Matt Drenan: Johns Hopkins Lacrosse Defenseman’s Career Highlights and Statistics

Who is Matt Drenan. What were his key achievements in lacrosse at Johns Hopkins University. How did Matt Drenan contribute to the Blue Jays’ defense. What were Matt Drenan’s career statistics at Johns Hopkins.

Table of Contents

Matt Drenan’s Collegiate Lacrosse Career at Johns Hopkins

Matt Drenan was a standout defenseman for the Johns Hopkins University men’s lacrosse team from 2006 to 2009. His collegiate career was marked by consistent performance, defensive prowess, and significant contributions to the Blue Jays’ success on the field.

Freshman Year (2006): A Strong Start

Drenan made an immediate impact as a freshman in 2006:

Started all 14 games on close defense
First freshman to start a season opener on defense for JHU since Chris Watson in 2002
Collected 32 ground balls, the most by a Johns Hopkins close defenseman since 2002
Helped the team finish 17th nationally in scoring defense, allowing just 8.21 goals per game

Sophomore Setback (2007)

Unfortunately, Drenan’s sophomore season was cut short before it began:

Suffered a preseason knee injury (torn ACL)
Missed the entire 2007 season due to the injury

Drenan’s Comeback and Defensive Dominance

After a year of recovery, Matt Drenan returned to the field stronger than ever, showcasing his versatility and defensive skills.

Junior Year (2008): Return to Action

Drenan’s junior season marked his successful comeback:

Played in all 17 games as the primary long-stick midfielder
Collected 22 ground balls throughout the season
Contributed to a defensive turnaround that propelled the Blue Jays to eight straight wins and a national championship game appearance
Helped the team improve from 49th to 19th in national scoring defense rankings

Senior Year (2009): Peak Performance

In his final season, Drenan solidified his role as a defensive anchor:

Played in all 15 games, starting 13 on close defense
Finished second on the team in ground balls (46) and caused turnovers (13)
Key contributor to a defense that allowed just 8.7 goals per game during a crucial seven-game winning streak
Recorded his first career point with an assist against Syracuse

Matt Drenan’s Impact on Johns Hopkins’ Defense

Throughout his career, Drenan played a crucial role in the Blue Jays’ defensive success. His contributions were particularly notable during his senior year:

Helped the defense hold opponents scoreless for stretches of 11 minutes or longer 25 times in the 2009 season
Anchored a defense that allowed just three goals and six second-half shots against Siena
Contributed to multiple games where opponents were held scoreless for extended periods, including a 20-minute stretch against Mount St. Mary’s

Career Statistics and Achievements

Matt Drenan’s career statistics at Johns Hopkins University reflect his consistent defensive performance:

Total games played: 46 (30 starts)
Career ground balls: 100
Career caused turnovers: Not explicitly stated, but significant based on season totals
Career points: 2 (both assists in his senior year)
Penalties: 20 for 18:30 minutes

Matt Drenan’s Pre-College Lacrosse Career

Before joining Johns Hopkins, Drenan had an impressive high school career at Rancho Bernardo:

Earned All-America honors as a senior
Named conference player of the year
Led lacrosse team to county championship game
Helped football team win a league title
Received 2005 National Football Foundation and College Hall of Fame Scholar-Leader-Athlete Award
Two-time Union Tribune All-Academic selection in lacrosse

Beyond the Field: Matt Drenan’s Personal Background

Understanding an athlete’s background can provide insight into their character and motivations:

Full name: Matthew T. Drenan
Parents: Michael and Terese Drenan
Born: February 13, 1987
Major at Johns Hopkins: History
Athletic legacy: Father played football at Wittenberg University, contributing to two Division III Championships

The Legacy of Matt Drenan at Johns Hopkins

Matt Drenan’s impact on the Johns Hopkins lacrosse program extended beyond his individual statistics. His journey from a freshman starter to a senior leader showcases resilience, skill development, and consistent contribution to team success.

Defensive Leadership

How did Drenan’s presence affect the Blue Jays’ defensive performance? Throughout his career, especially in his senior year, Drenan was instrumental in anchoring a defense that frequently stifled opponents. His ability to cause turnovers and collect ground balls provided crucial possessions for Johns Hopkins, often turning defensive stops into offensive opportunities.

Overcoming Adversity

Drenan’s comeback from a season-ending injury in 2007 demonstrates his determination and work ethic. Many athletes struggle to regain their form after a serious injury, but Drenan returned to play a pivotal role in the team’s success during his junior and senior years.

Versatility on the Field

What makes a defenseman valuable in lacrosse? Drenan’s career at Johns Hopkins showcases the importance of versatility. He excelled as both a close defenseman and a long-stick midfielder, adapting his game to meet the team’s needs. This flexibility allowed the coaching staff to utilize his skills in various defensive schemes and situations.

Analyzing Matt Drenan’s Playing Style and Contributions

To truly appreciate Drenan’s impact on the field, it’s essential to delve deeper into his playing style and specific contributions to the Johns Hopkins lacrosse program.

Ground Ball Specialist

Why are ground balls crucial in lacrosse? Ground balls often determine possession, and Drenan excelled in this aspect of the game. His ability to consistently win ground balls, particularly in his senior year with 46, provided Johns Hopkins with extra possessions and opportunities to control the pace of play.

Causing Turnovers

How do caused turnovers impact a lacrosse game? Drenan’s knack for forcing turnovers, especially evident in his senior year with 13, disrupted opponents’ offensive rhythms and created fast-break opportunities for the Blue Jays. This skill is particularly valuable in close games where possession can make the difference between winning and losing.

Defensive Communication and Leadership

While statistics don’t capture everything, Drenan’s role as a defensive leader was likely crucial to the team’s success. Experienced defensemen often coordinate defensive rotations, call out offensive sets, and mentor younger players, contributing to overall team cohesion and performance.

The Evolution of Matt Drenan’s Role at Johns Hopkins

Tracking Drenan’s progression from freshman to senior year provides insight into his development as a player and his increasing importance to the team.

Freshman Year: Immediate Impact

Starting as a freshman is a significant achievement in Division I lacrosse. Drenan’s ability to step into a starting role immediately speaks to his skill level and readiness for collegiate competition. His 32 ground balls as a freshman set a high bar for his future performances.

Sophomore Year: Setback and Recovery

While missing an entire season due to injury was undoubtedly frustrating, this time away from competition may have allowed Drenan to study the game from a different perspective, potentially contributing to his tactical understanding and leadership abilities in subsequent seasons.

Junior Year: Positional Flexibility

Drenan’s shift to primarily playing as a long-stick midfielder in his junior year demonstrates his adaptability and the coaching staff’s trust in his abilities. This position often requires a combination of defensive skills and the stamina to contribute in transition, suggesting Drenan’s well-rounded skill set.

Senior Year: Defensive Anchor

In his final season, Drenan’s return to close defense coincided with a strong team performance, particularly during the seven-game winning streak where the defense allowed just 8.7 goals per game. His increased production in ground balls and caused turnovers indicates his mastery of the position and his importance to the team’s success.

Matt Drenan’s Lacrosse Legacy and Future Prospects

While the provided information doesn’t detail Drenan’s post-collegiate career, his performance at Johns Hopkins laid a strong foundation for potential opportunities in lacrosse beyond university.

Potential Coaching Career

Given Drenan’s experience as a defensive leader and his history major, he may have pursued coaching opportunities. Many former collegiate players transition into coaching roles, where they can share their knowledge and experience with the next generation of players.

Professional Lacrosse Possibilities

Although not mentioned in the provided information, Drenan’s skills and experience at a top collegiate program like Johns Hopkins could have opened doors to professional lacrosse opportunities, either in field lacrosse or indoor (box) lacrosse leagues.

Continued Involvement in Lacrosse

Even if not pursuing a professional playing or coaching career, many former collegiate players remain involved in lacrosse through youth programs, camps, or administrative roles in lacrosse organizations. Drenan’s experience and success at Johns Hopkins would make him a valuable contributor to the lacrosse community in various capacities.

Matt Drenan’s career at Johns Hopkins University exemplifies the impact a dedicated defenseman can have on a lacrosse program. From his immediate contributions as a freshman to his leadership role as a senior, Drenan’s journey showcases the importance of versatility, resilience, and consistent performance in collegiate athletics. His legacy at Johns Hopkins extends beyond statistics, reflecting a player who adapted to challenges, excelled in crucial defensive roles, and contributed significantly to his team’s success over four years of Division I lacrosse competition.

Matt Drenan – Men’s Lacrosse

2009: Played in all 15 games and started 13 games on close defense (wing on opening faceoff in other two – officially not listed as a starter in those two) Finished second on the team in ground balls (46) and caused turnovers (13) Fueled a Blue Jay defense that allowed an average of just 8.7 goals per game during seven-game winning streak late in the season – JHU allowed 10.7 goals per game through the first seven games of the season JHU defense held the opposition scoreless for a stretch of 11 minutes or longer 25 times on the season Forced three turnovers and had a career-high eight ground balls vs. Siena while anchoring a defense that allowed just three goals (none in the final 45:50) and a total of six second-half shots Grabbed six ground balls in the win over Hofstra, when the Blue Jays held the Pride scoreless for more than 11 minutes three different times Tallied first career point – an assist on a second-quarter goal by Kyle Wharton – at second-ranked Syracuse Had six ground balls and forced a turnover at Mount St. Mary[apos]s JHU held the Mount scoreless for more than 20 minutes to end the game Had two ground balls and two caused turnovers in the first round of the NCAA Tournament against Brown Closed season with one assist, one ground ball and one caused turnover against Virginia in the NCAA Quarterfinals.

