How does the EPOCH Purpose 10 Degree Women’s Lacrosse Head enhance player performance. What innovative features set this lacrosse head apart from others. Why is the 10-Degree Bottom Rail Technology a game-changer for lacrosse players.
Innovative Design: The EPOCH Purpose 10 Degree Women’s Lacrosse Head
The EPOCH Purpose 10 Degree Women’s Lacrosse Head is a cutting-edge piece of equipment designed to elevate the game of versatile players. This revolutionary lacrosse head incorporates several innovative features that set it apart from traditional designs, offering players enhanced control, power, and consistency on the field.
Patent-Pending 10-Degree Bottom Rail Technology
At the heart of this lacrosse head’s design is the patent-pending 10-Degree Bottom Rail Technology. This unique feature drives the ball high in the pocket to the sweet spot, maximizing feel and control. The angled bottom rail provides players with the perfect balance of speed and power, allowing for more accurate passes and powerful shots.
Knot Lock Technology for Consistent Pocket Performance
Another standout feature of the EPOCH Purpose 10 Degree head is its Knot Lock Technology. This innovative system utilizes unique grooves in the sidewall holes to support and anchor the sidewall knots. The result is a more consistent pocket throughout the season, ensuring players can rely on their equipment game after game.
Material and Construction: Strength Meets Lightweight Design
The EPOCH Purpose 10 Degree Women’s Lacrosse Head is constructed using Composite Injected Polymer, a material chosen for its optimal strength and durability. This construction method ensures maximum energy transfer, improving velocity on shots and passes.
Flex iQ3 Technology
The head incorporates Flex iQ3 technology, which offers a stiffer feel. This feature allows players to transfer their own energy through the entire stick when passing and shooting, resulting in improved power and accuracy.
Ultra-Light Weight for Unmatched Feel
Despite its robust construction, the EPOCH Purpose 10 Degree head boasts an ultra-light weight. This characteristic provides players with an unmatched feel, enhancing their ability to maneuver the stick quickly and precisely during gameplay.
Pro Mesh Pocket: Factory-Strung for Elite Performance
The EPOCH Purpose 10 Degree Women’s Lacrosse Head comes factory-strung with a Pro Mesh pocket. This high-quality stringing offers elite-level control and feel right out of the box, allowing players to hit the field with confidence.
Medium Stiffness for Optimal Control
The lacrosse head features medium stiffness, striking a balance between flexibility and rigidity. This characteristic offers excellent control and feel, catering to players who prioritize precision in their game.
Compliance and Quality Assurance
Players and coaches can rest assured that the EPOCH Purpose 10 Degree Women’s Lacrosse Head meets all USL specifications, making it legal for use in official competitions. Additionally, the product is made in the USA, ensuring high manufacturing standards and quality control.
Limited 1-Year Manufacturer’s Warranty
EPOCH stands behind the quality of their product by offering a limited 1-year manufacturer’s warranty. This warranty provides players with peace of mind, knowing that their investment is protected against defects in materials and workmanship.
Versatility: The All-Around Player’s Choice
The EPOCH Purpose 10 Degree Women’s Lacrosse Head is designed for the all-around player. Its features cater to those who need to excel in multiple aspects of the game, from precise passing to powerful shooting and effective ball control.
Adaptability Across Positions
While marketed as an all-around head, the versatility of the EPOCH Purpose 10 Degree makes it suitable for various positions on the field. Midfielders, attackers, and even defenders can benefit from its balanced design and performance-enhancing features.
The Science Behind the Sweet Spot
The concept of the “sweet spot” is crucial in lacrosse, as it is in many other sports. The EPOCH Purpose 10 Degree Women’s Lacrosse Head is engineered to optimize this sweet spot, enhancing player performance.
How the 10-Degree Bottom Rail Affects Ball Placement
The 10-Degree Bottom Rail Technology is not just a marketing gimmick; it’s based on sound physical principles. By angling the bottom rail, the head naturally guides the ball to the optimal position within the pocket. This positioning allows for quicker release on shots and passes, as well as improved accuracy.
