How did the Nike Air Huarache change sneaker design. What makes the Huarache silhouette so unique and popular. Why has the Air Huarache remained a cult classic for over 30 years. Which are some of the most iconic Air Huarache colorways released.
The Origin and Evolution of the Nike Air Huarache
The Nike Air Huarache made its debut in 1991, instantly making waves in the sneaker world with its revolutionary design. Created by legendary Nike designer Tinker Hatfield, the Huarache introduced a radical new concept in footwear construction – the neoprene bootie.
This internal sleeve hugged the foot like a second skin, providing a snug, comfortable fit unlike anything else on the market at the time. Combined with the distinctive heel strap and minimalist upper, the Huarache had a futuristic look that captured imaginations.
Over the next 25 years, Nike released 12 other silhouettes in the Huarache line. However, none quite compared to the impact and enduring popularity of the original 1991 model. To this day, new colorway releases of the classic Air Huarache sell out rapidly, cementing its status as a true sneaker icon.
Why has the Air Huarache remained so popular for over 30 years?
- Timeless, sleek design that still looks modern
- Unparalleled comfort from the neoprene bootie construction
- Versatile style that works with many outfits
- Strong nostalgia factor for 90s sneaker culture
- Continuous fresh colorways and collaborations
The Innovative Design Features of the Air Huarache
The Air Huarache revolutionized sneaker design with several key innovations that set it apart from other footwear of its era:
Neoprene Bootie
The inner sleeve made of neoprene material hugged the foot for a snug, sock-like fit. This provided superior comfort and a custom feel for each wearer.
Exoskeletal Upper
The minimalist upper stripped away excess material, leaving only what was necessary for support. This created the Huarache’s distinctive, streamlined silhouette.
Heel Strap
The plastic heel counter and strap not only added stability but became an iconic visual element of the Huarache design.
Visible Air Unit
While not as prominent as in some other Nike models, the visible Air cushioning in the heel contributed to the Huarache’s futuristic aesthetic.
Iconic Air Huarache Colorways Through the Years
Over its three-decade history, the Air Huarache has been released in countless colorways. Some standout editions include:
OG White/Scream Green/Royal Blue
The original colorway that started it all, featuring a clean white base with vibrant neon green and royal blue accents.
Triple Black
An all-black edition that highlights the Huarache’s sleek silhouette, perfect for stealthy street style.
Varsity Red
A bold, eye-catching colorway that showcases the Huarache in a full red upper with white midsole.
Desert Camo
This military-inspired design features a camouflage pattern on the upper, adding a rugged edge to the Huarache’s sleek form.
The Air Huarache’s Impact on Sneaker Culture
The Nike Air Huarache didn’t just introduce new design elements – it fundamentally changed how people thought about athletic footwear. Its influence can be seen in numerous ways:
Comfort-First Design
The Huarache prioritized a snug, comfortable fit over traditional construction methods. This paved the way for future innovations in sneaker comfort.
Minimalist Aesthetics
By stripping away excess material, the Huarache created a sleeker look that influenced countless future designs across brands.
Lifestyle Crossover
While designed as a running shoe, the Huarache quickly found favor as a casual, everyday sneaker. This helped blur the lines between performance and lifestyle footwear.
Material Innovation
The use of neoprene and other non-traditional materials opened up new possibilities in sneaker construction and aesthetics.
Collecting and Investing in Air Huaraches
For sneaker enthusiasts and collectors, the Air Huarache holds a special place. Its enduring popularity and limited releases of certain colorways have made it a sought-after item in the resale market.
Are Air Huaraches a good investment?
While not all Huarache releases appreciate in value, certain limited editions and collaborations can command high prices on the secondary market. Factors that can influence resale value include:
- Rarity of the colorway or edition
- Collaboration with high-profile designers or brands
- Original release date (vintage models often fetch higher prices)
- Condition of the sneakers
For collectors, focusing on OG colorways, limited releases, and well-preserved vintage pairs can potentially yield the best returns.
Styling the Nike Air Huarache
One of the reasons for the Air Huarache’s enduring popularity is its versatility. These sneakers can be styled in numerous ways for both casual and more refined looks.
Casual Streetwear
Pair Huaraches with joggers or tapered sweatpants and a oversized hoodie for a classic streetwear vibe.
Athleisure
Combine with sleek athletic leggings or shorts and a fitted top for a sporty yet stylish ensemble.
Smart Casual
For a more polished look, try pairing Huaraches with slim-fit chinos and a button-down shirt or polo.
Summer Style
Light-colored Huaraches work great with shorts and a t-shirt for a breezy summer outfit.
The key to styling Huaraches is to let the sneakers be the focal point of the outfit. Their unique design stands out best when paired with simpler, complementary pieces.
The Future of the Air Huarache
Despite being over 30 years old, the Nike Air Huarache shows no signs of slowing down. Its timeless design and continuous stream of new colorways and collaborations keep it firmly in the spotlight of sneaker culture.
What can we expect from future Air Huarache releases?
- Continued exploration of new materials and textures
- Collaborations with cutting-edge designers and brands
- Possible integration of newer Nike technologies like React or Flyknit
- Reissues of classic colorways to capitalize on nostalgia
- Limited edition releases tied to cultural events or milestones
As sneaker technology and fashion trends evolve, the Air Huarache is likely to adapt while still maintaining its core design identity. Its ability to bridge the gap between performance and style ensures its continued relevance in the ever-changing world of sneakers.
Caring for Your Air Huaraches
To keep your Air Huaraches looking fresh and extend their lifespan, proper care is essential. Here are some tips for maintaining your sneakers:
Cleaning
Use a soft brush or cloth with mild soap and water to clean the upper. For tougher stains, a specialized sneaker cleaner may be necessary. Always air dry away from direct heat.
Storage
Store your Huaraches in a cool, dry place away from direct sunlight. Using shoe trees can help maintain their shape.
Rotation
Avoid wearing the same pair of Huaraches every day. Rotating between multiple pairs allows each to air out and recover its shape between wears.
Preservation
For collectible or limited edition Huaraches, consider storing them in their original box with silica gel packets to control moisture.
By following these care instructions, you can ensure your Air Huaraches remain in top condition for years to come, whether you’re wearing them regularly or preserving them as part of a collection.
Nike Air Huarache Run DNA Ch. 1
Many silhouettes come and go as time passes, but a select few revolutionize the future of footwear. Two of Tinker Hatfield’s most recognizable designs, the Air Max 1 and Huarache, introduced new concepts that hadn’t been seen before—visible Air and bootie construction. This collection celebrates the level of confidence it took to create these daring designs and inspires everyone to follow their crazy dreams.
These exclusive Air Max 1 and Huarache colorways integrate signature elements from each silhouette as a tribute to their respective histories.
Item: Nike Air Huarache Run DNA Ch. 1
Color: White/University Red
Style: AR3864-100
Sizing: US Men’s
This Discounted item is FINAL SALE.
No refunds, exchanges or cancellations.
All orders will be shipped out within 48 hours (Monday-Friday) of your purchase. You will be emailed tracking information as soon as your package ships.
Sneaker Politics does not offer returns for refunds.
Returns are permitted on items within 7 days of delivery date.
All returns must be authorized via email or phone prior to returning the item to us. Items returned without authorization may be refused upon delivery. Please email [email protected] to request authorization for a return.
Any packages Sneaker Politics receives that are marked “Return to Sender” or “Refused” will be issued a store credit minus shipping cost and a 10% restocking fee.
Sneaker Politics will only grant an exchange or store credit if the following conditions are met:
– All items must be unused and unworn.
– Clothing must not be worn, altered or washed and must have all tags attached – once clothing has been worn and/or washed it cannot be returned or exchanged.
– Shoes must not be worn or creased to the point where they would be deemed worn or not 100% brand new merchandise.
– Once shoes have been worn they cannot be returned or exchanged.
– All shoes returned must be sent back double boxed and include the original shoe box in its original condition with all accessories attached.
– Please note Shipping and handling charges are not refundable.
75 of the BEST Nike Air Huarache Colorways
The Nike Air Huaraches made their debut in 1991 and made an immediate impact in the sneaker world.
Over the next 25 years Nike released 12 other silhouettes and hundreds of colorways in the Huarache line, but none compared to the original 1991 model.
To this day, new colorway drops fly off the shelves.
I’m a true fan of the classic Huarache and wanted to pay homage with this post. I went out and found 99 Huarache colorways and compiled pictures in this post for your viewing pleasure.
OG White Turquoise Gold
Release date: 02/23/13
Price: $100.00
Image credits: theshoegame
Huarache LE Cool Grey
Release date: 01/17/14
Price: $100.
00
Image credits: thedropdate
Green Abyss / Turbo Green
Release date: 05/21/14
Price: N/A
Image credits: sneakerfreaker
Nike QS University Red
Release date: 09/11/14
Price: $100.00
Image credits: sneakerfreaker
Run Wolf Greys / Cool Greys
Release date: 05/26/15
Price: $149.00
Image credits: nicekicks
“Super Bowls”
Release date: 01/19/16
Price: $140.00
Image credits: sneakerbardetroit
Ultra Purple Dynasty
Release date: 01/29/16
Price: $120.00
Image credits: thesolesupplier
International Cloud and Skies
Release date: 02/01/16
Price: $135.00
Image credits: blog.
sneakersnstuff.com
Aluminium/White/Lava Glow
Release date: 03/11/16
Price: $120.00
Image credits: thesolesupplier
Cool Greys / Bright Crimson
Release date: 5/12/15
Price: $110.00
Image credits: manofmany
Triple Whites
Release date: N/A
Price: N/A
Image credits: kickscartel
Breds
Release date: N/A
Price: $120.00
Image credits: sneakernews
Treeline
Release date: 01/18/16
Price: $120.00
Image credits: asphaltgold.de
Black / White / Dark Grey
Release date: N/A
Price: $100.00
Image credits: halftown.co.kr
Desert Camos / Black
Release date: TBD
Price: $120.