2008: Played in all 17 games as JHU[apos]s primary long-stick middie and had 22 ground balls on the year Saw first action in nearly two years in the season-opener against Albany as he sat out the entire 2007 season wtih a torn ACL Fueled the defensive turnaround in the second half of the season that saw the Blue Jays win eight straight to advance to the national championship game JHU finished 19th in the nation in scoring defense after ranking as low as 49th at one point in the middle of the season.

2007: Missed the entire season after suffering a preseason knee injury.

2006: Played and started all 14 games on close defense First freshman to start a season-opener on defense for JHU since Chris Watson (2002) Finished fifth on the team – and first among close defensemen – with 32 ground balls on the year 32 ground balls on the year are the most by a Johns Hopkins close defenseman since Michael Peyser had 33 in 2002 Scooped up a career-high six ground balls, including one in the final five seconds, in the 11-10 win over Towson Six GBs were the most by a Johns Hopkins close defenseman on the year Picked up a then career-high five ground balls against North Carolina and added a team-high five in the 13-3 win over Penn in the first round of the NCAA Tournament Fueled a Hopkins defense that held nine of 14 opponents to nine goals or less and six opponents to seven goals or less Johns Hopkins finished 17th in the nation in scoring defense (8. 21).

At Rancho Bernardo: Standout in football and lacrosse and a team captain in both sports Garnered All-America honors as a senior, when he also earned conference player-of-the-year honors Helped lacrosse team to county championship game and football team to a league title as a senior Earned a 2005 National Football Foundation and College Hall of Fame Scholar-Leader-Athlete Award Union Tribune All-Academic selection in lacrosse as a junior and senior and as a senior in football.

Personal: Matthew T. Drenan The son of Michael and Terese Drenan Father was a member of the football team at Wittenberg (OH) and helped team to a pair of Division III Championships Born February 13, 1987 History major.

Drenan[apos]s Career Statistics

Year GP/S G A Pts Sh. GBs Pen.

2006 14/14 0 0 0 1 32 6/5:00

2007 Injured 

2008 17/3 0 0 0 3 22 5/4:30

2009 15/13 0 2 2 2 46 9/9:00

Totals 46/30 0 2 2 6 100 20/18:30

Matthew Thomas Drenan # 302477

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Self-Reported Practice Areas: None reported

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Law School: California Western SOL; San Diego CA

Matt Drenan | LacrosseDB

Regular season stats:

Year	League	Team	GPGames Played	AAssists	PTSPoints	GBGround Balls	FO%Faceoff Percentage	FOFaceoffs
2006	NCAAD1	Johns Hopkins	14	0	0	32	–	0
2008	NCAAD1	Johns Hopkins	17	0	0	22	–	0
2009	NCAAD1	Johns Hopkins	15	2	2	46	–	0
2010	NCAAD1	Johns Hopkins	15	0	0	21	0	1
Totals	NCAAD1	–	61	2	2	121	0	1
Totals	All	–	61	2	2	121	0	1

Postseason stats:

Year	League	Team	GPGames Played	GGoals	AAssists	PTSPoints	GBGround Balls	FOWFaceoffs Won	FO%Faceoff Percentage	FOFaceoffs
Totals	All	–	–	–	–	–	–	–	–	–

Men’s Lacrosse vs Johns Hopkins on 5/8/2010 – Box Score

[15:00]	Pierce Bassett at goalie for JHU.					Pierce Bassett at goalie for JHU.
[15:00]				Jake Hagelin at goalie for LOY.		Jake Hagelin at goalie for LOY.
[15:00]	Faceoff Michael Powers vs John Schiavone won by JHU, [15:00] Ground ball pickup by JHU Michael Kimmel.					Faceoff Michael Powers vs John Schiavone won by JHU, [15:00] Ground ball pickup by JHU Michael Kimmel.
[14:32]	Shot by JHU Chris Lightner, SAVE Jake Hagelin.					Shot by JHU Chris Lightner, SAVE Jake Hagelin.
[14:25]				Ground ball pickup by LOY Steve Dircks.		Ground ball pickup by LOY Steve Dircks.
[14:23]				Turnover by LOY Jake Hagelin.		Turnover by LOY Jake Hagelin.
[13:39]	Shot by JHU Michael Kimmel HIGH.					Shot by JHU Michael Kimmel HIGH.
[13:22]	Turnover by JHU Tom Duerr.					Turnover by JHU Tom Duerr.
[13:15]				Clear attempt by LOY failed.		Clear attempt by LOY failed.
[13:12]				Turnover by LOY Chris Basler.		Turnover by LOY Chris Basler.
[13:09]	Ground ball pickup by JHU Steven Boyle.					Ground ball pickup by JHU Steven Boyle.
[13:07]	Turnover by JHU Steven Boyle.					Turnover by JHU Steven Boyle.
[13:03]				Ground ball pickup by LOY Steve Dircks.		Ground ball pickup by LOY Steve Dircks.
[12:59]				Clear attempt by LOY failed.		Clear attempt by LOY failed.
[12:55]				Turnover by LOY Steve Dircks (caused by Tom Duerr).		Turnover by LOY Steve Dircks (caused by Tom Duerr).
[12:55]	Ground ball pickup by JHU Tom Duerr.					Ground ball pickup by JHU Tom Duerr.
[12:55]				Penalty on LOY Steve Dircks (HOLDING/0:30) Extra-man opportunity.		Penalty on LOY Steve Dircks (HOLDING/0:30) Extra-man opportunity.
[12:29]	Shot by JHU Tom Duerr, SAVE Jake Hagelin.					Shot by JHU Tom Duerr, SAVE Jake Hagelin.
[12:10]				Clear attempt by LOY good.		Clear attempt by LOY good.
[11:09]				Shot by LOY Eric Lusby WIDE.		Shot by LOY Eric Lusby WIDE.
[10:54]				Shot by LOY Eric Lusby, SAVE Pierce Bassett.		Shot by LOY Eric Lusby, SAVE Pierce Bassett.
[10:52]	Ground ball pickup by JHU Michael Kimmel.					Ground ball pickup by JHU Michael Kimmel.
[10:45]	Clear attempt by JHU good.					Clear attempt by JHU good.
[10:41]	Shot by JHU Michael Kimmel, SAVE Jake Hagelin.					Shot by JHU Michael Kimmel, SAVE Jake Hagelin.
[10:35]				Clear attempt by LOY good.		Clear attempt by LOY good.
[09:55]				Shot by LOY Taylor Ebsary, SAVE Pierce Bassett.		Shot by LOY Taylor Ebsary, SAVE Pierce Bassett.
[09:53]				Ground ball pickup by LOY Matt Langan.		Ground ball pickup by LOY Matt Langan.
[09:52]				Shot by LOY Matt Langan, SAVE Pierce Bassett.		Shot by LOY Matt Langan, SAVE Pierce Bassett.
[09:52]				Ground ball pickup by LOY Collin Finnerty.		Ground ball pickup by LOY Collin Finnerty.
[09:51]				Timeout by LOY.		Timeout by LOY.
[09:30]				Ground ball pickup by LOY Chris Hurst.		Ground ball pickup by LOY Chris Hurst.
[09:12]				Shot by LOY Chris Hurst BLOCKED.		Shot by LOY Chris Hurst BLOCKED.
[08:58]				Shot by LOY Davis Butts WIDE LEFT.		Shot by LOY Davis Butts WIDE LEFT.
[08:23]				Ground ball pickup by LOY Davis Butts.		Ground ball pickup by LOY Davis Butts.
[08:15]				Shot by LOY Collin Finnerty, SAVE Pierce Bassett.		Shot by LOY Collin Finnerty, SAVE Pierce Bassett.
[08:14]	Penalty on JHU Matt Drenan (SLAS/1:00) Extra-man opportunity.					Penalty on JHU Matt Drenan (SLAS/1:00) Extra-man opportunity.
[08:01]		0	1	GOAL by LOY Chris Basler (FIRST GOAL) (MAN-UP), Assist by Cooper MacDonnell, goal number 2 for season.	0 – 1	GOAL by LOY Chris Basler (FIRST GOAL) (MAN-UP), Assist by Cooper MacDonnell, goal number 2 for season.
[08:01]				Faceoff Michael Powers vs John Schiavone won by LOY, [08:01] Ground ball pickup by LOY John Schiavone.		Faceoff Michael Powers vs John Schiavone won by LOY, [08:01] Ground ball pickup by LOY John Schiavone.
[07:12]				Shot by LOY Chris Basler, SAVE Pierce Bassett.		Shot by LOY Chris Basler, SAVE Pierce Bassett.
[07:09]	Clear attempt by JHU good.					Clear attempt by JHU good.
[06:07]	GOAL by JHU Tom Palasek, Assist by Marshall Burkhart, goal number 11 for season.	1	1		1 – 1	GOAL by JHU Tom Palasek, Assist by Marshall Burkhart, goal number 11 for season.
[06:07]	Faceoff Michael Powers vs John Schiavone won by JHU.					Faceoff Michael Powers vs John Schiavone won by JHU.
[05:24]	GOAL by JHU Kyle Wharton, Assist by John Ranagan, goal number 20 for season.	2	1		2 – 1	GOAL by JHU Kyle Wharton, Assist by John Ranagan, goal number 20 for season.
[05:24]				Faceoff Michael Powers vs John Schiavone won by LOY, [05:24] Ground ball pickup by LOY John Schiavone.		Faceoff Michael Powers vs John Schiavone won by LOY, [05:24] Ground ball pickup by LOY John Schiavone.
[05:18]				Turnover by LOY John Schiavone (caused by Michael Powers).		Turnover by LOY John Schiavone (caused by Michael Powers).
[05:13]	Ground ball pickup by JHU Chris Lightner.					Ground ball pickup by JHU Chris Lightner.
[05:03]	Clear attempt by JHU good.					Clear attempt by JHU good.
[04:24]	Turnover by JHU Tom Palasek (caused by Steve Dircks).					Turnover by JHU Tom Palasek (caused by Steve Dircks).
[04:17]				Ground ball pickup by LOY Michael Crimmins.		Ground ball pickup by LOY Michael Crimmins.
[04:14]				Clear attempt by LOY good.		Clear attempt by LOY good.
[03:27]				Ground ball pickup by LOY Collin Finnerty.		Ground ball pickup by LOY Collin Finnerty.
[03:15]				Shot by LOY Cooper MacDonnell WIDE.		Shot by LOY Cooper MacDonnell WIDE.
[03:12]				Ground ball pickup by LOY Davis Butts.		Ground ball pickup by LOY Davis Butts.
[02:52]				Shot by LOY Chris Hurst, SAVE Pierce Bassett.		Shot by LOY Chris Hurst, SAVE Pierce Bassett.
[02:43]	Clear attempt by JHU good.					Clear attempt by JHU good.
[01:16]	Turnover by JHU Steven Boyle (caused by Kyle Cottrell).					Turnover by JHU Steven Boyle (caused by Kyle Cottrell).
[01:12]				Ground ball pickup by LOY Kyle Cottrell.		Ground ball pickup by LOY Kyle Cottrell.
[01:10]				Clear attempt by LOY good.		Clear attempt by LOY good.
[00:06]				Shot by LOY Eric Lusby, SAVE Pierce Bassett.		Shot by LOY Eric Lusby, SAVE Pierce Bassett.
[00:00]	End-of-period.					End-of-period.