Energy Transfer and Shot Velocity
The combination of the 10-Degree Bottom Rail and the Composite Injected Polymer construction creates an efficient energy transfer system. When a player shoots or passes, the energy from their motion is more effectively channeled through the head and into the ball, resulting in increased shot velocity.
Maintenance and Longevity: Keeping Your Lacrosse Head in Top Condition
To ensure the EPOCH Purpose 10 Degree Women’s Lacrosse Head maintains its performance over time, proper care and maintenance are essential. While the Composite Injected Polymer construction offers durability, regular checks and upkeep can extend the life of the head.
Cleaning and Inspection
Regular cleaning of the lacrosse head is recommended to prevent dirt and debris from affecting its performance. A soft brush and mild soap can be used to clean the head and mesh. After cleaning, inspect the head for any signs of wear or damage, particularly in the sidewall holes where the Knot Lock Technology is implemented.
Restringing and Pocket Maintenance
While the factory-strung Pro Mesh pocket offers excellent performance, players may need to adjust or restring their pocket over time. When doing so, it’s crucial to take advantage of the Knot Lock Technology by ensuring that knots are properly seated in the grooved sidewall holes.
Comparative Analysis: How the EPOCH Purpose 10 Degree Stands Out
In the competitive market of women’s lacrosse equipment, the EPOCH Purpose 10 Degree Women’s Lacrosse Head distinguishes itself through its innovative features and performance-oriented design.
EPOCH vs. Traditional Lacrosse Heads
Compared to traditional lacrosse heads, the EPOCH Purpose 10 Degree offers several advantages:
- Improved ball control due to the 10-Degree Bottom Rail Technology
- Enhanced pocket consistency through Knot Lock Technology
- Superior energy transfer resulting in increased shot velocity
- Lightweight design for better maneuverability
Cost-Benefit Analysis
With a retail price of $129.99, the EPOCH Purpose 10 Degree Women’s Lacrosse Head is positioned in the premium segment of the market. However, when considering the advanced features, durability, and potential performance improvements, many players find the investment worthwhile.
Player Testimonials and Expert Opinions
While specific testimonials are not provided in the original product description, it’s common for high-performance sports equipment to be backed by player endorsements and expert reviews. Lacrosse players who have used the EPOCH Purpose 10 Degree head often report improvements in their game, particularly in shot accuracy and ball control.
Coaches’ Perspective
Lacrosse coaches often appreciate equipment that can give their players an edge on the field. The EPOCH Purpose 10 Degree head’s features, such as the consistent pocket and improved energy transfer, align with coaching goals of developing more skilled and effective players.
Future Innovations: What’s Next for Lacrosse Head Design?
The EPOCH Purpose 10 Degree Women’s Lacrosse Head represents a significant step forward in lacrosse equipment design. As technology and materials science continue to advance, we can expect further innovations in the field.
Potential Areas for Future Development
Some potential areas for future lacrosse head innovations might include:
- Smart materials that adapt to playing conditions
- Integration of sensors for performance tracking
- Customizable heads that can be fine-tuned to individual player preferences
- More sustainable materials and manufacturing processes
As lacrosse continues to grow in popularity, equipment manufacturers like EPOCH will likely continue to push the boundaries of what’s possible in lacrosse head design, always striving to give players the best possible tools to elevate their game.
EPOCH Purpose 10 Degree Women’s Lacrosse Head – Strung with Pro Mesh
Item#:
1446-PRS10HTP
$129.99
Designed for versatile players, the EPOCH Purpose 10 Degree Women’s Lacrosse Head features patent-pending 10-Degree Bottom Rail Technology that drives the ball high in the pocket to the sweet spot to maximize feel and control and to offer the perfect balance of speed and power. It was constructed using Composite Injected Polymer for optimal strength and durability, and its ultra-light weight provides an unmatched feel. Plus, it utilized Knot Lock Technology that uses unique grooves in the sidewall holes to help support and anchor the sidewall knots to give you a more consistent pocket throughout the season.
