Who is E. Lily Yu. How did she become a prominent figure in science fiction and fantasy. What are her major accomplishments and literary works. How has her unique background influenced her writing style and themes.
The Rise of E. Lily Yu in Speculative Fiction
E. Lily Yu burst onto the science fiction and fantasy scene in 2011 with her short story “The Cartographer Wasps and the Anarchist Bees,” published in Clarkesworld Magazine. This single piece catapulted her into the spotlight, earning nominations for prestigious awards including the Hugo, Nebula, World Fantasy, and Locus Awards. The genre community took immediate notice of Yu’s talent, and in 2012 she won the Astounding Award for Best New Writer, cementing her place as a rising star in speculative fiction.
Yu’s academic background is as impressive as her literary achievements. She earned her A.B. from Princeton University and later completed her M.A. at Cornell. This strong educational foundation has undoubtedly contributed to the depth and complexity of her writing. Yu’s commitment to honing her craft is evident in her participation in esteemed writing programs, including attending the Sewanee Writers’ Conference as a Tennessee Williams Scholar and completing the renowned Clarion West Writers Workshop.
Yu’s Literary Repertoire and Unique Style
Since her debut, Yu has published approximately thirty short stories in a diverse range of venues. Her work has appeared in respected publications such as McSweeney’s, Tor.com, Boston Review, Hazlitt, Terraform, and The Magazine of Fantasy & Science Fiction. Yu’s stories have also been frequently selected for inclusion in Year’s Best anthologies, a testament to the consistent quality and impact of her work.
What sets Yu apart from her contemporaries? Her reputation for boundary-breaking fiction, exquisite prose, and meticulous research has earned her a dedicated following. Yu’s writing is characterized by its versatility, as she seamlessly navigates between various forms of creative expression, including poems, plays, novels, essays, stories, and even songs.
Expanding Beyond Traditional Literary Boundaries
Yu’s creative endeavors extend beyond the written word. She has contributed her talents to the video game industry, working on popular titles such as Destiny and Destiny 2. This crossover between literature and interactive media showcases Yu’s ability to adapt her storytelling skills to different mediums. In 2015, her story “Woman at Exhibition,” published in Uncanny Magazine, transcended the page to become part of the Discenza-Straub exhibition at the Contemporary Jewish Museum in San Francisco, further demonstrating the versatility and impact of her work.
On Fragile Waves: Yu’s Debut Novel
E. Lily Yu’s highly anticipated debut novel, “On Fragile Waves,” was released by Erewhon Books on February 2, 2021. This work represents the culmination of extensive research, including Persian language study, visits to detention centers, and travel. The novel’s creation process reflects Yu’s commitment to authenticity and depth in her storytelling.
How does “On Fragile Waves” showcase Yu’s unique approach to storytelling? The novel opens with poetry, utilizing space, sound, and silence to immerse readers in the dual experiences of war and childbirth. This innovative narrative technique exemplifies Yu’s ability to blend different literary forms to create a powerful and evocative reading experience.
Literary Influences and Early Reading Experiences
Yu’s journey as a writer was shaped by a rich tapestry of literary influences. In her early years, she was deeply impacted by works such as:
- A. S. Byatt’s “Possession”
- John Crowley’s “Little, Big”
- Junot DÃaz’s “The Brief Wondrous Life of Oscar Wao”
- Karen Russell’s “Swamplandia!”
Her childhood reading experiences were equally diverse and formative. Yu’s literary diet included classic children’s series like Redwall, The Chronicles of Narnia, and The Boxcar Children, as well as works by beloved authors such as Roald Dahl, Tamora Pierce, and Diana Wynne Jones. As she progressed through middle school, Yu expanded her reading to include more complex works, delving into the Discworld series, Douglas Adams’ books, and the fantasy worlds of Charles de Lint and Guy Gavriel Kay.
The Impact of Clarion West on Yu’s Career
While Yu had already achieved notable success in short fiction before attending the Clarion West Writers Workshop in 2013, the experience played a significant role in her development as a writer. Although many of her stories published in 2013 were written prior to the workshop, Yu credits Clarion West with providing valuable instruction and fostering a supportive community of fellow writers.
How did Clarion West influence Yu’s writing? The impact is evident in her work, as several of her instructors and classmates are acknowledged in her debut novel, “On Fragile Waves.” The workshop not only honed her skills but also connected her with a network of writers who continue to support and inspire her work.