Results: Section ‘A’ Bathgate 4

Johns Hopkins lacrosse The Hopkins lacrosse team has dedicated its season to Matt Stoffel’s memory. Eric Zerriaut, Jake Byrne cheap nfl jerseys cheap nfl jerseys, Matt Drenan and Andrew DiConza (from left) wear his initials on their helmets and former number 21 on their jerseys. Gregory Raymond, a former Hopkins co captain, was the driver in the crash in which Stoffel was killed..

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Johns Hopkins Magazine

Home Team

On game day, Hopkins lacrosse has no bigger fans than
Mom and Dad.

By Dale Keiger

Photos by Will
Kirk

Opening photo: Russ Spaulding appears to have
sprouted extra arms, the better to cheer for his midfielder son,
Dave.

Follow this link to
Homewood
Field Highlights…

February 10,
12:30 in the afternoon at Homewood Field, and people are
hugging. They are men and women in their 40s and 50s, all
shapes and sizes, cheerful and excited and happy to see
each other for the first time in 10 months. Several of the
women have robed themselves in fur, and this is the day for
it, sunny and dry but cold and likely to grow colder before
anyone can seek shelter three hours from now. The men wear
down parkas or camouflage hunting gear or
blue-white-and-black
Johns Hopkins lacrosse
jackets. Most
people have brought blankets to spread over the ice-cold
metal bleachers. But first comes the hugging and the
catching up, amid glances at the field where about 45
strapping young men in sweat suits and lacrosse helmets
have begun stretching and trying to jog some warmth into
their bodies.

Opening Day of the 2007 Johns Hopkins men’s lacrosse season
is two weeks away. Inside Lacrosse, the country’s
premier publication covering the sport, has forecast this
year’s NCAA tournament and predicted that come Memorial
Day, the Blue Jays will be the last team standing, national
champions for the second time in three years. But before
any of that, there is today’s pre-season scrimmage versus
Penn State. The jovial folks now taking their seats have a
keen interest in the proceedings. The young men on the
field are their sons, though at the moment almost every
parent would be hard-pressed to point out which one is his
or her offspring. Helmets obscure the players’ faces, and
for scrimmages they swap jersey numbers, to confuse anyone
who might be scouting the team. This mostly confuses their
parents. When the scrimmage starts and Hopkins scores the
first goal, one mother says, “Was that Paul? I think that
was Paul.” After the second Hopkins goal, a male voice from
the back addresses the group: “If you are his parent,
please raise your hand.” Everyone laughs. It may be cold
out here, but a new lacrosse season is at hand, and for
most of these people that means a beloved weekend ritual
that has defined their springtime for probably a dozen
years at least.

Coaches get the credit for producing championship teams,
and they do guide their players, teach them, motivate them,
mold them into something bigger than their individual
selves. But championship teams are very much the product of
people like those in the stands at Homewood Field, the
parents now laughing and swapping stories and snugging down
into their coats. Their paths begin with the discovery that
their children love to play a game, and what’s more they
are strikingly good at it. Next comes years of putting
thousands of miles on the family car, driving to practice
and lacrosse camps and Saturday games and championship
tournaments. They push their kids, and the kids respond, so
they push some more.

Their motives are as complex as any other aspect of
parenting. In the early days, they feel secure, knowing
where their kids are every afternoon, and what they’re
doing. Their own egos and ambitions play a role. It’s fun
to bask in the glory of your son, the lacrosse star, and
parents notice that the best high school players attract
scholarships from some of the country’s best universities.
They make sure their kids reserve some of their prodigious
energy for study, so their grades and SAT scores will
qualify them to attend a school like Johns Hopkins. They
place a premium on teamwork and intense dedication and
winning, and in Hopkins lacrosse find the embodiment of all
those things. What happens on the field can feel like the
culmination of all their efforts.

Hopkins lacrosse head coach Dave Pietramala is the father
of 3-year-old twin boys. “I’m a new dad,” he says, “and I
see from these people the level of commitment they have to
their children. They are very much there for their
kids.”

They have counterparts throughout Hopkins athletics:
football parents who sit through miserably cold November
games, basketball parents familiar with every gymnasium in
a three-state area, soccer moms who have stayed soccer moms
throughout their daughters’ college careers. Women’s
lacrosse rarely attracts big crowds of roaring fans, which
makes the players’ parents all the more important. Janine
Tucker, Hopkins’ women’s lacrosse coach, says, “They scream
really loud for their girls during the games. Whether we’re
winning or not, they constantly exude that enthusiasm. Our
young women play for Johns Hopkins University, but they
also play for their families.”

For Abbey and Valerie Doneger (above), and for
Brendan and Ken Skakandi and Terry and Matt Bocklet
(right), lacrosse has defined their weekends for
years.
Photo at right by

Jay Van Rensselear

When David Huntley, A&S ’79, watched his 8-year-old
son Kevin pick up a lacrosse stick for the first time, he
saw something right away. “Kevin was the best player on his
team the very first time he played,” his father
recalls.

Athletic talent surfaces early. Take an afternoon and find
a sports field where children are playing organized soccer
or baseball or lacrosse. Pay attention for 10 or 15 minutes
and you may well spot one boy or girl who is only 6 years
old but already has grace and speed and a surpassing
ability to do something with a ball. He or she may even
walk differently, already imbued with precocious
self-possession.

Michael Peyser and his wife, Barbara, have watched three
sons play lacrosse at Hopkins, and he remembers a summer
day in June 1988. He was on his front lawn, watching the
kids play in a sprinkler. His eldest, Michael, took a long
run and then leapt through the cold spray of water. The
7-year-old’s stride was so graceful and beautiful that his
father says, “I got a jolt. I knew he was going to be a
good athlete.” Abbey and Valerie Doneger’s eldest son,
Adam, starred for Hopkins from 2000 to 2003. When Adam was
6, his parents sent him to a summer camp that offered,
among other sports, lacrosse. The boy had not played
before, but one day Valerie got a phone call from one of
the camp’s owners. Would she mind if Adam played lacrosse
with the 8-, 9-, and 10-year-olds? “They said they didn’t
want to hold him back,” she recalls.