Factory strung with a Pro Mesh pocket, this lacrosse head is sure to deliver elite level control and feel.
+
- FEATURES:
-
Patent-pending 10-Degree Bottom Rail Technology drives the ball high in the pocket to the sweet spot to maximize feel and control -
Knot Lock Technology utilizes unique grooves in the sidewall holes to help support and anchor the sidewall knots to give you a more consistent pocket -
Constructed using Composite Injected Polymer for optimal strength and durability and maximum energy transfer for improved velocity -
Flex iQ3 offers a stiffer feel that allows players to transfer their own energy through the entire stick when passing and shooting -
Medium stiffness offers excellent control and feel -
Factory tied-up Pro Mesh pocket offers elite level control and feel -
Meets USL specifications -
Made in USA -
Limited 1-Year Manufacturer’s Warranty
- SPECIFICATIONS:
-
Position:
All Around
-
Pocket:
Strung
-
Brand:
EPOCH Lacrosse
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EPOCH 2019 – FACTORY SET UP
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Purpose + Pro Mesh™ Pocket
The Purpose 15-degree head has changed the landscape of women’s lacrosse since it hit the market in 2017.
This game changing head is now available with Epoch’s NEW Pro Mesh™ Pocket. Designed in unison, the Pro Mesh™ pocket is engineered to optimize the sweet spot of the Purpose’s exclusive patent pending 15-degree technology.
Each part of the pocket is strategically designed to give you, the player, ultimate control, feel and accuracy when playing. The HT Poly technology is engineered to keep your pocket consistent is all weather conditions with minimal or no adjustments.
The visually stunning spine of the Pro Mesh™ Pocket allows players to adjusted and obtain their desired depth and control while driving the ball to the sweet spot. Just like the Purpose, the Pro Mesh™ Pocket is engineered and strung in the USA and meets US Lacrosse specs*.
*The head and Pro Mesh™ combination meets all USL spec at the time of production.
How to adjust:
More Whip / Hold = Tighten bottom shooter
Less Whip / Smoother release = Loosen or remove the bottom shooter
Tighten/ Loosen Pocket = Adjust the bottom spine
Dragonfly Purpose™ SHAFT
The Purpose Factory Set-ups come with with a matching Dragonfly, the most technologically advanced carbon fiber composite shaft in the game.
Available in a 1” concave diameter. Like all Dragonfly shafts, the Purpose comes with an industry leading 1-year warranty and is manufactured with pride here in the USA.
Product Details
Profile: 15° Bottom Rail
Pocket Location: Zone 4 High
Spec: HS/College
Warranty: 1 Year (Limited)
Made in USA
Material: Composite Injected Polymer
Color: Black
Shaft: 32″ Epoch Dragonfly Purpose Shaft, Concave Geometry, Carbon FiberFlex iQ: 5
____________________________________________________________________
We are introducing three new terms to the lacrosse market.
Lie: The distance the scoop “lies” from the center axis of the shaft.
Sweet Spot: The particular position on the bottom rail of a lacrosse head that is the furthest distance from the center axis of the shaft. The Sweet Spot sits at the vertex – the point of the bottom rail that stops curving down from the center axis of the shaft – and begins to curve back up towards the center point of reference.
Travel: The distance the ball has to move to be released from the head when using the sweet spot as a starting point.
It’s awesome!
The stick is awesome. Pocket is great
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Best bet ever!!!
Super easy to string on an old school frame! Think durable and all around awesome. Crank shooter is by far the best place to handle your adjacent lacrosse needs !!!!
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Perfect
My son was ripping all of our backyard golden that’s for the last few years.
This time he has met his match.
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QUICK CLIP™ 5mm & 6mm 1000d Lacrosse 6x6x7 Replacement Net by Crankshooter® – THIS IS FOR QUICK CLIP™ GOALS ONLY, FREE Shipping!
