How did Daisy Dukes become an iconic fashion staple. What makes these short shorts so popular across genders. Why are Daisy Dukes still relevant in modern fashion. How can you style Daisy Dukes for various occasions.
The Origin and Evolution of Daisy Dukes
Daisy Dukes, the iconic short denim shorts, have become a staple in fashion vocabularies worldwide. But where did this trend originate? The term “Daisy Dukes” comes from the character Daisy Duke, portrayed by Catherine Bach in the popular TV series “The Dukes of Hazzard” (1979-1985). Daisy’s signature look featured extremely short cut-off denim shorts, which quickly became synonymous with her name.
Initially, Daisy Dukes were associated with a specific feminine aesthetic, but over time, they’ve transcended gender boundaries. Today, people of all genders embrace this style, challenging traditional fashion norms and celebrating body positivity.
The Cultural Impact of Daisy Dukes
How have Daisy Dukes influenced pop culture? These short shorts have made appearances in countless movies, TV shows, and music videos. They’ve been worn by celebrities on red carpets and have inspired countless fashion collections. The enduring popularity of Daisy Dukes speaks to their versatility and the way they embody a carefree, confident attitude.
Styling Daisy Dukes: From Casual to Chic
Can Daisy Dukes be worn for different occasions? Absolutely! Despite their reputation as casual wear, these versatile shorts can be dressed up or down. For a relaxed look, pair them with a simple t-shirt and sneakers. Want to elevate your style? Try combining Daisy Dukes with a blazer and heels for a night out.
- Casual: T-shirt, sneakers, and a denim jacket
- Beachwear: Bikini top, flip-flops, and a loose cover-up
- Evening: Silk blouse, statement jewelry, and strappy sandals
- Boho: Flowy top, ankle boots, and layered necklaces
The key to styling Daisy Dukes is confidence. Regardless of body type or gender, anyone can rock this look with the right attitude and accessories.
The Rise of Gender-Neutral Fashion and Daisy Dukes
In recent years, the fashion industry has seen a significant shift towards gender-neutral clothing. Daisy Dukes have played a role in this movement, with more men and non-binary individuals embracing the style. This trend challenges traditional notions of masculinity and femininity in fashion, promoting inclusivity and self-expression.
How are designers incorporating Daisy Dukes into gender-neutral collections? Many fashion houses are creating versions of these shorts that cater to diverse body types and style preferences. From high-waisted cuts to looser fits, there’s a pair of Daisy Dukes for everyone.
The Controversy Surrounding Daisy Dukes
While Daisy Dukes have gained widespread popularity, they’ve also faced criticism and controversy. Some argue that the shorts objectify the wearer, while others see them as a symbol of body confidence and personal freedom. This debate raises important questions about societal norms, dress codes, and individual expression.
Are Daisy Dukes appropriate for all settings? This question often sparks heated discussions. While they’re generally accepted in casual environments, some workplaces and formal settings may have restrictions on this type of attire. It’s essential to consider context and personal comfort when choosing to wear Daisy Dukes.
Daisy Dukes in Celebrity Culture
Celebrities have played a significant role in popularizing Daisy Dukes. From music icons like Rihanna and Miley Cyrus to actors and models, many stars have been spotted sporting these shorts on and off the red carpet. Their influence has helped keep Daisy Dukes in the spotlight and inspired new ways to style them.
- Rihanna: Known for her bold fashion choices, Rihanna has been seen wearing Daisy Dukes in various settings, from casual street style to music videos.
- Beyoncé: The singer famously wore denim cut-offs in her “Crazy in Love” music video, cementing their place in pop culture.
- Harry Styles: As a male celebrity embracing gender-fluid fashion, Styles has been photographed wearing short shorts, challenging traditional masculine dress codes.
- Margot Robbie: The actress has sported Daisy Dukes in several films, showcasing their versatility in different characters and time periods.
