cut their shooting strings short to prevent the ends from flailing around and disrupting their game play.
Function: The basic function of the shooting strings is to influence pocket hold and throwing accuracy. The placement and tightness of the shooting strings plays an integral role in how well the ball will stay in your pocket.
As a general rule of thumb, the lower the shooting strings are placed, the more pocket hold you will have. This also applies to the level of tightness of the shooting strings. The tighter the shooting strings are tied, the greater the pocket hold.
The degree to which your lacrosse pocket is able to hold onto the ball influences how high or low your lacrosse stick will throw. A greater degree of pocket hold prolongs the amount of time for the ball to completely release from the stick. The additional time of the ball remaining in the pocket translates into a lacrosse stick that throws lower.
For instance, say that your lacrosse stick is passing and shooting lower than you prefer. A quick fix to this problem would be to loosen up your shooting strings to reduce the hold of your pocket. This allows for an earlier throwing release, which translates into your lacrosse stick passing and shooting higher.
7.) Scissors
Description: Just a regular old pair of scissors will do.
Function: The scissors are used to clean up all of the loose string ends once the lacrosse pocket is finished. Loose lacrosse strings tend to thrash around during game play, especially when you are cradling. Most players choose to cut these strings short to avoid this problem.
Be careful not to cut the strings too short. It is better to leave a bit of extra wiggle room just in case you want to adjust some knots in the future.
8.) Lighter
Description: Any average lighter will work.
Function: The lighter is also used for cleanup purposes once the pocket is finished. After cutting the strings, most players burn the ends. This is to prevent the strand ends from frazzling.
The frazzling is more of a pet peeve than anything else. The majority of players do not find the frayed ends of lacrosse strings aesthetically appealing.
Pliers (Optional)
Description: A normal toolbox pair of pliers will work.
Function: Pliers help stringers to feed the string into hard to reach places. This was more of necessity in the early days of stringing when all of the holes on the lacrosse head were tiny. Nowadays, lacrosse companies have enlarged the openings on their lacrosse heads to better cater to stringers.
Description of the Various Types of Stringing Materials
As aforementioned there are distinct classifications for several of the stringing materials listed above. Each of these particular subcategories have their advantages and disadvantages. These strengths and weaknesses will be discussed below.
Mesh
There is an assortment of different lacrosse meshes that players have the benefit of choosing from. But what do these different meshes do?
Standard Hard Mesh: For years this mesh has been the go to choice for lacrosse players everywhere. This mesh is characterized by its nylon material and ten diamond rows.
This universal type of mesh requires a bit of a break in period, however, it is pretty consistent once it reaches game ready status. Standard hard mesh is also one of the cheaper options on this list.
Performance Mesh: Performance mesh is advertised as a superior form of hard mesh produced from higher-caliber materials.
This type of lacrosse mesh took the lacrosse world by storm after its initial release by StringKing. Since then, nearly every major lacrosse company has adapted their own version of performance mesh. Due to its supposed higher-caliber ingredients, performance mesh is a bit on the pricier side.
Soft Mesh: Soft mesh is exactly as it sounds. This type of mesh is softer than your traditional hard mesh. The main attraction of this mesh is that it comes game ready right out of the packaging. There is little to no break in period with this kind of lacrosse mesh.
The main problems with this mesh are its durability and consistency. The soft material used to manufacture this kind of mesh is not meant to stand up to season after season of abuse. Not to mention that soft mesh does not bode well with adverse weather.
6 Diamond Mesh: This mesh is defined by its nylon material and six diamond rows. Since there are so few diamonds per row, the mesh diamonds are substantially larger in this kind of mesh.
Certain lacrosse players prefer 6 diamond mesh because it offers a better feel when the ball is in the stick. This kind of mesh also has a relatively speedy break in period due to the large size of its diamonds.
The main drawback is that an advanced stringer is required to adequately integrate 6 diamond mesh into a lacrosse pocket.
Wax Mesh: This type of mesh has wax infused into the nylon material. The waxy material is meant to better stand up to the brutal elements of nature, such as rain or dirt.
This type of mesh was popular for a time when East Coast Dyes was first on the come up. Now this mesh has taken a backseat to performance mesh in popularity.
My Personal Recommendation: My personal favorite mesh is performance mesh. If you do decide to go the performance mesh route, be certain that you do your research before investing a substantial amount of cash.
Sidewall String
There are two common types of nylon to apply to your lacrosse pocket. What is the difference between these stringing materials?
Standard Sidewall String: This type of string is the typical kind of nylon utilized for you standard lacrosse pocket. The thickness of this string falls within the middle of the spectrum.
Crosslace: This type of string is commonly used for traditional pocket stringing jobs. This string is thinner than your average sidewall or top string. Although it is easier to thread this string through the holes on the lacrosse head, it comes at the expense of durability.
My Personal Recommendation: I would highly suggest working with standard sidewall string to create your lacrosse pocket. Although it may be tempting to use crosslace to ease the stringing process, the reduced sturdiness of the nylon strands is not worth it in my opinion.
Shooting String
There are three predominant materials used to produce shooting strings. These three different types of shooting strings are listed below.
Nylon Laces: The nylon lace is essentially a thicker version of the sidewall string. This type of shooting string is regularly used to move up the catch point of the pocket, forcing an earlier throwing release.
Additionally, nylon laces provide a characteristic snappy release. The ball snaps off of the nylon lace on its way out so that the player is able to “feel” every pass or shot they take.
Synthetic: The synthetic lace resembles a standard hockey lace, except it is made with synthetic material. Synthetic lace lie flat against the mesh. For this reason, there is no snappy release associated with these types of shooting strings. The throwing release is entirely smooth throughout.
Cotton: Cotton lace also resembles a standard hockey lace, except it is made with cotton material. Like synthetic lace, cotton rests flat on the mesh which results in a smooth release.
My Personal Recommendation: I almost always use cotton lace to string my lacrosse heads. I prefer to have a smoother release rather than a snappy release. Cotton laces are my preferred type of shooting lace over synthetic laces because I have had durability issues with synthetic laces in the past.
The Convenience of String Kits
Many lacrosse retailers sell all of the materials you need to get started on stringing your lacrosse head in one combined package. These string kits include all off the strings that you need at all of the correct lengths. So if the prospect of purchasing all of these stringing materials is too confusing, I would recommend buying a lacrosse string kit.