Most Hopkins lacrosse parents can tell similar tales. Next
they talk about how often they found themselves in the car.
Their kids wanted to play lacrosse, and soccer, and
baseball, and they were so good at all of them that before
long they weren’t happy just playing for their local
recreational teams. They wanted to join the travel teams
that brought together the area’s best players and went on
the road each weekend to play against the best kids in the
next county over, or the next state. If you had more than
one little athletic prodigy, your life became a logistical
challenge. Barbara Peyser had her three sons plus a
daughter who was an athlete as well. “I went from one field
to the next,” she says. “I used to have to plot it out.
Sunday night I would get out a sheet of paper and make a
list of the times and who had to be where.” Valerie Doneger
used to draw up similar charts; hers were color-coded for
each of her three boys.

A cold scrimmage vs. Cornell. Valerie Doneger (center)
has had sons play for both Hopkins and Princeton; the bag
at her feet says “Hopkins” on the other
side.

By middle school, parents were watching their sons becoming
stars; by high school, the boys were being scouted by
schools like Princeton, Virginia, Syracuse, Maryland, and
Johns Hopkins. Nancy Huntley remembers the first day that
universities, under NCAA regulations, were allowed to
contact her son. Kevin was then a junior at Baltimore’s
Calvert Hall High School, where each of his first two
seasons he had been the team’s leading scorer. A female
FedEx driver pulled up to their house and brought to the
door a thick stack of overnight letters from collegiate
coaches. Over ensuing weeks, the driver delivered so many
recruiting letters that she and Nancy became friends. In
the Peysers’ basement, a shrine to their kids’ athletic
accomplishments, are tubs that contain each boy’s
recruiting letters. Michael says the bin devoted to his
middle son, Greg, who played for Hopkins from 2003 to 2006,
contains 430 letters. He estimates his youngest son,
Stephen, now a junior midfielder for Hopkins, received
close to 500, from more than 20 schools.

When the players selected Johns Hopkins, the parents joined
a team, too, the parental team. They bought Hopkins
lacrosse jackets and caps and shirts and buttons with their
sons’ pictures on them. They learned which part of the
home-side grandstand was the parents’ section, and how to
organize the tailgate parties after the games. They found
new friends, learned which dads watched the games in tense
silence and which moms were shouters. And they began to
live and die with the fortunes of Hopkins lacrosse.

Follow this link to
Homewood
Field Highlights…

Every Saturday morning from mid-February through
late May, the parents climb into their cars and set out for
the game, or for the airport. They rarely miss a contest,
no matter where it is played. From Long Island, the Peysers
and Donegers are on the road to Homewood Field by 7 a.m.
Val Washington will be on his way in from Detroit to see
his son, a junior long-stick midfielder also named Val.
Michael and Teri Drenan, whose son Matt started for the
Jays’ defense as a freshman, are already in town, having
flown in from San Diego the night before. For a few
seasons, the Donegers’ sons were at different schools, with
first Adam and then Michael playing for Hopkins, and middle
son Jason playing for Princeton. Their father, Abbey,
remembers flying to Syracuse in 2003 to watch Jason play an
afternoon game against the Orange. He could not find a
direct flight from Syracuse to Baltimore, so after Jason’s
game he hired a car to drive him to Rochester, flew from
there to Maryland, and arrived at the Homewood campus in
time to see most of Adam’s evening game.

The first time they come to watch their sons play for Johns
Hopkins, many parents have an unfamiliar experience:
watching their sons not play. Their boys were stars in high
school — all-state, all-America, on elite travel
teams, on county and state champions. The kids started
every game and were the center of attention. Now, at
Hopkins, they may spend much of their first two seasons on
the sidelines, watching someone else play. Says Abbey
Doneger, “It’s a huge adjustment for the kids, and I think
often times an even bigger adjustment for their parents.
They believe their kid’s a star, like he was in high
school, and now, ‘Why is my kid not playing? What’s going
on here?'”

Hopkins coach Pietramala says, “The recruiting process is
exciting. You’re being courted by all these different
schools. ‘Hey, we want you to come play for us.’ Then, when
you get to campus, the coaches start talking about your
weaknesses, and how you have to be better. It’s tough when
you go from being a star in high school to being just
another guy.”

Part of the parents’ distress arises from knowing how badly
their sons want to play. “I see them standing on the
sideline on Saturday and my heart breaks,” says Valerie
Doneger. And parents can feel as if they’ve been benched.
Michael Peyser laughs when asked if his own ego is tied up
in how his sons perform on the field. “A hundred percent! I
live my life through my children, what are you talking
about? If he’s not playing, I’m not playing.”

Barbara Peyser (left), Michael Peyser and Ken Skakandi
(center), and Jean Rabil (right) reflect the intensity of
the game.

Every spring before the season commences, the Jays’
coaching staff contacts the parents. “We send a letter
stating that we’re here and, within the rules, we’ll do
anything that we can for their young men,” Pietramala says.
“And we’ll talk to you, the parents, about anything —
except when it comes to playing time.” Who gets into the
game is the coaches’ decision, period. “Our parents have
been very good when it comes to issues like that. I don’t
get phone calls. I appreciate that.”

Dave Huntley only had to watch a handful of games before
his son Kevin worked his way into the starting lineup and
began scoring goals. The elder Huntley had been a star
midfielder on national champion Hopkins teams in 1978 and
1979, and much was made of this when Kevin signed to play
for the Blue Jays. Nancy Huntley worried about her son
having to live up to what everyone expected of Dave
Huntley’s son. But he has, and the father smiles when he
says, “Now I’m Kevin Huntley’s dad.”

A lacrosse season is long, intense, and not for the
emotionally frail. Sixteen teams qualify for the NCAA
national championship, which means each year 15 sets of
players and parents end with a crushing defeat. “I lose 10
pounds every season,” Valerie Doneger says. When it looked
like Hopkins would lose to Virginia in the 2005 national
semifinals, a game the Jays tied with 1.4 seconds left and
then won in overtime, Michael Peyser recalls, “I was
suicidal.” When that ’05 team won the national championship
two days later, Michael Doneger, then a freshman, ran over
to the stands and found his oldest brother, Adam. In four
years at Hopkins, Adam never played for a national
champion. Michael handed his brother a piece of the
championship game net and said, “This is for you.” Their
father has tears in his eyes when he describes that as the
best moment he has had as a lacrosse parent.

The worst moment for any parent comes when his or her son
goes down with an injury. Lacrosse is a violent game.
Catastrophic injuries, like those that can occur to
football players, are rare. But a lot of moms and dads can
run down a list of their sons’ surgeries to repair hands,
shoulders, and knees. The battering begins early. Chi Dang,
who is vice dean for research at the Hopkins School of
Medicine, remembers his son, Eric, a freshman on this
year’s Hopkins team, coming home from practice as a younger
boy: “He’d say, ‘Dad, look!’ And he’d have this big welt on
him and he’d say, ‘Isn’t this great?'” Rob Schwartzman’s
son Jesse is the Blue Jays’ starting goalie, and he began
playing that position when he was still in grade school in
Pikesville. When Jesse was around 12, his mother, Debbie,
brought him to the pediatrician for a check-up. The doctor
took one look at the bruises on Jesse’s arms and legs and
had Debbie leave the room while he questioned the boy for
evidence of child abuse. “That’s the life of a goalie, and
of a goalie’s parents,” his father says.

Chi and Mary Dang (center) are rookie Hopkins lacrosse
parents; their son Eric is a freshman long-stick
midfielder.

When Kevin Huntley began the new season for Hopkins, he was
not rehabilitating a broken bone for the first time since
he was a sophomore in high school. His mother, Nancy,
remembers watching him during a game at Calvert Hall.
During pauses in the action, Kevin kept taking off his
glove and squeezing his hand. “Something’s wrong,” Nancy
told her husband. After the game, she learned that Kevin
had broken his hand; he kept removing his glove to set the
bones back in place so he could stay on the field. “I wish
I could enjoy the games more than I do,” she says. “I have
a fear for him. I’ve never not seen the kid get up, so
that’s great, but you know, it’s the mother in me. I hate
seeing my son get hurt. It’s tough.”

In a scrimmage before the 2006 season, Stephen Peyser
suffered a broken jaw. For seven weeks, his jaw was wired
shut so it could heal properly. He was adamant about
returning to the Jays lineup as soon as he could, which
meant he had to keep his weight up. So each week, his
mother prepared seven days’ worth of complete dinners,
which she drove down to him from Long Island. He ran them
through a blender with chicken broth so he could drink them
through a straw. He insisted on pureeing the meals himself;
he had to see them as real food first before he could force
them down in liquefied form. By the time he had healed
enough to resume play, he had lost only seven pounds.

On January 18, the Drenans got the telephone call a
lacrosse parent dreads. Their son Matt, expected to be
central to the Jays’ defense, had just begun practice when
he ran a drill called “pressure grounders,” in which two
players chase and vie for a ground ball. Matt planted his
left foot to make a cut and felt his knee give way. The
initial X-rays did not indicate serious injury, but two
days later an MRI revealed a torn anterior cruciate
ligament. The Drenans were on a plane from California that
afternoon. Matt’s season was over, but he will play again
next season and retain his three remaining years of
athletic eligibility. Says his mother, Teri, “We try to
focus on what is ahead rather than what has been lost, but
some days are harder than others.” With Matt on crutches on
the sidelines, would the Drenans still fly in for the
games? “Well, of course,” Michael Drenan says. “We’re still
part of the Hopkins family, so we’ll be there.”