Yu’s Writing Process and Approach to Different Forms
E. Lily Yu’s approach to writing varies depending on the project and circumstances. For solicited stories, she tends to employ a more planned and structured approach. However, many of her stories emerge spontaneously, like “apples or meteors,” to be refined and shaped when time allows.
Despite her prolific output in short fiction, Yu maintains a deep connection to poetry. While she continues to write poems, she chooses not to publish them widely, citing the challenges of placing poetry and the limited financial returns. This decision reflects Yu’s pragmatic approach to her career, balancing her creative passions with the realities of the publishing industry.
Awards and Recognition
E. Lily Yu’s talent has been recognized with numerous awards and nominations throughout her career. Some of her most notable accolades include:
- Astounding Award for Best New Writer (2012)
- Hugo Award nomination
- Nebula Award nomination
- World Fantasy Award nomination
- Locus Award nomination
- Million Writers Award nomination
- Artist Trust/LaSalle Storyteller Award (2017)
These honors not only highlight Yu’s exceptional writing skills but also underscore her significant impact on the science fiction and fantasy genres.
The Significance of “The Cartographer Wasps and the Anarchist Bees”
Yu’s breakthrough story, “The Cartographer Wasps and the Anarchist Bees,” deserves special mention for its role in launching her career. Published in Clarkesworld Magazine in 2011, this short story was a finalist for the Dell Award and garnered multiple prestigious nominations. The story’s success served as a springboard for Yu’s career, introducing her unique voice and imaginative storytelling to a wide audience of genre enthusiasts.
Yu’s Contributions to Interactive Fiction and Teaching
In addition to her traditional writing, E. Lily Yu has made significant contributions to the field of interactive fiction. Her involvement in this medium demonstrates her adaptability and willingness to explore new forms of storytelling. Yu’s expertise in this area led to her teaching an Interactive Fiction seminar for Clarion West, sharing her knowledge and skills with aspiring writers.
How does Yu’s experience with interactive fiction influence her other writing? While the direct impact may not be immediately apparent, her work in this field likely contributes to her innovative approach to narrative structure and reader engagement across all her writing.
The Intersection of Technology and Literature
Yu’s work in the video game industry, particularly on titles like Destiny and Destiny 2, represents an intriguing intersection of technology and literature. This experience likely informs her understanding of interactive storytelling and world-building, elements that can enhance her traditional written works as well.
Themes and Motifs in Yu’s Writing
E. Lily Yu’s writing is characterized by its exploration of complex themes and innovative use of literary techniques. Some recurring elements in her work include:
- Boundary-breaking narratives that challenge genre conventions
- Meticulous research that lends authenticity to her stories
- Integration of diverse cultural perspectives
- Exploration of social and political issues through speculative fiction
- Blending of different literary forms, such as poetry and prose
Yu’s ability to weave these elements together creates a rich tapestry of storytelling that resonates with readers and critics alike.
The Creative Process Behind “On Fragile Waves”
Yu’s debut novel, “On Fragile Waves,” represents a significant milestone in her career. The book’s creation involved an extensive research process, including:
- In-depth study of Persian language and culture
- Visits to detention centers to understand the experiences of refugees
- Travel to gain firsthand knowledge of the settings depicted in the novel
- Extensive reading and research on relevant historical and social contexts
This commitment to thorough research underscores Yu’s dedication to crafting authentic and impactful narratives. How does this level of preparation enhance the reading experience? By grounding her speculative fiction in well-researched reality, Yu creates stories that are both imaginative and deeply resonant with real-world issues.
The Role of Poetry in “On Fragile Waves”
The novel’s opening, which uses poetry to convey the experiences of war and childbirth, exemplifies Yu’s innovative approach to storytelling. This blending of literary forms creates a unique reading experience that engages readers on multiple levels, both emotionally and intellectually.
Yu’s Perspective on the Writing Process
When discussing the challenges of writing, Yu emphasizes the importance of courage. This insight provides a glimpse into the emotional and psychological aspects of the creative process, highlighting the vulnerability inherent in sharing one’s work with the world.
Yu’s writing process varies depending on the project and circumstances. For commissioned works, she tends to approach the task with more planning and structure. However, many of her stories emerge organically, described as falling “at unpredictable intervals, like apples or meteors.” This flexibility in approach allows Yu to adapt to different creative situations and inspirations.
Time Management and Creative Output
As her career has progressed, Yu notes that she has less time available for writing. However, she emphasizes that this has not diminished her love for the craft. This observation reflects the challenges many successful writers face in balancing their creative pursuits with other professional and personal commitments.