The underlying flaw behind this method is that you are not able to customize the mesh and stringing color way exactly to your liking. For this reason, you may want to skip out on the string kit if customizability is high on your list of stringing priorities.
Where to Purchase Lacrosse Head Stringing Materials
Every online major lacrosse retailer sells lacrosse head stringing materials. Here is a list of some reputable lacrosse sites to purchase lacrosse head stringing materials from:
- Stylin Strings
- Lax.com
- Lacrosse Monkey
- SportStop
- Lacrosse Unlimited
The Average Price of Lacrosse Head Stringing Materials
I collected price data on lacrosse head stringing materials from a few of the reputable online lacrosse retailers listed above. I compiled the data findings into the table below:
| Stringing Material | Price Range | Source |
| Lacrosse String Kit | $20-35 | stylinstrings.com |
| Mesh | $5-25 | lax.com |
| 26″ Piece of Top/Sidewall/Bottom String | $1 | sportstop.com |
| Shooting Lace (3 Pack) | $4 | lacrossemonkey.com |
Is It Worth It To Buy Stringing Material In Bulk?
At first, I would recommend only buying the necessary materials to string one lacrosse head. Stringing a lacrosse head can be a tricky endeavor. For this reason, some stringers give in to frustration and forego their stringing aspirations in the middle of their first try.
I would get a few stringing experiences under your belt prior to investing a large sum of money into excess stringing supplies. If you know for sure that you will be stringing lacrosse heads in the future for yourself and your teammates, then it would make much more sense to go ahead and buy in bulk. Stringing material price does drop markedly when you purchase them in the form of spools.
Sources: 1 2 3 4
CoachUp Nation | Lacrosse Mesh: 3 Types
When it comes to lacrosse sticks, every lacrosse player has his own specifications. Each aspect of the stick, from what color it is to what type of pocket it has, is tweaked according to the player’s personal preference. The first step to building your own individualized stick is choosing which mesh to use. There are three basic kinds of mesh: hard mesh, soft mesh and traditional. Here, we lay out the advantages and disadvantages of each type:
Hard Mesh:
Advantages: Overwhelmingly the most commonly used mesh; hard mesh gives you a quick release, provides decent ball control and is great in inclement weather. Hard mesh is consistent, reliable and effective.
Disadvantages: There aren’t many disadvantages to hard mesh, but some would say that it doesn’t provide as much ball control as soft mesh, and it takes awhile to break in.
Soft Mesh:
Advantages: The softness and flexibility of the mesh gives you great ball control and makes catching extremely easy. Good for beginners and inexperienced players.
Disadvantages: Terrible when it gets wet – only use soft mesh when it’s dry out. Water causes the pocket to “bag out” and makes it almost impossible to throw. Furthermore, the release and speed of your shots and throws will be much slower. While it is great for catching and cradling, soft mesh is inconsistent and unpredictable.
Traditional:
Advantages: Traditional mesh (strung with a combo of nylon and leather strings) is consistent, accurate, and when it is extensively broken in, it can provide great ball control. If you take your time to string it and break it in, traditional mesh is a great option.
Disadvantages: It’s hard to string, hard to break in and doesn’t do that well in the rain. Learning to string traditional, and string it well, takes a lot of time and energy that most players don’t have. If you can string it right, traditional might make you the happiest lacrosse player out there, but most people don’t have the time or the patience to give it a try.
The most important thing to remember when choosing mesh is that you have to go with what works best for you. It’s your stick and you’ll be the one playing with it, so try them all and pick the one that will bring your game to the next level.
Whether you are a lacrosse coach or an up-and-coming lacrosse player, be sure to check out the rest of our lacrosse articles and coaching resources to reach your full potential.
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90,000 Crepe fabric – what is it?
Crepe is a range of textile fabrics, each of which, regardless of the class of microfibers contained, has an interesting wave-like appearance, similar to the effect on paper of the same name, pronounced graininess or micro-texture. The degree of appearance of “graininess” can be very different, but all the canvases have one thing in common: they are made of high twist yarns.
Production features
The twist can be carried out both for one thread, and for a bundle in two or more folds with a degree from 1500 twists to 3600 twists per meter.For comparison, for smooth fibers, threads with a gentle twist are used: 120-150 turns per 1 meter for the horizontal and 200-250 for the warp. Also, their number is half (compared to crepe) in the threads of the marquisite group (600-1000 turns).
Thread twisting increases the tensile strength of the threads, including fatigue strength, by 20-30%. Finished products made from such threads have an increased density and have some stiffness to the touch. One of the goals of twisting is to create the so-called connectivity of the individual fibers.The multidirectionality of twisting and the complication of technology, which is often a trade secret of manufacturers, the use of deck and ring twisting machines leads to an increase in the cost of the production process and the cost of such fabrics is higher.
Typical characteristics, types of weaves and micro-composition
Crepe fabrics remain in demand due to a number of useful properties:
- Resistance to breaking loads and abrasion;
- crease resistance;
- slight change in dimensions after washing or dry cleaning;
- color fastness;
- high drape and versatility.
In terms of composition, crepe fabric is made from silk, viscose, cotton, and synthetics. All man-made fibers have such a characteristic as a critical twist, above which the strength of the thread decreases, therefore twisting is used less often. The twisting of synthetic fibers leads not only to a deterioration in quality, but also to a loss of characteristic gloss. On the other hand, matte and rough synthetic fabrics have become the innovative underground of recent Premiere Vision exhibitions.
crepe fabric, assorted colors
The first crepes were made from natural silk spider webs.At the same time, the rule was observed in the twist: the thinner the thread, the more turns. When the fabric is moistened and swollen, curls are formed from such a thread, which lead to the desired textural effect. In Marocin and crepe de Chine, the weft threads alternate according to the principle: two threads are left-handed and two are right-handed. A similar effect appears on viscose fibers, but acetate exhibits similar properties only in an atmosphere of water vapor at elevated pressure and temperature.
Crepe fabrics
Depending on the material, the degree of twist of the threads, the weaving and the method of processing, the surface of the textile (front and back) is different.The variety of productions gives many subspecies of crepe, depending on the manufacturer, each of which, protecting its own patent developments and trying to emphasize the features of the material, introduces its own name for the fabric.