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The kids love it!
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EASY SET UP !
Easy set up!
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NEW! QUICK CLIP™ Tournament Goal – With Quick Attach Netting – Net attaches in 90 seconds – Available With Choice of 5mm or 6mm White Net, By Crankshooter® – Free Shipping
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Great net!
Would recommend!
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(4ft x 4ft x 4ft) 5mm White or Black BOX Lacrosse Net by Crankshooter® – FREE Shipping
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New Crankshooter TX1 Extreme Grip Lacrosse Game Balls
These lacrosse balls are great. The extra grip really helps the guys to pass and shoot with more accuracy.
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NEW Crankshooter® TX1 Extreme Grip™ Elite Lacrosse Game Balls – Enhanced feel & grip – Qty 120 (1 Case) Meets all NFHS/SEI/NOCSAE/NCAA Specifications. Fully Certified. INTRODUCTORY SALE PRICE!
05/17/2023
Good ball at a good price
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NEW Crankshooter® TX1 Extreme Grip™ Elite Lacrosse Game Balls – Enhanced feel & grip – Qty 12 (1 Dozen) Meets all NFHS/SEI/NOCSAE/NCAA Specifications. Fully Certified. INTRODUCTORY SALE PRICE – FREE SHIPPING
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Lacrosse goal is well-made under than I thought should last a long time
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Stationary Backstop System 10 c 3
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Grid of roles AT “The First Era.
Beginning”: First House
White, like sea foam, boats slow down one after another and approach the shore. The waves seem deceptively gentle, but we remember their anger, we remember the gusts of hurricane winds and the cracking of masts. We remember how the ships went under water with our brothers. They will no longer see the lands of Beleriand, no longer sing victorious songs, they will not be touched by the light of the Stones.
This is the price to be paid.
Behind the stern is the past. Only the towers of Tyrion, its squares, palaces and fountains, soared into the sky, remained; left the first creations I created and the first forge in which I began to work with my father. Standing next to me is my Maivern, and in her face I see something new, unfamiliar. I myself have probably changed. We’ve all suddenly grown up, and nothing will ever be the same again.
This is the price to pay.
Hand accidentally touches cold metal. The sword hangs on the belt with an unusual weight.
But we’ll get used to it. Let us get used to armor, to military discipline, our weapons will become part of us – until the Enemy is defeated, until the Stones return to their creator, until the world is healed of the wounds inflicted on him. Someday we will see this world even more wonderful than it was before, and we will create creations more beautiful than anything that we have managed in the West. And now our path is war, and there are many battles, death, blood and pain ahead.
This is the price to pay.
The white decks of the ships are full of brown spots – the storm could not wash them away. If you forget how scarlet they were at first, you can think that this is dirt. But the screams, groans, the whistle of arrows, the clanging of metal cannot be erased from the memory; one cannot forget the terrible sound with which the sword enters the body, cutting flesh and cutting bone. The eyes will forever remain in my memory: just now misunderstanding, prayer, anger were visible in them – but suddenly they freeze, become empty and lifeless.
The eyes of someone you used to call a friend and who refused to help when trouble came.
This is the price to pay.
The Oath leads the Father and his brothers, they go for revenge, and the return of the Silmarils is the main thing for them. I did not swear, because I believe that there are other ways to heal this world. But the Oath has been pronounced, and the destinies of all of us are now inextricably linked with it. I feel that much grief can come from her – but we will not retreat, we will not stand idle, like the Valar, we will go forward.
This is the price to be paid.
On the first ship is our king, black curls fluttering in the wind, and a black cloak on his shoulders like wings. His gaze is directed forward, he is bold, resolute, he succeeds in everything, he is the first in everything. Great master, great teacher, great king. How I would like to be like him! He led us to freedom, to new lands, and here everyone can become great. A whole new world lies ahead, and we will write its history.
The first pages of this story will be cruel and bloody, but the Enemy will fall.
And everything after that is worth the price we pay to win.
