What are the top 20 songs on La X radio station this week. How can listeners vote for their favorite tracks. When does the countdown air live and where can you listen to past episodes.
Understanding La X Top 20: Your Weekly Music Countdown
La X Top 20 is a popular weekly music countdown show that highlights the most requested and important English-language songs in southwestern Colombia. This engaging program offers listeners a chance to stay up-to-date with the latest hits while participating in an interactive voting experience.
Key Features of La X Top 20
- Showcases the 20 most popular English songs of the week
- Allows listeners to vote for their favorite tracks
- Airs live every Saturday at 10 AM
- Offers a replay on Sundays from 12 PM to 2 PM
- Hosted by César Soto
- Provides opportunities for listeners to win prizes
How to Participate in La X Top 20
Participating in La X Top 20 is easy and exciting. Listeners can make their voices heard and potentially influence the countdown by voting for their favorite songs. Here’s how you can get involved:
Voting Process
To cast your vote for La X Top 20, simply head to Twitter and follow @laxcalioficial. The station regularly posts polls and opportunities for listeners to share their favorite tracks. By participating in these polls and engaging with the station’s social media content, you can help shape the weekly countdown.
Tuning In
Are you wondering when to tune in for La X Top 20. The live countdown airs every Saturday at 10 AM. If you miss the original broadcast, don’t worry – you can catch a replay on Sundays from 12 PM to 2 PM. This gives you multiple opportunities to enjoy the week’s hottest tracks and stay current with the latest music trends.
Exploring Past Episodes of La X Top 20
La X Top 20 maintains an impressive archive of past episodes, allowing listeners to revisit their favorite countdowns or catch up on shows they may have missed. The station provides easy access to these previous editions through their website.
Recent Episodes
Here’s a quick look at some of the most recent episodes of La X Top 20:
- June 10, 2023 edition
- June 3, 2023 edition
- May 27, 2023 edition
- May 20, 2023 edition
- May 13, 2023 edition
These episodes and many more are available for listeners to stream at their convenience, providing a comprehensive look at how music trends have evolved over time.
The Impact of La X Top 20 on Local Music Scene
La X Top 20 plays a crucial role in shaping the musical landscape of southwestern Colombia. By highlighting the most popular English-language tracks, the show serves as a cultural bridge, introducing international music to local audiences and fostering a diverse musical environment.
Cultural Significance
Why is La X Top 20 important for the local music scene. The program not only keeps listeners informed about global music trends but also creates a shared musical experience for the community. It encourages music discovery and appreciation, potentially influencing local artists and contributing to the region’s musical diversity.
Behind the Scenes: Producing La X Top 20
Creating a weekly music countdown involves more than just playing popular songs. The team behind La X Top 20 works diligently to curate a high-quality listening experience for their audience.
The Production Process
While specific details about the show’s production are not provided in the original text, we can infer that the process likely involves:
- Collecting and analyzing listener votes and requests
- Monitoring music charts and trends
- Curating the final list of 20 songs
- Preparing engaging commentary and transitions between tracks
- Coordinating live broadcasts and replays
This meticulous process ensures that each episode of La X Top 20 delivers an entertaining and informative music experience to its listeners.
Expanding Your Music Horizons with La X Top 20
La X Top 20 offers more than just a list of popular songs. It serves as a valuable resource for music lovers looking to expand their musical horizons and discover new artists and genres.
Music Discovery Benefits
How can listeners benefit from tuning into La X Top 20. By regularly following the countdown, you can:
- Stay updated on the latest music trends
- Discover new artists and songs you might have missed
- Gain insights into the popularity of different music styles
- Connect with a community of music enthusiasts
- Broaden your musical tastes and appreciation
La X Top 20: More Than Just a Countdown
While the primary focus of La X Top 20 is to showcase the week’s most popular English-language songs, the program offers additional content that enhances the listening experience.
Additional Program Features
What extra features does La X Top 20 offer beyond the music countdown. Although not explicitly mentioned in the original text, radio countdown shows often include:
- Artist interviews and behind-the-scenes information
- Music news and industry updates
- Listener shoutouts and dedications
- Trivia segments and interactive games
- Exclusive content from featured artists
These additional elements help create a more engaging and interactive experience for the audience, encouraging regular listenership and participation.
Engaging with La X Top 20 on Social Media
In today’s digital age, social media plays a crucial role in connecting radio shows with their audience. La X Top 20 leverages platforms like Twitter to foster engagement and create a more interactive experience for listeners.
Social Media Presence
How can listeners engage with La X Top 20 on social media. The show maintains an active presence on Twitter through the @laxcalioficial account. Followers can:
- Participate in polls to vote for their favorite songs
- Stay updated on upcoming episodes and special features
- Interact with the show’s host and production team
- Share their thoughts and opinions on the weekly countdown
- Potentially win prizes through social media contests
By actively engaging with La X Top 20 on social media, listeners can enhance their experience and feel more connected to the show and its community.
La X Top 20: A Platform for Music Promotion
For artists and music industry professionals, La X Top 20 serves as a valuable platform for music promotion and exposure. Being featured on the countdown can significantly boost an artist’s visibility in the southwestern Colombian market.
Promotional Opportunities
How does La X Top 20 benefit artists and the music industry. While not explicitly stated in the original text, music countdown shows typically offer several promotional advantages:
- Increased airplay for featured songs
- Exposure to a wide and engaged audience
- Potential for artist interviews or special features
- Recognition of chart performance and popularity
- Cross-promotion opportunities through social media
These promotional aspects make La X Top 20 an important touchpoint for artists looking to break into or maintain their presence in the local music market.
The Future of La X Top 20
As the music industry continues to evolve, so too must radio programs like La X Top 20. While the original text doesn’t provide information about future plans, we can speculate on potential developments that could enhance the show’s appeal and relevance.