In the Russian production nomenclature, only 6 types of “twisted” natural silk belonging to the crepe group are distinguished:
- Crepe de Chine : Lightly twisted raw silk on the warp and crepe on the weft in plain plain weave;
- crepe satin (crepe twill) : raw silk on the warp and four-strand crepe on the weft, weave type – satin or satin;
- crepe-chiffon : double-strand crepe on the warp and on the weft with plain weave;
- crepe-georgette : three-strand or four-strand crepe, warp and weft, waffle or plain weave;
- Faydeshin : two-core raw silk fabric and natural four-strand crepe with rep weave;
- crepe corrugation : three-strand raw silk on the warp and four-strand crepe on the weft.Weft threads of one twist direction.
Imported options:
- Chirimen : a traditional Japanese silk fabric, at the base of the threads (creped and low twist) alternate, which is uncharacteristic, and crepes – in the weft. After processing, a surface of bumpy-textured grains is obtained. Suitable for sewing kimonos, toys. She gained wide popularity thanks to the works of Itchiku Kubota, a Japanese artist who took kimono from crepe chirimen as a canvas.Having revived the traditional art of tsujigahana, Itchiko Kubota introduced modernity into it, using chemical dyes to paint fabric. Chirimen grains add additional depth to the paints of his collection “Symphony of Light”, give additional sharpness and expressiveness … Japanese manufacturers are also known for a number of semi-synthetic crepe fabrics based on polyester, an area especially loved by travelers – they are easy to care for and dry, not ironed with a sufficiently luxurious texture (for example tango-chirimen).Hama-chirimen does not have the luster of Western silks, but is skillfully used by artisans to create delicate Japanese wedding dresses with an exciting texture that connects waves and grains on a snow-white surface.
This is how Chirimen fabric looks like
and this is how the Chirimen plant used in the production of looks like
- “Roman” crepe de Chine : also from the Land of the Rising Sun, a variant of a silk granular surface, with the effect of an orderly grain.
- Chijimi : Japanese cotton header: dense, hygroscopic, comfortable and very unusual visually. Its main feature is that it is an elastic textile (not jersey) made of natural cotton. For the production of T-shirts, suits, trousers, bed linen; Suitable for prints and traditional shibori dyeing.
- Aerofan : silk “gauze” of tough ethereal aesthetics for appliqués, motifs, airy colors from 1830-1850 fabric in Great Britain and New Zealand.
- Albert-crepe : High quality mourning fabric (with a hint to Queen Victoria, who wore black until the end of her days after the death of her beloved husband). Produced since 1862. The influence of Great Britain was reflected in the French proverb “Put on a crepe under your coat”, which meant “to mourn”.
- Alpaca Crepe : A fabric made from rayon or acetate with a soft wavy texture reminiscent of the animal of the same name (not from alpaca wool!).
- Pad density: determines the width of the floss
- Gingival tissue contour
- Roughness of the interproximal surface
- Sleight of hand and customer preference: determine if additional device is required
- Type I – gingiva completely fills the embrasure space
- Type II – the gum partially fills the space of the embrasure.
- Type III – the gum does not fill the embrasure
- hand hygiene;
- rules for the care of lenses;
- Special rules for putting on and taking off rigid lenses;
- wearing time (at least 8 hours).
- Kable is a 100% natural yarn. It does not cause allergic reactions. It can be used to knit products for people with very sensitive skin, as well as for children. In addition, it has very high hygroscopic and hygienic properties. The skin breathes in them. It is very comfortable in products made from this yarn.
- High quality – this is why this yarn is so appreciated by lovers of hand knitting. Its thread throughout its entire length has no marriage, no impulses, no knots.Its color is uniform, without different shades or the inclusion of extraneous colors.
- Working with yarns is extremely simple: the yarn fits perfectly into the rows and patterns. Even an inexperienced craftswoman can easily cope with it. If necessary, the knitting can be loosened – this will not affect the quality of the thread in any way.
- The cost of Kable yarn is low, which only adds to its advantages and makes it very popular among knitters.
- Knitted from this yarn, the product does not roll up. They are not threatened with deformation and changes in linear dimensions after numerous washes and during operation.The dyeing of the yarn is very durable and of high quality – things do not fade or fade.
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90,025 90,040 Historical UK options:
And a huge stream of Crepe de China: various types of crepes from China.There are more than 2.5 thousand textile factories in the PRC today. The export items are both traditional crepe de Chine made of natural silk and polyester fabrics with textured surfaces and various densities: from light gauze to upholstery, plain, translucent, stretch, patterned, ombre or metallized. Each of the manufacturers strives to make their brand memorable, one of the ways to achieve this is using new names, which in one way or another refer to the name of the nonsense, the country of origin or the technological features of the fabric.For example, the birthplace of Arabian crepe (sand-colored fabrics with a dune-like surface) is China. India and Pakistan follow more traditional names in their export names.
Crepe Suit
Transport and care of products
Crepe fabrics are transported in rolls wrapped in plastic wrap. Full marking and application of the “Keep from moisture” manipulation sign is mandatory.A dry place and low temperature (5-12 degrees Celsius) during storage will help preserve the quality of the fabric.
As companions to crepes, they are selected that are similar in nature to “living” to natural or synthetic – to synthetic fabrics, close to density – with a moderate sheen or translucent.
It is better to store crepe products with natural fibers folded on a shelf, interspersed with synthetic items from your wardrobe.
Washing and professional cleaning is carried out in accordance with the product care labels.Natural crepe fabrics (silk, cotton) do not like excessive mechanical stress. And the worst enemy of silk fabrics are enzymes, which are included in the composition of many washing powders and gels today. Silk fabrics should be washed at a water temperature of up to 30-50 degrees (depending on the recommended temperature), machine wash should be carried out at a minimum drum load in a special mesh bag, without preliminary soaking. As SMS, neutral or slightly acidic SMS are suitable, which reduce the hardness of water (alkaline ones lead to the destruction of the building fiber of silk – fibroin, and excessive water hardness – to deformation of the crepe-canvas pattern).It is strictly forbidden to add chlorine bleach; silk does not react with hydrogen peroxide, but preliminary tests should be carried out for dyed items (with a pattern). Optional shade drying – vertical (on hangers), horizontal.
Dental floss – Dental floss
Cord made of fine threads used to clean the interdental spaces
The “thread” is redirected here. To learn about dancing, seeFloss (dance).
