Who is Mia Lawrence and what impact has she made on the UC Davis lacrosse team. How has Lawrence contributed to the Aggies’ success in the 2021 season. What are the key statistics and achievements of this sophomore attacker.
Mia Lawrence’s Breakout 2021 Season for UC Davis
Mia Lawrence, a sophomore attacker for the UC Davis Aggies women’s lacrosse team, has emerged as a key contributor during the 2021 season. As a member of the Aggies’ high-powered offense, Lawrence has helped propel UC Davis to a strong 12-4 record so far this year.
Lawrence’s statistics reveal her impact on the field:
- 14 games played
- 4 goals scored
- 2 assists
- 6 total points
- 11 shots taken
- 36% shooting percentage
- 8 shots on goal
- 73% shots on goal percentage
- 3 ground balls
- 0 caused turnovers
- 5 turnovers
- 0 draw controls
While her goal and assist totals may seem modest at first glance, Lawrence’s efficiency stands out. With an impressive 36% shooting percentage and 73% of her shots on goal, she makes the most of her scoring opportunities when called upon.
UC Davis Lacrosse’s Impressive 2021 Campaign
The Aggies have put together a stellar 12-4 record in 2021, with Lawrence playing a role in that success. UC Davis has established itself as a force to be reckoned with in the Mountain Pacific Sports Federation (MPSF) conference.
Some key victories for UC Davis this season include:
- A 19-10 win over San Diego State in MPSF play
- Defeating Fresno State to improve their conference record
- Multiple non-conference victories to build momentum
The team’s potent offense has been led by several standout performers in addition to Lawrence:
- Kendall Seifert (4 goals vs. SDSU)
- Maddie Mayers (3 goals vs. SDSU)
- Alex Agnew (3 goals vs. SDSU)
Breaking Down Mia Lawrence’s Playing Style
As a sophomore attacker, Lawrence brings a dynamic skill set to the Aggies’ offense. Her strengths include:
- Efficient shooting – Making the most of scoring chances
- Accurate shot placement – High percentage of shots on goal
- Off-ball movement – Creating space and opportunities for teammates
- Field awareness – Contributing to the team’s overall offensive flow
While her raw scoring numbers may not jump off the page, Lawrence’s efficiency and team-first approach make her a valuable asset in UC Davis’ high-powered attack.
Areas for Improvement
As with any young player, there are aspects of Lawrence’s game that could be further developed:
- Increasing shot volume – Taking more attempts to boost goal totals
- Draw controls – Becoming more involved in gaining possession
- Limiting turnovers – Reducing giveaways to maximize possessions
The Impact of Mia Lawrence on UC Davis Lacrosse
While Lawrence may not be the team’s leading scorer, her contributions to UC Davis’ success should not be overlooked. Her efficient play and team-first mentality help create a balanced attack that keeps opposing defenses on their toes.
Lawrence’s impact extends beyond the stat sheet:
- Providing depth to the Aggies’ offense
- Creating space and opportunities for teammates
- Maintaining offensive pressure with accurate shooting
- Contributing to the team’s overall chemistry and flow
UC Davis’ Rising Star: Projecting Mia Lawrence’s Future
As a sophomore, Lawrence still has two more years of eligibility remaining to continue developing her game and making an impact for the Aggies. Given her efficient play and room for growth, there’s reason for optimism about her future contributions.
Potential areas of growth for Lawrence include:
- Increasing her scoring output
- Taking on a larger leadership role
- Expanding her all-around game (draw controls, caused turnovers)
- Becoming a focal point of the UC Davis offense
The Competitive Landscape of MPSF Women’s Lacrosse
The Mountain Pacific Sports Federation presents a challenging environment for Lawrence and UC Davis to compete in. Some of the top programs in the conference include:
- University of Southern California
- Stanford University
- University of California, Berkeley
- San Diego State University
Facing this level of competition provides valuable experience for Lawrence as she continues to develop her game and contribute to the Aggies’ success.
UC Davis Lacrosse: Building on Recent Success
The Aggies’ strong 12-4 record in 2021 is not an isolated incident. UC Davis has been building a competitive program in recent years, with Lawrence now playing a role in continuing that upward trajectory.
Key factors in UC Davis’ recent success include:
- Strong recruiting classes bringing in talented players like Lawrence
- Effective coaching and player development
- A balanced offensive attack with multiple scoring threats
- Solid defensive play and goaltending
Recent Program Milestones
While specific details about UC Davis’ lacrosse history are limited in the provided information, it’s clear that the program has made strides in recent years. Some potential milestones and achievements might include:
- Conference tournament appearances
- Victories over ranked opponents
- Individual player awards and recognition
- Improved national rankings and reputation
The Role of Young Talent in UC Davis’ Success
Mia Lawrence represents part of a new generation of talent helping to elevate the UC Davis lacrosse program. As a sophomore, she still has room to grow and potentially take on an even larger role in the coming years.
The impact of young players like Lawrence can be seen in several areas:
- Providing depth and competition within the roster
- Bringing fresh energy and new skill sets to the team
- Allowing for long-term program building and continuity
- Creating a pipeline of talent to sustain success
Balancing Youth and Experience
While young players like Lawrence are crucial for the future, UC Davis also benefits from the leadership of upperclassmen. This balance of youth and experience creates a strong foundation for sustained success.
Key elements of this dynamic include:
- Veteran players mentoring younger teammates
- Healthy competition for playing time pushing everyone to improve
- A mix of playing styles and skill sets to keep opponents off-balance
- Leadership opportunities for players at all levels of the program
Looking Ahead: Mia Lawrence and UC Davis Lacrosse
As Mia Lawrence continues to develop her game and contribute to UC Davis’ success, the future looks bright for both the player and the program. With two more years of eligibility remaining, Lawrence has the opportunity to leave a lasting impact on Aggies lacrosse.
Potential goals for Lawrence and UC Davis in the coming years might include:
- Competing for MPSF conference championships
- Earning NCAA tournament berths
- Producing All-Conference and All-American players
- Elevating the program’s national profile and reputation
As Lawrence gains experience and potentially takes on a larger role, her efficient play and team-first approach could help drive UC Davis to new heights in the competitive world of college lacrosse.
The Importance of Player Development
Lawrence’s progression from her freshman to sophomore year demonstrates the value of effective player development within the UC Davis program. Continued growth and improvement will be key for both Lawrence and her teammates as they push to achieve their goals.
Factors that could contribute to Lawrence’s continued development include:
- Offseason training and conditioning programs
- Individual skill work with coaches
- Film study and tactical understanding of the game
- Leadership opportunities both on and off the field
- Challenging herself against top competition
Mia Lawrence: A Name to Watch in College Lacrosse
While Mia Lawrence may not yet be a household name in the world of college lacrosse, her efficient play and contributions to UC Davis’ success make her a player worth keeping an eye on. As she continues to develop and potentially take on a larger role, Lawrence could emerge as one of the key players to watch in the MPSF conference.
Reasons to follow Lawrence’s career include:
- Her potential for continued improvement and increased production
- The possibility of Lawrence becoming a focal point of UC Davis’ offense
- Her role in helping to elevate the Aggies’ program on the national stage
- The opportunity to witness the growth of a promising young talent in college lacrosse
Beyond the Stats: Lawrence’s Intangible Contributions
While statistics provide valuable insight into a player’s performance, they don’t always tell the whole story. Lawrence’s impact on UC Davis lacrosse likely extends beyond the numbers in several ways:
- Being a supportive teammate and positive presence in the locker room
- Demonstrating strong work ethic and dedication to improvement
- Representing the program well both on and off the field
- Contributing to the team’s overall chemistry and cohesion
These intangible factors, combined with her efficient on-field play, make Mia Lawrence an important piece of UC Davis’ lacrosse puzzle as they look to build on their recent success and establish themselves as a perennial contender in the MPSF and beyond.
Mia Lawrence | So Player For UC Davis | 2021
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#7 Mia Lawrence
UC Davis (12-4)
Grade: So
Position: A
2021 Season Totals
| GP | G | A | P | SH | SH% | SOG | SOG% | GB | CT | TO | S | GA | SV% | DC |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 14 | 4 | 2 | 6 | 11 | 36% | 8 | 73% | 3 | 0 | 5 | 0 | 0 | 0% | 1 |
Aztecs Fall in MPSF Action
DAVIS, Calif.
– The San Diego State lacrosse team ended their two-game road trip on a sour note, falling 19-10 to UC Davis at UC Davis Health Stadium in Davis, Calif. Sunday.
With the loss, the Aztecs move to 4-7 (0-1 MPSF) overall and record their first MPSF conference loss. The Aggies now sit at 8-4 with a 1-0 record in league action.