February 24, 11 in the morning at Homewood Field,
and people are nervous and excited. The parents begin
arriving for the first game of the regular season, versus
the University at Albany. The Great Danes are unranked and
have never beaten the Jays, but the first seven days of the
collegiate season have already seen the upsets of two
top-ranked teams. The Hopkins parents try not to think of
this as a portent. Valerie Doneger hands out lanyards with
reference cards listing every player’s name and number,
plus the first names of his parents. A few people complain
good-naturedly about the cold; nobody can see that they’re
wearing all their Hopkins gear under parkas and long
coats.

As the opening faceoff nears, Dave Huntley assumes his
usual position, standing in the top row of the grandstand
with a few other fathers who are too restless to sit. True
to their word, the Drenans are here, patiently answering
questions about Matt’s knee surgery. Valerie Doneger and
Barbara Peyser perch next to each other; one row back sit
Abbey Doneger, Covington Stanwick, and Michael Peyser.
Doneger likes to concentrate silently on the game; his wife
is a yeller. “This is as close as we can sit to each
other,” he says. He has a 35mm camera with him and jokes
that in all the years of attending his sons’ Hopkins games,
he has yet to capture a goal on film. “I have hundreds of
high-fives. The same picture, over and over again.”

The game starts with Stephen Peyser winning the opening
faceoff, but for Hopkins the day goes bad in a hurry.
Albany scores five straight goals in the first 22 minutes.
The parents have never seen the Jays on the wrong end of a
5-0 score, especially not to Albany. “This is a total
breakdown,” Doneger says quietly. Then Hopkins mounts a
comeback, one goal at a time. A freshman, Mike Kimmel,
scores his first Hopkins goal and the Drenans are cheered
to see their son, on crutches, walk up and give him a
congratulatory headbutt. Not much later, Michael Doneger
takes a perfect feed in front of the Albany goal and buries
the shot for his first goal of the season. His dad snaps
the shutter — one more photo of a high-five —
then discretely pumps his fist.

For Debbe Skakandi-Tuttle (above) and Keely and
Mikel Miller (right), game day is a chance to visit and
root for their sons.

With a little over seven minutes to go, the Jays are in
front by two, and the parents relax a little. An Albany
player slashes Michael Doneger’s hand, and Abbey spots it
immediately and tells his wife. He ignores the game for a
moment to watch his son momentarily bent over in pain on
the sideline. Then, in the last four minutes, everyone
watches in disbelief as Albany scores three straight goals
to regain the lead. With a few seconds left, Kevin Huntley
fires a shot that misses by mere inches. Game over. Albany
8, Johns Hopkins 7. Abbey Doneger shakes his head and says,
“It’s never easy.”

The Hopkins parents solemnly make their way to the fence
surrounding the field to console their sons. Down the field
toward the scoreboard, Albany parents joyfully hug their
kids and pull out cell phones to relay news of the biggest
victory in their program’s history. One Albany player tells
a friend, “I can’t believe we won. I don’t want to leave
the field.”

At the tailgate reception in the back gym of the athletic
center, Valerie Doneger helps other parents set out
containers of Chinese food. Michael and Barbara Peyser are
grim. “That was really bad,” she says. “The first-team
midfield” — which includes her son — “was shut
out.” Her husband just shakes his head. “That was
embarrassing.” When Stephen comes out of the locker room,
they don’t stay long. Kevin Huntley finds his parents and
begins searching for an explanation. His father assures him
that the team didn’t play all that bad, and it’s just one
game. Kevin holds his thumb and forefinger two inches apart
to indicate how close he’d come to scoring the tying goal
at the end, and his mother walks away, tears in her eyes.
Michael Doneger embraces his father and reports that though
he initially thought he’d broken his thumb, his hand will
be fine. He fills a plate with food and leans over to kiss
another mom who has put her hand on his arm.

Follow this link to
Homewood
Field Highlights…

Hours later, the parents will take their kids out to
dinner, talk a little about the game, try to cheer them up,
then head back home either later tonight or tomorrow. Next
week, they’ll do it all again (and feel much better after
an exciting, double-overtime victory over top-ranked
Princeton). The Peysers have not missed a Hopkins game in
nine years. Their youngest son, Stephen, is a junior, which
means they are two seasons from “retirement.” The Donegers
are in the same situation. Abbey Doneger asks rhetorically,
“What will be our routine on Saturday morning of game day
when there is no more game day?”

His wife says, “I can’t even imagine.”

Dale Keiger is a senior writer for Johns Hopkins
Magazine.

Return to April 2007 Table
of Contents

DirectAthletics

General Info

Team Roster

Allen, Mitchell	SR
Arnette, CJ	SR
Bailey, Jeremiah	JR
Bowden, Tristen	SR
Bresson, Nick	JR
Brockman, Grant	JR
Brown, Amaron	SR
Brown, Gideon	SR
Brown, Johnathan	SR
Bryant, Arthur	JR
Clyburn, Justin	SR
Cotton, Camden	SR
Cotton, CJ	SR
Cumbo, Lucas	SR
Drenan, Dylan	JR
Fall, Mabye	SR
Foronda, Matt	SR
Fulcher, Garreth	SR
Galyon, Charles	JR
Gates, Ian	JR
Graham, Sam	SR
Green, Josh	SR
Grier, Donald	JR
Grimes, Tyler	SR
Grimsland, Jackson	SR
Gullette, Jon	SR
Guy, Patrick	SR
Hahn, Xavier	SR
Hartis, Landon	SR
Hayes, Christian	JR
Hayes, Nate	SR
Hughes, Nick	SR
Hutchison, Grant	SR
Ikwechegh, Josh	SR
Isom, D’evion	SR
Ivey, Jordan	SR
Jones, Conner	SR
Keeley, Jay	SR
King-Penn, Jayden	SR
Kump, Dallin	SR
Lauf, Michael	SR
Leonard, Jack	SR
Lin, Kevin	SR
Maki, Aidan	SR
Malatlian, Thaddeus	SR
Malatlian, Tristan	SR
Mitchell, Malachi	SR
Moncur, Brendan	SR
Moyer, DJ	SR
Nguyen, Bryson	JR
Patrick, Ahmad	SR
Phillips, Jake	SR
Redden, Sanchez	SR
Revels, Shavon	SR
Reyes-Hernandez, Aaron	SR
Rico, Mason	SR
Rollins, Paul	SR
Sales-Woods, Claude	JR
Sambasivam, Rishi	SR
Sanders, Kas	SR
Sells, Dylan	SR
Shaw, Zach	SR
Sheedy, Evan	SR
Smith, Matthew	JR
Snow, Nate	SR
Stewart, Victor	SR
Thacker, John	SR
Wilkins, VJ	SR
Woods, Tazhae	SR

%once>

How Water Temperature Affects Carp-Carp Behavior

Biological scientist Matt Townand will conduct an in-depth analysis of the distribution of water layers depending on their temperature during all seasons and, of course, tell how the carp reacts to the environment.

In my last article “What happens to carp in cold water” I touched on the topic of metabolism, behavior, feeding carp in low temperature conditions. Then I casually mentioned the physical properties of water depending on its temperature.Now I will try to delve deeper into this topic, covering all fishing seasons.

Water has special qualities, one of which is determined by its temperature. The lower the water temperature, the denser it is, and vice versa. When cooled to four degrees Celsius, the water expands rapidly (transitional to ice form). Upon reaching zero, under normal conditions, h3O molecules line up in a hexagonal crystal structure, forming a solid ice.

As you know, ice has a low density, so it floats.Ice is a good example of the thermal structure of water layers. I think you’ve also heard about the thermocline phenomenon, which occurs between two layers of water of different temperatures.

Since the temperature determines the density of the water, its separation into layers occurs. The less dense (warm) water rises up, while the colder layer, with greater density, sinks down. For uniform mixing of the layers, physical influences such as wind and waves are necessary.

Thermocline is a layer in which there is a sharp jump from the warm upper layer and the lower cold one.A thermocline can occur only on water bodies with a depth of more than 10 m, more often a much deeper depth is required. This means that in the overwhelming majority of carp reservoirs it is extremely difficult to encounter it.

However, water stratification occurs in many shallow lakes. A clear understanding of the structure of the water and its changes throughout the year can help determine the parking lot of carp in the water area and, of course, the depth at which it is comfortable to feed. Next, I will analyze all three fishing seasons, starting in spring.

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90,000 extreme measures are… What are extreme measures?

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90,000 MARK BEAUMONT.THE INCREDIBLE STORY MUSE – 43

Chapter Nine

Translation (c) snowlandia, marine (nlmda)

From Dare To Prepare, by Holly Drennan, in 2011 Year 4 was published in the USA – approx. transl.) Matt Bellamy got a lot of useful advice. For example, in the event of a nuclear disaster, there will be an acute shortage of non-contaminated water, so it is necessary to prepare and acquire a purification system. You need to take large garbage cans, punch holes in the bottom and fill the tanks with stones, soil and cleaning tablets to filter the water through them.One of the conditions for survival is also having a large cellar in your home filled with weapons, canned beans and dry noodles. If you have stainless bins, put the above products in them, put a liquid nitrogen tank in the basement, pump nitrogen into the bins and seal them, then the products will last for a decade.