Photo showing the use of dental floss to remove plaque between teeth.
Dental floss (or just dental floss ) is floss made of thin threads used to clean the interdental spaces to remove food and plaque between teeth, places that the toothbrush cannot reach. Its regular use as part of oral cleaning is designed to maintain oral health.
Floss is generally recommended to prevent gingivitis and plaque formation.In particular, the American Dental Association claims that this method can remove up to 80% of plaque, and flossing can be of particular benefit to people with orthodontic devices. However, empirical scientific evidence demonstrating the clinical benefits of flossing as an adjunct to routine dental cleaning remains limited.
Japanese macaques and long-tailed macaques have been found in the wild and in captivity with dental floss of human hair and feathers.
History
Dental floss (waxed)
Levi Spear Parmley, a New Orleans dentist, is credited with inventing the first form of dental floss. In 1819, he recommended that a wax silk thread be passed “through the gaps between the teeth, between their necks and the arches of the gums, in order to remove that irritating substance that no brush can remove and which is the real source of disease.” He considered this to be the most important part of oral care. The thread was not commercially available until 1882, when the Codman and Shurtleft Company began producing unwaxed silk thread.In 1898, Johnson & Johnson received the first patent for dental floss, which was made from the same silk material that doctors used to make silk stitches.
One of the earliest depictions of the use of dental floss in fiction can be found in James Joyce’s famous novel Ulysses (1918–1920 TV series). But before World War II, flossing was low. During the war, nylon thread was developed by physician Charles Bass.Nylon thread was found to be superior to silk because of its greater abrasion resistance and because it could be produced in great lengths and in various sizes.
In the 1970s, dental floss became part of daily personal care in America and Canada.
Use
Dentists recommend flossing your teeth once a day before or after brushing to get to areas that are inaccessible to the brush and to allow fluoride from the toothpaste to get between your teeth.Dental floss usually comes in plastic dispensers that contain 10 to 100 meters of dental floss. After pulling out approximately 40 cm of dental floss, the user pulls it towards the blade in the dispenser to cut. The user then string a piece of floss on a fork-like instrument or holds it between the fingers using both hands, while exposing the floss 1-2 cm. The user guides the floss between each pair of teeth and gently bends it along the edge of the tooth in the shape of the letter ” C “and guides under the gum line.This removes food particles trapped between the teeth and plaque that adheres to the surface of the teeth below the gum line.
Types
Various dental flosses are widely available. The yarn is available in many forms, including waxed, unwaxed monofilaments and multifilaments. Dental floss made from wax-coated monofilaments glides easily between teeth, does not wear out, and is generally more expensive than its uncoated counterparts. The most important difference between the dental floss available is the thickness.Waxed and unwaxed yarn are available in different widths. Research has shown that there is no difference in the effectiveness of waxed and unwaxed dental floss, but some types of waxed dental floss contain antibacterial agents and / or sodium fluoride. Factors to consider when choosing dental floss include distance between teeth and user preference. Dental tape is a type of dental floss that is wider and flatter than regular dental floss. Dental tape is recommended for people with a larger surface area of the teeth.
The ability of different types of dental floss to remove plaque does not differ significantly; the least expensive thread has the same effect on oral hygiene as the most expensive one.
Factors to consider when choosing a suitable dental floss or the appropriateness of flossing as an interdental cleaning device may be based on:
F-shaped and Y-shaped flossing heads
To hold the dental floss, special plastic sticks or dental floss scissors were made.They can be attached to or separate from the dental floss dispenser. Although sticks do not squeeze your fingers like regular dental floss, using a stick can be awkward and can also make it difficult to floss from all angles with regular dental floss. These types of floss also run the risk of missing an area under the gum line that needs to be cleaned. On the other hand, increased stick reach can make it easier to floss your teeth.
Dental floss is the most commonly recommended product for cleaning the sides of teeth with a normal gum contour, where the spaces between the teeth are narrow and small.The dental term “embrasure space” describes the size of the triangular shaped space just below the point of contact of two teeth. The size of the interdental space is helpful in choosing the most suitable interdental cleaner. There are three types or classes of interdental spaces, as described below:
Classification of the amount of gums filling the spaces between teeth
The table below describes the types of interdental self-care aids available without a power source.
| Interdental self-contained personal care products | Description | Indications | Contraindications and restrictions | General problems arising from incorrect use of the product | Number of times that can be used / duration of use |
|---|---|---|---|---|---|
| Waxed thread | Conventional thread for thread, nylon waxed thread, monofilament thread also available, coated with polytetrafluoroethylene (PTFE), does not wear out | Type I passages, dental floss between gum and tooth | Type II and III embrasures | Flossing cuts, dental floss clefts, circulation to fingers may be interrupted by flossing too tightly, inability to reach back teeth due to hand mobility problems | Single use.Dispose of after use |
| Unwaxed thread | Traditional floss, unwaxed, multifilament | Type I passages, dental floss between gum and tooth | Type II and III embrasures | See Waxed Thread | Single use. Dispose of after use |
| Dental tape | Waxed thread, wider and flatter than normal thread | Type I passages, dental floss cleans between the gum and the tooth, which can have a large tooth surface area. | Type II and III embrasures | See Waxed Thread | Single use. Dispose of after use |
| Quilted / Braided Dental Floss / Superfloss | Mouline thread regular diameter, wider fleecy part similar to yarn. The product tip also resembles a needle threader | Type II and III embrasures. Under the bridge of fixed partial dentures | Type I embrasures | Injury caused by the needle threader being caught in the fabric.Yarns / fibers can catch on appliances or dental work (which can cause gum irritation / problems) | Single use. Dispose of after use |
| Dental floss holder | Handle with two prongs, Y or F. | Type I embrasures. Recommended for people with insufficient manual dexterity, physical disabilities or those with a strong gag reflex. Dental floss holders can help caregivers | Type II and III embrasures | Unable to keep the thread tension on the tooth and wrap it completely around the tooth.A fulcrum / rest point for the fingers (e.g. cheek, chin) should be established to avoid injury to the gums and dental floss cuts. | Can be used multiple times, however the floss should be changed after each use. |
| Needle threader | Nylon buttonhole resembling a needle with a large floss hole. The needle threader tip is inserted and pulled through the space between the two teeth to clean the sides of the teeth. | Type I embrasures: tight contact between teeth, floss between and below abutment teeth and fixed denture bridges (e.g. fixed bridges and dental implants), under orthodontic appliances such as wire and lingual bar, under implant bars. | Type II and III embrasures | Injury to gums due to threading in fabric | Can be used multiple times, however the floss should be changed after each use. |
| Thread-tipped thread | Thread with threader tip attached. | Type I passages, dental floss between gum and tooth | Type II and III embrasures | See Waxed Thread | Single use. Dispose of after use |
The table below describes the different types of Interdental personal care products available.