Potential Innovations
What innovations might we see in the future of La X Top 20. Some possibilities could include:
- Integration with music streaming platforms for easier listener voting
- Expansion of the countdown to include local or Latin American artists
- Development of a dedicated mobile app for enhanced engagement
- Incorporation of video content for a more multimedia experience
- Collaborations with international radio stations for global music insights
By staying adaptable and embracing new technologies and trends, La X Top 20 can continue to provide value to its listeners and maintain its position as a leading music countdown show in the region.
La X Top 20 stands as a cornerstone of the English-language music scene in southwestern Colombia. Through its weekly countdowns, interactive voting system, and engagement opportunities, the show offers a unique and valuable service to music lovers in the region. Whether you’re a casual listener looking to stay updated on the latest hits or a devoted fan eager to shape the musical landscape, La X Top 20 provides an exciting and accessible platform for all. By tuning in, participating in the voting process, and engaging with the show’s social media presence, listeners can immerse themselves in a rich and diverse musical experience that extends far beyond a simple song list. As the show continues to evolve and adapt to the changing music industry, it’s sure to remain a vital part of the local music culture for years to come.
Las 20 de La X
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La X Cali – Más música
96.5 FM Cali
Al aire
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LAS 20 DE LA X: Tus favoritas, las más pedidas, las canciones anglo más importantes en el suroccidente colombiano, esas son #Las20DeLaX
¡Vota en TWITTER @laxcalioficial , por tus favoritas y no te pierdas el conteo para participar por muchos premios!
Esta es nuestra Edición 26 para hoy sábado 16 de julio de 2022
Escúchanos en vivo cada :
Sábado 10 am
Repetición Domingo 12 m a 2pm
Host: César Soto
Dirige: César Soto
Escucha aquí nuestra edición del 10 de junio del 2023
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The Weeknd sorprenderá a los fans al incluir canciones de The Idol en su gira mundial
Música
22 Jun 2023
Lady Gaga emociona a sus fans con la confirmación de la película de The Chromatica Ball
Cine
22 Jun 2023
Dua Lipa sorprende a sus fans con nuevos vídeos en la película ‘Barbie’
Personajes
22 Jun 2023
Lana Del Rey celebra su cumpleaños #38 y en La X recordamos 5 de sus mejores canciones
Música
21 Jun 2023
Lo mejor de la semana
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La X Bogotá – Más música
103.
9 FM Bogotá
Más Música
Al aire
En reproducción
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El recuento de lo que fue noticia de lunes a viernes lo encuentra en Lo Mejor de la Semana con Catta Blanco. Noticias, cumpleaños, lanzamientos, efemérides, canción recomendada y mucho más: la mezcla perfecta para empezar la tarde del sábado con buena música.
Siga la playlist oficial del programa, aquí:
Estas son las noticas, artistas y música de Lo Mejor de la Semana en La X Más Música:
Por Catta Blanco
Así se vivió el Corona Sunsets en la playa de Santa Marta
Publicidad
20 Jun 2023
Si se perdió Animales de Radio, escúchelo acá
Podcast
19 Jun 2023
Reviva el episodio 140 de Residente X
Residente X
17 Jun 2023
Canciones electrónicas recomendadas (Junio 16 2023)
Residente X
16 Jun 2023
Lo Mejor de la Semana (Marzo 27)
Todo lo que fue noticia los últimos siete días está en LMDLS con Catta Blanco.
Episodio número: 44
Minutos: 60
Lo Mejor de la Semana (Marzo 20)
Todo lo que fue noticia los últimos siete días está en LMDLS con Catta Blanco.
Episodio número: 43
Minutos: 60
Lo Mejor de la Semana (Marzo 13)
Todo lo que fue noticia los últimos siete días está en LMDLS con Catta Blanco.
Episodio número: 42
Minutos: 60
Lo Mejor de la Semana (Marzo 6)
Todo lo que fue noticia los últimos siete días está en LMDLS con Catta Blanco.
Episodio número: 41
Minutos: 60
Lo Mejor de la Semana (Febrero 27)
Todo lo que fue noticia los últimos siete días está en LMDLS con Catta Blanco.
Episodio número: 40
Minutos: 60
Lo mejor de la semana Feb.12
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 39
Minutos: 200
Lo mejor de la semana Feb.05
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 36
Minutos: 200
Lo mejor de la semana Ene.
23
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 35
Minutos: 200
Lo mejor de la semana Ene.16
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 34
Minutos: 200
Lo mejor de la semana Ene. 09
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 33
Minutos: 200
Lo mejor de la semana Dic. 05
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 32
Minutos: 200
Lo mejor de la semana nov. 28
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 31
Minutos: 200
Lo mejor de la semana nov. 21
El resumen de todo lo que noticia durante los últimos siete días.
Episodio número: 30
Minutos: 200
Lo mejor de la semana nov. 14
Este es el resumen de todo lo que fue noticia los últimos siete días con Catta Blanco.
Episodio número: 29
Minutos: 60
Lo mejor de la semana nov.
7
El resumen de todo lo que fue noticia los últimos siete días con Catta Blanco.
Episodio número: 28
Minutos: 60
Lo mejor de la semana oct. 31
El resumen de todo lo que fue noticia los últimos siete días está en Lo Mejor de la Semana con Catta.
Episodio número: 27
Minutos: 60
Lo mejor de la semana oct. 24
Este es el resumen de todo lo que fue noticia los últimos siete días con Catta Blanco.
Episodio número: 26
Minutos: 60
Lo mejor de la semana oct.
17
El resumen de todo lo que fue noticia los últimos siete días está en Lo Mejor de la Semana con Catta Blanco.
Episodio número: 25
Minutos: 60
Lo mejor de la semana oct. 10
Este es el resumen de todo lo que fue noticia los últimos siete días.