00
Image credits: euckicks.com
Black / Squadron Blue
Release date: TBD
Price: $180.00
Image credits: sneakernews.com
All Black / Triple Blacks
Release date: N/A
Price: $100.00
Image credits: traineraddict.com
White on White
Release date: N/A
Price: $100.00
Image credits: sneakernews.com
Black / Light Bone-Hot Lava White
Release date: 2/15/15
Price: $150.00
Image credits: kicksonfire.com
NM Fuchsia Flash
Release date: 08/01/15
Price: $110.00
Image credits: sneakerbardetroit.com
Dust / Volt-Black
Release date: 08/13/15
Price: $89.00
Image credits: bpshop.
hu
Midnight Navy
Release date: 11/01/15
Price: N/A
Image credits: sneakernews.com
Varsity Reds
Release date: N/A
Price: $110.00
Image credits: kicks-daily.com
Pearlie Raibon
Release date: N/A
Price: N/A
Image credits: nicekicks.com
GS Pink Pow
Release date: 01/17/15
Price: $58.00
Image credits: overchic.overdope.com
GS White/Black-Anthracite
Release date: N/A
Price: $81.00
Image credits: sneakernews.com
Blue Suede
Release date: N/A
Price: $125.00
Image credits: solecollector.com
City Pack Milan
Release date: 05/28/15
Price: N/A
Image credits: meltystyle.
fr
Berlin
Release date: 05/28/15
Price: N/A
Image credits: sneakerbardetroit.com
Paris
Release date: 05/28/15
Price: N/A
Image credits: eukicks.com
Bruce Bannerache
Release date: N/A
Price: N/A
Image credits: dontquestionkings.com
FB Hypervenom
Release date: N/A
Price: N/A
Image credits: sneakernews.com
Poison Green
Release date: 03/12/15
Price: $100.00
Image credits: moresneakers.com
Print GS Pink Floral
Release date: N/A
Price: $102.00
Image credits: sneakerbardetroit.com
Nike Mag
Release date: N/A
Price: N/A
Image credits: kicksonfire.
com
Anthracite / Gum
Release date: N/A
Price: N/A
Image credits: hypebeast.com
Navy / Pure Platinum
Release date: 01/15/15
Price: N/A
Image credits: nicekicks.com
Snow Camo
Release date: 11/29/14
Price: $159.00
Image credits: sneakernews.com
FB Graphite / Bright Crimson
Release date: 23/12/14
Price: N/A
Image credits: kicksonfire.com
Stingray
Release date: 01/03/15
Price: $102.00
Image credits: eukicks.com
Umber Brown
Release date: 11/29/14
Price: $125.00
Image credits: uglymely.com
Gym Blue
Release date: 07/21/14
Price: $100.00
Image credits: shoesportsalesall.
com
Magentas
Release date: 08/08/14
Price: $150.00
Image credits: kicksonfire.com
Flint Spin / Black
Release date: N/A
Price: N/A
Image credits: icact.com
Bamboos
Release date: 11/26/14
Price: $110.00
Image credits: kicksonfire.com
Hyper Pink
Release date: 06/24/14
Price: $100.00
Image credits: lifewithoutandy.com
Cool Grey / Volt
Release date: 07/11/14
Price: $100.00
Image credits: kicksonfire.com
Photo Blue
Release date: N/A
Price: $100.00
Image credits: nicekicks.com
Catalina
Release date: 07/25/14
Price: $139.00
Image credits: highsnobiety.
com
Cedar
Release date: 10/14/14
Price: N/A
Image credits: allikestore.com
Light Ash
Release date: N/A
Price: N/A
Image credits: thedropdate.com
Black / White-Grey
Release date: 09/17/14
Price: N/A
Image credits: locokickz.com
Love / Hate
Release date: 09/20/14
Price: N/A
Image credits: blog.finishline.com
Triple Black
Release date: 10/15/15
Price: N/A
Image credits: kicksonfire.com
Green / Hyper Crimson Black
Release date: N/A
Price: N/A
Image credits: nicekicks.com
Space Blue
Release date: N/A
Price: $133.00
Image credits: moresneakers.
com
Black Dark Grey
Release date: 11/26/16
Price: $100.00
Image credits: sneakernews.com
Obsidian Blue
Release date: 11/02/14
Price: $110.00
Image credits: shoesportsalesall.com
Hyper Punch
Release date: 08/01/14
Price: N/A
Image credits: crepsource.co.uk
Black / Court Purple
Release date: N/A
Price: N/A
Image credits: sneakerfreaker.com
Light Beige / Laser Crimson
Release date: N/A
Price: N/A
Image credits: sneakernews.com
Light Greys
Release date: N/A
Price: N/A
Image credits: hypebeast.com
Woven Toe
Release date: N/A
Price: N/A
Image credits: kicksonfire.
com
Sunset Glow
Release date: N/A
Price: N/A
Image credits: showmeyourshoes.de
Militia Green
Release date: N/A
Price: N/A
Image credits: thesolesupplier.co.uk
Armory Navy
Release date: N/A
Price: N/A
Image credits: sneakernews.com
Blue Hero
Release date: N/A
Price: $100.00
Image credits: sneakerfreaker.com
Sub Zero Custom
Release date: N/A
Price: N/A
Image credits: grmdaily.com
Military Blue
Release date: N/A
Price: $165.00
Image credits: sneakerfreaker.com
Cargo Green
Release date: N/A
Price: $149.00
Image credits: nicekicks.
com
Slate Blue
Release date: N/A
Price: N/A
Image credits: guy-style.com
PRM Bamboo Safari
Release date: N/A
Price: $140.00
Image credits: kicksonfire.com
PRM QS Reflective Blackout
Release date: N/A
Price: $110.00
Image credits: sneakernews.com
Ultra Scream Green
Release date: 02/01/16
Price: $105.00
Image credits: crepsource.co.uk
Woven Venom Green
Release date: N/A
Price: $173.00
Image credits: kicksdeals.com
Huarache Sandals for Men & Women
Women have a lot of huarache sandal style options with Xero Shoes.
All of our shoes are like ballet flats. We don’t have any wedge style sandals because we believe that natural is better, and having your heel elevated can offset your posture in ways that cause problems for your back.
We want women to enjoy the fun and benefits of natural barefoot living.
Here are some ways you can do that.
The first is with one of our do-it-yourself kits.
You get a sole in the color and size that you want, and then there are two different thicknesses – one is really, really thin, 4 millimeters, just great barefoot feel but just enough protection; the other is 6 millimeters thick and is even better if you’re going to go on trails or things that are a little more aggressive.
You get to choose from 22 different colors of our polyester laces, you can mix and match those and get really great color combinations. The last thing you get is a hole punch because you’re going to be punching a hole where the lace goes through for your unique foot shape, like right in front of your toes between your first and second toe, right in front of the webbing.
And then there are dozens of different ways that you can lace these. You can also get a little decorative from something really simple, just add a charm to your shoe, which is a nice elegant touch.
You can also get really blingy if you like.
We had one customer paint her toenails and then she added beads that matched her toenails. So there are lots of fun, decorative options.
If you don’t want to make your own sandals, that’s totally understandable.
We have two different styles after that that you can go for. First, our thong-style sandal, this is our Genesis sandal, comes in three different colors and it’s really easy to slide your foot in, tighten it up around the forefoot, and then grab these little lace ends and give them a tug and they’ll fit perfectly on your heel.
The Barefoot-Inspired Genesis Sandal
They just slide on and off. Then, you can wear these for anything you want from going to yoga or a Zumba class or taking a walk or taking a hike or taking a run.
Pictured below are Mel and John Sinclair, who are finishing a 50 mile race in their Venture sandals, the precursor to the current Genesis.
If you want something a little more comfortable and a little flashier too, you can get our Cloud sandal.
We laid 3 mil of BareFoam™ in the forefoot so it’s even lighter, more flexible, a little more comfortable, and it floats. You can also add charms or beads to both the Cloud and Genesis to get a little decorative effect there as well.
The Z-Trek Sport Sandal
Then we have our sport sandals, the Z-Trek sandal, which is the same base actually as the Genesis, just with 1mm more of our FeelTrue® rubber but with the sport-sandal-style webbing. So this feels great. It’s a real barefoot feel; really, really flexible. It’s like someone’s replaced the sole of your foot with a tire tread, so really great for hiking and camping. Great camp shoe.
The Ultimate Trail-Friendly Sandal, the Z-Trail
If you need a little more protection, you’ll want to get our new Z-Trail sandal. This is our bestseller. It is the perfect combination of lightweight flexibility so your foot can move naturally, durability, versatility.
People do everything from taking a walk to running ultra marathons to going to yoga to doing CrossFit to you name it.
Really, really comfortable; really lightweight. In fact, this weighs less than the Z-Trek because of the foam – we have our FeelTrue® rubber for abrasion, then TrailFoam™ to get rid of all the bumps, and BareFoam™ for that little bit of comfort. A wonderful sandal and our bestselling sandal.
Those are the options that you have. We look forward to seeing what you do, how you feel the freedom, feel the fun
and feel the world.
Kids Shoes from Stride Rite
Something’s afoot, and it’s the best selection of kids’ shoes for every adventure from Stride Rite.
best kids’ shoes for growing feet
Step right up and get your little one ready for running errands with mom, ruling the sandbox or heading to a playdate. Our full collection of little girls’ shoes and little boys’ shoes offers the support and stability they need for every developmental stage.
Keep them comfy and cozy for loads of uninterrupted playtime while introducing them
to amazing style from the very beginning.
boys’ shoes for your favorite little mess-maker
When your little guy’s feet get into mischief, the right pair of shoes can help keep him safe. Mud puddles, playscapes and concrete jungles are no match for our kids’ shoes for boys that are built
to last. Find boys’ shoes that are perfect for any occasion, including:
- Stylish flip-flops and sandals for hours of playtime in warmer weather
- Casual sneakers that stand the test of time and are suitable for school and playing
- Slip-on, Velcro closure and leather constructed boys’ dress shoes for special occasions
- Ankle, mid-top and alpine boys’ boots designed with rugged construction to keep up with the most curious little feet
girls’ stylish shoes for every fashionista
Our girls shoes are just as safe and durable as our shoes for boys and come stylish designs fit for any season! Explore sparkly flats, colorful sneakers, must-have boots and summertime sandals from our complete collection of the best kids’ shoes for girls.
Whether you’re searching for classic and comfortable or cool and casual, our shoes for girls are made to feel as great as they look. Let her show off her playful personality
with girls’ shoes featuring embellished designs like metallic accents, bright floral patterns, shiny sequins, and her favorite characters.
impressive technologies for big and little kids alike
Little kids’ shoes have a big job to do – they have to be tough, cool and built to support their growing feet. No matter what stage your little one is in, our proprietary technologies are
designed to prepare them for every phase of childhood. When searching for the best kids’ shoes, here are a few technologies to look for:
Soft Motion
™ kids’ shoes for first steps
Shoes equipped with Soft Motion technology are made to support natural movement for growing babies and toddlers. Soft and lightweight, Soft Motion shoes have slip resistant soles and flexible rubber outsoles for superior protection.
Patented
multi-directional grooves allow for increased mobility while a memory foam foot bed keeps your little one comfortable all day.
SRTech
™ children’s shoes for on-the-move toddlers
For toddlers who are ready to take their next steps, our SRTech selection of kids’ shoes is suitable for rookie and expert walkers alike. Built-in sensory pods are designed to improve flexibility and balance as they navigate new terrain, and
rounded heels and edges mimic the shape of the foot to minimize stumbles and falls.
children shoes that are Made2Play
®
Life can be messy, but cleaning it up shouldn’t be a hassle – at least not when it comes to your kid’s shoes! Our inventory of Made2Play children’s shoes are machine washable for easy cleanup. Scuff resistant toe protection, built-to-last
construction and athletic styling make these shoes the perfect addition to any child’s casual wardrobe.
where to find the best kids’ shoes
Children’s shoes from Stride Rite incorporate cutting-edge technologies to protect busy feet and stand up to every activity. Keep them one step ahead of the crowd with the best kids’ shoes featuring the latest styles for kids of all ages. Since
your little one’s feet are constantly growing, use our convenient size chart and sizing tips help keep them safe and comfortable. Check
out our FAQ for even more info on your kid’s growing feet.
Nike Air Huarache running shoes, review, pros and cons
10 reasons to buy
- The Nike Air Huarache shoe was comfortable with most users.
- The stylish design of this shoe is highly appreciated by a significant number of users.
- Some users applauded the Huarache’s lightweight construction.
- Several users have admired the toe-cap of the shoe because of the neoprene inner sleeve.
- According to some, the Nike Air Huarache looked more adorable on its feet than in the photos.
- A handful of runners appreciated the shoe’s breathable upper design.
- This is Nike’s Air Huarache at a reasonable price.
- Owning these shoes is like mastering the history and magic of Tinker Hatfield.
- The Nike Air Huarache continues to bridge the gap between old and young with a timeless beauty.
- Several buyers who are loyal Huarache fans commented that it looked like the shoes they bought so many years ago.
3 reasons not to buy
- The size runs a little based on some reviews.
- According to some users, the Nike Air Huarache’s rear strap came off too quickly.
- Few found shoes too tight.
Fit & Sizing
Nike Air Huarache Low-Profile neoprene and spandex materials provide a snug, comfortable fit. Available in medium width, this shoe provides a comfortable fit for users with standard foot measurements.
