Mastering Stringing Techniques: A Comprehensive Guide to Enhancing Your Tennis Game

What are the key stringing techniques for tennis rackets. How does the Sergetti method improve racket performance. Which stringing methods optimize sweet spot size and player comfort. What tools and materials are essential for handcrafted jewelry making.

Understanding the Basics of Tennis Racket Stringing

Tennis racket stringing is a crucial aspect of the sport that significantly impacts a player’s performance. The way a racket is strung can affect power, control, spin, and comfort. Traditional stringing methods involve tensioning all strings uniformly, but advanced techniques have emerged to optimize racket performance.

Different stringing patterns and tensions can dramatically alter how a racket feels and performs. Players often experiment with various string types, tensions, and patterns to find the perfect setup that complements their playing style.

Key Factors in Racket Stringing

• String type (natural gut, synthetic, hybrid)
• String tension
• String pattern (open vs. closed)
• Racket frame characteristics
• Player’s skill level and preferences

The Innovative Sergetti Stringing Method Explained

The Sergetti stringing method is a revolutionary approach to tennis racket stringing that has gained attention in recent years. Unlike traditional methods, Sergetti employs a sophisticated program to calculate different tensions for each individual string in the racket.

This method takes into account over 50 variables, including racket and string characteristics, frame distortion, and friction between strings during the weaving process. The goal is to optimize the racket’s performance across various aspects of the game.

Claimed Benefits of the Sergetti Method

1. Enlarged sweet spot for improved margin of error
2. Enhanced precision and targeting
3. Increased power and stability on off-center hits
4. Reduced torsion, shock, and vibration upon impact
5. Improved comfort and softer feel
6. Extended tension maintenance (up to 3 times longer)
7. Increased string durability (up to 2.5 times)

While some of these claims may seem ambitious, many players report noticeable improvements in their racket’s performance after using the Sergetti method.

Implementing the Sergetti Stringing Technique

To string a racket using the Sergetti method, players need to obtain a tension sheet specific to their racket model and desired string type. This sheet provides detailed instructions on how to tension each individual string.

The process involves tensioning outer strings at lower tensions and center crosses at higher tensions. This approach aims to provide control in the center of the racket while offering more forgiveness and depth outside the sweet spot.

Is the Sergetti method significantly more time-consuming than traditional stringing? While it does take a few minutes longer due to the need to adjust tension for each string individually, most stringers find it manageable for personal use. However, it could pose challenges in high-volume settings like tournament stringing.

Comparing Sergetti to Traditional Stringing Methods

To evaluate the effectiveness of the Sergetti method, it’s essential to compare it with traditional stringing techniques. In a practical test, two identical rackets were strung – one using the Sergetti method and another using a uniform tension across all strings.

Observed Differences

• Sweet spot size: The Sergetti-strung racket demonstrated a noticeably larger sweet spot.
• Arm comfort: Players reported improved comfort with the Sergetti method.
• Shot depth: The Sergetti setup appeared to generate better depth on shots.
• Feel: Some players found the Sergetti string bed softer and more muted, which could be an adjustment for those accustomed to more feedback.
• Rationality: At times, the varying tensions in the Sergetti method felt unconventional to experienced players.

How does string durability compare between the two methods? In limited testing, no significant differences were observed in durability or tension maintenance between the Sergetti and traditional string jobs.

Who Can Benefit from the Sergetti Stringing Method?

The Sergetti stringing method may not be suitable for every player, but it offers distinct advantages for certain types of tennis enthusiasts.

Ideal Candidates for Sergetti Stringing

• Players seeking enhanced comfort
• Those looking to enlarge their racket’s sweet spot
• Players who prefer a softer, more muted feel
• Tennis enthusiasts with rackets that have smaller sweet spots

Are there any players who might not benefit from Sergetti? Players who rely heavily on string bed feedback or prefer a crisp, responsive feel might find the Sergetti method less suitable for their style of play.

Exploring Other Advanced Stringing Techniques

While Sergetti has gained attention, it’s not the only advanced stringing technique available to tennis players. Other methods aim to optimize racket performance through innovative approaches to tension and string placement.

Alternative Advanced Stringing Methods

• Proportional Stringing: Adjusts tension based on string length ratios
• JET Method: Focuses on equalizing tension loss across the string bed
• Hybrid Stringing: Combines different string types for main and cross strings
• Pre-Stretched Strings: Reduces initial tension loss for more consistent play

How do these methods compare to Sergetti? Each technique offers unique benefits, and the best choice often depends on individual player preferences and playing styles.

The Art of Handcrafted Jewelry: Stringing Techniques Beyond Tennis

While our focus has been on tennis racket stringing, it’s worth noting that stringing techniques play a crucial role in other fields, particularly in handcrafted jewelry making. The skills, tools, and materials used in jewelry stringing share some similarities with racket stringing, albeit with very different end products.

Essential Tools for Jewelry Stringing

• Beading pliers and wire cutters
• Crimp tools and bead reamers
• Bead boards and design trays
• Magnifying glasses or loupes
• Various types of stringing materials (wire, thread, elastic)

How do jewelry stringing techniques differ from racket stringing? While both require precision and attention to detail, jewelry stringing focuses more on aesthetic design and durability for everyday wear, rather than performance optimization.

Optimizing Your Tennis Equipment: Beyond Stringing

While stringing techniques play a crucial role in racket performance, they are just one aspect of optimizing your tennis equipment. To truly enhance your game, consider a holistic approach to your gear.

Additional Factors to Consider

• Racket weight and balance
• Grip size and type
• Frame stiffness and flex
• String gauge and composition
• Vibration dampeners and overgrips

How can players determine the best overall setup for their game? Experimentation is key. Many players benefit from demo programs offered by tennis shops or manufacturers to test different combinations of rackets, strings, and accessories.

The world of tennis equipment is constantly evolving, with new technologies and techniques emerging regularly. Whether you’re a competitive player or a casual enthusiast, staying informed about innovations like the Sergetti stringing method can help you make informed decisions about your gear and potentially improve your performance on the court.

Remember, while advanced stringing techniques like Sergetti offer intriguing possibilities, the best setup is ultimately the one that feels right for your individual game. Don’t be afraid to experiment with different methods and seek advice from experienced stringers or coaches to find the perfect balance of power, control, and comfort for your playing style.

Sergetti Stringing Method Review | Tennisnerd.net What is Sergetti?