| Interdental personal care products | Description | Indications | Contraindications and restrictions | General problems arising from incorrect use of the product |
|---|---|---|---|---|
| Power Flossers | Curved tip and single strand nylon tip | Type I embrasures: people with disabilities.People who cannot master the traditional thread. Individual preferences. | Type II and III embrasures. Close contact between teeth or crowded teeth | Cuts or clefts with the dental floss holder. It is not possible to maintain tension or floss completely over the side of the tooth. |
Efficiency
Proof
The American Dental Association said flossing combined with a toothbrush can help prevent gum disease and bad breath.
However, the evidence for the daily use of dental floss remains limited. A 2008 systematic review concluded that additional flossing is no more effective than brushing on its own in reducing plaque or gingivitis. The authors concluded that routine instructions for flossing patients with gingivitis as a useful adjunctive therapy are not supported by scientific evidence, and that flossing recommendations should be made by dentists on a case-by-case basis.
A 2011 Cochrane Database Systematic Review found “some evidence from 12 studies that flossing in addition to brushing your teeth reduced gingivitis compared to brushing your teeth alone” and “weak, very unreliable evidence from 10 studies that flossing plus brushing your teeth may be associated with a slight reduction in plaque after 1 and 3 months. ”
More recently, the 2019 Cochrane Database Systematic Review compared brushing with only interdental cleaners and compared flossing with other methods of cleaning interdental spaces.Overall, 35 randomized controlled trials met the inclusion criteria, with all but two studies at high risk of bias. The authors concluded that “overall, the validity of the evidence was low or very low, and the observed effect sizes may not be clinically relevant.”
As noted by many authors, the effectiveness of flossing can vary greatly depending on individual preference, technique and motivation.Moreover, flossing can be a relatively more difficult and tedious method of cleaning interdental spaces compared to an interdental brush.
Exclusion from US Diet Guidelines 2015
When the 2015 U.S. Dietary Guidelines for Americans did not recommend flossing, controversy arose.
The US Department of Health and Human Services and the US Department of Agriculture publish dietary guidelines for Americans every five years.In guidelines published in 2000, 2005 and 2010, the use of dental floss was recommended as part of a combined approach to the prevention of dental disease. The 2010 Guidelines mention flossing once in 95 pages, in 2005 it also appears once on 71 pages and appears twice in the 38-page 2000 document.
An August 2016 Associated Press article reported not using dental floss in a 2015 paper titled for their article. The medical benefits of flossing are unproven . The Associated Press article links the omission to the AP’s FOI request from the health, human services and agriculture departments, where it seeks the scientific evidence behind the flossing recommendation, noting that “recommendations must be based on scientific evidence, according to the law “This story was picked up by other news organizations, including The New York Times, in an article entitled” Feeling Guilty About Not Flossing? “Maybe not necessary .
American Dental Association contacted the Department of Health and Human Services about the omission and said that the omission of the flossing recommendation was due to the Diet Principles choosing to focus on diet and that the omission was not because the Department questions flossing effectiveness. As reported by Medscape
An HHS spokesperson explained in an e-mail statement that “since neither 2010 nor 2015 ACs reviewed the data on brushing and flossing, the authors of the current edition chose not to carry over the information on brushing and flossing included in the past. editions Nor did they imply that this is not an important oral hygiene practice.It is also important to note that although dental floss has been mentioned in past editions of the Guide, it was most likely identified as a supportive recommendation. along with brushing your teeth, with a focus on diet-based recommendations for reducing added sugar. ”The 2010 guidelines only mention flossing once as a component of an oral hygiene regimen.
A website operated by a dental floss manufacturer named the entire episode “Flossgate”.
Thread for orthodontic appliances
Orthodontic appliances, such as braces, wires, and braces, can contain plaque with more dangerous bacterial changes, which can ultimately cause a worsening of the periodontal condition, as indicated by increased gingival recession, bleeding on probing and plaque retention measurements. In addition, fixed attachments make it difficult to control plaque and limit the natural cleansing action of the tongue, lips, and cheeks to remove food and bacterial debris from tooth surfaces, and create new areas of plaque congestion that stimulate the colonization of pathogenic bacteria.
Needle threader
Patients undergoing orthodontic treatment may be advised to maintain a high level of plaque control not only by thoroughly brushing the teeth, but also by cleaning the proximal surfaces with interdental appliances, with dental floss being the most recommended by dentists. Interestingly, small-scale clinical studies have shown that, when used correctly, floss can lead to clinically significant improvements in proximal gum health.
Needle threader
The needle threader is a fiber loop shaped to improve handling characteristics. It (like a fishing line) is used to thread the thread into small hard-to-reach places around the teeth. Threaders sometimes require a suture with braces, retainer repairs, and a bridge.
Choice of dental floss
F-shaped
Y-shaped
A toothpick is a disposable oral hygiene device usually made of plastic and dental floss.The tool consists of two prongs protruding from a thin plastic housing made of impact-resistant polystyrene. A piece of thread runs between the two teeth. The body of a toothpick usually tapers towards the end in the shape of a toothpick. In the oral care industry, there are two types of angled floss toothpicks: Y-shaped angle and F-shaped angled floss toothpicks. At the base of the arch, where the “Y” begins to branch off, there is a handle for grabbing and maneuvering before it narrows to a lock pick.
You can choose dental floss for adults and children in a variety of shapes, colors and sizes.The thread can be coated with fluoride, fragrance or wax.
Toothpick History
In 1888 B.T. Mason wrapped the toothpick with fibrous material and called it a “combination toothpick”. In 1916, JP De L’eau invented a dental floss holder between two vertical poles. In 1935, F.H.Doner invented what is known to today’s consumers as the Y-shaped angle dental apparatus. In 1963, James B. Kirby invented a dentifrice device that resembles an archaic version of today’s F-shaped toothpick.