Episodio número: 24
Minutos: 60
Lo mejor de la semana oct. 3
El resumen de todo lo que fue noticia los últimos siete días con Catta Blanco.
Episodio número: 23
Minutos: 60
Lo mejor de la semana sep.
26
El resumen de todo lo que fue noticia los últimos siete días está en Lo Mejor de la Semana con Catta Blanco.
Episodio número: 22
Minutos: 60
Lo mejor de la semana sep. 12
Todo lo que fue noticia los últimos siete días.
Episodio número: 21
Minutos: 60
Lo mejor de la semana sep. 5
Todo lo que fue noticia los últimos siete días.
Episodio número: 20
Minutos: 60
Lo mejor de la semana ago. 29
Todo lo que fue noticia los últimos siete días está en Lo mejor de la semana.
Episodio número: 19
Minutos: 60
LMDLS – 22 de agosto
.
Episodio número: 18
Minutos: 60
LMDLS – 15 de agosto
.
Episodio número: 17
Minutos: 60
LMDLS – 8 de agosto
El resumen de todo lo que fue noticia los últimos siete días.
Episodio número: 16
Minutos: 60
LMDLS – 1 de agosto
El resumen de todo lo que fue semana los últimos siete días está en Lo Mejor de la Semana con Catta Blanco.
Episodio número: 15
Minutos: 60
LMDLS – 25 de julio
El resumen de todo lo que fue noticia los últimos siete días.
Episodio número: 14
Minutos: 60
LMDLS – 18 de julio
Todo lo que fue noticia los últimos siete días en esta esquina de La Nación.
Episodio número: 13
Minutos: 60
LMDLS – 11 de julio
El resumen de todo lo que fue noticia los últimos siete días con Catta Blanco.
Episodio número: 12
Minutos: 60
LMDLS – 4 de julio
#LaXEnCasa
Episodio número: 11
Minutos: 60
LMDLS – 27 de junio
#LaXEnCasa
Episodio número: 10
Minutos: 60
LMDLS – 20 de junio
#LaXEnCasa
Episodio número: 9
Minutos: 60
LMDLS – 13 de junio
#LaXEnCasa
Episodio número: 8
Minutos: 60
LMDLS – 6 de junio
#LaXEnCasa
Episodio número: 7
Minutos: 60
LMDLS – 30 de mayo
#LaXEnCasa
Episodio número: 6
Minutos: 60
LMDLS – 23 de mayo
#LaXEnCasa
Episodio número: 5
Minutos: 60
LMDLS – 16 de mayo
#LaXEnCasa
Episodio número: 4
Minutos: 60
LMDLS – 9 de mayo
#LaXEnCasa
Episodio número: 3
Minutos: 60
LMDLS – 2 de mayo
#LaXEnCasa
Episodio número: 2
Minutos: 60
The best fighters.
Top 20 according to “Film Pro”
6.9
John Wick 3
John Wick: Chapter 3 – Parabellum
2019
/ Action
/ USA
To favorites
People’s favorite Keanu Reeves is lucky in the franchise, and “John Wick” is perhaps the best thing that has happened in his career in the last ten years. But the third part of the action movie about a hired killer, who received the status of an outcast and an enemy of a criminal syndicate, came out especially furious, dynamic and funny. John Wick has always been partial to our smaller brothers. Recall that the unjust murder of a dog prompted him to take up the old. But here the filmmakers came up with a lot of action scenes with the participation of animals – here he is racing on a horse, followed by a pack of motorcyclists, and now the dogs are madly biting into his opponents. In general, the animal world is clearly on the side of the lone killer.
6.8
Upgrade
Upgrade
2018
/ Action, Horror, Sci-Fi
/ Australia
To favorites
An unexpectedly inventive action movie created by Blumhouse.
It was directed by Leigh Whannell, whose thriller The Invisible Man recently opened at the box office. Brilliant auto mechanic Gray Trace, along with his wife, is attacked by a criminal gang of cyborgs. The result of this skirmish: his wife is killed, and he himself is paralyzed. With the help of a wealthy client, Gray is given an experimental Stem implant to regain his mobility. So the hero of Logan Marshall-Green, who in this film is very similar to Tom Hardy, becomes a killing machine in the best traditions of RoboCop and Terminator.
6.6
Mission: Impossible: Fallout
Mission: Impossible – Fallout
2018
/ Thriller, Adventure, Action
/ USA
To favorites
Each episode of the Mission: Impossible action franchise is followed by an impressive list of stunt tricks Tom Cruise learned on the set. Despite the fact that he can no longer be called young, he continues to take on all the challenges of his hero, spy Ethan Hunt. A month of grueling training, professional helicopter piloting skills and another broken limb – this is an incomplete list of acting feats accomplished by Cruise for the sixth part of the film series.
His efforts have paid off and many consider Aftermath to be the best Mission in history since the first film made in 1919.96 by Brian De Palma.
6.9
You were never here
You Were Never Really Here
2017
/ Drama, Mystery, Thriller
/ USA, France
To favorites
Lynn Ramsey’s film made a splash. Critics dubbed him the new “Taxi Driver”, and at Cannes, Joaquin Phoenix was awarded the prize for best male role, and at the same time the script was also awarded. Phoenix plays here mainly with his back, we rarely see his face. Here he is a professional killer, who prefers to act with improvised means. Ready to easily kill a bunch of people with at least one fountain pen. At the same time, as such, there are practically no scenes of violence in the film, everything is done in such a way that the audience has to guess everything for themselves, and this makes them even more afraid. I even feel sorry for those criminals who decided to kidnap the senator’s daughter.
They don’t know that Joe is coming for them.