The Evolution of Yu’s Writing Career
E. Lily Yu’s journey as a writer has been marked by continuous growth and exploration. From her early success with short stories to her debut novel and forays into interactive fiction, Yu has demonstrated a willingness to push boundaries and experiment with different forms of storytelling.
How has Yu’s writing evolved over time? While maintaining her distinctive voice and commitment to quality, Yu’s work has grown in scope and ambition. Her debut novel represents a natural progression from short fiction, allowing her to explore themes and characters in greater depth.
Future Directions and Projects
While specific details about Yu’s upcoming projects are not provided in the given information, her diverse interests and skills suggest that she will continue to surprise and delight readers with innovative and thought-provoking works. Given her background in interactive fiction and video game writing, it’s possible that Yu may further explore the intersection of traditional literature and new media in future projects.
The Significance of E. Lily Yu in Contemporary Speculative Fiction
E. Lily Yu’s rapid rise to prominence in the science fiction and fantasy community speaks to the power and originality of her writing. Her ability to blend genres, incorporate diverse cultural perspectives, and tackle complex themes has established her as a significant voice in contemporary speculative fiction.
What makes Yu’s contributions to the genre particularly valuable? Her unique background, combining rigorous academic training with a deep love for speculative fiction, allows her to create works that are both intellectually stimulating and imaginatively rich. Yu’s success demonstrates the genre’s capacity to embrace new voices and perspectives, enriching the field of speculative fiction as a whole.
Inspiring the Next Generation of Writers
Through her teaching and participation in writing workshops, Yu plays a role in nurturing emerging talent in the speculative fiction community. Her success story and willingness to share her knowledge serve as an inspiration to aspiring writers, particularly those from diverse backgrounds who may see themselves reflected in Yu’s journey.
As E. Lily Yu continues to evolve as a writer and explore new creative avenues, her work promises to remain at the forefront of innovative and boundary-pushing speculative fiction. Her journey from a voracious young reader to an award-winning author serves as a testament to the power of imagination and the enduring appeal of well-crafted stories that challenge our perceptions and expand our understanding of the world.
Clarkesworld Magazine – Science Fiction & Fantasy
In 2011 Clarkesworld published E. Lily Yu’s short story “The Cartographer Wasps and the Anarchist Bees,” which was a finalist for the Dell Award. The genre community also took notice: the story earned her nominations for a Million Writers Award, a Hugo Award, a Nebula Award, a World Fantasy Award, and a Locus Award. In 2012 Yu won the Astounding Award for Best New Writer.
E. Lily Yu received her A.B. at Princeton, then a M.A. at Cornell. She attended the Sewanee Writers’ Conference as a Tennessee Williams Scholar, then Clarion West. In 2017 she received the Artist Trust/LaSalle Storyteller Award.
Roughly thirty stories later, appearing at a range of venues, such as Cicada, McSweeney’s, Tor.com, Boston Review, Hazlitt, Terraform, and F&SF, plus multiple appearances in Year’s Bests, Yu has developed a reputation for boundary-breaking fiction, wonderful prose, and thorough research.
Creatively, she isn’t interested in limitations: she writes poems, plays, novels, essays, stories, songs. She has worked on video games such as Destiny and Destiny 2. Her 2015 Uncanny Magazine story, “Woman at Exhibition,” was part of the Discenza-Straub exhibition at the Contemporary Jewish Museum in San Francisco; more recently, she taught an Interactive Fiction seminar for Clarion West.
Her debut novel, steeped in research from books, Persian language study, detention center visits, travel, and more, is called On Fragile Waves, and it’s due from Erewhon Books February 2, 2021.
What were some of the most important books for you when you were younger?
Ten years ago, my touchstones were A. S. Byatt’s Possession, John Crowley’s Little, Big, Junot Díaz’s The Brief Wondrous Life of Oscar Wao, and Karen Russell’s Swamplandia!
If you mean much younger, to the best of my recollection, third and fourth grade were marked by Redwall, The Chronicles of Narnia, The Boxcar Children, Laura Ingalls Wilder, Lang’s Fairy Books, Watership Down, Roald Dahl, Dick King-Smith, Kenneth Oppel, Laurence Yep, David Clement-Davies, Jack London, Arthur Conan Doyle, Tamora Pierce, Tanith Lee, Diana Wynne Jones; sixth grade was Lilian Jackson Braun, Jane Yolen, Patricia C.