I have known about the Sergetti stringing method for a few years but never got the chance to try it until now. It is a method where each string is tensioned differently to optimize the sweet spot size, but the creators of the method also claim other benefits. I quote from the Sergetti website:

The Sergetti technology OPTIMIZES:

• Sweetspot size: Optimal margin for error
• Precision: Reach your target more often
• Power and racquet stability on off-center hits
• Torsion, shock and vibration reduction at impact
• Lessening of the risk of injuries
• Comfort: Softer feeling at impact
• Tension maintenance: 3 times longer
• String durability: Up to 2.5 times
• Overall racquet performance

That is quite a list of benefits! Although I can’t say I am convinced about all these things, I do think that there is a noticeable change to the racquet when I used the Sergetti stringing method.

If you want to try Sergetti, use the promo code TENNISNERD-15  and get 15% off your purchase of a Sergetti tension sheet.

Sergetti stringing – What is it really?

Sergetti is not a type of proportional stringing, where the tension is calculated in proportion to the lengths of the vertical and horizontal strings. It 50 variables into account when determining the tension of each string. Such as specific characteristics of the racquet and string, frame distortion, and the friction between strings while weaving cross strings. This is quite different to just the regular proportional stringing method or the JET method.

The founders of Sergetti call Sergetti a multi-stringing technology using a sophisticated program that calculates a different and perfect tension for each string.

Sergetti stringing – How does it work?

To be able to string your racquet with the Sergetti method, you need a tension sheet for your racquet and string and the reference tension you desire. You can order these from their website. I wanted my Babolat Soft Drive Original strung with Babolat RPM Power at 25 kg / 55 lbs. When I realized I did not have any RPM Power, I went for one of my go-to string Mayami Magic Twist. This is in the same string category as RPM Power, so I did not need to get a new sheet.

The sheet I got from Sergetti details exactly what I need to do to string the racquet. The only thing that was different from how I usually string was that each string needed to be tensioned differently. It takes a few minutes longer overall, but I don’t find it to be a major issue. It would be worse if a stringing team encountered a lot of Sergetti requests during a tournament though, but it is still pretty rare on the tour.

One of the things I noticed is that the outer strings are strung at a really low tension and the center crosses are strung at a really high tension. This is to give you control in the center of the racquet, but more forgiveness and depth outside the sweet spot. It makes a lot of sense.

How does it play?

I strung up one racquet with the Sergetti method and one with the regular method where I tensioned both mains and crosses at 25 kg and took it out for a play-test. I have actually been spending quite a lot of time with these string jobs and learned some interesting things.

Pros and cons of the Sergetti string method

+ The sweet spot on the Sergetti string job really does feel bigger.
+ The Sergetti string job felt better on my arm
+ It did create better depth on my shots

– It did make the string bed a bit too soft/muted (might take some getting used to)
– I missed some of the feedback of my original string job
– At times it felt a little irrational

I did not notice any real difference in durability in tension maintenance compared to my other string job, but it wasn’t worse either. I definitely must say I was pretty positive about the Sergetti string method. It might not be necessary for my Soft Drive, but for racquets with smaller sweet spots, this would definitely be interesting to try.

Who is it for?

I think the Sergetti stringing method is worth a test for players looking for:

• Added comfort
• A bigger sweet spot
• A softer and more muted feel in general

For players who want a lot of feedback from their racquet, I think Sergetti might make the string bed feel a bit too soft. Like with all things tennis, it is a matter of feeling and personal taste. The feeling is definitely different and if you are curious about ways to take your game to the next level – you should definitely try it.

If you want to try Sergetti, use the promo code TENNISNERD-15  and get 15% off your purchase of a Sergetti tension sheet. Click here to go to their website.

Have you tried Sergetti stringing? What did you think about it?

Racquet Stringing Patterns
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If you are interested in having a more complete list of stringing instructions for all brands, we recommend that you consider joining the US Racquet Stringers Association. They publish the Stringer’s Digest, known as the “bible” for racquet stringers and also make stringing instructions for over 9,000 frames available on their website. In addition to the most complete list of stringing instructions anywhere, they also offer their members:

INSTRUCTIONAL MATERIALS – Books, CD’s, Videos, and Private Lessons to help anyone be able to service equipment like a professional
CONSULTATION – Free technical assistance from Master Racquet Technicians by phone or email
RACQUETTECH.COM – a website with tools and articles to help you become a better stringer and/or make more money
DISCOUNTS AND FREE SAMPLES – Free sample products and exclusive discount offers from more than a dozen leading manufacturers and suppliers
A SUBSCRIPTION TO RACQUET SPORTS INDUSTRY MAGAZINE – filled with the latest stringing news and industry information you won’t find anywhere else
MARKETING TOOLS – Membership certificates, Window Decals, Membership Cards, Racquet Labels, and Racquet Claim Checks to show customers your commitment to excellence
PROFESSIONAL CERTIFICATION – Become a Master Racquet Technician (MRT) or Certified Stringer, these programs are recognized industry-wide and are backed by some of the biggest names in the game
GROMMETS NETWORK – puts you in touch with thousands of other USRSA members, many of whom have hard-to-find bumperguards and grommet kits to sell
RACQUETS NETWORK – puts you in touch with thousands of other USRSA members, many of whom have hard-to-find racquets to sell
SUBSCRIPTION TO BOB LARSON’S DAILY TENNIS NEWS – Daily email newsletters which include the latest happenings, news, and classified ads relating to the tennis world, along with news about the men’s and women’s pro tours

For more information about membership in the US Racquet Stringers Association, visit their website: www. RacquetTECH.com.

Stringing – Tennis Industry

Home » TI magazine » Stringing

September 2017

Add frame fitting, string fitting and racquet customization to your menu of services to elevate your business and reputation. (Click here to read more…)

August 2017

Racquet technicians are on the front lines of this industry and play a key role in keeping players on the courts. (Click here to read more…)

July 2017

Your racquets are a reflection of your business, and only top-notch craftsmanship will suffice. (Click here to read more…)

June 2017

When it comes to consistent racquet service for your players, make sure you’re using your “best practice” techniques. (Click here to read more…)

May 2017

Efficiently weaving the cross strings takes time, but it all begins with solid technique. (Click here to read more…)

April 2017

On the off chance that you can’t find a pattern in the USRSA’s Stringer’s Digest, you still have the tools to figure out how to string the frame. (Click here to read more…)

February 2017

Consistency is key when it comes to customizing the player’s point of contact with the racquet. (Click here to read more…)

September 2016

All stringers have to deal with shared-hole string patterns. Here are some tips to help. (Click here to read more…)

August 2016

The annual MRT test benefits stringers, manufacturers and customers. (Click here to read more…)

June 2016

More new racquets require cross strings be installed in a certain direction, which requires attention to detail and a bit of planning. (Click here to read more…)

May 2016

Whether you weave your crosses with a push, a pull or a combination of both, these tips should make the job easier and more efficient. (Click here to read more…)

Don’t just be an ‘order taker’; employ your customer-service skills to help your players select the right string. (Click here to read more…)