The Environmental Impact of Denim and Daisy Dukes
As sustainability becomes an increasingly important topic in fashion, it’s worth considering the environmental impact of Daisy Dukes. Denim production can be resource-intensive and environmentally harmful. However, the trend of cutting off old jeans to create Daisy Dukes can be seen as a form of upcycling, giving new life to old garments.
How can you make your Daisy Dukes more eco-friendly? Consider these options:
- Upcycle old jeans instead of buying new shorts
- Look for sustainable denim brands that use eco-friendly production methods
- Buy second-hand or vintage Daisy Dukes to reduce waste
- Take care of your shorts to extend their lifespan
The Future of Daisy Dukes in Fashion
What does the future hold for Daisy Dukes? As fashion continues to evolve, it’s likely that these iconic shorts will adapt and transform. We may see new materials, innovative cuts, and fresh styling options that keep Daisy Dukes relevant for years to come.
Will technology play a role in the future of Daisy Dukes? With advancements in sustainable textiles and 3D printing, we might see eco-friendly versions or customizable options that fit perfectly to individual body shapes. The possibilities are endless, ensuring that Daisy Dukes remain a dynamic and exciting element of fashion.
Embracing Body Positivity Through Daisy Dukes
One of the most powerful aspects of the Daisy Dukes trend is its potential to promote body positivity. By encouraging people of all shapes, sizes, and genders to wear these shorts, the fashion industry is taking steps towards greater inclusivity. This shift not only impacts personal style but also contributes to broader conversations about self-acceptance and diversity in fashion.
How can wearing Daisy Dukes boost confidence? For many, putting on a pair of these shorts is an act of self-love and body acceptance. It’s about feeling comfortable in your own skin and challenging societal beauty standards. By embracing Daisy Dukes, individuals can make a personal statement about body autonomy and self-expression.
Daisy Dukes in Different Cultures
While Daisy Dukes originated in American pop culture, they’ve made their way into fashion scenes around the world. Different cultures have embraced and adapted the style to fit their own aesthetic sensibilities and social norms. This global adoption has led to interesting variations and interpretations of the classic Daisy Duke look.
How do Daisy Dukes fit into various cultural contexts? In some countries, they’re seen as a symbol of Western influence and modernity. In others, they’ve been incorporated into traditional outfits, creating unique fusion styles. The way Daisy Dukes are perceived and worn can vary greatly depending on local customs and climate.
- Brazil: Embraced as part of beach culture, often paired with colorful tops
- Japan: Incorporated into street fashion, often layered with tights or leggings
- India: Adapted into longer versions to respect cultural norms while maintaining the style
- Europe: Popularized as festival wear, often adorned with embellishments or fringe
This cultural exchange demonstrates the versatility and universal appeal of Daisy Dukes, showcasing how a single fashion item can be adapted and reinterpreted across different societies.
The Role of Social Media in Popularizing Daisy Dukes
Social media platforms have played a crucial role in the continued popularity of Daisy Dukes. Platforms like Instagram, TikTok, and Pinterest have become virtual runways where people showcase their Daisy Duke styles, share outfit ideas, and challenge fashion norms.
How has social media influenced Daisy Duke trends? These platforms have:
- Provided a space for body-positive influencers to promote inclusive fashion
- Allowed for the rapid spread of new styling ideas and variations
- Created communities centered around Daisy Duke fashion and DIY techniques
- Given a voice to those challenging gender norms through fashion
The democratizing effect of social media has allowed diverse voices to contribute to the Daisy Duke conversation, further cementing these shorts as a symbol of personal expression and style evolution.
DIY Daisy Dukes: A Sustainable Fashion Choice
One of the most appealing aspects of Daisy Dukes is the ability to create them yourself. This DIY approach not only allows for personalization but also promotes sustainability in fashion. By transforming old jeans into new shorts, wearers can reduce waste and extend the life of their clothing.