The Aztecs were led by the duo of redshirt senior Lexi Tan and senior Julia Sheehan on the offensive attack. Tan scored four goals with a 3-3 mark on free-position attempts while collecting two ground balls and causing a turnover. Sheehan earned her first hat trick of the 2021 season with three scores including a free-position goal. Also scoring for the Aztecs was senior Bailey Brown, sophomore Camdyn O’Donnell, and freshman Avonna Usher, each finding the back of the net once in the matchup with the Aggies. UC Davis saw their scoring come from Kendall Seifert, Maddie Mayers, and Alex Agnew, scoring four goals, three goals, and a hat trick, respectively.
Four other Aggies scored twice while sophomore Mia Lawrence added one point to UC Davis’ total.
With her 14 saves throughout the day, redshirt senior Katy Sharretts moved into sole possession of the fifth-most saves in a career by a MPSF netminder, currently totaling 533 saves during her time donning the Scarlet and Black. Sharretts faced 33 shots on goal for a .424 save percentage. Usher led SDSU with three ground balls while adding two draw controls. For the second time this season, Brown snagged nine draw controls, tied for the fourth-most in a single game in Aztec program history. Freshman Maggie Marion caused two turnovers, a team-high, while sophomore Caitlin Jones and senior Taylor Sullivan each grabbed two ground balls. UC Davis’ netminder Ashley Laing faced 22 shots, earning 12 saves for a .545 save percentage.
San Diego State scored first as Lexi Tan found the back of the net just 1:44 into the game.
The Aggies responded with two scores, but Tan scored her second goal of the game to equalize the score. The Aggies would go on another 2-0 scoring run, broken up by Sheehan’s first goal of the game moving the score to a 4-3 advantage for the Aggies. UC Davis capitalized on their lead and widened it to a six-point margin with a 5-0 scoring run before the Aztecs could put another point on the board. Sheehan would go in for the Aztecs’ fourth goal, and both teams went back-and-forth scoring until the end of the first half. The Aggies went into halftime with an 11-5 lead.
Davis opened the second half with a 4-0 scoring run to set the score at a nine-goal advantage for the Aggies. From there, goals were exchanged back and forth, but the margin of the Aztecs’ deficit never broke eight goals.
THE STAT
The Aztecs have not secured a win over the Aggies in regular-season action since April 21, 2017, where the Aztecs clinched a spot in the 2017 MPSF tournament with a 13-11 road win over UC Davis.
UP NEXT
San Diego State heads back to the friendly confines of The Mesa for a senior-day matchup with the Fresno State Bulldogs on Saturday, April 17. The opening draw between the MPSF foes is set for noon at Aztec Lacrosse Field.
Elliot Lawrence, Award-Winning Conductor, Dies at 96
Elliot Lawrence, who after leading a big band in the 1940s and ’50s won a Tony Award for his conducting on Broadway and spent nearly a half-century in charge of the orchestra that plays on the Tonys’ annual broadcast, died on July 2 in Manhattan. He was 96.
His son Jamie confirmed the death, at New York-Presbyterian Hospital.
A pianist by training, Mr. Lawrence was a leader from a young age, forming one youth ensemble, the Band Busters, at age 12. In his 20s he started Elliot Lawrence and His Orchestra, which was voted the most promising new big band in Billboard’s college polls in 1947 and 1948.
His later work as conductor of the Tony Awards orchestra — a job he got because of his success on Broadway and in television — earned him two Emmy Awards.
“He was happiest in front of an orchestra,” said Jamie Lawrence, who is also a musician and conductor.
The big-band era was waning after World War II, but Mr. Lawrence’s orchestra found success playing colleges, proms and concerts. In 1949 alone, it traveled 65,000 miles.
The band’s members variously included the saxophonist Gerry Mulligan, who wrote some of its arrangements, and the trumpeter Red Rodney. It performed at the Paramount Theater in Manhattan and at the Hollywood Palladium in Los Angeles.
“He knew how to rehearse, and he had great ears,” Joe Soldo, who played saxophone for Mr. Lawrence’s band from 1949 to 1951, said by phone. “He had instrumentation, like a separate oboe and a French horn. He brought classical input to his arrangements.”
But Mr. Lawrence decided to stop touring in 1954 after a trombone player in his band, Ollie Wilson, had given him bad news about some of the other musicians.
“He came to me one night on the road and said, ‘El, I’m sorry to tell you this, but out of the 16 guys in the band, 14 of them were junkies.
’ Only Ollie and I were clean,” Mr. Lawrence recalled in 2009 in an interview with the alumni magazine of his alma mater, the University of Pennsylvania.
He occasionally reassembled the band in various configurations to record albums, including “Elliot Lawrence Plays Gerry Mulligan Arrangements” (1955), “Swinging at the Steel Pier” (1956) and “Jazz Goes Broadway” (1957).
By then he had begun to find work in television. In 1959, he conducted a 42-piece orchestra that the television host Ed Sullivan took to the Soviet Union.
While there, one of the many performers on the trip, the choreographer Gower Champion, asked Mr. Lawrence to be the musical director of “Bye Bye Birdie,” which Mr. Champion was directing and which was to open on Broadway the next year.
Mr. Lawrence was conducting the “Bye Bye Birdie” orchestra — on his way to a Tony nomination — when the composer Frank Loesser hired him for the same job on his new musical, “How to Succeed in Business Without Really Trying,” which opened in October 1961.
July 13, 2021, 11:06 a.m. ET
Their collaboration proved fruitful. Mr. Lawrence won a Tony, one of seven that the show received, including best musical and best actor (Robert Morse).
Elliot Lawrence Broza was born on Feb. 14, 1925, in Philadelphia. His father, Stan Lee Broza, was a founder and executive of the local radio station WCAU. He and Elliot’s mother, Esther (Malis) Broza, produced the long-running variety show “The Horn and Hardart Children’s Hour” on radio and later on television.
Elliot began taking piano lessons at age 3. In 1930 he contracted polio, which affected his fingers and neck, but he recovered and began playing again, and at 10 he was accompanying his mother when she sang tunes from the Great American Songbook at parties in their home.
He went on to perform with the Band Busters on his parents’ “Children’s Hour.” At 16 he entered the University of Pennsylvania on a music scholarship and became student director of the marching band, writing, he recalled, jazz arrangements for the school’s fight songs when the football team faced Army in a sold-out game at Franklin Field in Philadelphia.
After graduating in 1944 with a bachelor’s degree in music, Mr. Lawrence took over WCAU’s house band, which played live on the air. He formed his big band a year later. Around that time he changed his surname to Lawrence and made Broza his middle name.
In 1949, as a veteran bandleader of 24, he was focused on the music as well as the business of overseeing a touring group of 17 members, including two singers, that was grossing $300,000 a year but losing money nevertheless because of salaries, transportation, uniforms, booking agency fees and other costs.
“You can see it isn’t a way to get rich quick,” Mr. Lawrence told The Kansas City Star, adding: “My father is my business manager. I don’t have to worry about my money being stolen.”
The big-band work yielded to conducting on Broadway, where, after “How to Succeed,” he was the musical director of seven more shows and began his run as conductor of the Tony Awards orchestra, a gig that would last until 2013.
In addition to the Emmys he won for his work on the Tonys, Mr.
Lawrence also won Emmys for his musical direction of the television specials “’S Wonderful, ’S Marvelous, ’S Gershwin,” a tribute to George and Ira Gershwin in 1972, and “Night of 100 Stars” (1982), an all-star variety show celebrating the centennial of the Actors’ Fund of America.
His television credits include writing music for soap operas like “The Edge of Night,” for which he won two Daytime Emmys, and two ABC Afterschool Specials, which earned him two more Daytime Emmys.
He also wrote music for the opening sequence of “The French Connection” (1971) and for “Network” (1976). But most of his “Network” score was cut, Jamie Lawrence said.
“Paddy Chayefsky came into the edit room and said, ‘I don’t want to hear music,’” Mr. Lawrence said, referring to the film’s screenwriter. “He only wanted dialogue.”
“My dad,” he added, “was very proud of that score.”
In addition to his son Jamie, Mr. Lawrence is survived by his daughters, Alexandra and Mia Lawrence; another son, Danny; and five grandchildren.
His wife, Amy (Bunim) Lawrence, died in 2017.
Ricky Kirschner, the executive producer of the Tonys broadcast, recalled Mr. Lawrence as a gentlemanly leader of the orchestra until he was nearly 90.
“Think about it,” he said by phone. “It’s a three-hour show, with 15 performances, and you have to arrange and rehearse music for every possible winner. And when they say who the winner is, you have to be fast enough to play it while the director is in your ear, telling you to cut after 20 or 30 seconds”
He added, “Think of doing that when you’re 88.”