April 2016

In our “Ask the Experts” section of the March 2016 issue, Associate Editor Greg Raven addressed a question from a reader that we field often here at the USRSA: “Are starting knots a thing of the past?” Greg answers… (Click here to read more…)

February 2016

For new stringers, tying knots can be intimidating. But a good knot is vital to a good job, since it holds everything in place. (Click here to read more…)

January 2016

Like a sommelier matching the right wine to your meal, you should be helping your customers pair the perfect strings in a hybrid set-up. (Click here to read more…)

September 2015

Grommets and bumper guards wear out. It is what they are designed to do. They protect the frame and the string, but in doing so, they will wear out and need to be replaced. Just like stringing racquets, some… (Click here to read more…)

July 2015

Commonly used by advanced stringers, Around the World or Box Patterns call for careful planning. (Click here to read more…)

June 2015

Whether you are a novice stringer or a seasoned veteran, one tool that is second only to the stringing machine itself is the starting clamp. Obviously, it is a great tool to start the stringing process, but it has… (Click here to read more…)

April 2015

For many stringers, utilizing the “one-ahead” technique can save stringing time and reduce friction on the string, but it also has other benefits. (Click here to read more…)

Enhance your equipment service, and keep players playing their best, by promoting racquet tune-up packages. (Click here to read more…)

March 2015

While using a starting knot is a perfectly acceptable method for installing cross strings on a two-piece string job, they do sometimes present problems. With stiffer poly strings, starting knots can be hard to cinch up and the larger. .. (Click here to read more…)

July 2014

To make sure your string selection covers all of your customers’ needs, use our checklist, and tools at racquettech.com. (Click here to read more…)

March 2014

Boost your business by stringing for badminton, racquetball and squash players. (Click here to read more…)

April 2013

A Master Racquet Technician considers the advantages of using two-piece stringing. (Click here to read more…)

August 2012

For top pros and recreational players alike, racquet customizer Roman Prokes is the unseen champion. (Click here to read more…)

July 2012

How should you select and manage your string inventory? A longtime MRT offers his advice to help you boost your business. (Click here to read more…)

One of Babolat’s top stringing experts and racquet technician trainers talks with RSI about the business of strings. (Click here to read more…)

June 2012

The GSS Symposium debuted in 2007, aimed at those who work in the racquet service side of the business. The event was created by USRSA member and Master Racquet Technician Tim Strawn, who asked himself a simple question: Why… (Click here to read more…)

Are your customers asking to try polyester strings? A Master Racquet Technician lays out the case for managing, and adjusting, their expectations. (Click here to read more…)

February 2012

When you focus on the player’s preferences, type of play and personal characteristics, you’ll step up your business. (Click here to read more…)

September 2011

Amid the pressures of tournament stringing, the Wilson team has identified — and come up with solutions for — potential problem areas. (Click here to read more…)

July 2011

With little time to pull together the first Wilson stringing team, the goal was to create a comprehensive training program that would yield ultra consistency. (Click here to read more…)

June 2011

The Grand Slam Stringers Symposium will celebrate its fifth anniversary in September. This year, the Symposium — with educational and hands-on seminars and presentations for racquet stringers, customizers and technicians — will move to Saddlebrook Resort in Tampa, Fla.,… (Click here to read more…)

May 2011

Whether stringing for the pros or for recreational players, you need to establish standard operating procedures. (Click here to read more…)

Often overlooked by players, the grip and handle are crucial to a racquet’s performance. Educate your customers on how important this area is to their game. (Click here to read more…)

April 2011

The man behind the innovative Wilson/Luxilon Stringing Team shares what he’s learned in the world of tournament stringing. Television and the internet have profoundly changed the way fans follow tennis. Multiple channels and live video feeds, along with massive… (Click here to read more…)

By Ron Rocchi Before I started working with the Wilson/Luxilon Stringing Team, it seemed a simple thing: Have some stringers show up at the tournament so they can string racquets for the players. How difficult could it really be? Over… (Click here to read more…)

August 2010

Whether you aspire to string for top pro players or enjoy servicing your local customers, you can learn from what tour stringers experience. (Click here to read more…)

June 2009

Stringing provides your best margins. Here’s how to get the most out of this vital area. (Click here to read more…)

June 2007

HEAD Penn’s new “Please String Responsibly” campaign is hitting pro shops around the country. The goal, says a Head spokesperson, is to drive awareness for Head string, such as the FXP, FXP Power, FXP Blend, Sonic Pro and the… (Click here to read more…)

September 2006

A longtime stringer shares his observations after stringing for the pros at Wimbledon. (Click here to read more…)

August 2006

Our tips and exclusive guide will help you generate more revenue from your stringing business. (Click here to read more…)

March 2006

Worried about your first natural gut string job? Two stringing experts take the mystery out of it for you. (Click here to read more…)

August 2005

Display your expertise, and help your business, by becoming a Certified Stringer or MRT. (Click here to read more…)

Our exclusive guide will help you generate more revenue from your stringing business. (Click here to read more…)

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Beaded Jewelry: Stringing Techniques – Storey Publishing

Beaded Jewelry: Stringing Techniques
– Storey Publishing

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Create beaded necklaces, bracelets, and other jewelry with a professional look and finish. This delightful beginner’s guide presents step-by-step instructions and helpful illustrations that walk you through the basics of making beaded jewelry. You’ll learn how to use various pliers, crimpers, and wire cutters, and choose the perfect beads and string for your projects. In no time at all, you’ll be stringing together your own pieces, complete with clasps, rings, and cones. 

Book details

• Price:
  $8.95
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• Size:
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• Pages:
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• ISBN:
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Carson Eddy

Author

Carson Eddy is the owner of The Boston Bead Company, with stores in Cambridge and Salem, Massachusetts. The Boston Bead Company offers an extensive calendar…
See Bio

Rachael Evans

Author

Co-author Rachael Evans has been a bead buyer, manager, and jewelry designer at The Boston Bead Company over the course of 12 years.

Kate Feld

Author

Co-author Kate Feld has worked as store manager and is currently the staff designer of The Boston Bead Company.

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Read More at Good Reads

Basic Bead Stringing Techniques – Overhand Knot

You can use basic bead stringing techniques to create single-strand necklaces, bracelets, and anklets, as well as some simple non-jewelry items, like bookmarkers. This chapter describes the bead stringing process from initial layout to finishing a design using your choice of stringing material.

Prepare a Design 34

Grades of Beading Wire 40

String and Finish Beading Wire 42

Hide Crimps 46

Cover Beading Wire Loops 48

String and Finish Beading Cord 49

String and Finish Beading Thread 61

String and Finish Ribbon 65

String and Finish Memory Wire 67

Use Head Pins and Eye Pins 72

Before you begin a new project, take the time to lay it out, ream any rough beads, and select the most appropriate stringing material and finishing method. When you create a design from scratch, consider using analogous or complementary colors along with the concepts of motif and pattern.