In 1972, an inventor named Richard L. Wells found a way to attach dental floss to one end of a pick. That same year, another inventor named Harry Selig Katz came up with a method for making a disposable flossing toothpick.
See also
used literature
external references
90,000 6 myths about orthokeratological lenses
Orthokeratological lenses are still a novelty in our country.Although in the world this method of correction of myopia has been practiced since the 60s of the last century, in our country it began to be applied relatively recently – only 15 years ago. Therefore, there is no abundance of available information and wide advertising about it. People learn about orthokeratological, or, in other words, hard night lenses, mainly from friends who already use them, or from friends of those acquaintances.
When information is scarce, it inevitably becomes overgrown with various conjectures and myths. We set out to dispel six of the most common misconceptions about orthokeratology lenses.
Myth 1. Night lenses do not differ from day lenses
Night and day lenses are different methods of vision correction. Daytime contact lenses optically compensate for refractive errors when the person wears them directly. Orthokeratological – for 8 hours of wearing during sleep, they change the curvature of the cornea, which allows you to see well all day without any additional devices. Hard lenses are put on at night, and after waking they must be removed.
Unlike soft daytime lenses, hard nighttime lenses have the so-called reverse geometry: their center is flatter than the periphery.The opposite is true for conventional lenses. Under the action of such a lens, the central zone of the cornea flattens, its thickness decreases, while at the periphery, the thickness of the epithelial layer increases. The achieved refractive effect makes it possible to eliminate mild and moderate myopia, as well as slight astigmatism.
To feel the effect of orthokeratology lenses, it is imperative to sleep 8-10 hours.
Orthokeratology lenses should be used every night. There is a consistent directional change in the shape of the cornea.
Myth 2. The effects of prolonged use of rigid lenses are unknown
The safety issue of rigid night lenses has been raised and studied many times. The absence of the damaging effect of OK lenses on the cornea and conjunctiva of the eye has been proven.
Changes in the corneal epithelium occur only in the most superficial layers, so that the curvature of the posterior surface of the cornea remains the same. Only special equipment can notice these changes.However, they are sufficient to provide high visual acuity for the whole day.
Orthokeratology lenses do not affect intraocular pressure and ocular blood flow. They have high gas permeability to avoid irritation and dry eye syndrome. The reserves of relative accommodation are increasing. By the evening, the eyes do not redden and get tired less than when using glasses or regular lenses. Each lens is laser marked. They cannot be faked. All this together ensures complete safety of their use.
If you stop using night lenses, the cornea will return to its original parameters within a few months. After that, the patient can always choose: glasses, traditional contact lenses or laser vision correction.
Myth 3. Cannot be used by children, as the eyes are still growing
Due to the fact that the refractive indices of a child are unstable, children do not undergo laser vision correction. Orthokeratological therapy has no such contraindications.The efficacy, tolerability and safety of rigid lenses for children and adolescents have been established.
Since 2013, OK lenses have been included in the Federal Clinical Guidelines for the Treatment of Pediatric Myopia. It is an alternative for children and adolescents involved in sports and other activities incompatible with wearing glasses and regular contact lenses.
Moreover, it is the only non-invasive method that can stop the progression of myopia.
Orthokeratological lenses will stop the progressive myopia in a child
When myopia is corrected with a spherical lens, the image in the peripheral area of the retina is focused beyond its limits (hyperopic defocus). That stimulates the growth of the eye, and at the same time myopia. The eyeball “seeks to catch up” with peripheral focusing.
The use of rigid night lenses, on the other hand, creates a myopic defocus at the periphery of the retina.The growth of the eye slows down and the development of myopia is inhibited. This is an important benefit of wearing OK lenses.
Myth 4. Orthokeratology lenses can be purchased at the pharmacy or ordered online
The effectiveness of this method and successful adaptation to it can only be guaranteed if the orthokeratological lenses are selected correctly. Therefore, the choice of lenses is carried out in 2 stages.
Stage 1 – a thorough diagnosis of the organs of vision. It is necessary to assess the condition of the cornea, the degree of refractive error, to find out if there are any contraindications to their use.This can be done only in the ophthalmologist’s office, using special equipment.
If the data from the examination results are standard, you can choose from ready-made lenses. In more complex cases, the lenses are made individually.
Stage 2 – monitoring the dynamics of metamorphosis to make sure that the lenses are fitted correctly. Otherwise, the lens is replaced.
During the first weeks, when the greatest changes in the cornea occur, you will need to visit a specialist frequently.The first follow-up visit to an ophthalmologist after purchasing orthokeratological lenses should be done immediately after the first sleep with them.
During these procedures, images of the cornea are taken. Primary images are compared with new ones. The lenses are also inspected and checked for damage. Therefore, it is desirable to be observed in the same place where the OK-lenses were selected.
Gradually, over several months, the shape of the cornea will stabilize, and visits to the ophthalmologist will be less frequent.
It is dangerous to purchase orthokeratological lenses on your own. If they are not ideally suited for any parameter, there is a risk of harm to eye health.
Myth 5. For this money it is better to make laser eye correction
When comparing these two vision correction methods, a number of advantages of orthokeratology can be highlighted.
Firstly, orthokeratological therapy is available in cases where laser correction is not performed – night lenses can be used for children, as well as for unstable myopia, if the diopters have changed during the year.
Secondly, when using rigid night lenses, there is no surgical intervention. This method is suitable for those who, for whatever reason, are afraid to undergo surgery. With orthokeratological lenses, there will be no rehabilitation period, as after laser vision correction. People get used to the sensation of hard lenses and their new vision rather quickly. The effect of them will be after the first application. No step-by-step lens replacement is required – just one pair per year is enough.She will create and maintain the desired impact.
Myth 6. Bought night lenses – and no more hassle!
Orthokeratology, like no other method of vision correction, requires high discipline in the algorithm of its application. It is necessary to strictly observe:
For those with experience with traditional soft lenses, most of these points will be familiar. It will be easier for them to get used to the peculiarities of using rigid lenses.
The service life of a pair of orthokeratological lenses is one year. With careful treatment, lenses can last longer. If the lens is damaged, it must be replaced immediately. In no case should you wear a damaged one, as it can injure the cornea of the eye or infect it.
Parents who purchase night lenses for their child should be prepared for the brunt of compliance with the rules. Younger children are usually more disciplined. Teenagers 12-14 years old are at risk.