Wrede, Piers Anthony, Garth Nix, Diane Duane; by seventh grade I’d read all the Discworld and Douglas Adams books, and started on Guy Gavriel Kay; by eighth grade Charles de Lint, Laurie R. King, Mercedes Lackey, Patricia McKillip, and Pamela Dean. I also hauled home the Windling and Datlow best-of-the-year anthologies throughout middle school, though I quickly learned to skip stories that only had Ellen’s initials on them.
How did reading become writing, and when did you start taking writing seriously?
Blow on dandelion clocks, you get dandelions.
I always knew.
Are there aspects of storytelling/writing that you feel are more challenging for you, things you struggle with? And how do you deal with those elements?
The courage required.
I wish I knew.
You had several notable short fiction sales before attending Clarion West in 2013. Then there’s this burst of stories appearing in 2013. Did Clarion West have a significant impact on your career or your craft?
It usually takes between six months and two years for a story of mine to be published, so I’d written all but one of the stories that were published in 2013 before attending Clarion West.
That said, I benefited greatly from the instruction I received there, and you’ll recognize several of my teachers’ and classmates’ names in the acknowledgments of On Fragile Waves. Clarion West has also provided community and support for as long as I’ve lived in the Seattle area, both before and after my time at the workshop.
What is your short fiction writing process—is it spontaneous, or carefully planned and executed with lots of editing? And has this process changed much since back when you were starting out?
It depends on the story. Solicited stories tend to be planned. Other stories fall at unpredictable intervals, like apples or meteors, to be picked up and cleaned and baked and pied—or forged into swords—when I have the time.
I have less and less time these days. Though no less love.
On Fragile Waves opens with poetry, using space, sound, and silence to immerse the reader in war as well as to relate the moments of childbirth. But you are far more prolific as a published short fiction writer than a poetry writer.
What is your relationship to poetry? Is it more personal, harder to write, or are there other reasons you focus more on short fiction?
I still write poems, but I don’t try to publish them. Poetry is difficult to place and doesn’t pay well outside the biggest magazines. Sending out and tracking poetry submissions isn’t a good use of my limited time, unlike sending out fiction, or, better still, reading other people’s fiction and poetry. I read Siken’s Crush while working on line edits for this book, and your question reminds me to get Beloit Poetry Journal again. They do beautiful work.
Power and helplessness are explored in On Fragile Waves. In your Lightspeed Spotlight for “The Valley of the Wounded Deer,” when asked how that story started, you said, “First came, as it does to all, the experience of cruelty from those with power.” What draws you to exploring power in your fiction?
The mesh-like, self-perpetuating networks of power that infiltrate our lives, whether formal or cultural, are both the strongest determinants of our behavior and the most invisible, least understood part of our lives.
The American system of racism is one such network; corporate hierarchies are another; the global private prison industry is a third.
The more we can see the strands in these networks, how they interact, and how they influence what we think, do, and say, the more we can think, act, and speak freely and wisely, if we choose. A clear understanding of power not only frees the individual but also protects communities. There are plenty of unethical people who do see and pull these strings for their own benefit. They rely on others’ refusal to see power to get away with unsavory and destructive behavior. For the most part, unfortunately, that works.
If you are unfamiliar with what I’m describing, ask yourself, in a specific situation: to whom do I give the benefit of the doubt? And why? What evidence, particularly patterns of past behavior, supports or does not support that choice?
In your 2020 Debuts interview you said that On Fragile Waves took seven and a half years to write, and that when you started you weren’t able to write it.
What were the most challenging aspects of it, the things you had to learn or do in order to write this book?
When the shape of the book showed itself to me, I was twenty. I knew that I was not yet the person who could write it, but that I could become that person, if I was willing to pay the cost. I also knew I could walk away. No one forces you to wear out seven pairs of iron shoes. You put them on because there is something greater and more valuable than your comfort and safety, than the years of your life that are poured out, at the end.
I did not know the journey would take ten years. I did not know how thoroughly the book would break me. I threw out three drafts—one of them twice the length of the published version—and rewrote the entire book four times, twice in longhand. And when I finally became the writer and artist and human being that the book needed, when I was satisfied with my work and the book was complete, every single major and minor publishing house rejected it.
I had to make peace with the fact that the best thing I’d ever written most likely would never see the light of day. That was difficult. I made my peace with it. After a year and a half on submission, I thanked my agent for his tremendous efforts and unwavering kindness and told him I thought it was time to give up.
He refused.