7.2
Mad Max: Fury Road
Mad Max: Fury Road
2015
/ Action, Adventure
/ USA, Australia
To favorites
Director George Miller himself created the Mad Max franchise and restarted it himself. And he did it perfectly, turning Max’s wanderings through the wild post-apocalyptic world into pure, uncomplicated action. In this film, Max is played by Tom Hardy instead of Mel Gibson, as in the early action films. But the main character here is not him, but the bald Furiosa, a woman-fire, worthy of a separate spin-off.
7.0
hardcore
2015
/ Action, Thriller
/ Russia
To favorites
Russian director Ilya Naishuller made an unusual action from the first person. A bunch of Russian celebrities “lit up” in his film: Kirill Serebrennikov, Alexander Pal, Sergey Shnurov, Ravshana Kurkova, Leonid Parfyonov and many others, up to Danila Kozlovsky, who got the role of the villain.
Individual bonuses include the appearance in the frame of Tim Roth and Sharlto Copley in the title role. It’s pure non-stop action, relentless chases and fights filmed at a wild pace, often guerrilla-style, in an unsuspecting Moscow.
6.8
Drive
Drive
2011
/ Drama, Crime
To favorites
In this movie, everything is already said in the title – drive. How did director Nicolas Winding Refn capture the nature of this destructive force by making it the subject of his film? And how the seemingly imperturbable Ryan Gosling was able to play the guy so well, for whom, in fact, the only value in life is adrenaline, it is not clear. But their energy was enough to shake up the Cannes Film Festival and grab one of the most prestigious awards there. Driver works as a stuntman during the day and performs risky assignments at night. But one day a fragile girl appears in his life in the person of Carey Mulligan with a child in her arms and a husband who is about to get out of prison.
And that’s all – the hero’s ignition system works and the brakes completely fail.
7.3
The Expendables
The Expendables
2010
/ Action, Adventure, Thriller
/ USA
To favorites
In the 21st century, it has become somewhat indecent to shoot action films about “tough guys”, unless they are “60+”. Due to the presence of age folk favorites in the frame, the action comedy “The Expendables” caused a storm of positive emotions among the viewer. It played up the notable cliches of the cult action movies of the past, and the actors from the same action movies happily parodied their own roles. This movie marked the beginning of a whole film series, although at some point the number of stars from old films exceeded a critical level.
7.1
Hostage
Taken
2008
/ Crime, Thriller, Action
/ France
To favorites
This French action movie was produced by Luc Besson and directed by the talented cinematographer Pierre Morel, who also has such cult action films as “The 13th District” and “The Transporter”.
The hero of the film (played by Liam Neeson, who at that time exchanged sixty) without any compassion deals with Albanian criminals (no political correctness). And he is driven by revenge and love for his daughter, who was taken hostage and now they want to make her a sex slave. In his arsenal he has a lot of dangerous tricks, weapons and the experience of a CIA agent.
6.9
oldboy
Oldeuboi/Oldboy
2003
/ Thriller, Drama, Mystery
/ South Korea
To favorites
The most famous part of the South Korean director Park Chan-wook’s revenge trilogy. Spike Lee even made a remake in the US, but it didn’t work out too well. In Oldboy, revenge is a sweet and lingering feeling, and in action it is very effective. The main character, as the Count of Monte Cristo, was kept locked up for many years. Coming out of his imprisonment, he did not waste time on financial intrigues, but immediately set off to destroy everyone right and left. For fans of action movies, the 4-minute fight scene in the hallway, filmed in one shot, is especially valuable.
Oldboy there brutally cracks down on a bunch of thugs, and even a knife in the back cannot stop him.
7.0
Kill Bill
Kill Bill Vol. 1
2003
/ Thriller, Action, Crime
/ USA
To favorites
“Revenge is a dish best served cold.” Black Mamba, she’s the Bride, the best killer in the world, she lay in a coma for four years, but now she woke up. And over the course of two episodes of this franchise, she will punish all those who betrayed her very seriously, and especially Bill, the head of the gang in which she was once a member, will get. Quentin Tarantino usually prefers dialogue to action, but this time he came off to the fullest and unleashed the choreography of bullets, swords, nunchaku and other tools of killing. And it’s also an encyclopedia of the genre, because Tarantino’s cinephile filled the Kill Bill movie series with a million recognizable quotes from other action films and not only from them.
7.3
Carrier
The Transporter
2002
/ Action, Thriller, Crime
/ France, USA
To favorites
A good half of the action movie’s success is the hero.
After the films “Cards, Money, Two Smoking Barrels” and “Snatch”, Guy Ritchie made Jason Statham a star. But he became an action movie star after this film, produced by Luc Besson. To the role of Frank Martin, a former paratrooper engaged in the transportation of any cargo, he will then return twice more. Well, in the first part of his hero, who “never looks in the trunk”, suddenly takes a look there and finds a bag, and inside – a pretty girl with big problems. At such moments, true protagonists usually turn off the intended path and begin to act on their own. Especially if they, like Statham’s character, are strong in extreme driving and hand-to-hand combat.
7.9
Bourne identification
The Bourne Identity
2002
/ Mystery, Action, Thriller
To favorites
Matt Damon’s character spends the entire film in motion: he runs from the chase, from himself or, conversely, towards himself. The thing is that the elite CIA mercenary has lost his memory and is now amazed at himself, can he really put so many people alone, can speak so many languages and so skillfully covers his tracks, destroying his own fingerprints in time? Bourne runs through the narrow European streets with the camera following him at high speeds.
This is a technical, clear and accurate action movie that strikes at the same time with its realism and ingenious staging.
6.9
Crouching Tiger, Hidden Dragon
Wo hu cang long / Crouching Tiger, Hidden Dragon
2000
/ Action, Drama, Adventure, Melodrama, Fantasy
To favorites
Incredibly beautiful fantasy from the Oscar-winning Ang Lee is also a luxurious action movie, whose characters literally fly while fighting. They are familiar with martial arts saturated with philosophy, and in training their soul and body they have reached such heights that they are able to perform tricks that hereditary circus acrobats can hardly do. Agree, not in every movie a character can catch a bullet with two fingers, but in Asian cinema it’s probably not like that either. Here fights are the engine of the plot and the main provider of entertainment. And whether they are looking for a magic sword or the Holy Grail there is not so important.