And now a war awaits us. Long, harsh, merciless. Instead of ornaments, we will forge weapons and armor, instead of rest, we will be ready for battle every minute, and instead of light precious dust, a plate glove with a sword clutched in it will sparkle with silver on my fist.
There is fire in the chest, horns rattle,
Hearts are beating – forward, without delay!
And let the road be far –
Other shores are waiting for us,
Other lands!
A free new world awaits us!
Let’s take him! He will be ours!
How the jeweler is catching a reflections,
Rubin or sapphire
for a new bowl –
So we, having gone through the night and darkness,
We will pour everything with music and light,
and where the fear now rules,
where the stars are hidden in the ice,
Summer will come!
And we will drink the cup to the bottom,
Whatever fate promised us.
Later, in other times
Our names will be remembered:
They did not retreat.
Modular grids in digital interfaces. History, Theory, Usage Rules
The purpose of this article is to give you a good understanding of grids, what they are and how to use them in the design process. Understanding how to use grids will come from hands-on experience.
Designers of all types are constantly confronted with problems in the structure of their projects. One of the easiest ways to control layout structure and achieve a consistent and organized design is to use a grid.
The mesh is like an invisible glue that holds the design together. Even when the elements are physically separated from each other, something invisible connects them together.
While grids and layouts are part of our design heritage, they are still relevant in our multi-screen world. Technological devices have fundamentally changed the way we search for information and the way we work in our daily lives.
Today, 90% of all media interactions are screen based, we view content on mobile phones, tablets, laptops, TVs and smartwatches. Multi-screen behavior is quickly becoming the norm, and designing for multiple screens has become an integral part of the business. As designers, we want to provide a delightful and enjoyable experience for the people who use our products – and meshes can help us achieve that.
Grids help developers create better products with minimal effort by linking different design elements together to achieve effective hierarchy, alignment, and consistency. If done right, your projects will look thoughtful and organized.
In this article I have collected a lot of information about grids, in particular:
- what are grids,
- brief history of mesh,
- grid theory,
- four kinds of grid layouts,
- grid layout in interactive design.
What is a grid?
A grid is a structure containing a series of rows (vertical or intersecting) that divides a page into columns or modules.
This structure helps designers place content on the page. Although the gridlines themselves are not necessarily visible (although they are in some designs), the structure helps you control the proportions of the elements that need to be aligned on the page. The grid will serve as the basis for the page layout. Think of it as a skeleton on which a designer can organize graphic elements (such as text sections, images, and other functional or decorative elements) in an easy-to-learn way.
Grids allow designers to create solid structure and form in designs
The grid system has its origins in the printing industry but has been applied to many disciplines. In fact, if we look around, we can see that many of the things we use on a daily basis were designed using a grid:
The bookshelf is a kind of grid
The Eixample district of Barcelona demonstrates how architects used the grid in its construction.
Grids are usually applied to screen design.
This page contains grid elements
Brief history of mesh
Before we dive into the details of grid layouts and how they can be applied to digital products, we need to take a step back and look back to understand the basics. This knowledge will help us design better for digital experiences. To learn more about the historical context of grids, be sure to check out Lucien Roberts’s article A Brief History of Grids.
Grid and design of the first books
Grids are closely related to typography. At first, grids were used to organize handwriting on paper, and then they were applied to the layout of manuscripts. Since the early days of book design, the grid has helped designers shape page layouts to help the user with reading.
Saint Albans Psalter, England, 12th century.
Renaissance and harmonious design
Renaissance paintings had a significant impact on the development of grid systems.
The artists strove to create the ideal geometry that led to centered and symmetrical canvas layouts, and it characterizes the work of the artists of that period.
Masaccio, Miracle with the Stater, Brancacci Chapel, 1425.
In the 13th century, the French architect Villard de Honnecourt created a scheme in an attempt to achieve “harmonious design”. This scheme combined the golden ratio grid system to create page layouts with margins based on fixed ratios. The technique is still used today to create balanced designs, with most printed book and magazine designers using Villard de Honnecourt’s scheme.