And, attention, the most important thing is your location! Since America is the most likely target for terrorist attacks, and Britain and Spain are next, you must live away from these places, somewhere in mainland Europe, and the area must be isolated and difficult to access.

By June 2005, Matt had already taken some steps to ensure his safety: he bought a villa in Moltrasio * near Milan and moved from London to Italy, intending to live there with Gaia. For several years he came to these places to be with his girlfriend, and by that time Gaia had completed a psychology course in London and returned back to do her doctorate at the clinic. Matt loved this nature, the wonderful view of Lake Como, which opens from the villas built on the picturesque slopes; at times, you can also see George Clooney cruising the lake on his huge unapproachable yacht.The villa, bought by Matt, once belonged to the Sicilian composer Vincenzo Bellini, Frank Sinatra often rested here; in addition, if you remember the source of the symmetry of “Muse”, Winston Churchill came here when he wanted to forget for a while about the horrors of World War II and paint a couple of landscapes.

* In these places were shooting the landscapes of the fantastic planet Naboo from the movie “Star Wars: Attack of the Clones” (2002).

View of Lake Como

Sketch of the location of the planet Naboo from the movie “Star Wars”

To adapt to life in Italy, first of all Matt had to overcome his long-standing phobia – fear of spiders.The area was teeming with them, Matt happened to find palm-sized centipedes in his own bed, when in the evenings he climbed there with Gaia to learn Italian or come up with a more stylish and chic wardrobe with her help: black shirts and wide white shirts will soon become a new image of Matt suspenders. It was time to think about music as well: the house had a large, cavernous basement that Matt wanted to turn into a studio for the band to record there. The builders assured that all the work would be completed by September, but autumn came, it was time to start work on the fourth album, and the studio was still not ready, so Muse had to look for another place, just as isolated from the outside world.They were going to hide from friends and colleagues, thinking that this would give them the space they needed to expand their musical horizons in any direction, whichever came into their heads in search of new ways that they could go further as a trio. And, of course, they wanted to have some confidence that if World War III broke out, they would not be bombed.

Chateau Miraval * in Provence is a 17th century French castle, cut off from the world, lost among hills covered with gardens and acres of future wine.Once upon a time there was a monastery on this place, as it is believed, served as a secret refuge for the Knights Templar (their ghosts still appear there), and, if you plunge into religious mysticism even deeper, for Mary Magdalene, who lived here after the death of Jesus. Subsequently, for many centuries in a row, these lands were owned by the Orsini dynasty (a Roman feudal family, from which five popes, cardinals, condottiere came; Orsini achieved a special position, wealth and power in the 13th century – approx.transl.), and from 1985 to the present day Chateau Miraval is famous for its vineyards and excellent wine. The recording studio was built in the castle by the famous jazz pianist Jacques Luzier and was used by Sting, The Cranberries and Sade in the 70s and 80s. It should be noted that a masterpiece of isolationism and despair was also recorded here – the album “The Wall” by the group “Pink Floyd”, reflecting the mood of an entire era. Perhaps the dark energy of the album and the strained relations within the group during the work on it contributed to the fact that the studio was soon closed and was not used until 2005.All this time, the chateau was, first of all, a thriving wine concern.

* Translator’s note:
Chateau is the name of a country estate house of the highest aristocracy and the nobility in general, often with a park and a winery. At present, in France, a château is called any building built in any style, in any era, subject to historical kinship with its feudal predecessor: a château is not considered a house built where there has never been any chateau; and vice versa – there is a chateau house, built, for example, in 2010 on the site of a demolished historic chateau.

In 2009, Brad Pitt and Angelina Jolie bought this castle for 68 million euros.

However, the “Muse” location seemed perfect. Matt personally inspected the studio, then managed to convince the rest of the group that the chateau was perfect for them to write and record music, after which they all together began to persuade the owners of the chateau to open the studio again, especially for them. They reluctantly agreed (later, Muse made it clear that they were unwanted guests; the owner constantly found reasons for dissatisfaction and interrupted them in the process of work), and in September Muse moved into the studio for two months, overwhelmed with ideas and opportunities to try something completely new.They made it a rule for themselves: if a track they were tackling started to sound like something that they had already done before, this song was put aside and moved on to other material.

The incredibly pompous lyrics Matt wrote for “Take A Bow” (tentatively titled “Hex” – evil genius, bad omen) demanded appropriate music for themselves, and this made the band forget about the time frame, discard their fear about how they will play this song live; Muse felt the complete freedom to create music for themselves, as they did in their youth when recording their first album was just a dim perspective.There was nothing that seemed too funny or too stupid, they were not afraid to experiment, going where their music led. As they rehearsed in the living area of the studio and recorded the rehearsals as demos, while preparing material for more formal recordings, the songs had to take shape (this would allow them to immediately move from rehearsal to the recording process, at least the plan was just that). They were bursting with ideas for an album tentatively titled Equilibrium, recording an eerie amount of material that is unlikely to ever be completed.For one of the tracks, they recorded “March of a squad of drunken soldiers”, 8-minute versions were the norm, the band searched for their sound among a huge number of possible new directions, none of these paths, however, did not come close to getting a complete completed album …

They were inspired by the prancing arpeggios of southern European folk music from Sicily and Naples. Then they became interested in the music of Mexican mariachi, met a smoky trumpeter named Franco at the bar and lured into the studio to play the wind intro to “Knights Of Cydonia”.Ever since Matt wanted to insert a space solo “Tornados” in the spirit of Joe Meek’s surf guitar, this song has grown to the size of a megalithic monster. Paying tribute to his father’s greatest musical achievement, Matt wanted the song’s guitar intro sound exactly like the claviolin in “Telstar” (a long-obsolete battery-powered portable monophonic synthesizer). He was also impressed with the Wild West atmosphere from Clint Eastwood’s films, which were often featured in the studio.The group added more and more new effects to the composition: trumpets, explosions, neighing horses, vocoder, long guitar plays – until the length of the track reached 20 minutes.

“Telstar” by Tornadoes / Joe Meek on 1958 Clavioline

They never stopped experimenting as they went on. The group regularly ran labs in which they studied old music equipment bought on eBay before the sessions began, spending whole days reading the instructions and trying to make it all work in some interesting, unusual way.One such instrument was the Buchla 200e, an incredibly difficult to play modular analog synthesizer created in the early 70s by synth pioneer Don Buchla. It took Matt a week to figure out which place to poke and which knob to turn to get the sound you want – Buckley’s engineering techniques were nicknamed the Art of Uncertainty Management – it took Matt a week, but tenacity was rewarded, and the first sound you hear in “Black Holes And Revelations ”, was recorded with Buchla 200e.

Buchla 200e demo

After several weeks of musical tossing during which they enjoyed good wine and explored their own possibilities as bands, Muse listened to what they had already recorded … and did not understand anything. The material was random and strange – classical jazz pieces intertwined with themes from Bondiana, ten-minute piano interludes, reminiscent of the loss in the middle of “Butterflies & Hurricanes”, stretched indefinitely or turned into dirty chaotic improvisations in order to squeeze the best out of electronics.This was mainly the result of their efforts to expand their musical horizons, but this result hardly made any sense, because from all the huge volume it was impossible to mold an album. Then they came up with the idea of recording a double or even triple album: on the first disc there would be a reverse evolution of rock music into prog jazz, on the third their strange experiences with electronics, with a layer of more traditional rock between them.

Some songs simply drowned in a stream of various influences.So, the track, which they intended to call “Supermassive Black Hole”, could lay claim to the title of the most difficult song “Muse” to comprehend. They were torn between ten fires: from the riffs of “Rage Against The Machine” to the Belgian rock performed by “dEus”, “Millionaire” and “Soulwax”, from the hip-hop beats of Kanye West and the funky music of Prince to all sorts of electronic bells and whistles, so all recordings could not have formed into one song in any way. After trying to fuse Belgian rock with James Brown or Solomon Burke, they needed a break to take a detached view of their work and bring it closer to the kind of music people could listen to.Muse were balancing the popularity of a few damn good pop hits with the urge to blend into long-lasting conceptual tracks that threatened to turn their album into a 90-minute, four-track, prog jazz opus, very similar to the recent work The Mars Volta “(This is 2005, we are talking about the album” Scabdates “, consisting of 6 tracks, the duration of one of them is equal to 43 minutes – approx. Transl.). In addition to the “difficulties with the fourth album” that each group is supposedly experiencing, excessive zeal has led them to a dead end.