THE COLOR WHEEL

The traditional, 12-part color wheel is a circular chart with equally sized sections of color. It contains the primary colors, which are red, yellow, and blue; the secondary colors, which are green, orange, and purple; and the tertiary colors, which are each a combination of one primary color and one tertiary color. Tertiary colors have two-part names that indicate which colors make them up. (For example, the color “yellow-orange” is a mixture of yellow and orange.)

ANALOGOUS COLORS

Two to three colors that are positioned side-by-side on the color wheel are called analogous colors. To use analogous colors in a jewelry design, simply select components that match, or are various shades of, two or three analogous colors. Remember that you do not have to use equal parts of colors in a design. One or more colors can be dominant, while the others serve as minor accents.

COMPLEMENTARY COLORS

Complementary colors are positioned opposite one another on the color wheel. These colors show contrast without losing harmony. Consider using them when you’d like to create a bold look.

OTHER COLOR COMBINATIONS

More complicated color combinations-like split complementarles, triads, and tetrads—are delineated on an artist’s color wheel, available at art supply stores. Typically, these color wheels are moveable so that you can reposition their charts to identify potential color sets.

CONTINUED ON NEXT PAGE

COLOR INSPIRATION

You can find inspiration for color just about anywhere. Many color combinations that you find also appear in the color wheel, but seeing them in a real-world context can help spark new ideas. Some examples of color inspiration sources are nature, artwork, and magazines.

MOTIF AND PATTERN

A motif is a self-defined element in a design; it has a pleasing and complete look all by itself. In beaded jewelry, a motif can be a grouping of beads or a stylistic piece like an ornate connector. It can be defined by colors, textures, sizes, or a combination of factors. By arranging motifs in a defined order, you create a pattern.

LAY OUT BEADS AND FINDINGS

Using a bead board is a great way to lay out and organize your designs, whether you’re following project instructions or creating a new design from scratch. Most boards have measurement marks to help you keep track of strand lengths. If your design has a clasp, lay the clasp pieces on the board along with the beads so that you can see how much length it will add.

REAM BEADS

Inspect your beads for rough or sharp drill holes, and use a bead reamer to smooth them. Choose a reamer with a tip that fits into the hole of your bead, dip the tip into water, and gently twist the reamer—or the bead—back and forth a few times. You can also use a reamer to slightly enlarge holes in pearls, which are very soft. Always use care when reaming holes in glass beads to avoid chipping them.

CONTINUED ON NEXT PAGE

SELECT A STRINGING MATERIAL TYPE

The type and size of stringing material you need depends on the textures, sizes, and weights of beads in your design, and how you’d like your jewelry to look and feel. Use the chart, “Stringing Materials and Uses,” on p. 194-195 in the Appendix to help you make the proper choice for your project.

When you plan a new design from scratch, you can estimate how many beads of a given size it requires by performing a simple calculation. See Beads-per-Inch on p. 198 of the Appendix for the formula and a chart to help you make estimates quickly.

SELECT A STRINGING MATERIAL SIZE

Beading wire, beading thread, cord, and ribbon are available in various widths and strengths. For cord and ribbon, select a size that will fit through your beads and securely carry the weight of your design. To select the best size of beading thread, refer to the chart, “Needle and Thread Size Recommendation,” on p. 202 in the Appendix.

Beading wire is labeled according to its number of strands, size, and pound test strength. See p. 40 to learn what these terms mean.

SELECT A FINISHING METHOD

Finishing refers to the techniques used to close strand ends so that the beads don’t fall off, and so that you can attach a clasp. Usually, you finish one end of a strand before you begin stringing beads. You finish the other end after all your beads are strung. Use the chart on p. 200 in the Appendix for help in determining which finished method to use.

Before you begin a project using beading wire, you must determine which grade of beading wire to use. Grade consists of three separate measurements: number of strands, beading wire size, and pound test strength.

NUMBER OF STRANDS

Beading wire is made up of many small steel strands that are wound together. Typically, the number of these strands determines the beading wire’s flexibility. Beading wire that contains more steel strands is more flexible than beading wire with fewer strands.

More-flexible beading wire has a softer feel and resists kinking better than less-flexible beading wire. However, more-flexible beading wire is usually more expensive than less-flexible varieties.

BEADING WIRE SIZE

Beading wire size is denoted by its diameter. Smaller-diameter beading wire is recommended for smaller, lighter-weight beads. Larger beading wire is preferred for larger-holed or heavier beads. If you use beading wire that is smaller than recommended for the beads you’re using, your jewelry may break prematurely.

Beading wire diameter is usually measured in thousandths of an inch. You can find nylon-coated beading wire ranging from about .010 inch (very small) to about .024 inch (large). To determine which size is best for your project, refer to the chart, “Beading Wire Sizes” on p. 201 in the Appendix

POUND TEST STRENGTH

Some beading wire is also labeled with its pound test strength, which denotes the maximum weight the wire can hold under the manufacturer’s testing conditions without breaking.

Pound test strength is a good general indicator of beading wire strength, but do not take it too literally. Many factors affect the durability of your jewelry, including how much friction is caused by the beads and end findings. Therefore, a necklace strung on “7-pound test” wire would not necessarily hold up under the weight of a 7-pound pendant.

Making Beading-Wire Jewelry Last Longer

Unfortunately, all strung, beaded jewelry eventually needs to be restrung. Even steel beading wire weakens and deteriorates over time. Here are some tips for making your beaded jewelry last as long as possible.

1. Always use quality crimps. Less expensive, base-metal crimp beads are more likely to crack and break than sterling-silver crimp beads or higher-quality crimp tubes.

2. Leave a little space in your design. Tightly-strung beads create friction, which is thought to be the number one cause of wire breakage. When you have a finished strand laid out flat, you should be able to see a small portion of beading wire showing through near the ends. (Keep in mind that the space will not be as noticeable when the strand is worn, because the beads will then come together more tightly.)

3. Use the proper beading wire. Take the time to determine which grade of beading wire is best for a given project.

For a secure finish, it is best to use crimp beads, crimp tubes, or crimp ends on beading wire. You can attach them by flattening them down onto the wire using chain nose pliers. Crimp tubes can also be curled around wire using crimping pliers.

FLATTEN CRIMP BEADS OR CRIMP TUBES

1 Beginning with a length of beading wire about 6 inches longer than the desired jewelry length, string on a crimp and position it a few inches from the end of the beading wire.

2 Holding the crimp in place with one hand, use the other hand to pull the end of the beading wire back into and through the crimp.

3 Continue holding the crimp in place, and gently pull the beading wire end until you have created a small loop large enough to hold a jump ring.