Nike Air Huarache shoes are made to measure. The Nike Air Huarache men’s sizes range from $ 6 to $ 15. On the other hand, the women’s exclusive Nike Air Huarache silhouettes come in sizes ranging from $ 5 to $ 12.
| Model | Nike Air Huarache |
| Tags | low, huarache, laces, EVA, Air-Sole, |
| Comfort | NAN% (0 ratings) |
| Quality | NAN% (0 ratings) |
| Size | NAN% (0 ratings) |
| Width | NAN% (0 ratings) |
Style Nike Air Huarache
The
Nike Air Huarache is a jet ski inspired shoe that offers the ultimate in comfort and style.Combining sophistication and luxury with skinny jeans and denim shorts, this phenomenal shoe continues to captivate the hearts of many, including the most popular and recognizable names in the entertainment, music and sports industries.
Stars who have seen the Nike Air Huarache athletic shoes include Hilary Duff, Sofia Richie, Bella Thorne, Gigi and Bella Hadid, Kylie Jenner, Chris Brown, Maria Sharapova and many more. Huarache sneakers stand out easily in the crowd, making them a worthy choice on several occasions.
Nike Air Huarache Colorways
White, Black, Pink, Gray, Blue, Rose Gold, Red, Green and Hot Lava Nike Air Huarache are just a few of the many shades of color available for this iconic sneaker. You can have it as part of a statement when you pair it with your casual and laid-back ensembles. Or you can exude that sporty, relaxed chic vibe by showcasing your athletic physique when you pair the Nike Air Huarache with leggings and a sports bra or sweatpants and tank tops.For the daring looking for a statement shoe to match their smart casual and semi-formal outfits, the Nike Air Huarache option in white or triple black might be interesting.
Cheap Nike Air Huarache Kicks
These sandal-like sneakers with form-fitting neoprene ankle boots are relatively more expensive than standard Nike sneakers.
Among the most affordable range of Nike Air Huarache, casual shoes are priced at $ 110.
Known Features
In principle, everything deserves attention for this type of footwear.It starts with a rather obvious counter-righteousness, which is a theme for Huarache loyalists. The heel stands out thanks to the support it gives runners and sneakers. Because of its size, it is easily a very visible feature in this shoe. The heel was used as a platform to bring out the best colors and styles of this shoe. While the outer toecap of this shoe is not as obvious as the outer counter of the heel, it is just as impressive. This feature is so remarkable that it has remained a key part of shoe design since it was first introduced to the sneaker world.Adding to this amazing feature is the fact that most of the changes bearing the Huarache name still carry this technology.
Nike Air Huarache Story
The Nike Air Huarache was first released in 1991. Nike unveiled the shoe with a lot of fanfare as the creative ensemble Swoosh named the Huarache one of the finest ever made.
In one of their many marketing campaigns, they brazenly stated that “the future is here in sizes 6 to 15.” These words will seem prophetic when you consider what kind of icon Huarache turned out to be.However, the very name Huarache almost never came up as Tinker Hatfield originally called this shoe “Harrachi”, which is the name of a Native American sandal.
Birth of the Huarache Fit
The Huarache running shoe concept was a heureka moment for Hatfield, who realized the potential of using neoprene booties for use on the ground during one of his water skiing sessions. Hatfield watched as a neoprene bootie fitted his ankles as his legs rested on the jet ski.He was also amazed that its structure adapts to different shapes and sizes of feet. A few days after practicing such water sports, Hatfield went to his workshop and began developing neoprene running shoes. With the essentials sorted out, Hatfield designed the Nike Air Huarache with neoprene and spandex inner socks. Later it turned out that the inner sock, which literally hugs the foot, provides unmatched comfort and sock-like appearance.
With shoe fit and a sense of comfort, “Huarache fit” was born. Hatfield introduced exoskeleton support for the thin inner shoe to create the structure of the Dynamic Fit sneaker. The first silhouette looked like a futuristic pair of sandals for the gods, a kind of sneaker that would be worn by the likes of Zeus. Resembling huarache sandals from Mexico, this kick also has a strap that wraps around the heel.
Nike Air Huarache Footprints
The Air Huarache was originally planned as a running shoe.It barely hit the shelves as the concept of a sandal-like trainer seemed insane. One of Nike’s product managers, who turned out to be Tom Hartge, ignored the skeptics and ordered the production of 5,000 Air Huarache pairs. Hartge brought these shoes to the New York Marathon to get rid of avid runners. Surprisingly, the futuristic-looking sneaker has garnered the approval of a crowd of upbeat runners, with thousands of pairs washing up quickly in less than a week. What made this instant standout, besides its unique style, is its use of neoprene fabric that hugs the legs.
Following its debut, Nike launched the Huarache series of exercise machines. The original cut and shape of this shoe, which was later also called the Nike Air Huarache Run, was also suitable for other categories such as cross-training and basketball. Ultimately, the Swoosh brand ditched the high performance Basketball, Cross Trainer, Burst, International and Racer models that were assembled and manufactured using the famous foot-hugging inner sock. Popular variations on the Swoosh label immediately following the launch of the base model include the Nike Air Flight Huarache (1992), Nike Air Huarache Light (1993), Nike Air Trainer Huarache (1994), Nike Air Max 90 Current Huarache (2009) and Nike Huarache Free 2012.Several athletes have supported the Huarache family, including Michael Johnson, a multiple Olympic gold medalist. Thanks to the feedback from athletes, the shoes have acquired legendary status. In 2000, Nike re-released the original Nike Air Huarache color scheme in Green / Royal.
The Air Huarache also made its way into the skating world with the release of the Nike SB Eric Huarache, which is named after professional skater Eric Koston.
From performance to casual shoes
Eventually, these performance-based shoes entered the lifestyle shoe category in 2014 as the demand for casual sneakers swept over more and more major brands.Nike recreated this style and eventually refreshed its stances with refined kits such as the Nike Air Huarache Drift, Nike Air Huarache City, and most recently remastered, the Nike Air Huarache Gripp. The Nike Air Huarache has been the subject of numerous collaborations over the years. One of the transmuted interpretations is a piece between Nike and Doernbecher Children’s Hospital. Called the Nike Air Huarache Run Ultra Doernbecher, this kick is an expression of the work of 13-year-old patient designer Doernbecher.The vibrant color mix on this beat reflects how little Braden Sparkman battles lymphoblastic leukemia with a positive.
Another joint sneaker that used the iconic Air Huarache silhouette is the Shoe Palace x Nike Air Huarache Run QS. This iteration of the White / Varsity Red Nike Air Huarache Quickstrike came in a limited number of pairs. Its launch coincides with the 25th anniversary of the founding of a casual and athletic shoe store in the United States. This shoe marks the second time the Palace of Shoes has teamed up with Nike for a Huarache performance.
More info for Nike Air Huarache
- Olympic gold medalist Michael Johnson supported Nike Air Huarache ad.
- In 1991, the famous American comedian and tapak Jerry Seinfeld wore “Hurach” in one of his TV shows.
- For an impressive fit, Tinker Hatfield borrowed the neoprene water ski shoe design from his Huarache creation, adding a neoprene and spandex inner sock to his original design.
- Air Huarache is available in a customizable version with NIKEiD.
- With NIKEiD, you can customize the shade and materials on different shoe segments, or give your individual kick a unique bit of color and a hint of personalization.
- The parts of the shoe that can be altered with NIKEiD are the overlays, toecaps, base, lining, laces, strap, tongue, midsole and outsole.
- An EVA midsole and Air-Sole unit combine the cushioning and cushioning properties of an Air Huarache.
- There are some moderately large perforations in the upper part for more ventilation.
- The outsole has flex grooves for flexibility.
- OG versions of the Nike Air Huarache almost always sell out in minutes.
- Some of the oldest issues that bear the signature of Tinker Hatfield are the holy grail of thousands of sneakerheads.
- Buyers can choose the type of top material they want depending on the color.
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Chunky Bottom Running Shoes Nike Men’s Sneakers In Sports Shoes
Nike Running Shoes
Nike Shocks Sports Running Shoes is a unique sports shoe developed by Nike and included in the list of the leading, that is, the most popular Nike running shoes.
The Nike Shox is an array of small hollow columns in the sole of the shoe, usually made of rubber. There are different models of Nike Shocks, usually they have at least four round columns in the heel of the athletic shoe to provide cushioning. Also, the number of columns can be more: five or six springs, such models as nike shox TL series sneakers have a sole entirely consisting of shocks – springs in the form of columns, these are sneakers Nike Shox TL1, Nike Shox TLX where there are 12 springs high on the sole 2.5 cm, although they may vary in height and be triangular or rectangular for better stability.Nike claims that Shox not only absorb the impact of heel impact while running, but they also push back and add more power as the athlete runs. In addition, the speed of a person in nike shox sneakers also increases. Thus, Nike Shox sports shoes provide excellent cushioning thanks to the high-tech elastic foam inside the shox springs.
Shop nike shox sneakers
The newer Nike Shox series features Nike + technology.
The Nike Shox Plus is the most recent Shox running shoe with this feature.The new Nike Shox OLeven sneaker is used by many for fitness or dance. Unfortunately, this model is no longer for sale in the Nike Shox online store vbabylone.ru. And for example, Hollywood actor Hugh Laurie at Home has a collection of Nike Shocks sneakers at home, which includes 37 pairs of 12½ sneakers, which he wears on various shows or for walks. Comedian Jerry Seinfeld is also a fan of this Nike shoe and wears the Nike Shox. You can buy nike shox sneakers originals from America in our online store with free shipping across Russia.Some of the top selling Nike Shox shoes are Shox NZ and Shox Avenue, which are available in a variety of colors. These shoes can be found in the search on our website or in the catalog under the Nike Shox section. There are many options, different colors and materials, sizes, men’s and women’s Nike Shocks.
The Nike Shox continues to celebrate its unique styling and incredible high-tech cushioning.
The silhouette of the sneakers is unique and cannot be confused with other models, they have a streamlined toe, the structure of the upper is very solid, and the sole is springy and light, the weight of the sneakers is small, which is very convenient when running and walking.Sneakers Nike Shocks were created specifically for running and comfort, special supports in the form of columns are so-called springs that soften the load on the foot, good ventilation is provided by the inner part of the sneaker made of textiles, some models are made of leather, the sole has a light relief, which allows provide perfect grip.
If you were interested in how many springs there are in nike shox sneakers, then once again recall that the Nike Shox running shoes appeared in 1998, among the models we note the shox sneakers on 2 springs -.Nike Shox R2, 4-spring shox – Nike Shox NZ, Nike Shox R4, nike shox 12-spring – Nike Shox TL3 and TLX.
Nike Air Jordan Legacy 312 Trainers Black / Black / Fire Red.
Original (AV3922 060)
Mens Nike Air Jordan Legacy 312 Black / Black / Fire Red (AV3922 060 ) – Mens basketball shoes with suede upper, premium class to withstand intense loads.
Don S and Jordan Brand designed the Jordan Legacy 312, inspired by the Air Jordan 1, Air Jordan 3 and Alpha Force Low.Since its debut last year, the hybrid silhouette has expanded the range significantly.
As the name suggests, it features black suede all over the upper paired with neoprene tongues and tonal markings. After that, we see fiery red accents on the midsole, an ivory print on the mudguard, while whites cover the midsole and Gray runs down the outsole of the Air Jordan 3 (see photo).
Black Suede brings together areas of breathability, stretch and support where you need it most.
The strap helps stabilize your foot when turning.
Jordan Technology allows you to move naturally.
Nike Zoom Low-profile for cushioning.
Foam outsole for lightweight comfort.