In addition, Muse’s imprisonment at Chateau Miraval almost drove them crazy. For two months they were cut off from the outside world, with no mobile connection, no internet, or even the ability to exchange text messages. The satellite dish they rented to check e-mail and buy additional tools on eBay proved to be ridiculously slow and close to zero. This state of affairs continued until Rich Costie came over to watch the rehearsals and the progress of the recording of the album *.At first, the remoteness from civilization seemed amusing to them: they examined the catacombs under the castle in the hope of meeting ghosts there; looked at the satanic faces of dead bats that were found everywhere in the vicinity, and poked fun at the wild local way of life. They played badminton with live hornets instead of a shuttlecock, and when they found a praying mantis in the bushes near the studio, they tried to launch it on a rocket assembled from a construction kit, with a camera attached to it, in order to get a view of the terrain from above and at the same time make a film about the space travel of the praying mantis **.They swam in the pool, helped make wine and played their own hits in jazz arrangements, calling it their new jazz project.

* He was definitely not the kind of person who could bring them good news about the world situation.

** As soon as the rocket took off, they felt remorse for torturing the poor thing; but when the rocket landed, the mantis jumped out and fled, and they consoled themselves with the thought that they had managed to expand the boundaries of his universe, or at least give him some good entertainment.

But weeks passed, and the mood became more and more gloomy, fear began to take possession of their closed world. Chris went for a walk along the road around the vineyard, but after an hour, having walked more than five miles, he still could not get out to the castle gates; he felt trapped, disoriented, like Forrest Gump’s character in The Shining. Matt’s lyrics darkened, and he retreated into Crossing the Rubicon by Michael Ruppert *, a former Los Angeles Police Department Narcotics Officer who became involved in exposing government conspiracies.The expression “to cross the Rubicon” means a point of no return (in 49 BC, Julius Caesar, returning from Gaul he conquered, approached the Rubicon; according to the law, Caesar had to dissolve the army at the borders of Rome, thus, crossing the Rubicon, Caesar deliberately cut off his path to retreat, deciding to become the sole ruler of Rome – approx.transl.), in relation to the economic situation of America, this means that she is forced to wage wars of conquest in the face of a severe crisis associated with the depletion of world oil reserves.The author of the book argues that the age of oil is coming to an end, and the US economy, which depends entirely on the speed of this process, will be crushed by the crisis, which prompts the government to resort to increasingly draconian methods of fighting, tight control over the population and slowing down the capitalist machine while its wheels will not stop at all. Ruppert does not stop there and states that in the face of falling industrial production, the United States economy is supported by secret deals for the sale of weapons and drugs, that the CIA is sponsoring military dictators in countries where opium poppy and coca are grown, and that Wall Street is just a huge machine to launder money from such transactions.The book deals with a desperate and uncontrollable struggle for the last remaining oil resources, nuclear retaliation, hunger, disease and the death of civilization.

* Translator’s note:
About the Bilderbeg Club, the oil crisis and September 11
Daniel Estulin. Secrets of the Bilderberg Club

Matt talked about these things at the dinner table in Château Miraval every night. About the war in Iraq; who is really behind the events of 9/11; about the inevitability of the Third World War; about the possibility of creating a world government in wartime, which will be controlled by MI6 or the FBI, and about brainwashing.He saw the future world split into many clans, fighting among themselves for the last crumbs of resources, just like in “Mad Max”. Suffering to paranoia, they grew beards, stocked up on firewood and decided to have livestock in order to have a chance to survive when the end of the world comes … although it may have already come, but in their position they still do not know about it. Matt began to worry about his own mental health, as he began to feel that his paranoid fantasies were very suitable for describing the state of schizophrenics with whom his girlfriend worked in an Italian clinic, while his poems reflected growing loneliness and impotent anger in front of the invisible forces ruling the world. …He presented an album about the awakened humanity, which breaks the threads by which the puppeteers hiding in the shadows pull us, and takes control over their own destiny. The album was destined to become a collection of songs about personal and global revelations, pulled from the blackest holes of his imagination.

If they had stayed in Miraval even longer, they would definitely have a very dark, very long and very exhausting prog-rock. But no, to complete Black Holes And Revelations, Muse had to rejoin human society.

Florida Museum of Fine Arts, Tallahassee, USA – HiSoUR Cultural History

Florida State University Museum of Fine Arts is a member of the Florida Museum Association, Florida Art Museum Directors Association, Florida Cultural Action Association, Southeastern Museums Conference and is accredited by the American Museum Alliance.

The mission of the Museum is twofold: to enrich the university and the community with exhibiting works of art that expand understanding of art today and the past and serve as an educational tool for art education, in particular by holding exhibitions of informational value for students and the general public, as well as providing art students with the opportunity to exhibit your work.

Florida State University Museum of Fine Arts projects range from energetic work by regional artists and students to national performances, scientific presentations. The museum is a vital and vibrant place where scholarships and creativity abound in the season’s calendar; there is never a dull moment, the programs are a spectrum of media and viewpoints, and the museum is a fun and welcoming place to visit.

The purpose of the museum is twofold: to enrich the university and the community by exhibiting works of art that broaden the understanding of art today and the past and serve as an educational tool for art learning, in particular through exhibitions of informational value to students and the general public, and by providing art students with the opportunity to exhibit your work.

Museum of Fine Arts, Department of the College of Fine Arts, Florida State University, 16,000 sq. Ft with an exhibition area of 9000 sq. Ft. And a permanent collection of over 6,000 objects, it is a major exhibition space and an integral part of the Tallahassee community. At the time of his education in 1950, he occupied one small room and was run by a volunteer faculty that operated without special funding. In particular, thanks to the movement in 1970 to the Beaux-Arts building, which also houses the Fallon Theater, and the creation of the School of Visual Arts in 1973, the Museum’s growth has been significant and sustained.The staff consists of five full-time employees, a quarter of the financial staff who are academic trainees, and a rotating population of student volunteers.

The selection of quality exhibitions plays a dominant role in the Museum’s efforts to achieve its goals for the general public and the university community. The lower level exhibitions are held concurrently with the upper gallery exhibitions. The area ranges from national influences, scholarly presentations of previously unseen works, the work of regional artists or students.This balance between responding to the art community and leadership in addressing art in a deliberately educational way reflects the Museum’s perception of its role in the region. The last decade has seen an increase in the number of critical exhibitions as well as the national distribution of research in the form of catalogs.

MoFA has a history of exciting exhibitions, from lush painting to dynamic sculpture, from intricate installations to provocative photography. Each season begins with an international competitive exhibition covering all media, and each semester ends with youth and an abundance of graduate artist exhibitions.In years past, we featured a video of honor by contemporary artists – James Rosenquist, Dwayne Hanson, James Turrell, Judy Chicago, to name a few – and thematic exhibitions explored themes from pistol images in our society and the powerful expressions of Latina and Black women artists. We explored the contact zone of Anglo-American cultures, the mystical side of Haitian folk painting, and the unsophisticated but intense work of outsider artists. The future promises exhibitions of the same caliber and interest.

Collections:
The permanent collection and holdings of the Museum of Fine Arts of the Former USSR consists of more than 6,000 objects. The collection, created largely through generous donations, comprises pieces from pre-Columbian ceramics to contemporary art.The collection contains works of art in a wide variety of media and includes drawings, paintings, prints, sculpture, photography, mixed media, fiber art, crafts, and applied arts. Equally remarkable is the collection of archaeological and anthropological objects. Included in this package are split dividers that discuss the details of individual collections in the larger Museum collection.

FSU MOFA Object Guides provide educational information about items in the museum’s collection.Each Site Guide has been developed as part of the research and development of university students. Because the scope of the collection includes works in virtually every medium, students from university departments such as art history, art education, anthropology, history, and humanities were given the opportunity to explore and develop Object Guides. As research continues, thematic guides will be distributed annually to participating school teachers.

In addition to the traditional selection data, each Object Guide presents a biographical, artistic, historical, reference, and contextual subject.Equally useful are two interconnected lesson plans related to Florida’s Sunshine State Standards, including related art activities and the other a conceptually enriching artistic understanding. We encourage teachers to use these object guides both in the museum and in the classroom. The museum expands the possibilities of viewing the original object. Interested teachers are invited to contact us to arrange a student trip to the museum.

The original facility management program was developed and coordinated by Alison Schaffler-Murphy.

Paintings:
The Painting Collection at the Florida Museum of Fine Arts presents works in the acrylic, oil and watercolor fields. The bulk of the collection includes works by renowned artists such as Helen Allingham, Trevor Bell, Ray Burgaff, Arthur Deschais, Ray Hirst, Mark Messersmith, William Walmsley, Purvis Young and Karl Zerbe – predominantly 20th century American artists.The collection, however, includes 17th century Flemish work of the genre, Dutch landscape paintings, and 18th and 19th century oils by prominent artists, including Eugene Delacroix, José Maria Sert, and William Hunt. One unusual donation of paintings – part of a collection of balloons – includes genre paintings discovered by a soldier during World War II in the artist’s destroyed workshop.

Mixed Media and Textiles:
The Mixed Media Collection and Textile Collection at the Museum of Fine Arts of the Former USSR has a wide reach.As a result of a generous donation from the non-profit organization Through the Flower, the museum has in its collection six pieces of Judy Chicago from Project Birth. The textile collection also features works from other countries. This selection includes Japanese mechanics, Chilean arpillers, as well as textiles from Nigeria, Pakistan and other cultures around the world. The collection of mixed materials includes works by FRS Faculty of Arts Professors Mark Messersmith and George Blakely, as well as works by renowned artist and author Hiram Williams.Other works in a mixed medium include the likes of Franklin Adams, Françoise Baudouin d’Ajou, Drennan Brown and James Prez.