How can you create your own perfect pair of Daisy Dukes? Here’s a simple guide:
- Choose a pair of jeans that fits well around the waist and hips
- Decide on your desired length and mark it with chalk
- Cut across the leg, leaving an extra inch for fraying
- Try them on and adjust if necessary
- Wash the shorts to start the fraying process
- Customize with distressing, patches, or embroidery
This DIY process not only results in a unique pair of shorts but also connects the wearer more deeply to their clothing, encouraging a more thoughtful approach to fashion consumption.
The Psychology Behind the Daisy Duke Trend
The enduring popularity of Daisy Dukes raises interesting questions about the psychology of fashion. Why do these shorts continue to appeal to so many people across generations? Some possible explanations include:
- Nostalgia: They evoke memories of carefree summers and youthful rebellion
- Empowerment: Wearing Daisy Dukes can be an act of body confidence and self-assertion
- Versatility: Their adaptability to various styles makes them a flexible wardrobe choice
- Simplicity: In a world of complex fashion trends, Daisy Dukes offer a straightforward, classic look
Understanding these psychological factors can provide insight into why certain fashion items become cultural icons and how they relate to our personal and collective identities.
Daisy Dukes in the Workplace: Navigating Dress Codes
As fashion norms evolve, the question of whether Daisy Dukes are appropriate for the workplace has become increasingly relevant. While traditionally seen as casual wear, changing office cultures and the rise of remote work have blurred the lines of acceptable professional attire.
How can you incorporate Daisy Dukes into a work-appropriate outfit? Consider these tips:
- Opt for a longer length to maintain professionalism
- Pair with a blazer or structured jacket for a more polished look
- Choose dark wash denim for a more formal appearance
- Balance the shorts with conservative tops and closed-toe shoes
It’s important to note that workplace appropriateness varies greatly depending on the industry, company culture, and specific role. Always consider your professional environment when deciding whether Daisy Dukes are suitable for your workplace.
The Intersection of Fashion and Identity
Daisy Dukes serve as an interesting case study in how fashion choices intersect with personal and cultural identity. The decision to wear these shorts can be a statement about one’s body image, gender expression, cultural background, or personal style philosophy.
How do Daisy Dukes contribute to identity formation? They can:
- Challenge traditional gender norms and expectations
- Express cultural or subcultural affiliations
- Communicate confidence and body positivity
- Reflect personal style evolution and fashion experimentation
By choosing to wear Daisy Dukes, individuals engage in a form of nonverbal communication, expressing aspects of their identity through their clothing choices.
The Economic Impact of the Daisy Duke Trend
The popularity of Daisy Dukes has had significant economic implications for the fashion industry. From high-end designer versions to affordable fast-fashion options, these shorts have become a lucrative product category for many retailers.
How has the Daisy Duke trend influenced the fashion market? Consider these factors:
- Increased demand for denim shorts across various price points
- Emergence of specialized brands focusing on cut-off shorts
- Boost in sales of complementary items like crop tops and sandals
- Growth in the market for size-inclusive and gender-neutral short options
The economic success of Daisy Dukes demonstrates how a single fashion item can create ripple effects throughout the industry, influencing production, marketing, and consumer behavior.
Daisy Dukes in Art and Literature
Beyond their presence in fashion and pop culture, Daisy Dukes have made their way into various forms of artistic expression. They’ve been featured in paintings, sculptures, and literary works, often serving as a symbol of Americana, youth culture, or changing social norms.
How are Daisy Dukes represented in different art forms? Examples include:
- Visual art: Pop art pieces featuring iconic Daisy Duke imagery
- Literature: References in contemporary fiction as character descriptors or plot elements
- Photography: Fashion editorials and documentary-style shots capturing the cultural significance of the shorts
- Performance art: Used in pieces exploring themes of body image and gender expression
This artistic representation further cements the cultural significance of Daisy Dukes, elevating them from mere clothing to a symbol worthy of artistic exploration and commentary.
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portrait of young woman with dark brown hair, wearing black vest and denim shorts, walking down street.