Desperate
Desperado
1995
/ Crime, Thriller, Action
/ USA
To favorites
The fact that Robert Rodriguez can create action on the screen, sometimes meaningless, but almost always merciless, is well known to those who are at least somewhat familiar with his work.
But in the mid-90s, he created not so much an action movie as a Mexican ballad about a noble shooter who single-handedly declares war on the head of the underworld. Antonio Banderas played the hero, in addition to him, many more interesting characters took part in the film (Quentin Tarantino, Steve Buscemi, Danny Trejo), each of which is in its place. The whistle of enemy bullets will not be able to drown out the sounds of Mariachi’s proud guitar (his song in Spanish became a real hit for many years to come), especially if he keeps a weighty machine gun in a case.
Under siege
under siege
1992
/ Thriller, Action
/ USA
To favorites
A decommissioned warship is captured by terrorists, but the local chef turns out to be a former special forces soldier with a Purple Heart and other awards. He alone decides to neutralize the terrorists, like Robinson Crusoe – the pirates. And he also has Friday – in the form of a blonde with a large bust, which she bravely shows in the very first scene.
Koka is played by Steven Seagal, and his athletic form is of great respect, but the actor was not lucky with the opponent. The unsurpassed Tommy Lee Jones played the role of the eccentric villain and did it so brilliantly that the sympathies of the majority of the audience were given to him, and not to the textured goodie.
6.9
Terminator 2: Judgment Day
Terminator 2: Judgment Day
1991
/ Thriller, Action
/ USA
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At the end of the franchise about the battle of machines and people, over which time has no power, it is useful to recall its best film, shot in the early 90s by James Cameron. After all, this movie has long been a classic, for many reasons, that is, not only because of Arnold Schwarzenegger’s catchphrase “Asta la vista, baby!”. Firstly, there are very interesting special effects here, a fluid robot on the screen – then it was something new. Secondly, the idea of a reprogrammed machine, which, as it seems, is not alien to anything human.
The third is the image of young John Connor, who got such a cool bodyguard that not a single teenager in the world would refuse friendship with him. In a word, the merits of this film can be listed for a long time.
Toughie
Die hard
1988
/ Thriller, Action
/ USA
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Thirty years ago, no one imagined that John McTiernan’s action movie would become the standard of the genre. Few people believed in the image of the modest policeman John McClain. From this role refused kinozubry – Schwarzenegger and Stallone. Even less believed in Bruce Willis, the face of the actor from the TV series Moonlight Detective Agency was not even put on the poster. However, this movie made him a superstar, shook the foundations of the genre, and was remembered for its non-trivial filming angles: McClain either falls into an elevator shaft, or crawls along a ventilation pipe. And most importantly – it changed the mind about the hero of the action movie – this guy in a white T-shirt is not a pumped superhero, he is a vulnerable and lonely person who is used to meeting the blows of fate with an ironic smirk.
Deadly weapon
Lethal Weapon
1987
/ Crime, Thriller, Action
/ USA
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An exemplary buddy movie, and even with elements of blaxploitation, because for once a white cop had a black partner. For the United States, this was a huge step forward, especially since the theme of racism in the film was played up and ridiculed. Reasonable, but too cautious, Danny Glover looked no less comical than the eccentric Mel Gibson, whose hero did incredible things with his dislocated shoulder. The film turned out to be so popular that the producers shot three more parts, and everywhere Gibson was sparkling, and the aging Glover was a little naive and angular.
Rambo: First Blood
First Blood
1982
/ Drama, Adventure, Action
/ USA
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The traditions of samurai cinema fit well into the American film landscape, just remember The Magnificent Seven. But in the case of “Rambo”, these experiments led to the emergence of a journalistic action movie, created, as they say, on the topic of the day.
Vietnam veteran John Rambo (aka wandering samurai) roams the United States, but is faced with the fact that people like him, former heroes, are objectionable there and no one is interested in what kind of Motherland he shed blood for. Rambo does not like the role of the victim, and he decisively shows everyone how dangerous he can be if he is backed up against the wall. The following films about Rambo were much weaker, and the first one is still very exciting to watch.
20 weird movies to watch
Afisha Daily and Mastercard continue to add to the list of 100 films of different genres worth seeing for the rest of your life. We present the next selection from this magnificent hundred – an extraordinary movie that breaks the usual logic of the story.
Inland Empire, dir. David Lynch, 2006
A more confusing Mulholland Drive twin with another blonde in danger. The famous and rich actress Nikki hosts a neighbor who shoots eyes and speaks with a strong accent in her mansion – for some reason she heard about Nikki’s auditions for a new role and mumbles unpleasant prophecies about lost boys and girls under her breath.
Nikki is really about to star in a caramel old-fashioned melodrama like La La Land directed by a director with a visionary complex and is going to get used to a flat character. She will dissolve first in her heroine, then in the heroine of another actress, who is also present on this site, then in the fate of a broken Polish woman who survives by prostitution in the 30s somewhere far away in Eastern Europe. A dozen dancing prostitutes, a camera playing with the vestibular apparatus, a song by Nina Simone and three giant rabbits are included – David Lynch shot the last full meter more than 10 years ago. “Inland Empire” turned out to be an exemplary mindfuck-film that either bangs on the head or shines a light bulb in the eyes, taking the soul out of the viewer and, of course, entertaining him at the most inopportune moment.
Holy Motors Corporation, dir. Leos Carax, 2012
Monsieur Oscar travels from point to point in a limousine, transforming into different characters according to the schedule.