4 Use chain nose pliers to squeeze the crimp flat. The crimp should now be secured over both strands of beading wire.

5 Using small wire cutters or nippers, trim the tail of extra beading wire close to the crimp.

After stringing on all the beads in your design, string on the second crimp and position it close to the last bead.

Repeat Step 3 to begin making a loop.

When the loop starts to become small and the beading wire more difficult to pull through using your fingers, use chain nose pliers to gently hold the crimp close to the last bead, while you continue pulling the wire to complete the loop.

9 Repeat Steps 4-5.

0 Attach a clasp part to each loop using jump rings.

CONTINUED ON NEXT PAGE

ATTACH CRIMP TUBES USING CRIMPING PLIERS

1 When you’re ready to close the crimp tube, place it inside the V-shaped indentation in the pliers.

2 Use your fingers to position both beading wire strands so that each strand is up against one side of the tube, on either side of the V in the indentation.

3 Gently squeeze down the pliers.

4 Turn the beading wire sideways so that the V shape you just created is pointed to the side.

5 Place the crimp into the rounded indentation in the pliers, and squeeze the pliers closed.

The final rounded crimp is shown here.

3 After stringing on all of your beads, use the tips of one pair of chain nose pliers to hold the beading wire close to the last bead.

4 Trim the end of the beading wire short, so that it will fit inside the crimp end as far as possible.

5 Insert the beading wire end into the crimp end, and use a second pair of chain nose pliers to squeeze down the crimp.

For a more professional appearance, you can hide crimp beads and crimp tubes by covering them with crimp covers, bead tips, or bullet ends.

HIDE CRIMPS WITH CRIMP COVERS

Crimp covers are special findings that you can secure over crimp tubes. They make crimps look more like beads so that they blend with your design. Most are intended for use with crimp tubes that have been closed with crimping pliers. You use the rounded indentation of the crimping pliers to attach the covers to your crimps.

HIDE CRIMPS WITH BEAD TIPS

Bead tips are most commonly used to cover finishing-knots in cord. You can also use them to cover crimps or rings. Because bead tips have metal “claws” for attaching jump rings and clasps, you don’t need to make wire loops after your crimps. Instead, just attach a crimp to the end of your wire, and then cover the crimp with a bead tip. For more information on using bead tips, see “String and Finish Beading Cord,” later in this chapter.

Always keep an eye out for new products that make it easier to hide crimps or that simply make crimps more decorative. A good way to stay up-to-date with new technology is to subscribe to a beading magazine. The most popular magazines always contain announcements and ads for new products, and they often provide product reviews.

Always keep an eye out for new products that make it easier to hide crimps or that simply make crimps more decorative. A good way to stay up-to-date with new technology is to subscribe to a beading magazine. The most popular magazines always contain announcements and ads for new products, and they often provide product reviews.

If you don’t like the look of beading wire loops, you can use either the bead tip or bullet end method described on the previous page, or disguise your loops using French bullion wire or Wire Guardians.

USE FRENCH BULLION WIRE

This tiny, coiled wire (also called gimp) is most often used for finishing silk cord. Its main purpose is to protect cord from breakage, but bullion can also be used with beading wire to give end loops a metallic look.

To use it, string a short length of bullion onto your beading wire before sliding it back through the crimp to make a loop. For more information on using bullion, see “Use French Bullion Wire on Cord,” later in this chapter.

USE WIRE GUARDIANS

Wire Guardians are specialty findings that are designed to protect beading wire loops, while also giving them a more professional appearance. You attach them by stringing them onto your beading wire after a crimp bead, before you string the wire back through the crimp (similar to bullion wire).

There are several ways to finish beading cord. The method you choose depends on the type and size of your cord, as well as personal preference. For help selecting an appropriate method for your cord, see p. 200 in the Appendix. For a review of the knots used in beading, see p. 203 in the Appendix.

USE BEAD TIPS ON CORD

Bead tips look like little clamshells that close over a knot. They have an open end loop, or an attached ring, which you can attach to a jump ring and clasp.

1 Thread your cord into the hole at the base of the bead tip, with the clamshell opening facing the end of the cord.

2 Tie a double-overhand knot between the end of the cord and the bead tip.

3 Trim off the end of the cord close to the knot.

4 Slide the bead tip up over the knot.

5 Apply a drop of E6000 glue to the knot, inside the bead tip.

CONTINUED ON NEXT PAGE

6 Use flat nose pliers to close the clamshell over the knot, with the knot contained inside.

7 After stringing on all of your beads, repeat Steps 1-6 to finish the other end of the cord.

Note: If necessary, use a beading awl to position the second knot inside the second bead tip. For more information on using a beading awl with knots, see p. 86.

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8 If your bead tips have claws, use chain nose pliers to open each claw, and slip in a jump ring that you’ve already attached to a clasp finding. If your bead tips have closed rings, open each jump ring to attach it to a ring.

9 For bead tips with claws, close down each claw using chain nose pliers.

The bead tips with the clasps attached are shown here.

USE FRENCH BULLION WIRE ON CORD

French bullion wire can protect your end loops from damage, while giving them a more professional appearance.

1 String on a bead with a hole large enough for the cord to pass through twice.

2 Use sharp side cutters to cut a length of bullion about ‘A inch long.

3 String the bullion onto the cord, next to the bead.

4 Thread the cord back into the bead to create a loop in the bullion, leaving a cord tail of several inches at the end.

CONTINUED ON NEXT PAGE

Continue reading here: String and Finish Beading Cord continued

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Yonex Stringing Method

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Racket’s stringing tension must be strung within the racket specified range. Yonex recommends that crosses be strung at a tension 10% higher than the mains. However, it is recommended that the final 5 crosses be strung at the same tension as the mains as this method will helps the racquet maintain its original shape after stringing.

Racket Frame Type 1

For rackets with 76 grommet holes. Racket models include AX88S, AX88D, AX77, AX66, DUO-ZS, DUO8XP, VT-FB, VT-GZ, VTZF2, VTIF, VT-F, NR-ZSP, NR-GZ, NR-ISP, NR-SP, ARC-FB

MAIN: Start from top centre, keep on stringing until B9 (skip A7, A9 & A11).

Go through B12, directly to A16, and then straight to A14, down to B10 and tie off at B8.

(Opposite side: the same procedure)

CROSS: Make a knot at B6 and start crosses from B9.

Keep on stringing until A7 (skip A12 & A10), then directly to A5 and tie off.

Racket Frame Type 2

For rackets with 76 grommet holes. Racket models include AX9, AX7, AX6, AX2, DUO10, DUO9, DUO7, DUO6, DUO88, DUO77, DUO55, DUO33, VT80ETN*, VT70ETN, VT50ETN, VT8ETN, VT7NEO, NR900, NR800, NR750, NR700FX, NR300NEO, NR95DX, NR70DX, NR10F, NR9, ARC11, ARC6FL

MAIN: Start from top centre, keep on stringing until B9 (skip A8 & A10).