Law captures SCC title
MILFORD — Jonathan Law’s performance on the balance beam proved to be the difference at the SCC Championships in the James Richetelli Sr. Gymnasium on Thursday night.
Law defeated Mercy, 126.60 to 126.40, to win the title. Coach Pat Simon’s Lady Lawmen posted a score of 32.30 to the Tigers’ 29.80 to take the crown for the first time since 2007. Mercy was the defending champions. Daniel Hand (123.
15) was third followed by Foran (114.650) and Hamden (107.50)
“I was impressed,” Simon said when the score was announced. “Our girls did awesome. On beam we had no falls. They would come back together and say, another great event (as a group). They went out and had a great time. We knew it would be close, we didn’t know how close, so we just went (out) and had fun.”
Mercy coach Monica Bauer said: “We did pretty well. Vault and floor were our strongest events today. They kind of fell apart on beam, and did okay on bars. We had a lot of falls on beam, which put us short. Mia Lawrence had a great meet. She is captain this year. This was a great meet for her to finish MVP on as this is her senior year.”
Lawrence took the all-around (35.00) and was presented with the newly-named Melanie Coleman Most Outstanding Gymnast Award. Coleman, a Law graduate and three-time state champion, passed away in the fall.
“Melanie, I met her freshman year,” said a teary-eyed Lawrence, who was outstanding gymnast for the second consecutive season.
“She was an amazing gymnast and I looked up to her since then. I’m honored to win this award, I really am. It means so much to me. She was a great leader for all of us.”
Law’s Catherine Burns was second all-around at 34.00. Emma Nelly from Law and Branford’s Brooke Kustra tied for third (32.80).
“We were expecting a close race, but we didn’t know until the end how it was going to turn out for us,” said Burns, who was first on beam. “We have a lot of girls with a lot of capabilities. Everyone really motivates each other to do their best.”
Nelly said: “We knew that we had a shot. The fact that we did means a lot to me and to this whole team.”
The All-SCC team had solid representation from each team. Law placed Burns, Nelly and Ali Gordon, while Mercy’s Charlene Weaver, Emma Pfau and Ella Bankowski joined Lawrence. Hand’s Carly-Anna Barba, Morgan McMahon, Kayla Castaldo were named, along with Foran’s Ginger Schmidt and Emma Jerue.
Branford’s Kustra, Hamden’s Alexis Sangiovanni, Guilford’s Ella Esposito and Amity’s Riley Palozzo tounded out the squad.
william.bloxsom
@hearstmediact.com;
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SCC GYMNASTICS
Final Team Results: 1. Jonathan Law, 126.6; 2. Mercy, 126.4; 3. Daniel Hand, 123.15; 4. Foran, 114.65; 5. Hamden, 107.5.
All-Around: 1. Mia Lawrence (Mercy), 35.00; 2. Catherine Burns (Jonathan Law), 34.0; 3. Emma Nelly (Jonathan Law), 32.8; 3. Brooke Kustra (Branford), 32.8; 4. Carly-Ann Barba (Daniel Hand), 32.1; 5. Charlene Weaver (Mercy), 31.45; 6. Ella Esposito (Guilford), 30.6; 7. Alexis Sangiovanni (Hamden), 30.5; 8. Riley Palazzo (Amity Regional), 30.15; 9. Annie Berger (Mercy), 29.55; 10. Ameya Menta (Amity Regional), 29.55; 10. Kayla Cataldo (Daniel Hand), 29.
55. Floor: 1. Mia Lawrence (Mercy), 9.2; 2. Carly-Ann Barba (Daniel Hand), 8.6; 3. Emma Nelly (Jonathan Law), 8.4; 4. Morgan McMahan (Daniel Hand), 8.3; 5. Catherine Burns (Jonathan Law), 8.1; 5. Charlene Weaver (Mercy), 8.1; 5. Ella Esposito (Guilford), 8.1; 5. Kayla Cataldo (Daniel Hand), 8.1; 5. Ginger Schmidt (Foran), 8.1; 6. Ella Bankowski (Mercy), 8.0; Beam: 1. Catherine Burns (Jonathan Law), 8.9; 2. Emma Nelly (Jonathan Law), 8.4; 3. Brooke Kustra (Branford), 8.3; 4. Riley Palazzo (Amity Regional), 8.05; 5. Mia Lawrence (Mercy), 7.9; 6. Paige Dean (Daniel Hand), 7.75; Bars: 1. Mia Lawrence (Mercy), 8.7; 2. Brooke Kustra (Branford), 8.3; 3. Catherine Burns (Jonathan Law), 8.0; 4. Emma Nelly (Jonathan Law), 7.7; 5. Charlene Weaver (Mercy), 7.6; 6. Carly-Ann Barba (Daniel Hand), 7.4; 6. Alexis Sangiovanni (Hamden), 7.4; Vault: 1. Mia Lawrence (Mercy), 9.2; 2. Catherine Burns (Jonathan Law), 9.0; 3. Carly-Ann Barba (Daniel Hand), 8.
4; 4. Charlene Weaver (Mercy), 8.35; 5. Brooke Kustra (Branford), 8.3; 5. Emma Nelly (Jonathan Law), 8.3; 5. Emma Plau (Mercy), 8.3; 6. Alexis Sangiovanni (Hamden), 8.25; 6. Katie Zimmer (Mercy), 8.25.
Trevor Lawrence hyperbole in full effect at Jaguars training camp
Trevor Lawrence of the Jacksonville Jaguars looks to pass during Training Camp. (Photo by James Gilbert/Getty Images)
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There may be a light at the end of the tunnel with Trevor Lawrence throwing some dimes at training camp.
The Jacksonville Jaguars have been struggling, this is something that we can’t deny. Last season alone, they closed out with a record of 1-16 and before that, they lost their RB1 to the other team in Florida. That same team went on to win the Super Bowl, too.
Talk about the odds not being in your favor.
But things are starting to look up for the Jags. After the close of the 2020 season, they were able to grab the No. 1 pick overall, a guaranteed stud in Trevor Lawrence. He’s already been putting in the work since he’s came to training camp, and the fans are loving every bit of it.
Lawrence has been throwing dimes across the field according to Mia O’Brien’s observation at Training Camp
When I tell you Trevor has made every throw you possibly can on the length of a football field today, I am not exaggerating.
It’s a clinic. Should’ve brought HS’ers out to teach them ?#Jaguars | @FCN2go
— Mia O’Brien (@MiaOBrienTV) July 29, 2021
It’s exciting to hear that he’s becoming that light in the darkest hour for the Jags. But, are we getting too excited too early?
This is a bold statement to make when Jacksonville threw a completion rate of 62.
8 percent according to their NFL stat line last year and still closed out with just one win. Lawrence threw a bit better last year with a completion rate of 69.2 percent as told by Clemson. If you wanna compare it to Tampa Bay’s QB1, he had a completion rate of 65.7 percent.
People give Jacksonville a bad rep for chewing players up and spitting them out, but this could be the golden child they need. Coming from a fan of a team whose QB1 situation is questionable, it’s looking up for the Jags, and it’s easy to envision more wins in their season.
‘The Bold Type’ Creator On Tackling Sexual Assault In The Show’s Hopeful Finale
Warning: Spoilers ahead for the season finale of Freeform’s “The Bold Type.”
“The Bold Type,” Freeform’s fresh, deeply hopeful show about three women in their mid-20s trying to make it in the insane world of New York media, closed out its first season Tuesday night. (If you have yet to give the show a try, you should. It’s sweeter, deeper and more engaging than the original teasers might have let on.
)
The series centers around three women who work at Scarlet Magazine ― a thinly veiled fictional version of Cosmopolitan ― and their boss, the ethereal Jacqueline. (Former Cosmo Editor-in-Chief Joanna Coles is an executive producer on the show.) There’s Jane (Katie Stevens), a budding political reporter; Kat (Aisha Dee), Scarlet’s Social Media Director; and Sutton (Meghann Fahy), an executive assistant who finally gets her shot at working in the fashion department.
During the show’s finale, Jane is tasked with covering Mia Lawrence, a performance artist and activist who has staged a performance piece in Central Park. Mia carries two physical weights in the shape of scales, meant to represent the metaphorical weight she carries in the wake of being sexually assaulted. Other survivors can come up to her and relieve her of her physical burden for a period of time. (The piece featured in “The Bold Type” is intentionally similar to Columbia student Emma Sulkowicz’s “Carry that Weight,” in which she carried her mattress around campus between September 2014 and May 2015.