Rubber outsole with Elephant print pattern provides traction.
Trainers for basketball, training and casual wear
More mens sports sneakers at the link: Jordan original sneakers.
Nike running shoe sizes: Eur 44.5 (28.5 cm), Eur 44 (28 cm) .
Online store ElitSport.com.ua provides customers with ORIGINAL sports shoes, equipment and other accessories at the lowest prices on the market.Payment is made after receiving by the client, which allows you to make sure of the quality of the product and its correct choice.
Working without any prepayments guarantees that we are working for the client. Delivery is carried out throughout Ukraine. 90 040 90 041 90 000 Dutch ReBelle feat. S Black Winner
If you want my safari Bwaka to your Burberry
Po osomba oyo Ferrari bomba bien your salary
(Eh, eh, eh, eh)
Elembo as Versace to Elembo like my swatch
Kama CC na Chanel ngamiya as for chamel
What is in your collection
What you see pona election
Is like my Vance, wake change with your air max
What you see pona Elembo
Bring your Giorgio Armani like Lamborghini eh
If you want my safari Bwaka to your Burberry
Po osomba oyo Ferrari bomba bien your salary
(eh, eh, eh, eh)
Mad ting eat the runway for dinner
Dress S-black you ain’t tell em I’m a winner too?
Know I’m comin ‘through kicks on this woman too
Nike huarache I’m the one they runnin ‘to
Mueller Versace Prada when I’m comin ‘through
Source teksty-pesenok.
ru
Style spicy shoe game loco
Bad lil Haitian vibes so Kitoko
Never been a rookie I’ma go pro
Dutchy bring the fire by the boatload
Fierce like Sasha rollin ‘through Kinshasa
Never mind the pretty face ReBelle is a monster
Tryna push a foreign through Ibiza
Yo my whole goma crew wakilisha
Hit lac kivu for wine and some pizza
Roll the reefer blow the speaker Dutch a keeper
Red lipstick match the sneaker ya ya – yaow
If you want my safari Bwaka to your Burberry
Po osomba oyo Ferrari bomba bien your salary
(Eh, eh, eh, eh)
Yeah we wild like a safari
Play no games this ain’t Atari
Do my thing I am not sorry
Taking off like Ferrari
(Kiss bang bang)
If you want my Bwaka safari to be your Burberry
Po osomba oyo Ferrari bomba bien your salary
(yes, yes, yes, yes)
Elembo like Versace in Elembo like my sample
Kama cc on Chanel Ngamia both regarding
What’s in your collection
What do you see in the election
Sounds like my Vance, wake up changes with your max air
What do you see pona Elembo
Bring your Giorgio Armani like Lamborghini huh
If you want my Bwaka safari to be your Burberry
Po osomba oyo Ferrari bomba bien your salary
(yes, yes, yes, yes)
Madness has a runway for dinner
Dress S-black don’t you tell them I’m a winner too?
I know that I am also
Nike huarache I’m who they run with
Muller Versace Prada when I walk
Source teksty-pesenok.
ru
Style Spicy Slot Machine
Bad little Haitian vibe so Kitoko
Never been a beginner.
The Dutch bring fire on the boat
Furious as Sasha passing through Kinshasa
Never mind ReBelle’s cute face – monster
Trying to push a foreigner through Ibiza
Yea my whole goma team wakilisha
Hit lacquer kivu for wine and some pizza
Roll up the refrigerator, skip the speaker Dutch keeper
Red lipstick suits you, sneakers – yaow
If you want my Bwaka safari to be your Burberry
Po osomba oyo Ferrari bomba bien your salary
(yes, yes, yes, yes)
Yes we are wild like safari
Don’t play games, this is not an Atari
Do my thing, I have no regrets
Takeoff as Ferrari
(Kiss)
Lyrics On a distant pier (near a distant pier) Katya Ogonyok translation
There is a sun in the sky, like in amber.
On the sky the sun shining, as in amber.
The ice was first broken down the Angara.
The ice was broken, at the Hangar.
That’s all Wake up and bloom,
That’s all Wake up and bloom,
At the far pier, the mother is waiting for her son.
At long jetty, mother of the son awaits.
“I have worn out my son,
” I have worn out my son,
When did you come back home again,
In a letter you write that you miss there,
In the letter you write, what do you miss down there,
And in September you will be released to us,
And in September you will be released to us,
You write gloomily in the camp,
You write in the camp a sullen so,
You can’t get used to it either,
You can not get used to it either,
And here at home running streams,
And here at home running streams,
And friends have been waiting for you for a long time yours.
Waiting for a long time you friends your.
Girls are brisk, try to touch,
Girls are brisk, try to touch,
Again under the windows the accordion sings,
Again under the Windows singing to the accordion,
And I often hear “When is the aunt,
And often I hear, “When is …,
Alyosha son the your home will come?”
Rowan red that you are sorry,
Rowan red that you squeezed,
Father on the binges here yesterday broken,
Father on the binges here yesterday broken,
Do you remember the girl with her sister lives,
Remember the girl lives with his sister,
She’s looking forward to you, son.”
It is you son very much waiting.”
Here is the red summer really gone,
A letter came from the mother’s son.
From son mother’s letter came.
Letter from the camp on Sofia’s day.
A letter from camp on Sophie’s day.
What wrote son you in it now:
That wrote son you in it now:
“Oh, dear mom, don’t wait for me,
” Oh, mother dear don’t wait for me,
My gray-haired fate decided judge,
Fate my decided to a white-haired judge,
And the prosecutor gave me a new sentence,
And the Prosecutor gave me a new sentence.
,
Goodbye forever now it’s home,
My destiny has flocked down the hill,
Have cattle down the hill my destiny,
I will stay in prison for life,
I’ll stay in prison for life,
Let the rowan bloom again in spring,
Rowan again let spring blooms,
And that girl is not waiting for me!
And that girl is not waiting for me!
Bow to the earth at all, and to all my friends
After all, I chose the bitter path myself.
After all, a trail of bitter, I chose myself.
And now I have to follow it all my life,
And I now for the rest of her life to go,
You are my dear mother Forgive me! “
You go Forgive me!”
There is a sun in the sky, like in amber.
On the sky the sun shining, as in amber.
The ice was first broken down the Angara.
The ice was broken, at the Hangar.
That’s all Wake up and bloom,
That’s all Wake up and bloom,
At the far pier, the mother is waiting for her son.
At long jetty, mother of the son awaits.
The problem of the superman in Vladimir Soloviev and Friedrich Nietzsche: Russian philosophy: Runivers
Russian readers of Nietzsche were looking for the prototype of the superman among the Greek heroes, on the pages of the Scandinavian sagas and Germanic legends. Two approaches to the interpretation of the superman image prevailed: “philological” and “archaeological”. “Philological” proceeded from the etymology and verbal form of the term Üebermensch; “Archaeological” consisted of historical information about the founder of the religion of Zoroastrianism, the hero of Iranian mythology – Zarathushtra (Zoroaster (Greek.), Zardusht (Middle Iranian)), who became the prototype of Nietzsche’s prophet Zarathustra, the protagonist of Thus Spoke Zarathustra, into whose mouth Nietzsche put the sermon of the superman. Zarathustra appeared to be the herald of the superman, the beginning not so much giving rise to the superman as helping his birth.
Zarathustra was called upon to create conditions in which a person overcomes himself and is overcome: “Here in every moment a person is overcome, the concept of“ superman ”here becomes the highest reality, – in the endless distance lies here everything that until now was called great in man, lies below it.No one has ever dreamed of the Chalkionic principle, light legs, the combination of anger and frivolity, and everything that is generally typical of the type of Zarathustra as an essential element of greatness. Zarathustra precisely in this width of space, in this accessibility to contradictions feels itself the highest manifestation of all that exists … “As for the very concept of Übermensch, most domestic researchers believed that this term Üebermensch Nietzsche borrowed from Goethe’s Faust, but if Goethe pronounced this word ironically and casually, then Nietzsche put an independent content in it.
The question of the relationship between author, hero and prototype of the hero of the famous book of Nietzsche remains one of the most debated issues to this day.
If practically no one doubts that Zarathustra is Nietzsche himself (and according to Nietzsche’s own intentions should not doubt), then to unanimity regarding the degree of closeness of the image of the ancient Iranian prophet and the Nietzsche hero, and, consequently, regarding the Russian transcription of the name Zarathustra, domestic the Nietzscheologists never came.Traditionally, “taken for granted”, we pronounce the name of the hero Nietzsche as “Zarathustra”, however, if we accept him as the prototype of the ancient Iranian prophet, then the name of the hero Nietzsche should sound like “Zarathushtra” for the Russian reader. Modern translator of Nietzsche Vadim Bakusev, conducting a special research “Zarathustra” or “Zarathushtra”? the author, the hero and his prototype in “Also sprach Zarathustra” by F. Nietzsche “, came to the conclusion that the ancient Iranian prophet Zarathustra had a symbolic meaning for Nietzsche and was needed by the philosopher, first of all, in order to cancel his doctrine of the metaphysical rootedness of morality by his the same doctrine of eternal return: “It seems that the founder of Christianity could have [the hero of Nietzsche – Yu.
S.] be, and no worse than the Iranian prophet: even if historically he was not the “founder” of the idea of good and evil, but the religion that Nietzsche so wanted to defeat and which in his eyes was the basis of European civilization is by no means Zoroastrianism, namely Christianity. How glorious (from Nietzsche’s point of view) it would be if Christianity – of course, through the mouth of the author – were overthrown by its founder himself! I think that Jesus could not become an alternative to Zarathushtra hero of Nietzsche precisely for the reason that he could not find a prototype for the doctrine of eternal return.But in his soul Nietzsche wanted Jesus – therefore his obvious hero in many ways parodies the secret. ”
The fact that at the turn of the 19th-20th centuries the problem of the superman turned out to be one of the most discussed in Russia was not only a consequence of the boom in the popularity of Nietzsche’s works, but was also due to the work of Vladimir Solovyov.
The religious pathos of Solovyov’s philosophy prepared domestic readers for the interested attention and final acceptance of the “superhuman” aspect of Nietzsche’s thought .
In the orthodox-religious environment and representatives of the older generation of idealistic philosophers, the superman Nietzsche was perceived as the embodiment of the evil principle, as a being that stands outside any moral order, acts on the basis of his own instincts, in accordance with his main attraction – the “thirst for power”, and at the same time he does not spare either himself or his neighbors. The author of The Theological Herald called the Nietzschean superman “a denier and adversary of both personal morality, which consists in taming the instincts of a lower nature, and activities based on love and self-denial in the interests of their neighbors.”Thus, in a number of works, the upcoming Üebermensch Nietzsche turned into Niedermensch’a (Sergei Levitsky), which was equated to the image of incarnate evil: Satan according to Jewish and Christian canons, Ahriman among the Persians, Shiva in Hinduism.
Among the complex of ideas, as a rule, attributed in the nineties of the XIX century to the “bad sides of Nietzscheanism” (the formulation of Vladimir Soloviev), were: immoralism (a consequence of looking at good and evil as relative categories), contempt for the weak and sick humanity, “pagan view to beauty ”, ecstasy with power.
The feeling of a threat to the values of the “old” Cartesian-Kantian paradigm of culture, a sign of which was the emergence at the turn of the 19th and 20th centuries of a new ideal – the superman Nietzsche, was shared by many contemporaries. Leo Tolstoy’s attention to Nietzsche’s work was caused precisely by the idea of a superman. One of the first mentions of the name of the German philosopher by Tolstoy dates back to 1898. Considering the superman as, in essence, the old ideal of Nero, Stenka Razin, Genghis Khan and Napoleon, the writer saw in him an attempt to replace the principle of morality with the principle of beauty, characteristic of his time and angrily condemned by him.