He either puts on a special costume to simplify the special effects and plays out a choreographed love story, then he scares the crowd at the cemetery, then he sings a duet with Kylie Minogue, or he leads a squad of frenzied accordionists. It’s not hard to guess Monsieur Oscar’s true motivation: his name alludes to the Academy Award coveted by most commercial directors, and the chameleon Denis Lavant becomes the hero of another genre film every ten minutes. He tries on the clichés and limitations of a musical or sci-fi, and at the same time tries to keep all the agreements: he has some secret obligations to the mysterious Holy Motors company, in whose limousines he rides. Karax makes a painful and pure movie about his relationship with the film tradition and industry and takes on the main role of the plasticine and omnipotent Laban as his agent in a changeable and melancholy world. A special mention is the final scene, where Monsieur Oscar finally returns home.
Schizopolis, dir.
Steven Soderbergh, 1996
Proving why the all-powerful Steven Soderbergh did not and never will be Steven Spielberg (also an important director and an even more important producer), is an absurdist black comedy about doubles. In pivotal years, when Soderbergh could have made millions of dollars or a dozen Oscar nominations from factory crafts, he unleashes the inner idiot in a mean, self-deprecating, and very funny little film made for record pennies. There are two main characters (both played by Soderbergh), a love triangle of the most boring and unpassionate people in the world, a frame with the words “I have no idea”, jokes about Scientology and voyeuristic maniacs. And a few more scenarios of a one-story apocalypse, a conspiracy plot and a lot of banter about a midlife crisis, identity and independent cinema – in a word, everything you wanted to know about indie, but were afraid to ask.
The Holy Mountain, dir. Alejandro Jodorowsky, 1973
Many people watch a mandatory part of countercultural education and Jodorowsky’s delightful experiment in dubious companies in adolescence.
You should definitely return to The Holy Mountain as adults to understand how the Chilean director finds himself in the American underground through the history of theater, painting, religions and mystical practices. Khodorovsky, who grew up in a theatrical environment and was brought up on the literature of surrealism, is filming a story about the Fool – either Christ, or just a man in search of justice and meaning – who finds himself in a vicious city with fake values and a distorted hierarchy. The “Holy Mountain” breaks up into hundreds of delightful shots and tells the story of finding oneself in modern times: the present time seduces, seduces, amuses pride and promises wisdom and immortality. Belief in meditation, oriental purification practices and hallucinogens permeated the filming process, the participants of which, like the heroes, made their way along the road of excesses in order to get closer to their own palace of wisdom.
“Céline and Julie are completely lying” (“Céline et Julie vont en bateau”), dir.
Jacques Rivette, 1974
One of the main French films about inseparable girlfriends, beyond description, which lasts more than three hours and reminds both Alice in Wonderland and the Proustian stream of consciousness. Brunette Selina and curly-haired Julie are inseparable opposites who spend all their free time with each other. Julie works at an inert job in the library, Selina learns to do magic tricks and stunts. During the film, Selina and Julie repeatedly change places, imitate each other’s manner and reinvent their own images: one teaches the other to dream and fantasize, the second offers shelter and alliance in solving non-banal tasks. Rivette works with the theme of doubles (which Lynch would easily take over from him later), but mainly with the way stories are told, when subjects and objects are reversed, and emotions elude description. An action-free, wild and wild film that talks about imagery, cinema and literature is a favorite subject for analysis by philosophers and psychoanalysts and simply one of the main plot experiments of the 20th century.
Liquid Sky, dir. Slava Zukerman, 1982
One of the few films of the Soviet period with Russian roots, famous in the English-speaking world – primarily because of the progressive new wave soundtrack, borrowed aesthetics of Anger, Russell and Jarman and fantastic fashionable youth. In the depressing neon New York of the early 80s, little happens in the light of day. Aliens start hunting the city – they steal the gray matter of those people who experience drug ecstasy, but then they find out that the pleasure from sex is much stronger. So all the junkies and orgasms in the night city evaporate into the air. The favorite point of aliens is a marginal penthouse apartment where a dealer and her model friend live. In the most cheerful apartment in the city, sooner or later the countdown of the dead begins – and the nymphomaniac Margaret is to blame for everything. “Liquid Sky” dreamed of being a “Blade Runner” for its own people and, bypassing the big studio films, now looks like a hastily filmed cabal with amazing texture – it can be imitated, but unthinkable to recreate.
Dozens of fashion shoots and films a year copy what Slava Zuckerman, a Soviet documentary filmmaker who immigrated to the United States via Israel in the 70s and made one of the strangest films about the nature of partying in a big city, managed to do.
Crash, dir. David Cronenberg, 1996
Wild Cronenberg is an important 1990s film about trauma, danger and sexual pleasure, based on the novel by James Ballard. The film producer hero, whom Cronenberg gave the name of the author of the book, gets into an accident with a fatal outcome for the passenger of another car. A girl driver stuck in an accident suddenly shows her breasts to Ballard. This sudden event intrigues him incredibly: he has long been married with a successful facade marriage, the most interesting of which is a discussion with his wife of their mutual betrayals. After the accident, Ballard learns about the extreme driving community, whose sex life revolves around planning deliberate car crashes. Gradually, he frees himself from the dramatic interpretation of his own and other people’s death and stereotypical ideas about pleasure: meetings with regular fetishists are generally incompatible with safety rules.
“Car Crash” after 20 years looks like one of the main films about the connection of libido and mortido with the maximum distance to the heroes and the absence of sanctimonious condemnation – for all the strangeness of Cronenberg’s filmography, this is the strangest film that he could afford.