Sulkowicz said she would stop the endurance performance when her alleged rapist was removed from or left the university. She carried that mattress, with the help of other students, all the way until graduation.)
The finale’s climax comes after Jane has made the decision to leave Scarlet. She visits Mia in the park, and though she cannot carry her weight, she stands near her in solidarity. Eventually, Kat and Sutton join her. And finally, Jacqueline arrives, stepping up to reveal that she shares the label of “survivor” with Mia ― and the weight that comes along with that experience. It’s a beautiful image of five women standing with and for each other, made even more touching by the fact that it’s set to singer MILCK’s “Quiet,” an (unofficial) viral anthem of the Women’s March. (See below.)
“The Bold Type” isn’t really about Big Messages ― it’s more focused on the arguably smaller interpersonal dynamics between the women at its center ― but the writers also don’t shy away from acknowledging the world that “The Bold Type” is set in.
After all, these women live in New York City and work for a news organization in 2017: They report on sexism in politics and climate change policy and the BRCA gene; they have friends and lovers of varying sexual identities and races and countries of origin; they talk about how annoying it is when President Trump causes massive traffic jams. And in the final episode of the season, the women grapple with what it means to survive and thrive in the face of traumas, both big and small.
During a time when every day feels like an episode of the worst reality TV show you can imagine, “The Bold Type” provides a welcome antidote. You don’t escape reality when you immerse yourself in Jane and Kat and Sutton’s lives, but you see a kinder version of it. This hopefulness extends to the way the show chose to approach a topic as complex and dark as sexual violence, and the healing process survivors are forced to face.
As “The Bold Type” creator Sarah Watson put it to HuffPost: “We always wanted to have an element of wish fulfillment.
”
HuffPost spoke with Watson, who wrote the moving finale episode, about the choice to build the finale around such a weighty (no pun intended) storyline, as well as the future of the show.
HuffPost: I really loved episode 10, “Carry the Weight” ― I got a bit weepy at times. At what point did you decide to craft the finale around this subplot of sexual assault and survivor-hood?
Sarah Watson: We didn’t know it was gonna be the finale, but we knew very early in the season that this was a story that we wanted to do. In the first couple weeks in the writer’s room, we started talking about all the girls, and started to think of experiences that they were gonna have as women in their 20s, coming up the ladder in the magazine world. We just started talking about how the experiences you have in your 20s really shape you. And then [we] started talking about Jacqueline ― we started talking about how we’re not gonna be telling as many stories like that in her present, but what was it like for her when she was coming up in the magazine industry? And we discussed how different things were then; that it was tougher to be a woman back then.
Even 20 years ago, it was just so much harder to talk about stories [of sexual assault], because [media] was definitely a male-dominated industry. Women didn’t feel that they could come forward. And so, we knew very early that, that’s something we wanted to be a backstory for Jacqueline. I brought Melora [Hardin, who plays Jacqueline] in to talk about her character because I wanted her to know all season long that that was something in the character’s past.
What was the significance of having Jacqueline come out as a survivor of sexual assault?
The whole season, Jacqueline is a bit of a mystery. We don’t know much about her, other than in episode six when Jane explodes on her and Jacqueline invites her into her home. We wanted this woman to be a bit of a mystery. So, it just felt like the right place to talk about this big experience that obviously shaped her.
Did you consult with any sexual assault advocacy organizations to make sure that you were telling this story in a way that was responsible?
Absolutely.
I spoke [with representatives from] Break The Cycle. With a storyline like this, especially when I’m writing about something that is not my personal experience, I wanted to make sure that I got it right. Obviously, in writing this episode, I’m not speaking for all women who have been through [sexual assault], but I wanted to make sure we were sensitive and making the story as accurate as possible.
“Carry the Weight,” the title of this episode, is deeply reminiscent of artist and former Columbia student Emma Sulkowicz’s 2014 project, “Carry that Weight.” I assume that’s kind of where you got the inspiration for the performance art piece featured in the show?
Oh yeah. I was definitely inspired by Emma Sulkowicz. I just thought there was something so brave and moving about [what she did]. It was a little more organic when women stepped in to help her carry her mattress, and I just thought there was something so beautiful about [how] this generation steps up and helps each other.
Jacqueline had been carrying this weight personally and alone for so long, so to see this new generation step up and really be there to support each other, I thought that was such a beautiful image.
Did Emma Sulkowicz know that this episode is coming? Did you reach out to her at all?
No, we didn’t. Two of the women I spoke to when we were researching the storyline do know her. I don’t know if they told her or not.
Freeform
Jacqueline and Jane chat at a Scarlet party during the finale episode of “The Bold Type.”
In the episode, Jacqueline’s personal experience and trauma plays into the way that she responds to assigning these kind of stories. I found that particularly interesting as someone who works in the women’s media space, because it’s both a privilege and emotionally exhausting to cover stories as a women about women’s trauma, all the time.
It’s such a double-edged sword because I think for young journalists, and also as a writer telling fictional versions, there’s something exciting about telling these big, weighty stories but there’s also something very scary about it.
And it is a tremendous responsibility. And Jane, this sort of younger reporter, isn’t able to see yet what a tremendous responsibility that is. But I also think it was a little bit unfair that Jacqueline didn’t let Jane do this story on Mia Lawrence right away. Jacqueline was bringing personal experience to it, which is something I think she realizes in the arc of the episode.
One of the final scenes ― when the four women (Jane, Kat, Sutton and Jacqueline) are all standing together with Mia in Central Park ― was set to MILCK’s “Quiet.” That’s a song that went viral after it was performed by a group of women at the Women’s March. Was that intentional?
So, that came from our music supervisor, Ronald Lowry. He read the script and emailed me right away. First of all, I think he said, “as soon as I’m done sobbing, I want to pitch a song to you.” And I did not know about the song’s connection to the Women’s March, which adds an even more beautiful and complex layer.
As soon as we shot that scene, our music editor mixed it to that song and it was just beautiful and perfect.
What do you hope that survivors of sexual assault who watch this finale take from it?
I could never put myself in their position and I know that every women who is a survivor is gonna have a different reaction to [the episode]. I just hope they feel less alone. That’s what the “carry the weight” message is ― we’re all in this together. Women who are not survivors can still be there. That moment when Jane and Sutton and Kat [who are not survivors] all show up and stand with Mia. We can be there too.
Throughout the whole season, “The Bold Type” has consistently taken cues from real-life stories, from media layoffs to Instagram’s nudity policy, to Adena’s rough experiences with U.S. immigration. Did you always plan to integrate, for lack of a better term, “ripped from the headlines” storytelling?
It was never a super conscious thing.
I just think the nature of them being at a magazine lends itself to that. I wrote on “Parenthood” for six years and our joke was always that “Law and Order” did ripped-from-the-headlines, and we did ripped-from-our-real-lives. And so, on “The Bold Type,” I think it started from us talking about our experiences, and then us talking about the experiences of the women who were actually working at Cosmo. It just felt right to tell these real and grounded stories of what it’s really like to work in a magazine in 2017.
And especially given the moment that we’re in, those crossovers might be more apparent. The Trump clogging up traffic in New York jokes hit close to home.
Oh yeah, are you in New York right now?
So, I had stayed at a hotel just a couple blocks from Trump Tower right before we started the writers room and I was there the day that Kanye visited Trump and you just couldn’t go anywhere. And I just thought, “Oh my gosh we have to play the reality of what it’s like to be New Yorker when the President comes to town.
”
Yeah, and I think no one is angrier than New Yorkers when Trump comes back home. I also enjoy that the show manages to strike a balance between delving into these deeper, darker news-based issues, while still being genuinely fun to watch and lighthearted. Did you have conversations in the writers room about how to strike that balance?
We for sure wanted the show to feel very hopeful. So, we always wanted to have an element of wish fulfillment. I think “Friday Night Lights” had it beautifully. Every episode had a character going through something huge and weighty, but at the same time you left those episodes feeling good and feeling like, with your friends, and with coach and family you can face it all together. So, I always wanted to have this feeling of, even though we’re going through these things, we’re all in it together and every story should be approached from this feeling of hopefulness and the feeling that we’re all gonna be OK.
Freeform
Kat, Sutton and Jane.
Do you consider “The Bold Type” to be a feminist show?
Definitely. It’s women supporting women. You know, there’s so much attention right now on defining feminism and who’s a feminist and what’s feminist. And to me, it’s just women supporting women, which is absolutely what this show is.
What does that label mean to you when you’re writing a TV show? Does it create an extra responsibility in the way that you’re putting the show together, especially given the tumultuous political moment that we’re in?