Go through B12, directly to A15, and then straight to A13, down to B10 and tie off at B8.

(Opposite side: the same procedure)

CROSS: Make a knot at B6* and start crosses from B9.

Keep on stringing until A8 (skip A11 & A9), then directly to A5 and tie off.
*Make a knot at B4 for VT80ETN

Racket Frame Type 3

For rackets with 72 grommet holes.

MAIN: Start from top centre, keep on stringing until B9.

Go through B12, directly to A11, and then straight to A10, down to B10 and tie off at B8.

(Opposite side: the same procedure)

CROSS: Make a knot at B6 and start crosses from B9.

Keep on stringing until A7, skip A6 and tie off at A5.

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90,000 How to properly tension your tennis racket strings?

28. 06.2018
Tennis

Tennis rackets have been designed with the intensity of use and the ability to control the ball hitting with great force in mind. Strings (veins) can be called one of the most important components of a sports instrument. Constant care for them can only affect the quality of the game in a positive way. It will also extend the life of the racket itself.

Professionals recommend changing the cores at least twice a year, depending on the intensity of use and the style of the ball.The information presented in the form of step-by-step instructions will help each player master the correct string tensioning technique.

Preparation

First, you should make the choice of a special machine for the waist

Many sports clubs and specialty shops offer a variety of stringers. The hauling service can cost from 25 to 50 dollars per unit, and the machine itself – from 200 to several thousand dollars (depending on its quality indicators).

• If you play tennis a lot, you can save some money on strings and use this money to purchase a tug machine. One of the most popular modifications – Gamma X-2 – is installed on the table surface and fixed in two places. For players who decide to pull the veins on their own, this option will be more preferable in terms of quality and cost.

• If you are fond of tennis only occasionally, investing in a machine for personal use will be irrational.It is much more profitable to use a paid one-time service or borrow a device from friends.

String Measurement

About 10 cm of a new core is cut from the coil. To stretch the strings on a regular racket, a total of about 11 m of strings may be needed. You need to cut it off with a small margin so that you do not have to throw it away later if there is insufficient length.

When pulling the veins for the first time, remember exactly what length was required – this will help with the next constriction. Start with the longest string to determine the optimal length.

Preparatory phase

All old veins are cut, starting from the central ones and gradually moving to the extreme ones. Next, you need to check the rim bushings, they may also have worn out. If so, they also need to be replaced.

Securing the racket in the bracing device

The method of fastening will depend on which machine is used.Having installed the racket in the device, its neck and head must be fixed in a vice and firmly clamped. After studying the instructions, you should adjust the degree of tension of the cores.

The 6-point fastening system will distribute the tension as evenly as possible. When using any type of racket, make sure that all the clips on the racket are firmly in place. In order not to bend the rim of the racket, but also not to loosen it while playing, the strings should be moderately tight.

Tension technique

When the preparatory steps are completed, it is time to proceed directly to the tension.

Choice of stringing method

There are two tensioning systems: the same core can be used for vertical and horizontal placement, or you can use two different ones. Experts believe that one-string hauling can improve playing ability and significantly extend the life of the racket, but two-string hauling will be more correct and, accordingly, most acceptable.

It should be noted that the tension should be started from the end of the racket, gradually moving towards the handle.The reason for this is that the racket can bend, since the place at the handle is weaker than at the head. Therefore, the process should start from the top, moving downward. It will not be so easy to do this in a single residential area, and sometimes it will be impossible.

Main string padding

The main vein is parallel to the longitudinal axis. There are holes at the end of the racket through which the string must be pulled towards the handle and then back to the end.

The end of the core must be fixed on the handle and the rod must be moved to a horizontal position. In this case, it may be necessary to change the length of the string. Next, you need to fix the rod and pull the core.

The second clamp fixes the other core, the first one is disconnected. It is required to thread with a further clamp until all holes are involved. Thus, the vein tightening technique is based on the principle: the next string is fixed, and the previous one is released.

Main core tie

After fixing it, you need to slightly loosen the rod tension and tie the ends tightly. If necessary, you can use a small awl and long tweezers. A strong knot is tightened at the end of the vertical string, and the excess ends are cut off.

Tension of crossed cores

Stretching out the final line of vertically located strings, the main one is tied and then there is a broach of the veins located transversely.The string is pulled through the slots (usually the side slots are larger) towards the back of the rim and secured. You need to pull the core in moderation (without kinking the racket and loosening the tension). This should be continued until all the strings are installed.

If the hauling technique involves the use of two strings, the transverse strand is tied at the head to the main string. Then it is pulled through the hole located at the edge of the rim.

Make sure that the strings placed across the strings do not rub against the main strings.

Tying the transverse core

By pulling the final cross string back into the hole, it is tied tightly to the main vein. This should be done with fine forceps. The tension is relaxed and the excess is trimmed. The racket is removed from the machine.

Adjusting the cores on the racket

When the strings are set up, all that remains is to work out their tension level.

Determination of the desired tension on the strings

The racquets are often labeled with the recommended tension strength. The indicator ranges from 23 to 32 kg. In this range, players can independently adjust the string tension to tune the active spot of the racket, thereby forming a playing ability that best suits their serving style.

A moderately tight tension on the cores will help to better control the ball, increasing contact with it and improving the accuracy of the serve.For an individual style that involves a high impact force, it is recommended to pull the wires slightly looser. Try different strand tension options to help you determine the best tension for your playing style and racquet.

Using different types of tennis cores

Experimenting with brands of strings will allow you to choose the strongest and most reliable, with a high degree of elasticity.For the production of most of the cores, Kevlar is used – a high-strength synthetic fiber. Due to their excellent springiness, Zyex strings are in the greatest demand.

String Materials

Nylon strands are the most popular, having the most affordable cost, high impact resilience and ample flexibility.

Synthetic and Kevlar strings are great for players with a power kick that can break normal veins.Maximum strength provides the right amount of ball control and the ability to take hits with sufficient force.

Natural strings are prone to brittleness, but are highly popular with professional tennis players due to their plasticity and good contact with the ball.

Additional Recommendations

Protective and shock-absorbing parts for strings can be used as functional additions.Small polymer plates placed at the intersection of the strands can extend the life of a tennis racket by protecting the strings from abrasion. For fans of the top serve with a twisted ball, the built-in force absorbers among the cores add convenience, weakening the strings and increasing the torque of the ball. It is recommended to try additional details in practice. Perhaps this will significantly improve the quality of the game.