– daisy dukes man stock-fotos und bilderfriends at a club – daisy dukes man stock-fotos und bilderEnglish sculptor and pop artist Allen Jones with a model in a gallery showing his work, circa 1970. The couple are wearing sweaters designed by Jones…Rihanna sighting on October 1, 2012 in New York City.Model walks the runway during Joao Pimenta – Sao Paulo Fashion Week Summer 2013/2014 on March 20, 2013 in Sao Paulo, Brazil.young man with laptop sitting on steps – daisy dukes man stock-fotos und bilderModel presents a creation by British designer John Galliano as part of the Autumn/Winter 2004-2005 Men’s Fashion Week in Paris 23 January 2004. AFP…three friends walking along white wall – daisy dukes man stock-fotos und bilderfriends dancing. – daisy dukes man stock-fotos und bilderportrait of three friends standing at white wall with bags – daisy dukes man stock-fotos und bilderfriends crashing – daisy dukes man stock-fotos und bilderAmerican actress Lynda Carter stars as the titular superhero in the television series ‘Wonder Woman’, circa 1975.
young couple in chairs on rooftop, portrait – daisy dukes man stock-fotos und bilderfriends opening a bottle of champagne. – daisy dukes man stock-fotos und bilderfamily of five all on computer devices at home. – daisy dukes man stock-fotos und bildermature man crouching down – daisy dukes man stock-fotos und bilderwoman sitting on man’s back on beach, laughing – daisy dukes man stock-fotos und bilderman with clenched fist, mid section – daisy dukes man stock-fotos und bilderKris Smith showcases designs by Speedo during the MYER Spring Summer 2013 Collection Fashion Launch at Hordern Pavilion on August 16, 2012 in Sydney,…three friends jumping mid-air in front of white wall – daisy dukes man stock-fotos und bilderyoung couple sleeping amongst sand dunes – daisy dukes man stock-fotos und bilderyoung couple sitting on a bench and talking to each other in a park – daisy dukes man stock-fotos und bilderplayful couple with map – daisy dukes man stock-fotos und bilderglückliches paar hält die hände am strand – daisy dukes man stock-fotos und bilderAmerican singer Brian Hyland posed with Beulah Hughes and Nicki Howarth in London on 15th March 1971.
paartes halten am strand bei sonnenuntergang – daisy dukes man stock-fotos und bilderFashion models Vivien Ventura, Linda Cuned, and Jerry Scott wearing men’s shirts, hotpants and over-the-knee boots, UK, 17th September 1963.man and young woman having conversation on beach, mid section – daisy dukes man stock-fotos und bildermulti-ethnic couple dancing at nightclub – daisy dukes man stock-fotos und bilderTwo young women and a man at Rodney Bingenheimer’s English Disco in Los Angeles, USA, circa 1974.junger mann mit frau am strand, schwarz und weiß – daisy dukes man stock-fotos und bildertwo young women dancing in nightclub, watched by two young men – daisy dukes man stock-fotos und bilderYoung woman watches a video on board a private Boeing 720B airliner known as ‘The Starship’, which is being used by English rock group Led Zeppelin…senior couple wearing shorts – daisy dukes man stock-fotos und bilderActors Jacki Piper and Jimmy Edwards, who are appearing in the stage play ‘Big Bad Mouse’ at the Prince of Wales Theatre in London, 13th September.
..Image contains suggestive content.)A poster for the pornographic film ‘Lust Combo’, aka ‘Jenny Gets On Top’, which is ‘an expose of the record…glückliches paar hand in hand am strand – daisy dukes man stock-fotos und bilderNaomi Campbell models a hot pants ensemble with matching boots for Todd Oldham’s Spring line.British actors Simon Oates and Aimi MacDonald in a London, pub, 4th March 1971. The pair are due to appear in Garson Kanin’s play ‘Born Yesterday’ at…rückansicht von freunden, die zusammen auf der terrasse stehen – daisy dukes man stock-fotos und bilderfriends having fun by swimming pool – daisy dukes man stock-fotos und bilderyoung couple relaxing – daisy dukes man stock-fotos und bilderhappy young couple walking outdoors – daisy dukes man stock-fotos und bilderBritish singer-songwriter Rod Stewart and girlfriend fashion model Dee Harrington at London Airport, London, 20th May 1972.Contestants in an umbrella decorating contest held during a weekend to promote Asbury Park as a gay destination parade their artwork on the beach,.