The morning that “The Valley of Wounded Deer” was published, I got out of bed in Ottawa, in the home of a kind and talented writer who has walked a similar road, to find an email from my agent. He had some news.
It was another month before I believed him.
Looking over some of your prior interviews, I get the sense of you as a person who dives deep into research and likes to get hands-on and experiential, if possible. What were some of the things you found (or did) that didn’t make it into this book?
I started researching this book in 2010 and finished the last major draft in 2018. I’m afraid I have forgotten almost as much as I’ve learned, especially the Persian.
I also had five interstate moves in that period, so my notes are in disarray, and I’m not sure I’ve retained all my notebooks. But being chased by a pair of snarling, red-eyed dogs down the muddy side of a hill fort in Kabul was certainly an unforgettable experience.
Do you have any advice for new writers?
Trust the still small voice at your center. It will advise you better than anyone else.
Is another book on the way? What’s next, what’s coming up for you, or what are you working on that you can tell readers about?
At the moment, I’m collaborating on a short opera with Steven Tran for the Seattle Opera, as part of their Jane Lang Davis Creation Lab. This too has been a longtime dream.
Lily Yu, Clinical Social Work/Therapist, Los Angeles, CA, 90025
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Los Angeles, CA 90025
Sunnyvale, CA 94086
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Currently all sessions are conducted via telehealth using a secure video platform.
I specialize in Trauma and PTSD, Anxiety and Depression
$150 Per Session, I accept insurance
I see individuals, families and groups
My Practice at a Glance
Los Angeles, CA 90025
Sunnyvale, CA 94086
Available both in-person and online
Currently all sessions are conducted via telehealth using a secure video platform.
I specialize in Trauma and PTSD, Anxiety and Depression
$150 Per Session, I accept insurance
I see individuals, families and groups
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Last Modified: 30 Nov 2022
E. Lily Yu
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| Sort: by year of publicationby year of writingby ratingby number of ratingsRussian titleoriginal title |  To see publication dates, switch sorting. |
E. Lily Y. Participation in inter-author projects | ||||
Hellboy Universe // inter-author cycle | 8.65 (54) | 1 review | ||
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8. 00 (1) | ||||
| 6.00 (1) | |||
E. Lili Y. Novels | ||||
| 2021On Fragile Waves | ||||
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| 2007Dovey | 6.00 (1) | |||
| 2010The Transfiguration of Maria Luisa Ortega (online publication) | 9.00 (3) | |||
| 2011The Lamp at the Turning (online publication) | 7.00 (1) | |||
| 2011 The Cartographer Wasps and the Anarchist Bees | 6. 57 (87) | |||
| 2012Tiger in the BSE (online publication) | 6.00 (1) | |||
| 2013Ilse, Who Saw Clearly | 7.00 (1) | |||
| 2013 Loss, with Chalk Diagrams | 7.00 (1) | |||
| 2013The Forgetting Shiraz | 6. 00 (1) | |||
| 2013The Pilgrim and the Angel | 6.00 (2) | |||
| 2013The Urashima Effect / The Urashima Effect | 6.90 (10) | |||
| 2013 Daedalum, the Devil’s Wheel | 8.00 (1) | |||
| 2014Local Stop on the Floating Train(online publication) | 9. 00 (1) | |||
| 2014Musee de l’Âme Seule | 5.00 (2) | |||
| 2015Woman at Exhibition(web publication) | 4.00 (1) | |||
| 2016Braid of Days and Wake of Nights | 8.00 (1) | |||
| 2016Darkout | 6. 00 (1) | |||
| 2016Paul Flitch’s Slap-Bang Fracas With Mister Delusio (Online Publication) | 9.00 (1) | |||
| 2016The Gardener and the King’s Menagerie (online publication) | ||||
| 2016The Witch of Orion Waste and the Boy Knight | 6.00 (2) | |||
| 2017 A Quiet Night in the Library | 6. 00 (1) | |||