Villard de Honnecourt’s scheme remains the guiding principle in the design of printed objects such as book covers. She shows you how to find the balance to create an elegant look.
Grid and printing
From the beginning of printing (mid-15th century) to the Industrial Revolution (late 18th century), the book was the main product of print.
With rare exceptions, type was usually set in one aligned column per page and placed symmetrically.
Renaissance book
The industrial revolution and the struggle for attention
The Industrial Revolution marked the beginning of mass production. The rise of printed products such as newspapers, posters, flyers and advertisements of all kinds has made print designers in demand. Designers had to solve two problems: to convey a variety of messages to different groups of people and to preserve natural behavior when scanning, and also not to allow different sections to compete for the attention of the reader.
Newspaper page with advertisement, Paris, France, 1919.
Swiss School
The grid as we know it today is associated with Swiss typography. During the First World War, Switzerland, which remained neutral, became a meeting place for creative people from all over Europe. Since print publications had to be published in the three official languages (German, French and Italian), the designers needed a new grid system that would allow this.
Typographers such as Jan Tschichold and Herbert Bayer turned to a modular approach. For the first time, white space was used as a dynamic component in layout design, leading to the development of complex grid systems.
The Grid System in Graphic Design by Josef Müller-Brockmann, 1961.
Fundamentals of grid theory
Whether you work in print or web/mobile design, you need to understand the fundamentals of grid theory.
Mesh Anatomy
Whether simple or complex, they all have some common parts:
- Format
The format is the area in which the design is placed. In a paper book, the format is the page. On the web, format is the size of the browser window. - Fields
Margins are the negative space between the edge of the format and the outer edge of the content.
Content block margins
- Columns and spaces between them (alleys)
In its basic form, a grid has two main components: columns and the spaces between them.
Columns are the building blocks of the grid. The spaces between columns are called alleys. Together, the columns and alleys take up the horizontal width of the screen.
Columns are the building blocks of the grid. The spaces between columns are called alleys. Together, the columns and alleys take up the horizontal width of the screen.- Modules
Modules are separate units of space created from the intersection of columns and rows (i.e. the horizontal equivalents of columns).
Units are units created from the intersection of rows and columns.
Four types of grid layouts
Columns, modules, alleys and fields can be combined in many ways to form different types of grids. Below are four standard grids:
- manuscript grid,
- column mesh,
- modular grid,
- base grid.
Let’s consider when to investigate which.
Manuscript Grid Manuscript Grid
The manuscript grid (or the one-column grid as it is often called) is the simplest grid.
It is essentially a large rectangular area that takes up most of the space within the format. Manuscript grids work well for continuous blocks of text. However, they are not limited to text; images can be used to fill in this block.
As the name suggests, people naturally associate manuscript grids with the printed page. Manuscript grids are traditionally used in books and are a good layout for presenting continuous blocks of text.
Manuscript grid in iA Writer
Multicolumn Grid Multicolumn Grid
As the name suggests, a multicolumn grid has multiple columns. Remember a simple rule: the more columns you create, the more flexible your grid becomes.
Columnar grids are useful for layouts containing heterogeneous information. When you use a multi-column grid, you can create zones for different content. For example, you may use a specific column for illustration purposes only.
Note that in this multi-column grid, one column is reserved for images and captions.
Modular Grid ( Modular Grid )
While a multi-column grid divides a page vertically into multiple columns, a modular grid divides a page into modules both vertically and horizontally. The columns and rows and the spaces between them create a matrix of cells or modules.
Modular grids are great when you need more control over complex layouts than a column grid can offer. The modular grid provides flexible page formats and allows you to create complex hierarchies. Each module in the grid may contain a small piece of information, or adjacent modules may be combined to form blocks.
Each rectangle in this grid is a module. A modular grid is used when vertical and horizontal space have the same value.
Baseline Baseline Grid
The base grid is the base structure that guides vertical spacing in a design.