..Liberace wearing hot pants costume, dances and sings through comedian Red Skelton’s new tune, “Red, White, and Blue,” with lyrics by Liberace, at…couple running joyfully in the street – daisy dukes man stock-fotos und bilderyoung family with male newborn and little daughter sitting on sofa at home – daisy dukes man stock-fotos und bildercouple walking along beach holding hands – daisy dukes man stock-fotos und bilderathlet läuft an den ufern der guanabara bay – daisy dukes man stock-fotos und bilderSingers Susan Aviles and Abi Ofarim at Munich, Germany, 1970s.muscular mature man, front view – daisy dukes man stock-fotos und bildermuscular mature man with arms behind back – daisy dukes man stock-fotos und bilderyoung couple dancing in nightclub, man holding woman’s waist – daisy dukes man stock-fotos und bilderman sitting in a chair with a glass of brandy holding the leg of a woman with us banknotes in the pocket of her hot pants – daisy dukes man stock-fotos und bilderyoung man sitting in an armchair holding the leg of a woman standing by him – daisy dukes man stock-fotos und bilderwoman holding us banknotes standing by a man sitting with his legs apart on an armchair – daisy dukes man stock-fotos und bilderyoung woman on a beach holding a surfboard and man behind holding a windsurfing board – daisy dukes man stock-fotos und bilderlow section of a woman pushing a bike and a couple pushing bikes in the background – daisy dukes man stock-fotos und bilderThe audience at the Glastonbury Festival in June 1983.
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Sarah and daisies
One of the most popular Jewish songs dedicated to a boy and a girl is Margaritrelex (“Daisies”).
The authors of the comments “Anthology of Jewish Folk Song” (St. Petersburg, 1994) M.D. Goldin and I.I. Zemtsovsky note the stylistic proximity of the song to the Russian everyday waltz of the early twentieth century, but exclude the borrowing of the melody, the author of which, unfortunately, remains unknown. I’ll make a reservation right away: according to one source that recently fell into my hands, his last name is Sogolovitch.
The poem that served as the poetic basis of the song was written by Zalman Shneur (1887–1959), an outstanding Jewish poet and prose writer, a native of Shklov, who wrote equally well in Hebrew and Yiddish. Most likely, the poems were written in 1903, when Shneur lived in Warsaw, working at the publishing house “Tushia” and in the editorial office of the children’s literary weekly “Olam katan”. I dare to suggest that even before the outbreak of the First World War, the poem was set to music. And this event also happened in the Russian part of the former Polish state.
Together with several other lyrical poems by Z. Shneur, “Daisies” have long been included in Jewish anthologies and collections for recitation in Yiddish. When singing, the classical text is usually reduced to eight verses, each of which ends with a short chorus: tra-la-la-la. The heroine of the song is the young beauty Khava, who went to the forest to collect forest daisies. The guy she met asks what she is looking for.
I’m looking for daisies, Chava answered –
Answered, tra-la-la-la *.
The guy confesses that he has already found his daisy – this is Havele. The girl, seeing his desire to receive a kiss from her, speaks of the severity of her mother. But the guy reassures Khava: “No one will see, no one will hear, / The forest is blind and dense.” Having achieved a kiss, the guy disappears.
And Khava is still sitting in the forest,
And she looks into the distance, and the song is quiet
She sings: “Tra-la-la-la”*.
The best performer of the song today, I consider the Canadian singer of Jewish origin Claire Klein Osipov, who recorded “Daisies” for the long-playing record in 1978 – Sing to me Yiddish (“Sing to me in Jewish”). The singer’s parents, Polish Jews, arrived in Canada in the early 1920s, and it was apparently the first time Claire heard the song performed by them.