But, despite a certain hassle, patients very rarely refuse to wear OK lenses in favor of other methods of vision correction. The ability to see the world with your own eyes, without using any optical devices, is priceless.And most importantly, vision stops falling!
The doctors of the Omicron ophthalmological clinic network will tell you about all the nuances of orthokeratological therapy at the reception and provide you with the necessary instructions. Come to us for an individual consultation!
And good eyes to you!
Review and description of Kable (Semenovskaya) yarn
Review of Kable (Semyonovskaya) yarn
Having planned to knit a new thing for the summer, you should pay attention to one of the best developments of the Semyonovskaya company – Kable yarn.Completely from natural raw materials, it will delight knitters both in the process of work and during operation.
Characteristics of the yarn
Fiber composition Kable is 100% cotton.
Type of yarn: classic knitting yarn.
The thread of the yarn is rather thin, very strong, with low twist, inelastic. Smooth, glides well on the tool during knitting, does not get tangled, does not twist, does not cling.
Form of yarn production – bobbins.The weight of one is 100 g with a yarn length of 430 m. The factory package of Kable yarn is 5 skeins.
The manufacturer recommends working with knitting needles and crochet yarn No. 2-2.5. Feedback from needlewomen suggests that these threads can be knitted with tools No. 1.15-1.5.
The choice of yarn colors for Kable is very wide and varied. All its colors and shades are calm, restrained, pacifying.
Products made from this yarn look very elegant, they are worn for an incredibly long time and are completely unpretentious in care.
Advantages of yarn
Field of application of yarn Kable (Kamtex)
This yarn will make excellent light summer products, designed to be worn in the warm season. It can be tops, jackets, boleros, capes, shawls, stoles, coats, hats. When knitting, you should take into account the fact that the yarn does not stretch, so the design of the products should be quite loose.
In addition to clothes, you can knit home textiles from it.All kinds of tablecloths, napkins, curtains, pillowcases – from Kable they turn out to be very delicate and airy. The only thing, to give such products dimensional stability, it is recommended to starch them.
These threads also make excellent toys for toddlers.
Knitting can be done both with satin stitch and with all kinds of patterns. Openwork will also look good.
Care rules
Care of items made of cotton yarn is traditional for knitted items.They are shown a hand wash. The water temperature should be kept within 30-40 degrees. After washing, the clothes are wrung out, but without twisting. Then laid out on a horizontal surface on a textile backing.
A large waffle or terry towel can be used as a backing, as well as a sheet folded in several layers. The substrate should not shed. To be sure of this, it must first be washed and then dried.
It is not recommended to keep the products hanging.The best option would be to store them unfolded.
If necessary, the product can be steamed with an iron or a steamer. The equipment should be set to the “Cotton” mode.
In the online store “7 cats” you can buy Semenovskaya Kable yarn of various colors for knitting beautiful and original handmade things!
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Buried Secret of Shamanism | Shamanism
“Be perfect, as your heavenly Father is perfect”
Matthew 5.4
In this work, we will try to prove that “Destiny” does not exist, we will reveal the Secret of Shamanism buried for centuries, which sheds light on the principles of healing, prophecies and other phenomena that were not understood until this moment.
For two decades we have fought our way through the impenetrable darkness created artificially by many generations of people who, for many reasons, want to hide the teachings of true Shamanism.
Shaman Eris and Brujo.
Life is intertwined by us.
Healing.
Prophecies.
The Secret of Shamanism.
Life is woven by us.
The first breath, the first cry and … “Your” first moment has come … Still, it is best to lay the foundation for your future life not from the moment of birth, but from the moment of conception. If you skip the first months of a person’s intrauterine life, then the future of this creature can turn out to be dangerous, uncertain and can suddenly end at the very beginning of life.In the first weeks of existence, the life of a little person is too thin. Healthy babies can fall asleep and never wake up. At the same time, deeply premature babies may well grow up healthy and strong. The supporters of the existence of “fate” are silent on this matter. This is understandable, no one wants to mention facts that contradict their principles. A person is born without “Destiny”, without a future. At first, only obstetricians, parents and relatives create the beginning of life. This path is created by thoughts, dreams, ideas of others.This ghostly thread guides the kid until he himself undertakes to weave a stronger rope, ladder, or even lay out the pavement of his life. But will they be able to explain to him in time that the so-called “Destiny” is a matter of his own fragile thoughts.
Rarely, but tragedies do occur when babies die in their sleep. How does this happen? In those very moments when the child is sleeping peacefully, does not scream or cry, they forget about him for just a few minutes, which means they forget to weave the thread of his life, and he dies.The child feels when his thread is especially thin and he screams! Immediately after birth, the thread of life must be created. There is an ancient custom – to plant a tree on a birthday. Surely, the peoples where such a custom exists, know what they are doing. Everyone looks at the thin sprout and imagine how it will grow and grow stronger every day, every year, and the baby will grow with it. This not a cunning ceremony gives strength to the thread of life, creates the beginning for future achievements, like branches and leaves.
There are times when, when a child is born, his future is questioned by others.Then his whole life will be difficult and dangerous, and everything that happens to him will again be “written off” to fate. It is very easy to “jinx” a baby. Many ill-wishers take advantage of their superiority and easily take a person’s life, not allowing him to stand on his feet. That is why the fact of pregnancy is carefully hidden, and babies are not shown to strangers and evil people for a long time.
On such tragic examples, the fact of the absence of a guiding thread at the earliest stages of life can be traced.
In an adult state, life rarely ends, but it periodically becomes thinner.In the moments of its extinction, people are visited by illness, injury, failure, and simply – episodes of a bad mood. Already after a person is on a thin isthmus, he realizes himself and rushes to correct the situation, but then the situation repeats again. You should never stop weaving the thread of your life – otherwise it will look like a series of ups and downs.
Thinning of the thread of life can occur for various reasons. This is either our own oversight or outside influence, which, by the way, also occurs not without our indirect intervention.Even the belief in the existence of “Destiny” makes us helpless, weak, weak-willed, and most often – dissolute. To surrender to the flow is the psychology of a fatalist, instead of exerting all his strength to create a perfect personality.
– Do you know how to manage Destiny?
– Of course not!