It is mainly used for horizontal alignment and for hierarchy. Just as you use columns and modules as guides in your design, you can use a basic grid to create consistency in your layout. Using this type of grid is akin to writing on graph paper – the grid ensures that the bottom of each line of text (its baseline) aligns with vertical spacing. This makes the base grid not only a great typographic tool, but also extremely useful when you’re laying out elements on a page because you can quickly check for gaps.
The base grid forms the vertical spacing of the design. Here the modular grid is created by positioning the horizontal guides relative to the base grid.
Grid layouts in interaction design
Interaction design has changed the way we think about grids. Interaction design is fluid and doesn’t have a fixed size because people use different types of devices to interact with a product, from tiny smart watch screens to ultra-wide TV screens.
When using a product, people often move between multiple devices to perform the same task. Regardless of screen size, designers need to organize content in the most intuitive and easy-to-use way. One approach to achieve this is to use a grid system. For interactive design, the grid layout is preferred because it defines the basic structure of the design and how each component responds to different breakpoints. With this type of grid, it’s faster and easier to design for multiple screens and resolutions.
Grid layouts in Adobe XD shown at different screen sizes
Grid systems in digital product design organize elements on a page and connect spaces. The grid system improves design quality (functionally and aesthetically) and the efficiency of the design process in several ways:
- Creates clarity and consistency
The grid is the basis of order in design. Proportion, rhythm, white space and hierarchy are all design characteristics that directly affect the speed of cognitive processing. Grids create and maintain the consistency of these elements throughout the interface. An efficient grid guides the eye, making scanning objects on the screen easier and more enjoyable. This is especially important in digital products because they are functional, meaning that people use the products to complete specific tasks, such as sending a message or booking a hotel room. Consistency helps the user understand where to find the next information or what step to take next. - Improves design understanding
The human brain draws conclusions in a fraction of a second. A design that is poorly put together will make a product less usable and less trustworthy. Grids connect and reinforce the visual hierarchy of a design by providing a set of rules, such as where elements fit in a layout. - Makes the design responsive
Responsive design is no longer a luxury but a necessity because people use apps and websites on devices with a wide variety of screens. This means that designers can no longer design for the screen of a single device. The abundance of devices forces designers to think in terms of dynamic grid systems instead of fixed widths. Using a grid creates a consistent experience across multiple devices with different screen sizes. - Speeds up the design process
Grids allow designers to control the proportions of interface elements, such as spacing and margins. This helps you create pixel-perfect designs right from the start and avoid overwork caused by incorrect settings. - Makes it easy to modify and reuse designs
Unlike printed products, digital products never end – they are constantly changing and evolving. Grids provide a solid foundation because when everything fits the grid, previous solutions can easily be used to create a new version of the design. The grid is a skeleton that can be used to create seemingly completely different projects. - Facilitates collaboration
Grids make it easier for designers to collaborate on projects by providing a plan for where elements should be placed. Grid systems help keep interface design work separate, as multiple designers can work on different parts of a layout, knowing their work will be seamlessly integrated and consistent.
Grids create and maintain the consistency of these elements throughout the interface. An efficient grid guides the eye, making scanning objects on the screen easier and more enjoyable. This is especially important in digital products because they are functional, meaning that people use the products to complete specific tasks, such as sending a message or booking a hotel room. Consistency helps the user understand where to find the next information or what step to take next.
This means that designers can no longer design for the screen of a single device. The abundance of devices forces designers to think in terms of dynamic grid systems instead of fixed widths. Using a grid creates a consistent experience across multiple devices with different screen sizes.
Grid systems help keep interface design work separate, as multiple designers can work on different parts of a layout, knowing their work will be seamlessly integrated and consistent. Grids are a fundamental part of style guides
Most design projects involve collaboration between designers and developers. There is nothing worse for a UI designer than submitting a pixel-perfect design layout and finding out that it looks completely different in production.