Another Polish-Jewish trace of “Daisies” I unexpectedly found in one printed music edition of 1926. Being a fan of the talent of the Russian romance composer B.A. Prozorovsky, somehow in the reading room of the Museum of Musical Culture. M.I. Glinka, I looked through the notes of his forgotten works. Among them, I came across “Sarra: in the town of Olshany. Jewish shtetl song. The melody, arranged by the Russian composer for voice and piano, actually copied the motif of “Daisies” presented in the Anthology of Jewish Folk Song. Prozorovsky, however, did not hide this. The footnote stated: “The melody is taken from Sogolovitch’s popular Jewish song ‘Daisies’.
” Unfortunately, no matter how hard I tried to find out who Sogolovich was, whether Boris Prozorovsky knew him or the author of new poems to his music, Boris Timofeev, I did not succeed. However, another interesting circumstance emerged.
The authors dedicated their novelty to the “talented Sarah Lvovna Fibikh”. The song just tells about the young beauty Sarah from the town of Olshany (nowadays a village with a population of eight thousand in the Stolin district of the Brest region of the Republic of Belarus):
As spring the sun is bright.
All full of bliss and secret heat
Beauty, tra-la-la-la.
As in “Daisies”, each verse of the song ends with a familiar ending. Sarah’s father is “all day in the synagogue”, mother is “quarrelsome and evil”, relatives are “harsh and strict”. The “slightly old” Rebbe Leibovich wants to marry the young beauty, who has “a house with a mezzanine, an office and glass warehouses”, as well as a store: “there are goods there – tra-la-la-la”.
I don’t know if this song was ever sung by the Polish theater actress and Soviet singer of songs of various nations, Sarah Fibich, who was very popular in the 1920s–1930s (1895–1947). But some facts of her generally little-studied biography testify that Boris Timofeev did not just sovietize a certain “folk” plot. It is believed that Sara Fibich was born in Poland, but Olshany (Polish-Belarusian borderland) until the 1939s was indeed considered a Polish town with a predominantly Jewish population.
At the age of 12, Sarah Fibich was accepted into the drama section of the Musical and Literary Society, and at 19 she became an actress against the will of her family. How can one not remember the harsh and strict relatives and the grumpy mother from Prozorovsky’s song – Timofeev! From the memoirs of Sarah Fibikh’s daughter Nonna Arkadievna Druyan, it is known that “mother’s first husband was her partner in the theater in Lodz.” Maybe they also learned about the middle-aged “Reb Leibovich” from the story of Sarah Fibich?
In a word, we have the right to assume that the authors of the song were familiar with the “talented Sarah Lvovna”.
This is no wonder. She was a very cheerful and sociable woman when she came to the Soviet Union from Poland in 1921. For about four years, Sarah Fibich played on the stages of the Kharkov Drama and Moscow Art Theaters, and since 1925 she became a pop singer who performed folk Russian, Belarusian, Ukrainian, but mainly Jewish songs. Nonna Druyan recalls: “Sarah Fibich was tormented by nostalgia for her native Poland, but she herself perceived her life in the USSR as a feat, a sacred duty and a voluntary sacrifice. A review of one of Sarah Fibich’s speeches testifies to the fact that she served the Soviet state sincerely and, like many others who wholeheartedly served the Soviet state at 1920-1930s, did not imagine how it would all end.
And it ended like this. After a triumphant return from a tour of the newly annexed Polish territories – “from the end of 1939 until the summer of 1947 – not a single solo concert, not a single poster. Only during the war she performed in Chkalov (now Orenburg) in group concerts with Ukrainian, Belarusian, occasionally Jewish songs, but these were episodes, the main life was spent in hospitals, where all her strength was devoted to caring for the wounded and talking to them.