Identifying the worship of beauty with the principle of pleasure, Tolstoy perceived Nietzsche’s philosophy as a symptom of “the impending collapse of the civilization in which we live, the same as the fall of the Egyptian, Babylonian, Greek, Roman civilizations.”
The legendary librarian of the Rumyantsev Museum, the cosmist philosopher Nikolai Fedorov, dedicated almost a third of his works to Nietzsche. His literary legacy contains a detailed position of categorical rejection of the Nietzschean ideal of the superman, whom he did not call anything other than “satanic vice” or “antichrist.”Fedorov examined the multifaceted work of Nietzsche through the prism of his own utopian project. The highest goal – the “common cause” of all mankind, the Russian philosopher saw in the deliverance of people from enslavement by the blind forces of nature, the victory over death and the resurrection of ancestors (“fathers”), through the “regulation of nature” with the help of the achievements of science and technology.
The main enemy of his plan Fedorov considered historical Christianity, with its abstract dogmatism, leading to hypocrisy and the gap between reality and life, as well as with his idea of individual salvation, opposite to the cause of universal salvation.The work of Nietzsche, advocating, according to Fedorov, for the extermination of everything weak, for the development of a new type of “superman”, also posed a threat to his teaching. Fedorov identified the concept of the superman with the preaching of selfishness and moral licentiousness: “To the epigones of philosophy, to the Nietzscheans, true to the motto” know only yourself! ” or, at the most, “know only the living”, it does not even come to the idea that the power (Macht) of people can be used to restore life to our dead fathers. ” The Russian utopian was especially irritated by that part of Nietzsche’s teachings, which dealt with the task of forming the highest generation of people.But at the same time Fedorov saw potential virtue in the very striving for the superhuman.
The dream of a superman can become an absolute good, even “supramoralism” (the term of Nikolai Fedorov himself) only when it consists in fulfilling the “natural duty” of the human community: in the conversion of the blind, unreasonable force of nature, spontaneously giving birth and mortifying, into a controlled by reason : “If Nietzsche understood universal resurrection by good, he would understand that although it is not of supernatural origin, it nevertheless has an unconditional value.Life is good; death is evil. The return of the living to all the dead for life immortal is good without evil. The awareness that every next absorbs the previous one creates for the subsequent a categorical imperative to return what has been absorbed. ” Despite the sharp rejection of the views of Nietzsche by the Russian philosopher and the fundamental divergence of their final aspirations, it is important to note that the writings of these so dissimilar thinkers permeate a single pathos of faith in the possibility of unlimited improvement of mankind (up to the achievement, through real labor activity, of immortality – in Fedorov; and creation a new, higher type of man and human culture – in Nietzsche).
If representatives of academic science and religious writers at the end of the 19th century in horror recoiled from the Nietzschean superman, seeing in him a vice of satanic origin, the embodied idea of evil, and, sometimes, the Antichrist himself, then the younger generation of idealist philosophers, leaders of the Russian religious renaissance, on the contrary, they welcomed the Nietzsche image not as an anthropological type, but as a moral ideal, as a symbol of the coming religious renewal of culture, as a mystical individuality, symbolizing vital and creative power – the goal and essence of human creation.The teachings of Nietzsche turned out to be a means of emancipation of the individual, helping a person to become himself in the ancient sense of the word, to decide who he is and what his place in the world is. Moreover, Nietzsche’s idea of the superman played a significant role in the conversion of the new formation of idealists to the religious foundations of culture.
Russian neo-idealist philosophers saw in Nietzsche’s philosophy “a world outlook based on belief in the absolute values of the spirit and in the need to fight for them.” The general mood of those years was accurately conveyed by Dmitry Merezhkovsky: “The superman is the last point, the sharpest peak of the great mountain range of European philosophy, with its age-old roots of an indignant, solitary and isolated personality.There is nowhere to go further: a precipice and an abyss, a fall or flight: the superhuman path is religion. ”
Nikolai Berdyaev, the creator of a new direction in Russian religious philosophy, imbued with ecstatic delight, saw in the superman the image of the spiritual perfection of knowledge and beauty. Nietzscheanism, which spread at the beginning of the 20th century in the artistic environment, with its calls for “aesthetic liberation”, the search for “new religious consciousness” and “spiritual emancipation”, welcomed in the superman Nietzsche a symbol of the glorified culture of the future.
It was customary to correlate the features of the image of Nietzsche’s superman with the experiences of an artist who nurtures in his soul and creates a work of art in words, sounds or colors. Russian decadent poets Fyodor Sologub, Zinaida Gippius, Nikolai Minsky saw the coming superman as a beautiful, free being, demonic embodiment of pagan beauty. Demonic motives were often present in the poems of the decadents:
Oh, wise Seducer,
Evil spirit, can you really –
Misunderstood Teacher
Great beauty?
(“Griselda”, Zinaida Gippius)
– Zinaida Gippius wrote.
Another Nietzschean, symbolist poet Andrei Bely, who appreciated the German philosopher, primarily as an artist who most fully revealed the advantages of “teleological symbolism”, in an essay devoted to Nietzsche’s work, argued: “It is doubtful to see a superman in a biological personality; it is even more doubtful whether it was the collective personality of humanity.
Rather, it is a principle, word, logos or norm of development, painted with all the vivid attributes of the personality. This is Nietzsche’s icon. Nietzsche’s doctrine of personality is neither theory nor psychology; even less is it aesthetics or science.Most of all, it is morality, explainable in the light of the theory of values - the theory of symbolism. ”
Nietzsche’s bright and bold ideas gave a powerful impetus to the emergence of numerous Russian-language literature about the superhuman beginning. “Superman” and “superhumanity”, “God-man” and “God-manhood”, “man-god”, “man of Christ” and “catholic humanity”, “perfect man”, “higher man”, “coming man”, “last man” and etc., – the list of heroes of the pages of literary and philosophical magazines of those years is rich in symbolic names for the main problem of the Silver Age – the search for ways to religious renewal of personality and culture.Paradoxically, it was largely due to Soloviev’s enthusiasm for philosophical sermons that the Nietzschean idea of the superman played a significant role in the conversion of the new formation of idealists to the religious foundations of culture.
A wide range of Russian concepts of the superman, in addition to the influence of Soloviev’s thought, was due to a number of reasons.
First of all, the spirit of the times was expressed in the uniqueness of Russians’ understanding of this problem. Every cultural movement exists in the context of oppositions objectively given by history.At the dawn of the 20th century, Russian thought struggled to resolve, in principle, the insoluble antinomy of hierarchism, the recognition of the hierarchical principle in culture, and spontaneity, the understanding of culture as life, element. The phenomenon of the Russian religious renaissance grew out of the desire to get rid of the duality of consciousness: to overcome the fragmentation of high culture and everyday life; to return to the alienated values of the spirit the living meaning lost over the centuries of history; to re-experience and thereby revive a culture that weighs down with the weight of dead authorities over a person.
Religious personalism, existentialism and anthropologism traditionally constituted the core of the domestic type of philosophizing, the focus of which has invariably remained the problem of death and resurrection. It is this specificity of Russian philosophical thought that found its expression in the discussions about the superman of the writers of the Silver Age.
Finally, it is significant that the original concepts of the superman, which developed in the Russian religious renaissance of the early 20th century, were often built not directly on the Nietzsche image, but revealed and varied the semantic meaning that was laid down in the very form of the Russian word.In the Russian “over”, in contrast to the German über, there is, first of all, a qualitative assessment: “over” is the highest level of quality, therefore it is no coincidence that in the minds of Russian intellectuals the path to the superman was thought of as “elevation”, “improvement” of the human type, regardless of whether this “elevation” will go on the biological or spiritual plane.
The concept of “superman” was transformed into the idea of human improvement. For the sensitive philologist Nietzsche, the word Übermensch, by the meaning of the prefix über – “beyond”, meant mainly something that was beyond the concept of “man”, “man overcome”.
It is significant that along with those Russian critics of Nietzsche who got acquainted with his works in the original language (Vladimir Soloviev, Vyacheslav Ivanov, Dmitry Merezhkovsky), there were also those who read the works of the philosopher in French and Russian translations (often both in terms of meaning and emotionally deviated from the original version). In this regard, the problem of terminology standardization appeared. It is noteworthy that the work begun several years ago by the Institute of Philosophy of the Russian Academy of Sciences and the Cultural Revolution publishing house on the publication of the complete collected works of Nietzsche faced the same problem a century ago – the standardization of the translation of the terms of the German philosopher into Russian.
We are talking not only about individual concepts and images, but also about semantic blocks, the translation of the titles of Nietzsche’s books. Such difficulties and semantic distortions are described in the work of the famous American researcher of Nietzsche’s work Bernice Rosenthal. For example, the problem of choosing the term “superman” or “overman” for the German Übermensch in the English-language literature has remained open: each author has the right to use a translation that suits his taste.
Nietzsche’s concept of the superman and Solovyov’s doctrine of God-manhood, containing in a condensed form the central ideas of the philosophers’ constructions, occupy an essential place in their heritage.
What is the essence of the opposition of the approaches of Nietzsche and Soloviev to the problem of the superman?
Where should we look for the source of the fundamental heterogeneity of the intuitions of the two philosophers?
Is it possible to synthesize their concepts?
The problem of life and immortality was inextricably linked with the theme of the superman in the works of both Soloviev and Nietzsche.
Soloviev (following Nikolai Fedorov) saw the main task of philosophy in preparing mankind for the realization of its ultimate goal – the victory over death.Nietzsche, on the contrary, categorically denied the very idea of personal salvation, considering it a great lie of Christianity: “… from the Gospel came the most despicable of all unfulfilled promises – the shameless doctrine of personal immortality.” Nietzsche tried to solve the problem in a fundamentally different way: “Now I will tell the story of Zarathustra. The main concept of this work, the thought of eternal return, this highest form of affirmation, which can generally be achieved … “. In his doctrine of the eternal return, Nietzsche looked beyond death, posing the problem of the meaning of existence to the human race, which realized its eternity in the ring of birth and death . Soloviev saw the goal of humanity in overcoming death, Nietzsche – in overcoming eternity.
The special experience of the problem of death and immortality is the result of personal experience, both for Nietzsche and for Soloviev.
Both philosophers during their short lives more than once found themselves in the face of their own death as a result of serious illnesses. Both carried the burden of unrequited love. One of the most powerful shocks for each of them was the death of their father (the only one that fell to their lot, but left a deep mark on their souls, was the loss of a loved one).Despite the fact that Nietzsche survived the tragedy of loss in childhood, and Soloviev, being already an established young man, these tragic events significantly determined the value system of the philosophical teachings of each of them. It is significant, however, that the upheavals caused by life crises and difficult existential experiences led Nietzsche and Solov’ev to diametrically opposite conclusions.
Soloviev was imbued with a passionate belief in the reality of personal resurrection and the need for the conscious efforts of all mankind to bring it as soon as possible.Thoughts about the dead dominated his work in the last decade of his life.
Only the shadow of the living, flickering, disappears,
The shadow of the dead is near,
And bitter joy responds to them again
And sweet longing.
Well he prophesies to me, persistent and domineering
Summoning native shadows?
Whether new forces flourish, solemn and clear,
Are the Days of Death End?
But whatever he means, hello your grave,
With him the heart beats in tune,
It is behind you, to you, and along the dusty road
I can’t go back.
(Vladimir Soloviev)
The death of his father and his own struggle with death in 1883 gave Solovyov a powerful impetus to a new awakening of thought, to the realization that there is a deep trouble in life that cannot be avoided, but must be overcome.