But this was not always the case! Even now, strange rituals of ancient tribes penetrate the press, when any person of the tribe was taken away from life with just “one word”, one command of the will of the shaman of the tribe! Again psychologists will get into this polemic and say – “suggestion”, “hypnosis” – will be repeated by psychotherapists or psychiatrists.And this will be the point. Further, the path to all research will be closed! Only it is not clear at whom all these brothers are in the service, preventing the little man from understanding all the mysteries of an imaginary fate and becoming the master of his life? Why prevent people from removing obstacles from their path in advance and becoming happy and omnipotent?
Healing.
Throughout the existence of this, if I may say so, “branch” of medicine, there are a lot of questions and omissions.The lack of foundations and common principles in this area deprives it of the opportunity to develop and take a worthy place in our life. The multitude of approaches, the participation of an immediate personality in the healing process, the multitude of circumstances accompanying the healing process itself – finally confuses anyone who wants to understand this matter. And the point here is all in the same “fate”, which supposedly exists and is a cementing factor from birth. No! There are many examples when a person, by volitional effort, changed the course of his whole life and thereby got rid of incurable diseases.It is this principle that lies at the heart of healing. The strength of the result will depend on the strength, the healer and his belief in his own strength to change the situation. Imagine the human thread of life. Here the illness has come, and this part of his thread of life contains weak non-viable thought forms of the patient, or the thought forms of evil of strangers are embedded in his thread. (For a shaman, such thought-forms are quite real, he calls them “Spirits of disease”)
Now the healer, with the help of his own ceremonies, suggestions, rituals, prayers, replaces part of the damaged thread of the patient’s life with a part of his own thread of life, which he cuts out of his thread.What is most interesting is that the healer is not able to weave a new section of life for the patient! The healer is using his thread! Very rarely, in exceptional cases, a healer does not experience obvious disturbances in his own life after such miraculous healings, but nevertheless, over time, such work begins to affect even such strong healers. As an example, mention should be made here of the healing of the shaman. The shaman, with the help of spirits-helpers, removes a part of the damaged vital thread of the patient – in the form of spirits-diseases, but in their place he necessarily puts the so-called “patches” from his personal energy, from his life thread in the form of Spirits of a certain nature.The new Spirits, which the shaman inserts in the form of patches, have the power to bind two pieces of the patient’s life thread, or they give a person the opportunity to start weaving a new thread of life, one where the disease-spirits can no longer harm a person, at least at first. If a healed person repeats his mistakes again, does not listen to the healer’s advice, then the spirits of the same diseases again penetrate into his life thread and the situation repeats, but it is much more difficult to cure such a person again.The so-called “repentance” helps the patient to correct the situation, which helps to strengthen a new thread of life, in a new direction.
Prophecies.
Being a prophet is not easy. If there is no “Destiny”, then how can events be foreseen? The lack of a unified approach in this area, as well as in healing, always puts prophets, fortune tellers, foretellers in the role of charlatans, liars, or, at best, storytellers. Are these people needed? Yes, they are undoubtedly necessary for everyone, without exception, and deserve a more respectful attitude for their titanic work.This work is truly titanic. It requires colossal energy costs, and such costs can never be estimated by any monetary means. Here, only there are small nuances that I would like to dwell on in more detail. Diviners can be of at least three types – diviners – healers, just diviners, and diviners – murderers.
· Fortune-tellers-healers – looking at the thread of life created by man, they see weak points in their lives and by their strength, using part of their lives, they save a person from misfortunes.They program a person for happiness, while they themselves get rid of the negativity that turns to them for help.
· Just predictors – they see a weak thread and talk about it without anticipating events.
· Predictors-killers – see the thread of a person’s life and introduce into it a part of their negative plot from their thread of life in exchange for a healthy person who turns to him. Thus, the predictors – killers “program” for the negative in the future.
The Secret of Shamanism
The secret of Shamanism is that the thread of human life consists of small sections.Some of them can be deleted, others can be inserted, but if the connection is broken, the person simply dies. These so-called “bricks” are – “Spirits” – the basis of the philosophy of Shamanism. All Spirits have consciousness, they are alive, capable of interacting with each other, using the factor of “time”. The life thread is a chain of Spirits that are connected with each other. The length of this procession is the length of the life span of a particular person. It seems to people who interact with each other that they are the ones who agree or reject their opponents, but this is just the result of a person’s past, the result of what thoughts (spirits) are at this moment in the chain of life.The same “love” – there is a delightful meeting of loving spirits in the chain of the life of two people at a certain moment in life. The chains moved a little – and people did not meet, love bypassed.
The spirits that make up the chains of life can have different temporal lengths (O-O-O —- O — O-O-O in this diagram, three short-term weak spirits are replaced by a strong spirit of a long temporal extent, and then again three weak spirits) … The larger it is, the stronger it is – this means that this person, who created such a strong form in the past, at this moment everything will be solid in life, there will be no diseases, there will be no misfortunes.With the weakness of the links, which is expressed in spirits that are short in time – drops, falls, unpleasant accidents – are frequent visitors to their lives.
Surely you will agree that the concept of “Spirits” introduced into humanity by the most ancient religious or even we would say “scientific” direction – shamanism – is not at all accidental. The beings called “Spirits” by shamanism are an inseparable part of the thread of life of every organism. Otherwise it can not be! Perfume is a fundamental deep meaning.They are the thread of life!
Did the ancients know about their great discovery? Surely they knew, but with the emergence of new religious trends, the appearance of prophets – and hence the elevation of “Her Majesty Destiny” to the pedestal of Mankind – the meaning of the Spirits became insignificant. The meaning of the ancient term “Spirits” was turned into a delusion of our ancestors, and in their place they put an artificially created concept – indivisible, incomprehensible, covered with a secret mask – the great Nothing – “Fate”.
Only now it becomes clear why the ancestors created many of their spirits.After all, you must admit that each of us has the opportunity to build our life the way we want it. In any case, it was so before. Now we are offered to follow the trodden paths – the barren deserts of a single human spirit.
With the help of the builders of our future – our spirits – we, as if with the help of a constructor, are able to change, transform or destroy overnight not only our life path, but also the life path of any person. On the other hand, the religion of billions is coordinating, progressive, but at the same time a person becomes a grain of sand in the sea of the same type of creatures.
The choice is yours.
PS: Who gave us the right to say such things? Perfume! It is they who, like thousands of years ago, must take their true place in our consciousness.
Shumin Andrey, Slyadnev Sergey
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