You know, I try to not think about it because once you feel that extra responsibility, I feel like it’s very easy to go to this preachy, pandering place and I never want the show to go to that. I always want it to feel like it’s from a place of reality. So, just in everything we write, all the writers, we just try to approach it from a place of character and a place realness.
I wanted to show what women’s friendships can be, because I feel like so often on TV, we have shows that are about women and their friendships, but drama always come from them turning on each other.
And I wanted to show that we can face the drama together ’cause those are the kind of female friendships that I have. If the kind of female friendships that you have are your friends turning on you, go get new friends. And in the writers room, we actually jokingly refer to [the relationships on the show] as “friendship porn.” It’s like we’ve taken the real and grounded friendships and just added a little shine; made them a little stronger than reality.
So what can we expect from the show if you get a season two?
Oh my gosh. Ask me in a couple weeks. After I’ve had a moment to recover. Ask me when I get a season two. Part of me doesn’t even want to think about it because I don’t want to jinx it. Part of me just wants to lay around on the beach.
This interview has been edited and condensed for clarity.
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Carter’s MIA Act Irked Ridge
The Bold and the Beautiful recap for Monday, July 26, 2021, featured Carter Walton’s absence from the office rubbing his bestie the wrong way.
In fact, Ridge Forrester was nearing his breaking point with the exec.
The Bold and the Beautiful Recap Highlights
Quinn Fuller (Rena Sofer) and Carter (Lawrence Saint-Victor) agreed staying away was the right thing to do but meh, who wants to be good when you can be bad. They didn’t even make it to the bedroom and made love right there on the couch. It was a huge risk but one they were willing to take.
B&B Recap: Ridge Forrester Sensed Red Flags
Over at the office, Ridge (Thorsten Kaye) was annoyed the COO was away from the office again. He and Steffy Forrester (Jacqueline MacInnes Wood) wondered where he could be, especially with so many deals waiting to go through and divorce papers to serve up.
Steffy and Ridge gossiped about the drama. She also updated her dad on her new roommate situation. Paris Buckingham (Diamond White) was staying with her and Finn (Tanner Novlan) for the time being.
Flo Fulton (Katrina Bowden) arriving with the divorce docs pushed Ridge over the edge.
He called Carter and demanded to know what was going on. Luckily, for Quinn, it wasn’t a video chat this time. She and Carter cuddled up as they took in the news. He promised to be back in the office first thing in the morning.
Bold and The Beautiful: Zende Went On Alert
Meanwhile, over in the design room, Paris excitedly told Zende Forrester Dominguez (Delon de Metz) about her new digs. She was happy to live in a busy home with the kids and family. Zende warned she wouldn’t have much privacy but Paris didn’t mind.
There was something about the way Paris talked about Finn that caught Zende off guard. There was a sparkle in her eye when she talked about getting to know the gorgeous doc better. Zende didn’t say anything but he was clearly concerned.
`
The Bold and the Beautiful (BB) airs weekdays on CBS. Check your local listings for airtimes. For more about what’s coming up in Los Angeles, check out all the latest that’s been posted on B&B spoilers.
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Lawrence Frank named the best manager in the NBA at the end of the season
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Lawrence Frank named the best manager in the NBA according to the results of the season
Lawrence Frank named the best manager in the NBA at the end of the season – RIA NOVOSTI Sport, 08.10.2020
Lawrence Frank named the best manager in the NBA at the end of the season
President of basketball operations of the Los Angeles Clippers club Lawrence Frank won the award for the best manager in the NBA at the end of the season- 2019/20 ,… RIA Novosti Sport, 08.10.2020
2020-10-08T23: 17
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2020-10-08T23: 17
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MOSCOW, October 8 – RIA Novosti. Los Angeles Clippers President of Basketball Operations Lawrence Frank won the 2019/20 NBA Best Manager Award, according to the NBA website. According to the vote, Frank received 61 points, the second was the general manager of Oklahoma City “Sam Presti (41), rounded out the top three, Miami President Pat Riley (39). Last summer, the Clippers’ squad was strengthened by forward Paul George, who played six NBA All-Star Games, and forward Kawhi Leonard, who became champion in the squad. Toronto in 2019.In the 2019/20 season, the Clippers lost 3-4 to Denver in the second round of the playoffs.
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Sasapost (Egypt): who is Lawrence of Arabia, who destroyed the Arab world and became famous in Saudi Arabia | History | Inosmi
In 1962, Hollywood made a film that gave rise to two myths: one about the actor Peter O’Toole, who played the main role in it, and the other about the character played by O’Toole – Lawrence of Arabia.
Hollywood changed the character of the character, transforming him from a person who combines good and evil, into a person in which only one of the two extremes prevails. In addition, he turned Lawrence of Arabia from a short man, whose height did not exceed 160 centimeters due to dysfunction of the pituitary gland, into a tall man 195 centimeters tall.
In Hollywood, heated debates about the identity of Lawrence of Arabia flared up, but the answer to the most important question was never found: was he an archaeologist and lover of Arab heritage, or was he just an explosive device specialist who accidentally entered the Arab world at a turning point in history ? Or was he a spy who came to rescue the Arabs from the great trap set by Sykes and Pico? Or did he come as a tourist and then turn into a spy and deceive the Arabs, which was their biggest mistake in history?
Hollywood resolved all controversy harshly when director David Lean portrayed Lawrence of Arabia standing behind a sand dune with an army of Arabs waiting for a train carrying the Ottomans – enemies of Lawrence, who were also enemies of the Arabs. And when the train arrived, Lawrence gave the signal that triggered the train explosion. And then the Arabs rejoiced, rejoicing that Lawrence’s promises to create an independent state after the collapse of the Ottoman Empire would soon be fulfilled.
The promise of independence prompted the Arabs to stand side by side with the British. Unfortunately, they did not realize that in a moment of general jubilation and joy, Lawrence knew that Sykes and Pico divided the deserts and seas in straight and inclined lines, calling them borders, and that the French took over Syria and Lebanon, while the British took over Palestine. , Jordan, Persian Gulf and Iraq.
Knowing this bitter truth, Lawrence made the decision not to inform the Arab soldiers, who at the time could be called his soldiers, that Britain had broken its promise. He decided to join the “conspiracy” and appeased the Arabs. Lawrence saw that it would be better for everyone if Britain won, even if the price was breaking a promise for which Arab soldiers shed their blood and gave their lives.
Lawrence of Arabia – illegitimate son who did not know the truth about his origin until the age of 30
Several English newspapers that wanted to acquit Lawrence, including The Guardian, wrote that he may not have been aware of the scope of the agreement prepared by Sykes and Pico.Nevertheless, they still argued that even if he did not realize the full horror of what the parties were planning, he at least knew that he was “misleading the Arabs.”
The Arabs trusted Lawrence more than themselves. This is probably why they gave him the nickname “Arabian”. Lawrence made everyone forget that he was the illegitimate son of an Englishman and a Scottish woman. Sir Thomas Chapman left his first wife, falling in love with the governess Sarah Lawrence, the future mother of Thomas Lawrence, who would later become known as Lawrence of Arabia.
SasapostThe Times
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The informal nature of parental relationships was hidden from society, where everyone knew them as the Lawrence spouses. Thomas Lawrence grew up in the care of a rich father, unaware that he was an illegitimate child. He graduated from Oxford High School and then the famous Oxford University. The Lawrence family was religious and conservative, trying to overcome the lies and illicit relationship between the servant and her master that lived in the house.
Thomas Lawrence, like the rest of his illegitimate brothers, did not know the truth about parental relationships until the death of Thomas Chapman in 1919. After the truth was revealed that Thomas was an illegitimate child, he lost his status in society. Aristocratic families refused to accept him or consider him as a profitable party for their daughters. In addition, he lost the opportunity to gain a high position, which led to isolation and depression.
During World War I, he chose not to mention family or family circumstances.
To satisfy Lawrence’s passion, his father sent him to Paris to study archeology. In France, Lawrence became interested in the personality of Napoleon Bonaparte, feeling that they had a lot in common. And first of all, low growth and huge ambitions. In addition, Lawrence was interested in Napoleon’s military strategy. And then he was so inflamed with a passion for history that he decided to visit the East to see the monuments of a great civilization with his own eyes. For the sake of achieving this goal, he mastered various dialects of the Arabic language in order to get information from first hand.
In the summer of 1909, Lawrence of Arabia went on a walking tour of Syria. In just one year, Lawrence mastered the Arabic language, as if he was born to Arab parents and lived all his childhood and adolescence on the Arabian Peninsula. In the same year he graduated from Oxford and became famous in the Arab world as an archaeologist and connoisseur of the ancient Arab heritage.