Regularity of stringing

It is recommended that you change the strings as many times a year as you play in one week.If one of the veins suddenly breaks, this may indicate that it is time to tighten the entire racket. Replacing strings in a timely manner will eliminate the possibility of unexpected breaks. Players with extra hitting power need to change the cores of their rackets much more often than those who prefer a regular serve.

Tips

The conditions in which the racket is stored largely depend on its functional capabilities. Effective play can only be ensured by a racket that is properly cared for – stored in a cool, dry place and changed strings on time.

To prolong the life of tennis wires, it is recommended to use fuses – small plates installed to reduce friction at the intersection of the strings.

To replace the strings, you will need the following materials:

Follow these guidelines and you can easily handle changing tennis racquet strings yourself.

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Finishing of the canvas

(coating and stretching technique on a wooden stretcher)

This quick guide will help you avoid mistakes when working with canvas, prevent mechanical damage to the image, curling and cracking of the edges and, accordingly, make a quality art product.

• Before starting work, wait until the ink on the print is completely dry (guaranteed result is achieved after 24 hours). It is recommended to use surface treatment agents before stretching – a light primer and finishing compound. Wait for the previous one to harden before applying each subsequent coat. As a primer, a topcoat, applied in a very thin first coat, is often used. Application can be carried out with a wide flute brush, from an aerosol can or using an industrial spray gun.It is convenient to place a print for such an operation on a sheet of inexpensive plywood or smooth hardboard, placed on a table with a strictly horizontal surface.

1. Brush (with this technique, only one coat is sufficient)

Dip the brush into a container with varnish. Remove its excess by touching the edge of the container with a brush. Apply the varnish in a leisurely, smooth motion evenly from edge to edge, overlapping the underlying area with each pass in the opposite direction (→ / ←).When the brush is exhausted, dip it in varnish again, remove excess and continue processing.

2. Aerosol can

a) Primer application.

Shake the can well and release the first portion of the varnish away from the print, thus checking the uniformity of the spray. Start processing the canvas. Keep the can at a distance of 45 – 60 cm from the surface of the material, spraying the varnish at an angle of approximately 45 °.The varnish is applied with quick movements, first in the transverse (→ / ←) and then in the longitudinal (↓ / ↑) direction. Excessive moisture must be avoided and the uniformity of the application must be monitored.

b) Application of the finishing layer.

After the soil has hardened, repeat the above operation exactly, changing only the distance and processing speed. The can should now be held at a height of 15 – 20 cm and the varnish should be applied more slowly.

3. Industrial spray gun (pressure approx. 3 bar)

The processing operation is similar to that of an aerosol can. Distinctive features are: distance when applying the primer – not less than 60 cm; distance when applying the finishing layer – at least 20 cm; the speed of primary and secondary processing is equally high.

• Before stretching, the finished canvas should be cured in a room with normal room temperature for several hours.Work should not be carried out at temperatures below 18.5 ° C, since the canvas tends to form cracks in cold conditions. The best work area for stretching is a stable felt table.

• For stretching the canvas, the rounded strips of the stretcher are preferable to strips with sharp edges.

• The subframe must first be checked for squareness by measuring the diagonal angles and assessing their equivalence.If there is a distortion, the subframe should be reinforced with a spacer crosspiece. This mount is always recommended for frames larger than 24 “x 36” (61 x 91 cm).

• Cut the canvas so that the canvas is 10 cm larger than the frame on each side. Place the canvas symmetrically on the frame and wrap the slats with excess material. This technique will make it easy to dismantle the canvas if necessary.

• Staple staples are preferred over nails to securely hold the canvas (inside the frame) and facilitate work.In addition to speeding up the work, this technique allows you to ensure a neat appearance of the edges and avoid material creases. Do not use excessive tension when attaching the web, which can lead to breaks in the corner sections. This recommendation is more important for matte canvas than for glossy canvas.

• Begin fastening the curtain from the center of the frame rail. Three stapling brackets will be enough for this. Then the fastening is carried out alternately (2 staples) in both directions from the initial point of fixation.The distance between the brackets is 4–5 cm. Turn the stretcher over and perform the same operation from the opposite side. To do this, initially pull the canvas tightly and firmly fix its free edge in the center with pliers. Continue fastening in the same way on adjacent sides.

• Then wrap the corners tightly, creating uniform wedge-shaped, flat folds on each. Fix them firmly with a stapler. The operation is performed sequentially from corner to corner.

Note: sloppy, bulky folds significantly increase the thickness of the product in the corner areas. In addition, they are difficult and unreliable to fix.

• To give the product a finished look, the excess canvas on the inside of the stretcher must be trimmed so that the frame slats are completely covered.

• The stretched canvas should be stored in a position with a slight deviation from vertical.To avoid accidental damage to the surface of the material, do not put one product leaning against another. If, nevertheless, such placement is unavoidable, it is recommended to put tracing paper or kraft paper between the canvases.

Automatic chain tensioning device – TRILOG.RU

Key for adjusting the timing belt tension VW, Audi Technique case 804001 – price, reviews, specifications, photo

Key for adjusting the timing belt tension VW, Audi Technique case 804001 rotates the tension roller, which allows you to increase or decrease the degree of belt tension.

The product is made of 45Cr steel with a chrome plated surface. Hardness 45-48 HRC ensures long service life.

Complete set of key Technician case 804001 *

• Key;
• Packing.

Parameters of packed goods

Item unit: Piece
Weight, kg: 0.24

Length, mm: 265
Width, mm: 90
Height, mm: 35

Produced

• Russia – the birthplace of the brand
• Taiwan – country of production *
• Information about the manufacturer

* The manufacturer reserves the right to change the characteristics, appearance, packaging of the goods and the place of production without notifying the dealer.

The specified information is not a public offer

At the moment there are no consumables for this product

Service from VseInstrumenty.ru

We offer a unique service for the exchange, return and repair of goods!

You can apply for an exchange, return or hand over a tool for repair in any store or PVZ VseInstrumenty.ru.

Manufacturer’s warranty

for wrenches, ratchets, torque wrenches and jacks 1 year warranty

Warranty repair

Here you will find the addresses of licensed service centers located in your city.

Gallery canvas design | Photo studio “Alexander photo” at Uralmash

Painting is a classic element of interior decoration, the relevance of which has never diminished.They decorate in a similar way not only city apartments and private houses, but also halls of theaters, shopping and exhibition centers, entertainment venues, office premises, etc. At the same time, several options for decorating paintings are used today, namely:

• with a stretch on a wooden stretcher;
• placement under glass.

The latter option is usually used for artwork created on paper. This approach is due to the fact that paper needs additional protection, since this material deteriorates over time, losing its characteristics under the influence of external factors.