Nietzsche, on the contrary, discovered in himself a terrible knowledge of the inevitability of the eternal return of pain and torment in life, from which there is no salvation either in God or in human ideals. The main problem of Nietzsche’s later work is the experience of infinity, eternity: “Everything goes, everything comes back, the wheel of being is always turning.Everything dies, everything blooms again, the year of being is eternally running.
Everything perishes, everything is formed again, the same house of being is eternally being built. Everything is torn apart, everything greets each other again, the ring of being forever remains true to itself.
At every moment, being begins; around everyone Here the ball rolls There. The center is everywhere. The curve is the path of eternity. ” It is no accident that in his mature work Nietzsche came to the mystical doctrine of the eternal repetition of the same in the world – it is obvious that illness became for him the most important existential source of knowledge: “Several times saved from death at its very doorstep and persecuted terrible suffering – this is how I live from day to day; every day has its own medical history ”.
In essence, both thinkers came to the same conclusion from different angles: for the God-man of Solovyov, on the way to resurrection, it is necessary to achieve perfection; the superman Nietzsche is doomed to eternal return, therefore he must strive for perfection. The divine-human ideal of Solovyov, as well as the ideal of the superman Nietzsche, was based on the recognition of the unconditional value of human individuality, the need to elevate and ennoble the personality, and achieve the possible complete perfection of the human type and human culture.
Just as all vital forces, according to Nietzsche, should be concentrated on the process of the ascending formation of one’s own personality (an increase in the vital, creative force in the individual), the efforts of people, according to Soloviev, should be directed towards the ascent to God-manhood, for the sake of the resurrection of all mortal mankind …
Since it is obvious for Solovyov that immortality is incompatible with the everyday emptiness of life in its current form, resurrection can only be available to transformed humanity, who has attained absolute life in the unity of Truth, Goodness and Beauty.
“… For an empty and immoral involuntary and unconscious life – for such a life, death is not only inevitable, but also extremely desirable: is it possible, without terrifying melancholy, even to imagine the endless existence of some socialite, or some athlete, or a card player ? The incompatibility of immortality with such an existence is clear at first glance. ”Immortality is only needed by the absolute, self-suppressing content of human individuality.
Nietzsche’s doctrine of the superman was formed under the influence of the idea of eternal return, from the acceptance of the truth about the infinity of repetition of everything given now and before.Nietzsche took from his inner mystical experience and put into the foundation of being the law of the ring, which eternally brings everything that exists into the position in which it was once and in which it will be at the next revolution of the wheel of infinity. The very life of the world consists in nothing more than the constant eternal return of all things to the state in which they were previously.
The image of a circle – eternal change amid eternal repetition – is a symbol, a mysterious sign above the doorway to Nietzsche’s doctrine of the superman.
A person, according to Nietzsche, is deprived of the opportunity to get rid of life forever. The reality of eternal return takes away from him the power to destroy himself. Without this resource of freedom, life begins to seem unbearable. When death is available, obedient and reliable, life is possible, because it is its availability that gives air, freedom and joy to existence. Trusting his intuition, which asserts the absence of death as irrevocable destruction, Nietzsche built a practical ethics for reality beyond death, for a world where the familiar landmarks “good” and “evil” cease to work.The philosopher made an attempt to develop new values and moral laws designed to help people cope with life in a situation where a person was left alone with the hopelessness of an endless experience of what had already happened once, when existence is closed on itself and there is neither divine nor human power, in whose power would break this ring of infinity.
Nietzsche’s ethics is the ethics of individual salvation of strong personalities capable of self-improvement. The same rules work in the world of creativity, where it is easier for a person to cope with eternity, where he is free to create himself and new values an infinite number of times.His moral teaching is not for a world dominated by death and the hope of resurrection. Martin Buber shrewdly noted that for Nietzsche the problem of man is the ultimate problem, “the problem of a creature that has fallen from the depths of nature to its very limit, to the dangerous edge of natural existence, where a dizzying abyss called Nothing begins.”
Joyful, optimistic faith in the resurrection, eternal life, turned in Nietzsche the hell of eternal return, from which there is no way out. And the concept of a superman became an Ariadne thread for humanity in the labyrinths of eternal return, where a person is doomed to endlessly experiencing the same thing, not having a chance to break out of the circle, to stop a series of recurring events once and for all.
The closed circle cannot be overcome, but you can find meaning in this inconsolable endless chaos. This meaning is the development of new rules for life in a newly discovered reality: the improvement of the human type: the constant deployment of inner power, the complication and deepening of the content of spiritual life, raising the personality higher and higher to the ideal of a superman. Everyone is responsible to himself for his life, so the task is to become a real helm of his life, not to let it become like a meaningless accident.Nietzsche encourages students to become their own experimenters and their own creators, whose goal is: to develop a whole, complete individuality, to give style to their character, to give an artistic expression of their personality, through knowledge and love, contemplation and actions. It is a great thing to become oneself and find satisfaction in oneself, because, according to Nietzsche, who does not find contentment in himself, he is always ready to avenge it on others.
For those who have learned to live by new rules in the world of the eternal return of the superman, reality turns into endless joy: “Oh, how not to strive passionately for Eternity and the wedding ring of rings – for the ring of return!” – says Zarathustra, and each stanza of his “Songs of Yes and Amen” – ends with a chorus: “For I love you, Eternity!”
The transition from individualism to universalist tendencies is evident in Nietzsche’s ideal of the superman. In a world of eternal return, striving for the superman is equivalent to a lost faith in God. However, Nietzsche himself does not equate belief in the superman with religious belief. “Could you create a god? – So keep quiet about any gods! But you could surely have created a superman
Perhaps not yourself, my brothers! But you could re-create yourself as the fathers and ancestors of the superman – and may this be your best creation!
God is an assumption, but I want it to be limited to what one can think.
“Man is able to create only the ideal of a genius, a man-god, immanent to himself, and he cannot rise further than this.
It is the absence of God in Nietzsche’s constructions and contempt for Christianity as a “lie about the” resurrected “Jesus” that completely depreciates, moreover, turns into evil his concept of a superman for the religious thinker Solovyov. The denial of the existence of a supra-natural absolute, with the simultaneous proclamation of a man endowed with the attributes of God in its place, is, for Solovyov, nothing more than Satanism.The Nietzschean superman turns into the embodiment of the antichrist. In The Brief Story of the Antichrist, the philosopher brings Nietzsche’s anti-absolutism to the end, showing that Nietzsche’s ideal is a simple godless human “I”. Soloviev’s antichrist is unusually smart, great, beautiful, noble and omnipotent, and, thanks to his merits, sees himself as a full-fledged successor of Christ, in whose power to bless mankind. However, like any person, he is mortal, and unable to protect others from death.
Consequently, for Solovyov, the superman-antichrist obviously belongs to the camp of evil: false prophets, false miracle-workers, false beneficiaries of mankind.
The subject of future basic agreements and disagreements in the polemic of Soloviev and Nietzsche becomes clear already from the early works of the Russian thinker: Sophia (1875-76) and Readings on God-manhood (1878-81). The ethics of the God-manhood of Solovyov is the ethics of the earliest possible growth of humanity into the Kingdom of God, the arrival of resurrection and immortality. The kingdom of God descends from above, God-mankind rises to meet.Here ethics is not a mechanism for individual salvation, but a way of accelerating the implementation of a historical project. Solovyov does not and cannot have a superman as a representative of a special breed of people. With him, any person participates in the Divine, and therefore is a God (super) person. Humanity is mortal, but it is subject to indispensable resurrection from the dead in full, without exception – be it a sinner or a righteous man.
One of the names of the Solovyov god (over) humanity is Sophia.Under the mystical name of Sophia, Soloviev understands the ideal, perfect humanity, eternally contained in the integral divine being – Christ. “Every human being is rooted and participates in the universal or absolute man. All human elements form an integral, universal and individual organism – an all-human organism – Sophia, each of whose elements is an eternal necessary component of the eternal God-manhood. When we talk about the eternity of humanity, we mean the eternity of each individual individual that makes up humanity.Without this eternity, humanity itself would be illusory. The recognition that each person, by his deepest essence, is rooted in the eternal divine world, gives truth to human freedom and human immortality. ”
Solovyov is talking about the resurrection of not an abstract personality, but a body, a concrete human being: “a human personality, not an abstract concept, but a real, living person, each individual person – has an unconditional, divine meaning.
” Like Nietzsche, Soloviev proclaims a person free from any inner limitation, capable of transcending any finite limit.This unconditional ability of each individual is the guarantee of the endless development of mankind. Dissatisfaction with the final content, partially limited reality, turns into a demand for the fullness of life and immortality.
In the writings of both Nietzsche and Soloviev, two variants of the approach to the question of the superman are clearly distinguishable. In their earlier constructions, both philosophers, reasoning like natural scientists, are oriented towards the emergence of a “higher” (in Nietzsche) and “transformed” (in Solov’ev) a new superhuman type.Soloviev (arguing that only complete victory over death would make a person a superman) saw the path to immortality in the evolution of living forms: “The law of the identity of Dionysus and Hades – generic life and individual death, – or, which is the same, the law of confrontation between the genus and as an individual, it acts most strongly on the lower levels of the organic world, and with the development of higher forms it becomes more and more weakened; and if this is so, then, with the emergence of an unconditionally higher organic form that clothe an individual being, self-conscious and independent, separating itself from nature, treating it as an object, therefore, capable of inner freedom from generic requirements, with the emergence of this being is not Should there be an end to this tyranny of the genus over the individual? If nature in the biological process tends to more and more restrict the law of death, then should not man completely abolish this law in the historical process? ” .
The ascent to the ultimate overcoming of death presupposes a change in the external and internal forms of human organization, the emergence of a new androgynous type. In his work “The Meaning of Love” Soloviev proves the need to restore the integrity (integration) of the human form as an obligatory stage on the path to gaining eternal life or the kingdom of God. “In empirical reality, there is no man as such – he exists only in a certain one-sidedness and limitation, as a male and female individuality… But a true man in the fullness of his ideal personality, obviously, cannot be only a man or only a woman, but must be the highest unity of both. ”
The closest task of the ascent to God-manhood at this stage, the philosopher saw in the creation of a true integral man, which is a free unity of male and female principles.
The first version of Nietzsche’s concept of the superman (representing the initial sketches and approaches to the problem) was created even before the revelation of eternal return and therefore corresponds in spirit to the eschatological logic of Solovyov.
Nietzsche practically repeats the structure of the early Solov’ev doctrine of the ascent of collective humanity to God-manhood. According to Nietzsche, modern mankind, which today occupies the highest level in the hierarchy of world development, will eventually give way to an even more perfect species, which will no longer belong to the genus homo sapiens, but forms a special biological species homo supersapiens (in Soloviev’s theory, this is a special holistic androgynous a type). The sketches of this concept of the superman are already guessed in the essay “Schopenhauer as an educator” . The evolutionistic version of the superman receives its full disclosure in Zarathustra: “Our path goes up, from kind to supernatural!” And further: “All creatures up to now have created something higher than themselves – do you want to be the ebb of this great wave and rather return to the beast than surpass man?
What is a monkey to humans? A laughing stock or an excruciating shame.
And man must be the same for a superman: a laughing stock or a painful shame.
You have made the path from worm to man, but much in you is still from the worm.You were once a monkey, and even now man is still more a monkey than any of the monkeys.
Even the wisest among you there is only discord and duality between the plant and the ghost. But am I encouraging you to become a ghost or a plant?
Look, I am teaching you about the superman! ”
In their later versions of the ascent to superhumanity (Nietzsche) and God-manhood (Soloviev), both thinkers abandon the idea of the need to transform the human being, and lean towards the idea that the perfection of humanity can proceed without fundamental changes in the external type.