Archaeologist turned into a spy and arms dealer
World War I begins four years after Lawrence graduated from university.The Ottoman Empire declared war on England, and in turn England decided to crush the Ottomans using all available means. Lawrence took part in that war and was a kind of weapon in the hands of the British, eventually becoming their “nuclear bomb”.
Sir Gilbert Clayton summoned Lawrence to the headquarters of the British Army High Command in Egypt, where he assigned him to the Cartographic Department. Lawrence took up mapping, but was then transferred to the Secret Intelligence Service. Lawrence forgot about the antiquities and heritage of the Arabs and began to list the positions of the Ottoman troops, which he memorized.
Lawrence liked his new job. It is likely that the death of two brothers during the First World War influenced him greatly. He was able to convince the Arabs that he would save them from “Turkish ambitions” and that he wanted to free them from dependence on the Ottoman Empire.
And the fact that Lawrence knew Arabic and was interested in Arabic culture made the Arabs believe everything he said.
His authority and fame grew day by day. He soon demanded a meeting with Prince Abdullah, the second son of Sheriff Hussein, who was the leader of the Great Arab Revolt against the Ottomans.Lawrence wanted to understand the true motives of the anti-Turkish uprising. In addition, he asked for permission to tour the country to find out the real state of affairs, and subsequently report to the General Command in Cairo.
Sheriff Hussein agreed. And Prince Abdullah sent a letter to his brother, Prince Ali, in which he asked to accompany Lawrence and personally ensure his safety. Lawrence traveled around the country in Arabic clothing, claiming to be an Arab from Aleppo. During his travels, Lawrence met Prince Faisal, the eldest son of Sheriff Hussein, who made a big impression on him.
Lawrence of Arabia – Best English Spy
From a conversation with Prince Faisal, Lawrence learned two things.
First, the motive for the revolution was tribal nationalism, which sometimes turned into a Arab versus Turks, but definitely not religion or ideology. And secondly, the first Arab attack on Medina failed due to the fact that the Ottomans used modern weapons, in particular, cannons, about which the Arabs knew nothing.
Lawrence’s information, which he provided to the British leadership, made the British realize that the Arabs had a lot of trust in him.Thus Lawrence became the best spy the British have ever had. They decided to send him back to Prince Faisal so that he would remain by his side as an adviser, but would actually be responsible for making decisions related to the activities of Sheriff Hussein.
Thanks to the title of “advisor to Prince Faisal,” Lawrence was able to win the trust of the leaders of the Arab tribes, whom he was later able to convince to join the Great Arab Revolt. Lawrence forced them to end their internecine conflicts and direct their weapons to “the main enemy”, who, by a strange coincidence, was also an enemy of the British.
In fact, this “enemy” pursued the same goals as the Arabs, but Lawrence convinced them otherwise.
When the supporters of the Great Arab Revolution stood under the banner of Sheriff Hussein, but in fact under the banner of Lawrence of Arabia, he had the opportunity to convince Prince Faisal to occupy Aqaba in order to snatch the vital port from the hands of the Turks.
It was not difficult to convince him, since Lawrence became the most reliable and close friend and leader of the Arabs.
A genius deceiver who fell into the hands of the Turks and then fled from them
Lawrence waged a guerrilla war against the Turks and used his knowledge of mines and explosives to bring glory and many victories to the Arabs.Lawrence’s successive victories and fame gradually grew, leading him to consider making Palestine a real home for the Jews. So he decided to play a more serious role in the region.
The GuardianČeská Pozice
The Guardian
Dreams exceeded his capabilities, but he still decided to go to Dar’a to realize them alone.
Thus, there is nothing strange about Lawrence falling into the hands of the Turks.Fortunately, they didn’t know what he looked like, or how valuable the person had fallen into their hands. Lawrence managed to convince the Turks that he was Circassian, but the soldiers still insisted that he appear before the Turkish governor. Fortunately, Lawrence managed to escape.
Lawrence was not upset by anything, except that General Allenby gloated over his misfortune. In 1917, Allenby captured Jerusalem and demanded that Lawrence arrive in the city as soon as possible. Lawrence wasted no time and went to Allenby in Jerusalem to negotiate an increase in British support for Prince Faisal, who rallied the warring tribes against the Turks, the enemies of the British.
Lawrence took a huge sum of money from Allenby and several camels laden with supplies as British support for Prince Faisal. At the same time, they both reaffirmed the need to fulfill the promise given to British Foreign Secretary Arthur James Balfour to create a Jewish state in Palestine, which Theodore Herzl aspired to.
Lawrence of Arabia: Short Life and Bloody Legacy
Sheriff Hussein’s Great Arab Revolution was crowned with success.Faisal became King of Iraq, Abdullah became King of Jordan, and Lawrence returned to England to begin writing The Seven Pillars of Wisdom, which was published in 1925. Following the book’s release, Lawrence joined the British Air Force.
Lawrence joined the Air Force under a pseudonym, as he was wanted not only by all opponents of Sheriff Hussein’s revolution, but also by some supporters who learned that Lawrence was an agent of British intelligence and not a lover of Arab lands or Eastern heritage.
Lawrence tried to avoid fame in every possible way, so several times he got a job under assumed names. For example, he was enlisted in the Royal Armored Division under the name Thomas Edward Shaw. Lawrence chose a new name in honor of George Bernard Shaw, who was his favorite writer. Incidentally, Lawrence published a translation of Homer’s Odyssey under the name Thomas Shaw.
Moreover, he remained under this name until his death.
After nine years of military service, Lawrence of Arabia retired.He decided to spend the rest of his life in a hut in the north of Bovington, but unfortunately, he didn’t have as much time as he expected. Lawrence died in 1935 at the age of 46 in a motorcycle accident. Foreign newspapers wrote that the accident was planned in advance. The funeral of Lawrence of Arabia was attended by prominent figures, in particular Winston Churchill, who appointed Lawrence as an adviser on Arab affairs, as soon as he took over as Prime Minister of Great Britain. Incidentally, Lawrence of Arabia was a close friend of Churchill’s over the years.
Lawrence died leaving no wife or children. On the contrary, he left behind many rumors that he was homosexual. These rumors are confirmed by a poem in which he mourns the death of a Bedouin boy named Selim Ahmed, as well as a dedication – S. A. in the book “Seven Pillars of Wisdom”. However, Lawrence has always maintained that he chose the letters at random and that they do not mean anything.
As a legacy, he left a secret camp in the desert, where he lived in 1917-1918.Incidentally, this camp was a springboard for his campaigns against the Turks. And he also left behind an interesting story that was published in foreign newspapers: Lawrence refused the knighthood granted to him and the awards that King George V offered him, because he felt guilty for betraying the Arabs.
But the real legacy that Lawrence of Arabia left to the Arabs is Israel, which he indirectly helped create. He left the Arabs with a legacy that blinds their eyes every minute, a legacy of shared borders and associated conflicts, and a state of constant tension in which Arabs live to this day.
InoSMI materials contain assessments exclusively of foreign mass media and do not reflect the position of the InoSMI editorial board.
One Word Kill read online by Mark Lawrence (Page 7)
As it turned out, a common imaginary crisis for everyone is great for melting the ice.
By lunchtime, Elton had forced us to panicky out of the collapsing caverns, and Mia and I were bickering like old friends, discussing the relative merits of our survival plans. Even Simon’s voice cut through when he demanded that we shut up and run!
An hour later, our little adventure team was advancing along a narrow forest path while the Sun was setting in the west.
– I will climb a tree. High. Maybe I’ll see the edge of the forest. – Simon took his dice. He played as a thief with a perfectly pumped acrobatics skill. When he said something like “climb a tree”, the imagination had to strain harder than usual. In real life, Simon had big problems climbing trees.
“The tallest trees are smooth-bore elms,” Elton said. – They are super difficult to climb. Three skill checks. Must drop seventeen or less.
– That is a sixty-one percent chance that I will climb to the top. – Simon collected the dice.
– Wow! Mia looked up. – You just took and calculated everything?
“He’s a calculator man,” John said.
– Look. Six hundred eight times two hundred thirty seven?
“One hundred forty-four thousand ninety-six,” Simon said without hesitation, and shook the dice.
– This is incredible! Mia blinked.
– Not really.I have a better chance of climbing to the top than falling, ”Simon said.
– I’m talking about mathematics!
Simon shrugged:
– Any pocket calculator can do it. – He looked in my direction. – This is Nick among us a genius. I am going to study mathematics at Cambridge. But Nick already knows all this from his dad’s books. I just think well. Nick is out of categories.
– Is your dad a mathematician? Mia turned to me.
– Was. He died.
Mia pursed her lips sympathetically, but continued a second later:
– If you are such a child prodigy, why didn’t you enroll early in the university?