| 2017The View From the Top of the Stair (online publication) | 5.00 (1) | |||
| 2017The White-Throated Transmigrant (online publication) | 5.00 (1) | |||
| 2017The Wretched and the Beautiful | 8.00 (1) | |||
| 2018In the Forests of Memory(online publication) | 7. 00 (1) | |||
| 2018Music for the Underworld | 10.00 (1) | |||
| 2018The House Inside the House | 8.00 (1) | |||
| 2018The No-One Girl and the Flower of the Farther Shore | ||||
2019The Doing and Undoing of Jacob E. Mwangi | 7.00 (1) | |||
| 2019The Valley of Wounded Deer(Online Publication) | 8.00 (1) | |||
| 2019Three Variations on a Theme of Imperial Attire | 6.00 (1) | |||
| 2019Zero in Babel(web posting) | ||||
| 2019Green Glass: A Love Story / Green Glass: A Love Story | 7. 00 (18) | |||
| 2019The Time Invariance of Snow | 8.00 (1) | |||
| 2020The Talking War | ||||
| 2021Small Monsters | ||||
2022An account, by Dr. Inge Kuhn, of the Summer Expedition and Its Discoveries | ||||
| 2023The Father Provincial of Mare Imbrium(online publication) | 6.00 (1) | |||
| 2023The River and the World Remade(online publication) | ||||
E. Lili Y. Microstories | ||||
| 2006The Silence (web publication) | 10. 00 (1) | |||
E. Lily Y. Libretto | ||||
| 2021Stars Between[20 Minute Opera](Online Publication) | ||||
E. Lili Y. Poetry | ||||
| 2008 What Comes After Rain | 9.00 (2) | |||
| 2010Come True | 8. 00 (1) | |||
| 2010 Patience | 8.00 (1) | |||
| 2010The Poet to the Wasp Queen Among the Plums | ||||
| 2011Dragonfly to Damsel | ||||
| 2011Thanatopsis | 9. 50 (2) | |||
| 2012Thermosphere | ||||
E. Lily Y. Essay | ||||
| 2021A Love Letter to Libraries(online publication) | ||||
E. Lili Y. Interview | ||||
2015Writing for Video Games: A Conversation with E. Lily Yu, Yoon Ha Lee, Robert Reed, Seth Dickinson, and Karl Schroeder// Co-authors: Yoon Ha Lee, Robert Reed, Seth Dickinson, Alvaro Sinos-Amaro | ||||
E. Lily Y. Unpublished | ||||
| An Aureate Earth (story, unpublished) | ||||
| Hyacinth (story, unpublished) | ||||
| Glass, Darkly (play, unpublished) | ||||
Lili Y. StoriesAll editions of the author (38 editions)
Literary awards of the author (12 awards)
Rating format Note Official electronic editions:
Bibliographers |
Author: E. Lili Y. – 1 books.Main page.
LitVek – electronic library >> Popular authors >> E. Lily Yu. Sell your homeland?
Irina 05-07-2023 at 06:34 #191229
Ninth mirror (SI)
Elena Alexandrovna Romova
I liked it very much! Where can I find the sequel?
Hope 06/29/2023 at 16:37 #191205
Love and teenagers
Erika Leng
liked it. easy to read. Secrets are gradually revealed.
Zhenya 27-06-2023 at 04:58 #191196
Angel
Mikhail Ivanov
The full version of “Angel” is included in M. Ivanov’s novel “M. Berg. Cup of coffee. (Four stories)”. The meaning of the work is revealed to the end precisely there.
Mikhail 06/26/2023 at 22:05 #191194
Bolotnik
Andrey Alekseevich Panchenko
stupid, illiterate shit
author zaikhohlov
Vova 06/24/2023 at 15:11 #191189
Rzhevsky
Semyon Afanasiev
Hat.
I do not recommend.
Artem 06/21/2023 at 16:40 #191164
Indara Bridge
Alexey Arsentiev
Because the book is posted on other resources, and LitVek has a habit of posting books without the permission of the authors. So it turns out that they stole a piece of text, and the author is probably not aware of
Anna 06-20-2023 at 19:01 #191161
The whole Hamilton Edmond in one volume
Edmond Moore Hamilton
Hamilton cap Future? Whole? Fully?!!
Sanya 20-06-2023 at 12:39 #191160
Unabomber Manifesto
Teodor Kaczynski
Norm people
Alisher 19-06-2023 at 20 :31 #191157
Watchmaker Baron Jester and Cat
Volume Tork
Where’s the cover? And when will the author be asked about the publication?
hello 18-06-2023 at 17:18 #191153
ALL COMMENTS
org/Person”> By Diana Wynn Jones, Neil Gaiman, Samuel R. Delaney, Peter Sawyer Beagle, Avram Davidson, Anthony Bu Cher, Edith Nesbit, Larry Niven, Frank Richard Stockton, Gahan Wilson, Nnedi Okorafor , Maria Devana Hadley , Nalo Hopkinson , Megan Kerashigey , Saki , E. Lili Y.