Variants of web tension

Speaking about paintings on canvas, which include modern art compositions created using the technology of full-color digital printing, we note the fact that they are often decorated by stretching on a special stretcher, which is a frame made of wood.

In this context, it should be mentioned that traditional (otherwise, museum) stretching is traditional for painting. This method differs in that the entire image is placed on the front surface of the subframe, which, in the future, will be framed in the frame.The decorative frame is fixed to a stretcher, giving the client a complete picture of a classic look.

When it comes to printing photographs, patterns or images on canvas, the frame, as a rule, is rarely used. More popular and relevant is the gallery stretching technique. This method differs in that the edges of the picture are wound up on the ends of the frame, and are fixed after the final stretching of the canvas. In this state, the product is used for exposure.

The so-called gallery stretch is a very popular technique for decorating hosts, which perfectly emphasizes all kinds of modern interior styles. Such a solution looks especially advantageous in rooms with a design in fusion and neoclassical styles, art deco and hi-tech, avant-garde and loft, as well as minimalism.

However, this is not an absolute dogma. Quite often, photographs or documents are taken into frames, and painting, on the contrary, is made out by means of a gallery stretch.It all depends on the design concept of the interior itself, the stylist’s creative vision or the customer’s taste preferences.

Professional services

Specialists of the Alexander Photo Digital Printing Center will help you to choose the best option for designing a canvas in Yekaterinburg. We provide services for the gallery decoration of paintings. In this case, the customer can choose a classic or modern version of this work.

In the first case, the canvas will be fixed at the ends of the stretcher with special brackets.However, most often, customers choose the second method, which involves fixing the canvas from the back of the stretcher. In this case, the ends remain white, and the fasteners become invisible to the eyes of the observer.

It should be understood that it is quite difficult to carry out the gallery stretch on your own. When performing such work, it must be borne in mind that the picture must fit entirely and in the correct position on the front surface of the stretcher. It is also necessary to ensure that the end elements of the canvas do not protrude onto the “face”.In practice, only a person with experience can perform this procedure ideally with high quality. And these are the masters on the staff of our center.

Several key aspects

We must not forget about the importance of the condition (quality) of the stretcher. If, when decorating paintings in a museum way, the appearance of the ends of the frame does not matter due to the fact that they are hidden by the frame, then with the gallery technique they should be well processed and ennobled.

The dryness and curvature of the wooden frame play a huge role, because when stretching using the gallery method, certain efforts must be made.In this case, the canvas remains constantly stretched, and the initially dry and straight slats of the stretcher guarantee the preservation of the given shape and geometry of the picture for several years, even with an increased tension force of the canvas. The picture itself, decorated in this way, becomes a full-fledged and completely independent decorative element of the interior, which does not need additional support or equipment, for example, in the form of a frame.

This is how it is now customary to present art canvases at exhibitions and galleries.And this presentation of paintings is becoming more popular and in demand every year. At the same time, the gallery method of decorating canvases is not an expensive service.

We accept orders for the decoration of paintings, painted or printed on non-woven, silk, canvas and other textile substrates. Our specialists always take their work extremely responsibly and seriously, using only high quality consumables. At the same time, the masters act very carefully, I guarantee that the picture will delight its owner as long as possible.

Contact the digital printing center “Alexander Photo”, and our specialists will be happy to help you arrange your favorite painting, photo from our catalog or your portrait on canvas in a modern gallery way.

Make embroidery in the frame

Professional stretching and baguette embroidery

Embroidery – today the most widespread type of creativity among women, you can also meet male embroiderers who are no worse coping with the difficult task of embroidering a picture with high quality and accuracy.Many have difficulties with the further design of their masterpieces. Many people ask questions: where is it better to arrange embroidery in a frame, how much can embroidery design cost, where to buy a ready-made frame for embroidery or order an individual design? We will try to answer all your questions.

High-quality design of embroidery in a frame is not often found in our time. That is why embroiderers prefer to decorate their works on their own. However, there are all sorts of difficulties when ordering a frame separately from the design.Difficulties may lie in the fact that in the absence of work when ordering a frame, the calculation of the size of the embroidery may be incorrect, there may be nuances associated with the properties of the canvas (it stretches strongly or, on the contrary, does not stretch at all), other technical issues that may arise in the process embroidery design in a frame.

We guarantee our customers the quality of stretching and embroidery design and recommend leaving the work in the baguette workshop. Our craftsmen have vast experience in stretching and decorating embroidery of all types and varying degrees of difficulty.All the masters of the workshop have completed special courses on working with textile paintings and have the relevant international certificates.

We use only proven and high quality materials. We do not glue embroidery on glue, tape or any other adhesive materials. We stretch all embroidery on a special thick cardboard using professional pins. This method of stretching is the most reliable and gentle. All embroideries decorated in our salon can be dismantled, if necessary, without harm to work.In our salon you can order both a simple design for embroidery and a complex design multi-component design that will make the embroidery unique. Embroideries decorated with a multi-layer mat, using various decorative inserts, look much more spectacular and can be a key decoration for your interior.

We work with all existing embroidery techniques.

You can embroider in a frame:

• Thread embroidery .The simplest type of embroidery for decoration, however, is not the easiest in terms of the technique of execution, because it can combine various types of stitches, knots, etc. The easiest one for decoration, because with it, despite all the difficulties of stretching, it is easy to select decoration options. You can use one layer of mat, or several or not use at all. There is no need to monitor the presence of volume in the frame.
• Beadwork . It is a little more difficult to work with beaded embroidery, because.because when choosing a design, you must remember about the volume that must be saved. This feature must be taken into account when choosing a frame and the entire design as a whole.
• Ribbon embroidery. Perhaps, one of the most difficult types of embroidery in terms of the technique of execution and the degree of tension and design. But at the same time, ribbon embroidery is one of the brightest and most original types of embroidery. The difficulty in the design of such embroidery is that many people use silk material for the canvas, and this creates additional complexity when stretching the embroidery onto the base, i.e.because the silk canvas is very thin and mobile. We take into account all possible subtleties and make sure that the embroidery is stretched as evenly as possible without distortion and with the possibility of disassembly without harm to work. The masters of our salon have extensive experience in working with complex embroidery, designers can offer several design options for ribbon embroidery, which will preserve volume and give additional charm to already inimitable works.
• Embroidery with mixed technique . Combines different types of seams and materials in one job.Such embroidery is found much less often than others, because doing work in a mixed style is more difficult. When designing such embroidery, there are some nuances that we take into account when accepting embroidery for design and in further work with it.

We recommend to our customers to use glass, because it protects the work not only from dirt and dust, but also prevents the penetration of sunlight, which adversely affects the colors of the work. If you are confused by glare or you are afraid that the volume of the embroidery will be lost, then we recommend using museum glass without glare.It retains the clarity and brightness of colors and does not glare.