The Lobster, dir. Yorgos Lanthimos, 2015
In the near future, those who are not ready to find a soulmate and form a socially approved union with her will be sent to a 45-day spa holiday in one of the expensive hotels. There you can make new acquaintances, try to start over or choose an animal of your choice and at your own risk reincarnate into it after 45 days. Someone chooses to become a lobster, someone dreams of ending his life as a deer. Confused divorcee David – soft-bodied, slightly depressed and a little sentimental – checks into the sanatorium, seemingly ready to search for the second half. But the mechanical conditions of containment and coexistence will force him to hide and look for a mate among giant provincial shopping centers, forest thickets with anarchists and desert cities where nothing happens.
The Greek director Yorgos Lanthimos, who has seen enough of Buñuel and the best dystopias in his life, is filming a parable about loneliness, which will not be considered the norm under any bright future. You will be forced to look for flaws in yourself, communicate with rogues, gain faith in yourself only by relying on another, and think that loneliness is a disease that needs to be quickly found a cure.
Graveyard of Splendor (Rak ti Khon Kaen), dir. Apichatpong Weerasethakun, 2015
A meditative Thai film about dormant soldiers taking part in an invisible war. Lame Jen, an elderly and caring woman, works as a nurse in a mysterious hospital for dormant military forces. The hospital is located in a small town on the banks of the Mekong, where dozens of soldiers recuperate under multi-colored artificial lighting in beds with mosquito nets resembling cocoons. One of the soldiers, Itt, interests Jen more than the others – she takes special care of him, talks to him when he suddenly wakes up, reads books to him during his sleep and makes sure that he wakes up rested.
The soldiers of the hospital are rumored to be participants in the war of the ancient kings: they donate their strength to old wars and military conflicts, supplying them with vitality. A non-tourist Thailand with poverty and jungle poetry, militarism and a Buddhist understanding of the soul awaits you – a metaphorical space that Weerasethakun works with, filming a story about how the dream of the present feeds the ghosts of the past.
Nocturama, dir. Bertrand Bonello, 2016
Paris Is a Celebration is the funniest title localization for Bonello’s latest film, which tells of youthful dismay in the face of global injustice, capitalism and the senseless desire to possess. Nocturama has been compared to Robert Bresson’s penultimate film, Possibly the Devil, in which angry teenagers take control of a listless majority. Several very young Parisians with typical problems of adolescence agree to implement a multi-stage plan – to organize a complex and simultaneous terrorist attack in several places.
They communicate with each other on disposable phones, confuse tracks, stray in transport and on the streets, and do not fully believe whether what they have planned is possible. They find themselves in a mall, going to wait out the hysteria: they have at their disposal expensive and affordable stores, mannequins and well-known logos – spending the night in the mall seems to them a more natural solution than going home. A gloomy film about youth and aggressive rebellion, the desire for change and naive stupidity, comments on the new generation of young protesters in a way that marketers are not able to do – not through sympathy, statements and the chosen image, but through a huge fracture between what you want and what you want. which is available.
Hausu, dir. Nobuhiko Obayashi, 1977
One of the major Japanese mainstream films of the 20th century, a must-see for anyone who’s crazy about Nobuyoshi Araki’s photographer, Dario Argento’s filmography, and ruthlessly naive B-movies. The director filmed “Home” based on a nightmare story invented by his seven-year-old daughter, although at first he wanted to come up with a local version of the low-budget but frightening “Jaws”. In “House”, a high school student finds out that dad is going to marry a second time – and runs out of town with six girlfriends to her aunt, mother’s sister, for support and the perfect vacation. Each girlfriend with a talking name plans a vacation outside the city, until it turns out that the crooked house and the gray-haired aunt have their own plans for new residents – including broken mirrors, nightly hallucinations and the terrible transformations of their beloved cat. A mixture of Sesame Street, provincial theatrical production, animation by Saul Bass and Romero films, Homer is homerically funny and captivating as a children’s fairy tale, easily broken into hundreds of delightful shots with a flying head made up or a pool of scarlet blood.
Post Tenebras Lux, dir. Carlos Reygadas, 2012
Reygadas’ wandering, fuzzy and highly lyrical film is his most personal work to date, strongly reminiscent of the late Terrence Malick.
Reygadas tells the story of a well-to-do Mexican family living in a remote home in nature, where the husband loves his wife and two small children, but from time to time he furiously hits the dog and tries to build relationships with the workers of his rich estate. Days and months go by, family gatherings and birthdays pass – one of the nights, a red drawn devil enters the bedroom of the protagonist with incomprehensible goals, and the harmonious narration rolls into hell. “After Darkness, Light” is not very well described through plot moves – it is a movie that has more in common with painting and meditation than with keywords that exhaust genres and plots. Reygadas works with the space of the possible rather than with the sentimentality of the audience, and the result is a film that teaches you to see and breathe.
Farewell speech (Adieu au langage), dir. Jean-Luc Godard, 2014
The last feature film by Jean-Luc Godard about the crisis of communication and the desire to chat and argue.
Shot digitally with contrasting nature shots, harsh editing, and uncomfortable zooms, Goodbye Speech is actually a melodrama about a not-so-happy married couple. They spend their days and nights together, most often in the lake house, exchanging quotes from philosophers and newspapers, chatting on favorite topics of intellectuals since 1968 years – from post-colonialism to capitalist empires. Cleverness has long replaced direct communication with them, subtracted wisdom – their own remarks. Godard’s trick is not only that at the age of 84 he receives awards for innovation at the Cannes Film Festival, but that few other than him play so gracefully with words, editing and the narcissism of human nature. And especially with our desire to appear, and not to be.