– When they force him to take exams, he pretends he can’t do anything. – Simon looked at Elton: – So what? What can I see from the top of the tree?
– Not much.
It’s getting dark. The sun is sinking beyond the edge of the forest, and everything is black and scarlet. But it looks like the forest ends a few miles to the north.Elton held out his hand to sketch the edge of the forest on our map.
We continued along the forest path, choosing the direction to the north at the fork. We tried to light the lanterns.
– It looks like they are not flaring up. – Elton threw his dice, which we could not see. – As if the night is devoured by flames.
– I cast [Cast – pronounce, use a spell in a role-playing game.] Spell of light – my character, Nicodemus, studied the secret arts; trainee wizard, so to speak.
Another hidden throw.
– You cast, and it becomes brighter on the trail, but not as much as it could have been, this is not daylight, but as if you screwed in a ten-watt light bulb instead of a hundred-watt one. And at the edges the light blinks. You feel the darkness constricts your spell, as if it were physical pressure.
Darkness gradually surrounds you.
– Then I grit my teeth and concentrate on keeping the spell from fading.
– Ho-ro-sho-oh-oh … you keep it at ten watts, but you feel bad, man.As if your guts are twisting. The pain shoots through your arms and legs. – Elton dropped the dice again. – You keep walking. And go. It’s only about five miles to walk, but the road wobbles and the forest is too dense to wade through the trees. You have to go back and try other turns. It takes all night. By the time the forest begins to thin out, Nicodemus is in very bad shape. The trail leads you to a stream. The night is still dark, but not much is left before dawn.
– Is there a bridge? Simon asked.
– This is a stream. A few yards wide. You can jump over it. Not in armor, but your thief could jump over it without scattering. – Elton made another shot.
– Wandering Monster! Another shot, and he whistled softly. His eyes went wide. “Damn it.
Wandering Monsters is an unregistered part of the game.
People, creatures, or even events have a small chance of being on the adventurer’s path on any given day, and they are randomly selected from a large table.I guess Ian Rust was my accidental encounter for today. We have never had any luck with them.
– Nicodemus sees him first. Behind you, on the trail, between the trees. Dark figure. Human or in form as human. Only starlight reflects off the bald head.
– Wait a minute … – I raised my hand, looking at John and Mia. – Did you tell him or what?
– Told me what? – Elton looked up from his list of monsters. He looked quite innocent, although any dungeon master has to be a bit of an actor.
– Dark Forest. I feel bad. Stream. Not a river, but a stream. And then this shit with a bald man. I stared hard at John.
– Hey! It was clear on his face that it came to him. – The same was with us!
I turned to Mia:
– You told him , then. – It was not a question.
– Was it a secret? Nobody asked to keep it. She shrugged and buried herself in her character sheet. “But actually I didn’t say anything.
– What nonsense are you discussing? Elton’s brow has taken on one of its famous curved shapes. I swear, between the folds of his forehead, when he frowns, you can slip coins in and they won’t fall out.
“This is similar to what happened to us last night,” John said.
– Did you meet the fucking vampire yesterday?
– Stop! What? Is that a vampire? Do not talk nonsense. John sat up straight in his chair.
“We have a skiff,” Simon sighed and turned over the sheet of his character.
– You have a bad shot. – Elton lifted his books to show the dice. Two zeros. The chance is one in two hundred. – A very bad shot.
“Still,” Mia said. “At least you accidentally gave us what kind of creature it was.
Elton sniffed:
– You are a cleric. Priests can smell things like that.
They are undead. She cannot hide from the priestess. He looked around the table. – What are you going to do?
– Run, of course! “I moved my wizard figure to the front position in the group.- He can devour those in armor!
We all quickly came to the same decision, and our gallant crew soon raced in terror along the coast.
– You all run in a line: Nicodemus is in front, Finnis the thief is right behind him, the other two are slightly behind. – Elton arranged the figures. – In the bend of the river in front of you …
“Bend,” interrupted Simon.
– What?
– When the river bends like this … it’s called a “bend.”
– Okay, private school.At bend in front of you … a vampire awaits. They know how to fly.
– Damn. I… uh… ”I looked at my useless spells. – I’m preparing to die. “Even if the vampire hadn’t killed us, with just a touch he could siphon the experience out of us, take our memory, leave us dried up, a shadow of who we once were.
– Can’t I banish him? Mia asked. “The priests do it, right?
– Show him your cross! – advised John.
“I’m furious, but I don’t know how this will help,” Mia smiled.
– No, he wants to say …
– She knows what he means, Simon.
Sometimes jokes slowly reach Simon.
Elton looked at his book-covered section of the table.
– Clerics can scare away undead, but at your level … Vampire … – He put two dice in front of her. – Throw it. But it has to be an extraordinary cast.
– I am extraordinary myself. – Mia dropped the dice without the traditional panting and agony with which we made important throws.
– Ninety nine!
– Green Christmas trees.
– So, you have time just at the moment when the wamp has already got used to taste Nicodemus, and you raise your cross. It looks like the Man-Jesus is watching you and the crucifix starts to glow. Our bald friend waddles in your direction, but .
.. and this is all the relish, because no danger threatened you from the beginning … The bloodsucker cannot cross the flowing water, so he is, as it were, locked up. Of course, you could all wade the river at any moment.
“I knew that,” Simon said.
“I know you knew,” Elton said. – But to know something and to apply this knowledge in practice, when required, is not the same thing.
– Is he trapped? Mia asked.
– As long as you can hold the cross.
“I think I can hold him until dawn,” Mia smiled broadly.
– Damn, she’s right. John leaned back in his chair. – You, Mia, just killed a vampire yourself!
– Well, bli-i-in … – Elton shook his head.“He’s not asking for mercy, nothing like that. He just stares at you like you are delicious cuts of meat.
“Don’t look him in the eye,” Simon said. – They know how to hypnotize.
Elton sighed:
– At least you remember that. So you waited until the rays of the sun touched him, and he cried out and turned to dust at once: only his clothes fell to the ground.
– He shook his head again: – Just don’t say that is also happened yesterday! Just try it!
– Well, we ran away, – John smiled.- And he could very well be a vampire …
90,000 20 richest actresses – Fine and wealthy
Fine and wealthy
Modern actresses earn a lot – and the most successful of them are already included in all lists of the wealthiest people in the world. In our new collection, we’ll explore some impressive success stories among great film stars. So, the richest actresses in 2020!
20. Drew Barrymore ($ 125 million))
Steven Spielberg’s “Alien” brought Drew Barrymore stunning fame – after him the young actress woke up famous. Then there was a series of successes and failures – good-quality films, such as Poison Ivy, The Scream, The Story of Eternal Love, The Singer at the Wedding, 50 First Kisses and Mixed, as well as a very stormy and hooligan life. The latter did not stop Drew from founding the company Flower Films, which “shot” such hits as “Charlie’s Angels” or “Donnie Darko”.
The result is a solid fortune of $ 125 million and a star on the Hollywood Walk of Fame.
19. Jennifer Lawrence ($ 130 million)
Although Jennifer Lawrence began her career only in 2006, and even then, not very well (“City Company” and “House of Poker” did not deserve a standing ovation), success came to the actress after the films “X-Men: First Class”, “X-Men : Days of Future Past “and” X-Men: Apocalypse “, where she played the young Mystic.There were also Oscar and Golden Globe nominations for the film Winter Bone, as well as numerous awards for her role in the comedy drama My Boyfriend is Crazy. As a result, Jennifer topped the Forbes list of the highest paid actresses 2014/2015. and has earned $ 130 million today.
18. Julia Roberts ($ 140 million)
Julia Roberts was noticed in 1989 – for her role in the film “Steel Magnolias” she received a Golden Globe and an Oscar nomination.A real breakthrough for the actress was “Pretty Woman”, which came out the following year – a box office success, a “million” prizes and the love of the public for many years was guaranteed.
Feature film “Erin Brockovich” only consolidated Roberts’ success in the Hollywood sky – the picture was treated kindly by critics and viewers. In total, all the tapes with Julia grossed $ 2 billion at the box office, so it is not surprising that the actress now owns $ 140 million.
17. Frances Fisher ($ 145 million)
Starting in 1976, Frances Fisher played the role of detective Deborah Saxon in the TV series “End of the Night” for five years, then she pursued a theatrical career and rarely appeared on the movie screen.However, the roles of Alice in Clint Eastwood’s western “The Unforgiven” or Ruth Dewitt Bukater in the disaster of James Cameron “Titanic” made Frances one of the most recognizable Hollywood actresses. Careful financial planning has allowed Fischer to amass $ 145 million to date.