Sarah Fiebich managed to return to Moscow as an escort for several wounded who were going on serious operations. In Moscow, she unsuccessfully knocked on the doors of the Moskontsert, and some other organizations to which she was assigned, apparently formally, but which obviously had no time for her. In 1944, a strange explanation sounded: “After all, we gave you the Hall of Columns, arranged an anniversary (in 1939), give way to others, they are also waiting for their turn.” So she’s not needed. She was buried alive! With pomp! Seven years ago! This conclusion was made by my mother in the notes left under the pillow in the hospital. Vishnevsky, where she was placed for surgery. She died 10 days later.”
Needless to say, the composer Boris Prozorovsky, who was the first to perpetuate the melody “Daisies” in music and left us at least the name (Sogolovych) of its author, by that time had already disappeared in the Stalinist camps for ten years. Songwriter and journalist Boris Timofeev, who miraculously survived the Leningrad blockade and until the end of his life (he died in 1963) quietly worked in a Leningrad satirical magazine, for obvious reasons, preferred to keep quiet about his many years of friendship and cooperation with this outstanding person.
He did not leave memories of the heroine of their song 1926 years old Sarah Fibich, whom, apparently, he knew quite well. But were there many daredevils then who dared to write the truth at least “on the table”? We already have much to thank Boris Prozorovsky and Boris Timofeev for.
Perhaps, after reading these lines, some new Sarah Fibich will want to revive their forgotten song and, following the “Daisies”, perform and record a musical and biographical story called “Sarra: in the town of Olshany” …
Nikolay OVSYANNIKOV, Russia
_______
*Quoted in the translation of A. Kaplan and E. Khazdan.
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– Mghost
• 3651 – descending:
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– Rani
• 3577 – descending:
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– Andrey
• 3555 – descending:
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– beauty_foo_ll
• 3523 – descending:
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– Alex
• 3517 – descending:
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– 1221
• 3424 – descending:
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– konde13
• 3422 – descending:
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– Efim Griver
• 3391 – descending:
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– Ashmedai
• 3391 – descending:
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– Evgeny Tsukanov
• 3361 – descending:
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– YV
• 3353 – descending:
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– bird
• 3288 – descending:
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– Attack progress
• 3241 – descending:
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– Alena Prokhor
• 3235 – descending:
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– JULIEN STEBO
• 3191 – descending:
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– RDX
• 3077 – descending:
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– Vyacheslav Shilov
• 3017 – descending:
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– Yuri Nebolsin
• 3010 – descending:
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– S vyatopolk
• 3005 – descending:
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– Cat Otmorozkin
• 2981 – descending:
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– Kondrat
• 2964 – descending:
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– Alexander
• 2886 – descending:
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– Criptor
• 2864 – descending:
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– Thursday9
• 2824 – descending:
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– Joseph of Egypt
• 2757 – descending:
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– BorisV
• 2681 – descending:
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– Black Lightning
• 2592 – descending:
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– Lev
• 2574 – descending:
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– Vladislav Bozheday
• 2500 – descending:
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– comment
• 2387 – descending:
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– Polishyuk1984
• 2384 – descending:
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– Jingle bells
• 2360 – descending:
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– Kiyko Igor
• 2360 – descending:
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– mila
• 2298 – descending:
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– ex_cadet
• 2297 – descending:
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– Alexey
• 2291 – descending:
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– Dima from Almaty
• 2190 – descending:
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– Dmitry
• 2165 – descending:
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– Grigory Yablonsky
• 2161 – descending:
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– kmatros
• 2159 – descending:
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– nalivay
• 2156 – descending:
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– VAZ
• 2129 – descending:
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– Igor
• 2086 – descending:
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– RRaf
• 2049 – descending:
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– Tarasenko Valery
• 2020 – descending:
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– S
• 1982 – descending:
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– Victor
• 1949 – descending:
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– Alexander SAN
• 1884 – descending:
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– Melnik Leonid
• 1861 – descending:
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– Daisy
• 1860 – descending:
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– Gector
• 1852 – descending:
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– Jethro
• 1852 – descending:
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– Gursky Arkady
• 1827 – descending:
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– Oleg
• 1786 – descending:
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– Someone Lesha
• 1773 – descending:
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– Dimych
• 1762 – descending:
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