Mister Lonely, dir. Harmony Korine, 2007
The not-so-successful Parisian impersonator earns his living from the streets by dancing Michael Jackson’s moonwalk: his performance consists of a set of memorized numbers imitating a distant original. During a performance at a nursing home, Michael meets Marilyn Monroe, a naive blonde with curves, who invites him to a remote Scottish corner where only impersonators live. Among Charlie Chaplin and Abraham Lincoln, the Madonna, the Pope and a flock of domestic sheep, Michael will learn the rules of survival of a gated community that is preparing to meet the rest of the world. A satire on the world of celebrity culture, long before the Kardashians show and Instagram fever, was shot by Harmony Korine, a student of Larry Clark and just a very brave director. Only it would have occurred to him to dress up Werner Herzog as a priest and come up with another storyline – about nuns devoted to God jumping out of a helicopter to test their chosenness and pure thoughts.
Synecdoche, New York, dir. Charlie Kaufman, 2008
Charlie Kaufman’s sad and hurting drama about a creative crisis and the vanity of all that exists is a depressing response to “8 ½”, where the idea of a perfect play grows into an endless artificial city. Philip Seymour Hoffman’s theater director Cayden – he doesn’t get bad roles, but this one is probably the best – decides to put on something completely new to deal with the devastation. He is neurotic and narcissistic, ambitious and vulnerable, attentive and despotic – he comes up with a new play for which he is going to build impressive scenery. The project stretches to infinity: the former Kaden did not think through the obstacles that the current one faced, and rogues and loved ones will multiply, reincarnate and gain advantages and disadvantages from each other. Synecdoche, New York reflects all the typical pitfalls of psychology and ego tricks to find the strength to move on. It is not surprising that the final colossus, invented by the main character, will be the Tower of Babel, where the lower floors speak different languages with the upper ones.
Mustache (La moustache), dir. Emmanuelle Carrère, 2005
Thriller by the writer Carrer based on his own novel with a changed ending – about marriage cracks, mistrust and manipulation.
“Moustache” slightly references the classic thriller “Gaslight”, but does not lose the irony. The protagonist – a prosperous Parisian, architect Mark – after fifteen years of marriage with his wife decides to change something in himself and shave off his annoying mustache, just to remember how he feels without them. His wife Agnes, to his surprise, does not react at all, changes in appearance are not noticed by mutual friends and acquaintances. Mark has at his disposal only personal memories, old photographs and the unfortunate hairs of his own mustache, proving that he once did have a mustache. But, given what others say, Mark begins to doubt even himself, especially his wife is a pathological liar; society has something to offer Mark in his confusion – a psychiatrist is always ready to help in such cases. Carrer films about obsession and inattention, the inability to hear each other inside a long marriage.
Under the Skin, dir. Jonathan Glaser, 2013
The powerful role of Scarlett Johansson, her absent face, feigned politeness and mask of horror in the finale is perhaps the best thing that gave the world of cinema in the 21st century. The mysterious van becomes the place where the corpse of a recently murdered girl is stripped. Her clothes are quickly put on by a young agent with an opaque mission: for a long time, the only thing we know about her is that she can drive a van on the foggy roads of Scotland. The scene is a real hole, where most of the locals speak English with their mouths full. A brunette in a cheap fur coat and red lipstick stops the car and turns to unfamiliar single men, sometimes giving them a lift to their destination, and sometimes getting to know them better. If she were a maniac, it would be too easy and safe. The third film by the former music video director (who directed the best Radiohead videos) and now director Jonathan Glaser is a visual embodiment of the anxiety and anxiety inherent in human nature. The original book “Under the Skin” by Michael Faber only outlines the plot, but lives a life completely separate from the film (and thank God).
This obscure object of desire (Cet obscur objet du desir), dir.
Luis Buñuel, 1977
Buñuel’s last film, where there is a place for both black humor about terrorism of the 70s and debutante Carole Bouquet. An elderly respected gentleman Mathieu leaves the Seville station on a train in a first class carriage and pours a bucket of ice water on the bruised beauty’s head as a farewell. He tells his fellow travelers the story of a passionate obsession and disappointment with the local flamenco dancer Conchita, a seductive girl from a poor environment who either plays, or pretends, or seems to surrender to mutual passion. Buñuel’s melodrama with two actresses in the same role is about ghosts in emotional attachment and one’s own joy in being deceived. The protagonist, possessed by a sudden passion against all the rules of his circle and age, finally locks himself in a woman completely alien to him with gloomy motives. Eluding from a simple explanation, a typical Buñuelian movie will be easily deciphered by any fan of surrealism, but even so it will remain a soft and funny film about the desire to love and possess.
Upstream Color, dir. Shane Carruth, 2013
A young girl, Chris, with the look of a frightened doe, falls under someone’s noticeable influence – she hears voices, sees images, and gradually destroys her life to the ground. The kidnapping and taming of her soul involves two remaining anonymous characters, farm pigs and biological experiments involving flowers. On the subway, Chris meets Jeff, a thoughtful young man who also survived a similar invasion of body snatchers: he seems to be left without any feelings and memories. While two strangers fall in love and learn to trust each other, the audience tries to figure out who is behind their negative experience and whether their hallucinations are the delusions of madmen with the same history. As always in a good mystical film, this is not at all important, but the ability to pump up suspense in the light of day with the help of touch, macro photography and voice-over.
A Scanner Darkly, dir. Richard Linklater, 2006
Possibly the most successful film adaptation of Philip Dick, with half a dozen superstars turned into floating cartoons.
Dick’s book was born out of the painful personal experience of drug addiction and the loss of a generation of close friends to stimulants and heroin: the credits will mention Dick’s addicted friends whose illness ended in death or altered consciousness. The main character Bob Arctor has long been on a drug that has taken over all of America, and especially California, called Substance D. The network of distribution and consumption is the main headache for local intelligence agencies, which do not disdain to violate all conceivable boundaries in order to catch dealers and customers. Working for the special services under the code name Fred, Bob gets the task to figure out himself and his closest friends, and most importantly, he learns that there is a rat in his immediate environment. Blurred captures images of emotional instability and progressive disorder, where ghosts and toxic nightmares become daily companions, and the speech of friends is indistinguishable from their own delusions.