In the essay “The Idea of the Superman,” Soloviev emphasizes that the essence of the ascent to God-manhood is to continue to improve the moral and physical functioning within the current form of the human race.
“It is not created by history and does not require any new, superhuman form of the organism, because the human form can be infinitely improved both internally and externally, while remaining the same: it is capable, by its prototype, or type, to contain and bind everything in itself, to become an instrument and the bearer of everything that one can strive for – is capable of being a form of perfect all-unity or deity. “The desire to become a superman does not refer to one or another form of a human being, but only to the way these forms function. Each person, according to Soloviev, is already a God-man. The philosopher does not tire of repeating that the divine nature in every human soul makes us want infinite perfection. It is natural for humans to gravitate towards the ideal of the superman – to want to be better and more than they really are. But just as it is impossible for a deity to spiritually-bodily regenerate a person without the participation of the person himself, this would not be a human path, just as it is impossible for a person to create superhumanity for himself out of himself.
Man can become divine only by the power of God.
In his later writings, Nietzsche develops a central to his philosophy, a version of the superman. The borderline between the two concepts of the superman in Nietzsche is the intuition of eternal return. The second version is based on the position that a person cannot pass into another essential state, he is an invariable biological crown of the natural world. Already in “Morning Dawn” Nietzsche emphasized that improvement is possible only within the existing species.In the work “Antichrist” Nietzsche is even more categorical: “My problem is not how humanity completes a successive series of changing beings (man is the end) …”. If in “Zarathustra” Nietzsche argued that there has never been a superman, then in “Antichrist” , , on the contrary, it is said that people of the superhuman type have already existed: – Yu.S. ] already existed quite often, but only as a happy accident, as an exception… “
Nietzsche regrets that this type was hitherto a happy accident and was never a “product of deliberate creation.”
So, according to the second concept, which can be called cultural-historical, the superman only homo sapiens perfectus is the most perfect human type.
However, whether we consider the superman as a special biological species, or as the most perfect type of man, in any case, according to Nietzsche, on the way to achieving perfection, a threefold transformation of the essence of a human being into a superhuman principle is required.In his speech “On Three Transformations,” Zarathustra indicates three stages or metamorphoses of the human spirit, corresponding to the three stages of the ascending formation of man into the ideal type of superman.
At the initial stage, the human spirit is symbolized by a camel, loaded with a load of numerous emasculated commandments, traditions that have lost their meaning and dead authorities. At the second stage – the transformation of a camel into a lion – a person is freed from the fetters that bind him on the way to a superman, and wins freedom for himself to create “new values”.From this moment, the transformation of man into a superman begins. A description of this stage can already be found in the opening pages of Human, Too Human . Discontent with himself awakens in a person, the desire to become the master of his virtues. Zarathustra calls this state “the hour of great contempt”: “What is the highest that you can experience? This is an hour of great contempt. The hour when your happiness becomes disgusting to you, like your reason and virtue.
The hour when you say: “What is my happiness to me! It is poverty and filth and wretched self-satisfaction.But he should have justified existence itself!
The hour when you say: What is my mind to me! Does he crave knowledge like a lion craves his food? He is poverty and filth, and miserable self-satisfaction! ”
The hour when you say: “What is my virtue to me! She hasn’t made me mad yet. How tired I am of my good and of my evil! All this is poverty and filth, and miserable self-satisfaction! .. “
The hour when you say: What is my compassion to me! Isn’t it the cross to which the one who loves people is nailed? But my compassion is not crucifixion. “And further: “I love great haters, for they are great admirers and arrows of longing for the other side …”.
In the fourth part, “Thus Spoke Zarathustra,” Nietzsche brings to the stage a number of types of people of great contempt, “higher people.” Two kings who have escaped from “good morals” and “good society” come to the cave of Zarathustra; only in his longing for the ideal, the “voluntary beggar” who feels disgust at the excess of civilization, “the last Pope”, “the most disgusting man.”All these people are united by dissatisfaction with the ideals that rule in their daily lives.
Great contempt, rejection of those teachings that impede the free development of the individual, preaching “equality of people”, and a detachment from pessimism – these are the last steps on the path of ascent to the superman. Nietzsche interprets pessimism broadly, referring to both the metaphysical doctrine (asserting that non-being is better than being) and ethical doctrine (considering the body as an evil and sinful in nature): “I do not follow your path, you who despise the body! For me, you are not bridges leading to the superman! “
Higher people who have broken ties with the ideals of their contemporary society are not yet free from the “spirit of gravity” – melancholy, oppressing a person and killing his thirst for life: “Since the existence of people, people have rejoiced too little; only this, my brothers, is our original sin!
And when we learn to rejoice more, then we all the better will forget how to hurt others and invent it. ”
Nietzsche portrays pessimism or world sorrow in the form of a “fire dog”, which is opposed by another dog, which “speaks really from the heart of the earth.
He breathes gold and golden rain: so his heart wants …
Laughter flies out of him like a motley cloud … But gold and laughter – he takes them from the heart of the earth, for … the heart of the earth is made of gold. ” Gold, laughter and dances are symbols of a cheerful, joyful state of mind, an unassailable mood of a person who has overcome the spirit of heaviness in himself.
It is significant that the theme of optimism and good spirits occupies a serious place in Soloviev’s later reflections. In the famous parable of the Athos wanderer Barsanuphius from the life of the ancient hermits in Three Conversations, he directly says: “Sin alone is mortal – despondency, because despair is born of it, and despair is, in fact, not a sin, but itself spiritual death ”.
The final metamorphosis of the spirit — the transformation of a lion into a child — is a stage in the birth of a superhuman type. Infancy symbolizes the affirmation of life: “A child is innocence and oblivion, a new beginning, a game, an ever-rotating wheel, the first movement, holy Yes, for the game of creation, my brothers, you need a holy Yes …”. The one who enters the path of the superman accepts life and blesses it, and, in this sense, is the redeemer of earthly reality: “And here is my blessing: over every thing to be its own sky, its round dome, its azure bell and eternal confidence – and blessed is he who so blessing!
For all things are baptized at the spring of eternity and beyond good and evil; but good and evil are only glimpses of shadows, wet sorrow and stretching clouds. “
Acceptance and justification of life is the starting point of the “path of the creator.” Nietzsche argues that moral norms must be deduced from the inner nature of man. Like Solov’ev, he bases the truths he postulates on the personal experience of a person, on a religious, mystical, bodily experience.
Soloviev’s participation in the discussion of Nietzsche’s ideas played a huge role in the formation of Russian Nietzschean. He was the first Russian thinker who looked at the work of Nietzsche from a religious point of view : “if there was no real“ superman ”before us, then in any case there is a superhuman path that many have followed, are going and will continue to go for the good of all, and , of course, our most important vital interest is that more people enter this path, more directly and further along it, because at the end of it there is a complete and decisive victory over death. “
However, despite the obvious parallels and consonances on many issues, mainly in the interpretation of the theme of the superman, the question of whether Solov’ev read Nietzsche, or was familiar with his ideas only from second hand, is still controversial. So Sergei Soloviev, the nephew of the thinker, notes in his authoritative creative biography of Soloviev: “It was difficult for a philosopher who grew up on Kant and Hegel to understand the full meaning of Nietzsche, he hardly even read it carefully and tried to limit himself to polemics with jokes and irony.”
In Soloviev’s extensive and well-preserved correspondence of the 1890s, there is no mention of work on Nietzsche’s texts, and in his articles there are no special references to the works of the German philosopher. It should also be recognized that often Soloviev’s judgments relate not so much to the views of Nietzsche himself as to the ideas that at that time were customarily associated with his name (see, for example, the preface to “Justification of Good”) . Nevertheless, it is likely that Soloviev was nevertheless familiar with Nietzsche’s work from primary sources.Soloviev took the ideas of the German philosopher very seriously and could hardly ignore his work. It is also noteworthy that the article about Konstantin Leontiev, published shortly after the death of the thinker, in the first issue of the journal Russkoe Obozreniye in 1892, that is, shortly before the publication of the first Russian-language work on the philosophy of Nietzsche by Vasily Preobrazhensky, contains, which later became fashionable, a comparison of views Leontiev and Nietzsche. Soloviev argued that in his contempt for pure ethics and the cult of self-affirmation of strength and beauty, Leontyev anticipated Nietzsche.
There are several points in the evolution of Soloviev’s perception of Nietzsche. It is noteworthy that at first Solovyov was completely neutral about Nietzsche’s work. The first statements about his philosophy (see the articles “K. Leont’ev” (1892) and “The first step towards positive aesthetics” (1894)) do not contain any particular interest in Nietzsche’s reasoning, in which Soloviev (in contrast to the first Russian Nietzscheans of Vasily Preobrazhensky and Nikolai Mikhailovsky) resolutely refuses to see the originality and depth; no harsh criticism of the ideas of the German thinker (as was customary at that time in the academic environment).Soloviev is also far from the position of the idealists of the older generation (Lev Lopatin, Nikolai Groth) who perceived Nietzscheism as an expression of the moral decline of Western culture. For him, Nietzsche’s philosophy is nothing more than an insignificant secondary phenomenon, hardly having any influence on the future of human culture and the development of morality, for “the resurrection of dead ideas is not scary for the living.” At the beginning of the 1890s, Solovyov’s attention was focused on the other side of Nietzscheism: “These ideas [Nietzscheanism – Yu.S.] in which the subjects of the Egyptian pharaohs and Assyrian kings once believed and lived […] were greeted in our Europe as something original and fresh, and as such they had a grand succes de surprise. Does this not prove that we managed not only to survive, but even to forget what our ancestors lived with, so that their world outlook has already received the charm of novelty for us? ”
The work “Justification of Good” – the apogee of Soloviev’s fame, which makes sense to read as a detailed and detailed answer to Nietzsche (despite the fact that the name of the German philosopher is mentioned in it in passing and only in the prefaces to the book), already contains a criticism of the ideas of the German philosopher.Nevertheless, Soloviev did not fail to notice that Nietzscheism contains within itself the seeds of its own destruction and, therefore, does not pose any serious danger and does not require any special refutation or serious attention. Soloviev opposes the aestheticization of life in Nietzsche, criticizes Nietzsche’s separation of “beauty” and “power” from the religious context, insisting that the true realization of the values of Truth, Goodness and Beauty is possible only as a synthesis of these three essences within the framework of religion, that it is Christianity that is called keep beauty from destruction.
Switching Solov’ev’s attention to Nietzsche’s idea of the superman opened a new stage in his relation to Nietzsche. The theme of the superman becomes for Solovyov the central object of criticism in the work of the German thinker. In Nietzsche’s superman – the prototype of the Antichrist – the religious philosopher saw the greatest danger threatening Christian culture. Soloviev in his works opposes the ideal of Nietzsche to the true God-man – Jesus Christ, who conquered death by bodily resurrection.
In March 1897, simultaneously with the completion of the first version of “Justification of Good” , Soloviev published in the newspaper “Rus” a small note “Literature or Truth?” . In this essay, which, according to the author himself, supplements and clarifies the main ideas of Three Conversations, Soloviev for the first time declares that he sees his goal in the fight against the Nietzschean concept of the superman as a key point in the philosophy of the German thinker. By this time, Soloviev began to speak openly that the growing influence of Nietzsche’s ideas in Russia posed a danger to Christian thought.