Graphics:
FSA MoFA has a wide range of drawings and prints with a large selection focused on 20th century graphics. Works by Steven Cefalo and William Walsme, as well as political cartoons by artists such as Steve Breen and Matt Handelman, are included in the collection of drawings. Nevertheless, the printed collection contains a number of works by the 17th century painter Jacques Callot, the 18th century painter Gionvanni Batista Piranesi and Francisco Goya (The Disasters of War).Other artists featured in the print collection include Honore Daumier, Miro, Rembrandt and Andy Warhol. The Kirkpatrick collection contains Yoshida Hiroshi’s Kagurazkaka Dori Night After Rain Scene (1929), a series of 67 ukyio-e prints depicting the process of printing on a block of wood. The Walmley Collection, named after William and Dorothy Walmsley, contains over 350 pieces of art. William Walsmee was a painter and avid print collector. This collection presents works from the 16th to the 20th century by the aforementioned Jacques Callot and Francisco Goya, Salvador Dali and many others.Other collections, including prints, are the ball collection, the Cranbrook print collection, the Graf / Nause collection, the London Arts collection, the Mason collection, the Molitch collection, the Prasse-Bittel collection and the Seymour collection.

Photos:
FSU MoFA’s permanent collection has a wide range of photographs. The collection covers photographs still in daguerreotype, the first photographic process. The Palm Press collection alone represents the fast-paced history of photography: daguerreotype, tintype, ambrotype, three protein prints, stereograph, platinum print, and more.One of the most notable photographs in the collection is the Man Ray photolithograph called Rayogram. Other artists represented in the photographic collection of the former USSR are Judy Chicago, Jerry Welsman, George Blakely, Larry Clarke, Ewing Galloway and Andy Warhol. The Shapiro collection consists of 109 photographs by Arthur Taussig and includes c-prints, polaroids and color photographs, most of which date from the late 1970s and early 1980s.

Archaeological sites:
This section of the Permanent Meeting of the IMF of the Ministry of Internal Affairs presents works of archaeological, anthropological or ethnographic interest.For example, ceramics and textiles that can be classified as arts and crafts are instead placed in this category because they belong to cultures that have no longer survived and are therefore rich in historical value. Other objects, such as religious figures or statues, are placed in this section due to their function. Often cultures differ in what they consider to be art. For example, some African religious figures may be considered more utilitarian or sacred than artistic in their culture, while Western cultures such as ours treat them as objects of art.

This section features the Carter, Chezem African, Mooney and Northwest Coast collections of Native American basketball. The museum houses the Carter collections for the anthropology department of the former USSR, which contain objects from the ancient Peruvian and some cultures of Central America. The Chesem collection contains mainly objects from Ashanti, a large ethnic group from Ghana, West Africa. Before the onset of European colonization, the Ashanti Empire stretched from central Ghana to today’s Togo and Cote d’Ivoire.Today, the Ashanti monarchy continues to be one of the constitutionally protected, subnational traditional states in the Republic of Ghana. The Mooney collection features works from ancient Mesoamerica, as well as some African sculptures and masks.

Crafts and Applied Arts:
This section of the Permanent Meeting of the IMF MIA contains information plans and lesson plans based on different types of crafts and applied arts, which means objects of art that are not necessarily intended to be displayed or that have functional or quitian uses other than their aesthetic value.This can range from ceramics and glass to fans, shoes, stationery, and other items.

This section presents works from the collections of Cressman, Mason and Seymour. Donated by the family in the 1970s, the Cressman collection contains various pieces of glass and porcelain from popular companies such as Wedgwood, Meissen, Limoges and other lesser known sources, in addition to pieces of Asian origin. The Mason Collection honors Penelope Mason, who wrote an authoritative survey of Japanese art from prehistory to the 20th century.It is a large grouping of mostly fine art objects, as well as a Japanese wedding chest and wooden bowl by artist Mark Lindqvist. Originally donated in 1984 by the Special Collections of the Strozier Library, the Seymour Collection is a large group, including Chinese and Japanese works of art such as prints and paintings, as well as various decorative items such as ephemera such as a miniature wooden pagoda and toy rickshaws, porcelain, books, calligraphy materials, and dolls.

Sculpture:
The Museum of Fine Arts’s sculpture collection consists mainly of works from the 19th and 20th century. The collection includes a selection of Remington bronze wines donated in 1994 by Jim and Biddy Kirk, two sculptural reliefs by Mark Lindquist, works by Florida Artists Hall of Fame Doris Leaver and works by former Florida art teachers Ed Love and William Walmsley. In addition, our collection includes sculptures by Don Bonham, Ralph Hirst, Ray Clausen, Judith Page and Adam Stous, to name a few.

Artists League:
Twenty years ago, the Florida Museum of Fine Arts Artists League (FSU MoFA AL) was formed as an informal group of local artists. The goal was to exchange information and help each other find galleries and / or exhibitions where League members could promote their work. In addition, the League of Artists is a special member of the Museum of Fine Arts of the former USSR. Thus, the Museum and the League provide mutual support to each other.The Artists’ League currently has over 160 members.

90,000 Article “Liquids for Cold Water”

How to choose a winter liquid for carp fishing in cold water?

The biting during the cold season is undoubtedly much worse, the metabolic rate of the fish begins to slow down, and as a result, the need for food becomes less.Often times, fishing with too much bait can negatively impact your success, decreasing the chances of getting the long-awaited bite.

The best way to attract during a period when the water temperature is very low is to maximize attractants and minimize the amount of groundbait. The best way to achieve this nutritional tactic is to use Winter Fluids. Liquids play a huge role in adding a strong attraction to any bait throughout the year, providing a cloud of water-soluble food signals around the bait.

In warm water, thicker fish proteins and oils are much more effective, as the warm water temperature allows the fluids to dissolve and work efficiently. As the water temperature drops, these fluids become significantly less effective, and replacing them with winter “soluble” Liquids will give you a longer lasting attraction in cold water.

Selecting the correct Cold Water Liquid is very important; a liquid that is difficult to dissolve in cold water will release very few attractants in the swim (fishing area) compared to the Winter, a rapidly dissolving liquid that will attract fish.These features highlight the basic principles of the unique winter fluids and how they can be used effectively in cold water to add maximum attraction while feeding little, increasing the chances of a bite.

TYPE OF LIQUIDS:

As a rule, Winter liquids are much thinner in composition, often very similar to water. The thinner the Liquid, the easier it can dissolve, which is important in cold water. They also absorb into the bait much more easily, and as a result, when they get into the water, they come out of the bait faster and more efficiently.Below are the best cold water fluids:

Winter PVA bag:

The thick PVA bag is a tactic that is used during the warmer months when fine pellets are added to the small PVA bag and the bright nozzle on top is used as a nozzle. As the water temperature drops, the oil pellets are replaced with winter equivalents such as bright Milkimins or Live System pellets, which will ensure complete dissolution and release of attractants around the nozzle.You can also enhance this effect by adding liquid poured directly into the bag or by injection through a syringe. This clear liquid will be released directly into the water layer, creating a cloud of attraction around the bag and rig, scattering food signals and energizing fish receptors in cold water. Ultramino is a fantastic winter liquid and is ideal when added to tight PVA bags for added attraction, just pour a small amount of liquid into the bag before tying it up and tossing it in.

Nozzle Gain:

The well-chosen amplifier is ideal for these bright winter baits, packed with powerful aromas, drawing fish to explore in the coldest temperatures. Concentrated supplements work well in small doses, adding a drop of booster to the Pop-up jar and attachments will increase the signals from the bait. All bait flavors like Geoff Kemp are highly soluble and work effectively in cold water.By combining Flavors with different pop-ups, you can create unique baits that work well in cold water! A prime example of this was the combination of Geoff Kemp Mellow Brandy and Betaine, in which Matt Jackson dip his plastic corn, resulting in over 60 pounds of carp caught in the UK. Experiment with flavors to find your favorite combination to catch the fish of your dreams.

Create dregs:

Often, creating a cloud of turbidity around the bait can be sufficient to attract the carp to the fishing area (swim).This is somewhat similar to how they catch on Zig Rig in the summer, using the same cloud of turbidity. This is easy to do, but add as much attractant as possible to a small amount of feed. A great groundbait such as Milk ‘N’Nut Crush is ideal because it’s heavy, easily absorbs Liquid, adding weight to the SPOMBU, which means the Spomb can be thrown long distances if needed. A small amount of booster is all it takes, just add the recommended dose of fruity Amino 365 to the Spomb, thereby increasing the appeal around your bait.

Corn is good:

In the cold season, much less groundbait is needed. Sweetcorn is known to be a great winter winner and even a small amount can be the key to success.

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How to choose a winter liquid for carp fishing in cold water?

TYPE OF LIQUIDS:

Winter PVA bag:

Nozzle Gain:

Create dregs:

Corn is good:

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