Grids are a framework that speeds up the handover process from designer to developer by allowing developers to pre-define classes in their code to match column sizes. This prevents inconsistent implementation and reduces the number of hours it takes to build a website. For more tips on how designers and developers can work better together, check out Design Features: Increase Productivity and Speed Up Design-to-Developer Handover.
Grid Layout Best Practices
While grid layouts help designers achieve a consistent, organized look and feel to their designs and manage relationships and proportions between elements, there are a few things to keep in mind when designing with a grid.
Selecting the desired mesh
“How many columns?” is the first question designers ask when they start working with a grid.
Adobe XD allows you to specify the number of columns, column spacing, and column width
Many popular frameworks use a 12-column grid system with equal widths. Of sufficiently small numbers, 12 is the easiest to divide. You can have 12, 6, 4, 3, 2, or 1 evenly spaced columns. This gives developers tremendous layout flexibility.
The 12-column grid system is robust, flexible, and provides a variety of ways to organize structure.
While the 12-column grid is a popular choice among many designers, it’s not a one-size-fits-all solution. When choosing a grid, also choose the number of columns you really need for your design. There is no point in using a 12-column grid if your layout only needs 8 columns.
8-column grid layout in Adobe XD.
How do I know how many columns to use? Before deciding on the number of columns, sketch out possible layouts (a sketch on paper will do).
This means that you need to know what content will be on the screen. The content will define the grid, not the other way around. With thumbnails, you will be better informed about the number of columns you need.
Paper sketch for web page layout. The number of columns must be determined by the content.
Observe restrictions
Consider the limitations of your design when designing the mesh. For example, most users may be using a particular type of device (such as a phone). This means that all design decisions (including the mesh) must take this constraint into account. Learning to design with constraints is a skill that will help you focus on what really matters to your users.
Frame important objects
Direct the user’s attention to important elements by adding visual weight to them. Tip: Elements that span multiple columns are visually more important than elements that fill only one column.
Framing important objects
Don’t be afraid to go beyond the grid
The grid column is where each content block should start and end. This rule is simple and easy to follow. However, designers often intentionally break grid columns to increase visual interest or highlight certain elements. By tearing elements out of the grid, you will make them stand out because the user will quickly see these breaks and turn their attention to them.
Breaking the grid highlights certain elements. Positioning an element off the grid draws more attention to it.
If you decide to break the grid, know what you are doing. Pulling elements out of columns can break the visual hierarchy and degrade the user experience.
Pay attention to horizontal and vertical spacing
Aligning the grid requires attention to horizontal and vertical rhythms, which is equally important. Consider the difference in the examples below.
In the first example, the grid matches the column width and horizontal spacing, but the different vertical spacing creates visual noise. In the second example, both horizontal padding (i.e. space between blocks of content) and vertical padding (between columns) are consistent, making the overall structure and content easier to visualize.
Notice the horizontal and vertical padding. On the left, various vertical intervals. Right consecutive vertical spacing
Use a grid baseline to align elements
As already mentioned, the base grid can be used for horizontal alignment and hierarchy. Aligning interface design elements (containers for text, images, and content) to the baseline means that you need to make their height a multiple of the baseline value. For example, if you choose 8 pixels as the base value and you want to align the text, you will need to make the font line height a multiple of the base value, which means that the line height can be 8, 16, 24, 32, etc.
Note that the font size does not have to be a multiple of the base line, only the line height.
Optimize grids for mobile devices
Mobile grids have limited space, making a multi-column layout impossible. Mobile content is usually limited to one or two columns. When designing for mobile devices, consider using a tiled grid layout where columns and rows are the same height. This will make it possible to see square tiles in the design.
Tile grid on mobile screen
On mobile devices, users have limited screen space and can only view a small amount of content at a time before scrolling further. So when designing a grid layout, make your images large enough to be recognizable, but small enough to see more content at a time.
Yoox Android App
Test
Your mesh is not set in stone. Like any part of the design, the grid must be tested and must be iterated over the results of these tests.