In the last years of his life, Soloviev’s attitude to Nietzsche acquired a new shade. Remaining extremely alert, it becomes deeply interested and, at the same time, more rational. In the article “The Idea of the Superman”, pointing out three fashionable trends in European thought at the end of the 19th century: “economic materialism” (Karl Marx), “abstract moralism” (Leo Tolstoy) and “demonism of the superman” (Friedrich Nietzsche), Soloviev gives priority to the importance of teaching Nietzsche, stressing that the secret of its popularity lies in the fact that it carries the answer to the spiritual needs of modern thinking people.The idea of the superman itself is relevant and necessary, it correctly reflects reality: the human must be surpassed. However, for Solovyov it is absolutely obvious that the true superhuman principle has already been revealed in history in the person of the God-man Christ – “the true superman”, “the real conqueror of death” and “the firstborn from the dead.”
Soloviev admits that there is undoubtedly truth in Nietzsche’s concept, but this truth is distorted. For Solov’ev, it is important to show what exactly Nietzsche’s mistake is.The spearhead of his criticism is directed at the “bad sides” of Nietzscheism: contempt for the weak and sick humanity; a pagan view of strength and beauty; the assertion that superhumanity is the lot of a select few natures. The true goal of superhumanity, according to Solovyov, is victory over death, and the path to the realization of this task lies through moral exploit, suppression of selfishness and pride.
Considering the Nietzschean concept of “false superhumanity” through the prism of his own doctrine of God-manhood, Soloviev enthusiastically searched for Nietzsche’s predecessors in intellectual history.In a lecture on Lermontov, read in 1899, he called the poet the predecessor of Nietzsche – a seduced demon of evil, cruelty, pride and voluptuousness. In this speech, Soloviev built up the old anti-Nitzschean argumentation, pointing out that the main mistake of Lermontov-Nietzsche lies in contempt for humanity, while every person on earth is a potential God (super) man.
In the essay of 1898 “Plato’s Life Drama”, Socrates is named as a kind of forerunner of Nietzsche, who embodied the idea of a superman not in theory, but in his personal destiny, and thereby proved the necessity of the arrival of a “real superman” – the God-man, is named Socrates.The death of Socrates, who by his noble death had exhausted the moral power of purely human wisdom, became for Solovyov evidence of the impossibility for a person to fulfill his purpose, that is, to become a real superman, with only the power of mind and moral will. “After Socrates, both by word and by example of the one who teaches a worthy person to die, only one who has the power of resurrection for eternal life could go further and higher.”
The final “synthetic” period of Soloviev’s work, the upper limit of which is considered to be “Justification of Good” , and the lower one – “Three Conversations”, passed under the sign of “struggle with Nietzsche.”Solovyov was concerned about the rapid rise in popularity of the Nietzschean idea of the superman among the younger generation of Russian intellectuals – precisely that part of the audience that he regarded as potentially close and prepared for the perception of his own views. Despite the fact that traces of internal polemics with Nietzsche and the Nietzschean cult of the superman and superhuman beauty can be found in almost all of Soloviev’s later works, he did not leave any serious study of Nietzsche’s work from a historical or metaphysical point of view and, unlike most of his contemporaries, never tried to refute the teachings of Nietzsche as a philosophical problem.
In most cases, Soloviev wrote about the views of the German philosopher solely as aesthetics of no real interest, called Nietzsche a “superphilologist”, beautiful and loud phrases trying to make the reader believe not in the real God-man Jesus Christ, but in the “mythical Üebermensch and his prophet Zarathustra , as a result of which … instead of all the forces of heaven, earth and hell, the psychopathic decadents and decadents of Germany and Russia only tremble and kneel before this name. “Soloviev did not publish any of his work on Nietzsche in philosophical journals. Even the preface to The Justification of Good was published in the popular literary supplement “Books of the Week”. And yet, behind Solovyov’s statements that the superman is by no means some kind of higher being, but “a newly established department at the philological faculty,” and Nietzsche’s ideas themselves are nothing more than “verbal exercises, beautiful in literary form, but devoid of any real content”, the question inevitably arose: “Perhaps the verbal exercises of the Basel philologist were only powerless expressions of a real foreboding?”
Recalling his last conversation with Soloviev (a few months before his death), Andrei Bely wrote: “I spoke with Vladimir Sergeevich about Nietzsche, about the attitude of the superman and the idea of God-manhood. He said a little about Nietzsche, but there was a deep seriousness in his words. He said that Nietzsche’s ideas are the only thing that must now be reckoned with as a deep danger threatening religious culture. As much as I did not disagree with him in my views on Nietzsche, I was deeply reconciled by his serious attitude towards Nietzsche.I realized that calling Nietzsche a “superphilologist,” Vladimir Sergeevich was only a Tactician who ignored the danger that threatened his aspirations. ”
In The Idea of the Superman, Solovyov openly announced his readiness for a serious polemic with Nietzsche’s concept of the superman: “now, thanks to Nietzsche, progressive people declare themselves so that it is logically possible and requires a serious conversation with them – moreover, about superhuman matters.” However, this conversation never took place. He was prevented at first by Solovyov’s imminent break with the World of Art circle , , and then the death of the philosopher drew a line.
Despite the obvious discrepancies in assessments and different spiritual preferences, the alien mystical experience and the dissimilarity of the intellectual styles of Friedrich Nietzsche and Vladimir Solovyov, these thinkers are united by “consonances and conversions” of independently formed philosophical ideas. In the study “The Thinkers of Russia and the Philosophy of the West” N.V. Motroshilova singles out as such intersection points, first of all, “the conviction of both philosophers that Western philosophy is going through a deep crisis, caused, first of all, by the cult of science and scholarship, by reducing a person to a cognizing subject. (“Theoretical man”, in Nietzsche’s terminology) “and their criticism of positivism as one of the clearest manifestations of this crisis.And also “the search for new paradigms on the path of philosophizing, based on the principles of” life “,” vitality “and presupposing a mental movement from understanding the process, the flow of life as a cosmic, self-propelled whole to the manifestation of the specificity of man as a special concentration of life.”
For the leaders of the Russian religious renaissance, two contemporaries – Friedrich Nietzsche and Vladimir Soloviev – became teachers and the main creative guides in the newly discovered and personally experienced cultural heritage.It is Nietzsche and Soloviev that we owe the rapid rise and fall of Russian culture at the beginning of the 20th century. Young thinkers at the turn of the century tried to combine the teachings of the two philosophers in real life. In an effort to revive Orthodoxy and bring Soloviev’s divine-human ideal closer, they relied on Nietzsche’s value system. Trying to combine high culture and everyday life, the religious system of Solovyov with the ideals of the God-forsaken world of eternal return to the other side of good and evil in Nietzsche, they broke, and failed to overcome the duality of consciousness and life.The two halves did not fit together. After all, they are from different worlds, the border between which is overcoming death. Hence the broken personal destinies, hence the tragic outcome of the spiritual movement of the religious renaissance in Russia. The philosophical systems of Soloviev and Nietzsche are the wings of Icarus – the Russian Silver Age, who, striving upward, due to its enormous creative power, rose above everyday life, however, could not resist (obviously, could not resist) from breaking into the chaos of revolution, sectarianism, foolishness and devilry.
90,000 Chapter 5. NTS AND WAR
Never before have our troops gone into battle in such conditions. Never before, since the time of war communism, has the Soviet power been driven into such a dead end. The fateful time of the first half of 1941. Stalin and his entourage are completely isolated both inside the country and in the outside world. The fate of Soviet power is in the hands of Hitler.
This is how the war began
A year before the war, the leadership of the NTS knew that the ruling circles of the “3rd Reich” had finally developed and approved a political concept in relation to Russia.(A copy of the corresponding document was received from an employee of one of the German ministries, a German woman of Russian origin, who sympathized with the NTS.) The seizure of European Russian lands, the physical destruction of the disobedient, the transformation of all the rest (“Untermensch”) into obedient slaves, delivering a bountiful harvest to the German master. Under such conditions, any collusion with Berlin was impossible … In July 1938, the leadership of the NTS informed the staff: “In view of the revealed impossibility of independent and independent work of our Union within Germany, the Executive Bureau decided, without waiting for the official closure of the NTSNP group in Germany, to suspend the work of this department, until more favorable conditions come. “Subsequently, during interrogations by the Gestapo, the leaders of the NTS will be reminded of this text. But the illegal work of the Union on German territory continued and even intensified. This was necessary in the conditions of the impending war.
However, both for a significant part of the Russian Diaspora and within Russia, the future seems to be different. It is known that since the time of the Ribbentrop-Molotov Pact, since the partition of Poland, and then the attack on Finland, a deep rift has formed between Moscow and the Western democracies.In the days when relations between Moscow and Berlin reach a dangerous degree of tension, there is nowhere to wait for diplomatic assistance to Stalin. In these conditions, Hitler can do away quickly and once and for all with the Soviet regime. He can stake on the Russian people who have just survived Yezhovism. A stake against Stalin. To many, in the first weeks of the war, it seems that he will do just that.
A dangerous myth is born: Hitler started a war for the liberation of Russia. German radio broadcasts and newspapers keep repeating this, as well as millions of leaflets dropped over Russian soil.This is believed by millions of Russian people: emigrants, the population of the occupied regions and the Soviet rear, millions of our fighters who do not want to fight. They go to the Germans so as not to defend Stalin and his power … On July 16, 1941, Stalin recognizes in his secret order No. 0019: “On all fronts there are numerous elements that even run towards the enemy and, at the first contact with him, throw down their weapons … while the number of staunch commissars and commanders is not too large” (Alexander Dalin. “German rule in Russia 1941– 1945 “). {A. Dallin. Deutsche Herrschaft in Russland 1941-1945. Droste-Verlag. Dusseldorf, 1958}
Our soldiers do not know that death camps, deliberate extermination camps are awaiting them. 1st appendix to this chapter} .
The German deception will gradually be solved. Already in October-November 1941, having seen through the German “liberator”, the Russian troops began to fight more and more steadfastly and fiercely. With his misanthropic policy, Hitler rescued Stalin from trouble.Two years later, General Vlasov will share his memories of a meeting held at the beginning of the war in the Kremlin:
“After the martial law was discussed, Stalin said that the political unreliability of the population and some army units created a critical situation in the first months of the war, but, fortunately,“ the fascists themselves quickly cured them. ” Vlasov was stunned. These facts have not yet been discussed so openly ”(Sven Steenberg. “ Vlasov ”, p. 28). {Publ .: Russian House in Melbourne, Australia, 1974.Translated from German: Sven Steenberg. “Wlassow”. Verlag Wissenschaft und Politik, Koln, 1968}
Captain Wilfried Shtrik-Shtrikfeldt, who took part in the interrogation of the captured Yakov Dzhugashvili (Stalin’s eldest son), testifies: “From the way he said this, we understood that Stalin and his clique were not afraid of the occupation of the country by foreign armies, but“ internal enemy “- the revolution of the masses as the Germans advance … – So, Stalin and his comrades are afraid of a national revolution or a national counter-revolution in your terminology ?…. According to him, he never spoke with his father on this topic, but among the officers of the Red Army there were more than once conversations in this and similar planes “ (” Against Stalin and Hitler “, pp. 29-30). {Ed. Sowing, Frankfurt am Main, 1975. Authorized translation from German: Wilfried Strik-Strikfeldt. Gegen Stalin und Hitler. Verlag Hase-Koehler, Mainz, 1970} .
The opportunity to overthrow Stalin in the first months of the war was lost. And the hopes pinned on Hitler will come at a cost.In the first one year of the war, more than three million of our prisoners of war are killed in German camps. Thanks to Hitler, Stalin – a despot and executioner – not only retains power, but acquires the laurels of a great commander. Thanks to Hitler, Stalin comes out of isolation. Having closed their eyes to all his atrocities and seeing in him only a desired ally, Western democracies are reaching out to him, predetermining the establishment of a communist regime throughout Eastern Europe.
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