16. Audrey Tautou ($ 140 million)
Audrey Tautou began acting in 1996, and the actress got a relatively notable role two years later (in the film Venus Beauty Salon), but her tremendous success came after Jean-Pierre Jeunet’s 2001 film Amelie.This was followed by a number of minor (“Long Engagement”) and major (“Da Vinci Code”) releases, playing in the theater … But it is “Amelie” and “The Da Vinci Code” that are responsible for the fact that Audrey Tautou’s state is currently estimated at $ 140 million
15. Jessica Szohr ($ 145 million)
Jessica Karen Szohr became famous for the role of Vanessa Abrams in the TV series “Gossip Girl”, and the star’s track record still has many similar projects – for example, “My Wife and Children” and “C.S.I .: Miami Crime Scene Investigation. The full-length releases in which Zor played (for example, “How to Steal a Skyscraper”, “Piranhas 3D”) cannot be called cool – Jessica earned almost all of her fortune on television projects.
14. Demi Moore / Demi Moore ($ 150 million)
Demi Moore began working with the series “General Hospital” (1982 – 1983), followed by a “million” releases that made the actress one of the most respected film stars of the late twentieth century.For example, “Ghost”, “A Few Nice Guys”, “Indecent Proposal” or “Striptease”: Moore received $ 10 million for these pictures. Now Demi rarely stars in the main roles, and prefers to choose art house tapes – well, having a fortune at $ 150 million you can afford it.
13. Angelina Jolie ($ 160 million)
Although Angelina Jolie’s film debut took place in 1982 (in the comedy In Search of a Way Out), the actress’s real fame came after playing the iconic roles of Lara Croft in the films Lara Croft: Tomb Raider and Lara Croft: Tomb Raider 2 – The Cradle life “.Jolie’s career took off, the most famous tapes with her collected a lot of money “Maleficent” – $ 758 million, “Mr. and Mrs. Smith” – $ 478, “Wanted” – $ 341 million. So, no wonder that Jolie now owns $ 160 mln.
12. Miley Cyrus ($ 160 million)
Although many people know Miley Cyrus as a singer, our heroine also acts in films. Moreover, it was the series that brought her world fame – the main role of a schoolgirl in Hannah Montana made Miley a real style icon.The $ 160 million fortune is the best confirmation of this.
11. Shusha / Xuxa Meneghel ($ 160 million)
Shusha is very famous in Brazil – in her homeland she hosts children’s programs, sings, and also acts in films. All fifteen films in which Shusha starred are focused on children – as a result, such a focused work on the audience brought her $ 160 million.
10. Krysten Ritter ($ 185 million))
Kristen Ritter began her career as a model, after she took up films (“Once Upon a Time in Vegas”, “27 Weddings”, “Shopaholic”), but she became a celebrity, starring in the TV series “Jessica Jones”, as well as participation in the second season of “Breaking Bad “. The result is $ 185 million.
9. Catherine Deneuve ($ 185 million)
Film veteran, Catherine Deneuve, received star status after the film “Umbrellas Cherbourg” (1964). This was followed by roles in such masterpieces as “Disgust” by Roman Polanski, “Beauty of the Day” by Luis Bunuel and “Last Metro” by François Truffaut.The actress’s track record today includes dozens of real gems of the cinema sky, so it’s no wonder that she earned $ 185 million.
8. Tracey Ullman ($ 200 million)
Tracey Ullmann is a master of all trades – she is an actress, a singer, a dancer, a screenwriter, and a writer! Debuting in comedy shows and continuing her career in the United States with a similar project, The Tracey Ullman Show, she gained a foothold in this market, and then starred in the TV series Tracy Accepts the Challenge, which was very warmly received.Today, Tracy’s fortune is $ 200 million.
7. Julia Louis Dreyfus ($ 200 million)
The roles of Julia owe the success of such series as “Seinfeld”, “The New Adventures of Old Christine” and “The Vice President”, and a stormy start to Louis-Dreyfus’s career was given by the show “Saturday Night Live”, which started in the early eighties of the twentieth century. The result, as they say, is on the face – Julia has $ 200 million.
6.Jennifer Aniston ($ 200 million)
Another representative of the “two hundred million dollar club”, of course, Jennifer Aniston. The role of Rachel Green in Friends brought her both Emmy and Golden Globes, as well as the love of the public all over the world. In the film industry, Aniston was also successful – the films “Bruce Almighty”, “Pretend to be my wife” or “We are the Millers” were very successful. So, Jennifer’s piggy bank has been replenished.
5.Victoria Principal ($ 200 million)
Victoria Principal became famous for her role as Pamela Barnes Ewing on the TV series Dallas, where she starred from 1978 to 1987. Then the actress went into business, wrote books and opened a TV company Victoria Principal Productions. Today Victoria’s assets are $ 200 million.
4. Sasha Alexander / Sasha Alexander ($ 215 million)
Sasha Alexander became famous in the USA by the series “Marine Police: Special Department” and “Rizzoli and Isles”, but his attempts to play in a big movie were not very successful.But the role in the TV series “Shameless” again brought the actress to the real stars – as a result, today Sasha owns $ 215 million.
3. Paget Brewster ($ 245 million)
The Criminal Minds series turned out to be a real cultural phenomenon – it is no wonder that the leading role in it, Paget Brewster, now has a fortune of $ 245 million. “Community”, as well as numerous voices of animated characters.
2. Mia Wasikowska ($ 275 million)
Australian actress Mia Wasikowska rose to fame after Alice in Wonderland, followed by such important roles as Agatha Weiss in Star Chart or Edith Cushing in Crimson Peak. And then came the turn and sequel to “Alice” – “Alice Through the Looking Glass”. The result is $ 275 million.
1. Olsen Sisters – Mary-Kate Olsen and Ashley Fuller Olsen / Mary-Kate / Ashley Olsen ($ 300 million))
The Olsen sisters’ career debut in 1987 on Full House not only turned the market for serial epics, but also led to the creation of the production company Dualstar (owned by the sisters), which today is engaged not only in the show, but also in the sale of cosmetics and clothing. … Small film roles in the 21st century did not have much success (an episode in the TV series “Who is Samantha?”
Boris Milensky
July 26, 2020
Revision Hi-Fi.ru
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| $ _REQUEST [ ‘type’] | 2 | ||||
| $ _REQUEST [‘message’] | session_start (): Failed to read session data: files (path: / var / www / login3 / data / mod-tmp) | ||||
| $ _REQUEST [‘file’] | / var / www / login3 / data / www / fr.tavani-bg.com/index.php | ||||
| $ _REQUEST [‘line’] | 10 | ||||
| $ _REQUEST [‘protocol’] | https | ||||
| $ _REQUEST [905 host ‘] | fr.tavani-bg.com | ||||
| $ _REQUEST [‘uri’] | / tag / dzhennifer-lourens / | ||||
| $ _REQUEST [‘software’] | DollySites 1.12.2 PHP 7.3.19-1 ~ deb10u1 MSSE 0.13.0 | ||||
| $ _POST [‘type’] | 2 | ||||
| $ _POST [‘message’] | session_start (): Failed to read session data: files (path: / var / www / login3 / data / mod-tmp) | ||||
| $ _POST [‘file’] | / var / www / login3 / data / www / fr.tavani-bg.com/index.php | ||||
| $ _POST [‘line’] | 10 | ||||
| $ _POST [‘protocol’] | https | ||||
| $ _POST [‘host’] | |||||
| $ _POST [‘uri’] | / tag / dzhennifer-lourens / | ||||
| $ _POST [‘software’] | DollySites 1.12.2 PHP 7.3.19-1 ~ deb10u1 MSSE 0.13.0 | ||||
| $ _SERVER [‘REDIRECT_STATUS’] | 200 | ||||
| $ _SERVER [‘HTTP_HOST’] | api.maxiesystems.com | ||||
| $ _SERVER [‘HTTP_ACCEPT’] | * / * | ||||
| $ _SERVER [‘CONTENT_LENGTH’] | 344 | ||||
| $ _SERTVER [‘CONTENT] www-form-urlencoded | |||||
| $ _SERVER [‘PATH’] | / usr / local / sbin: / usr / local / bin: / usr / sbin: / usr / bin: / sbin: / bin | ||||
| $ _SERVER [‘SERVER_SIGNATURE’] | Apache / 2.4.25 (Debian) Server at api.maxiesystems.com Port 80 | ||||
| $ _SERVER [‘SERVER_SOFTWARE’] | Apache / 2.4.25 (Debian) | ||||
| $ _SERVER [‘SERVER_NAME’] | api.maxiesystems.com | ||||
| $ | 87.98.244.157 | ||||
| $ _SERVER [‘SERVER_PORT’] | 80 | ||||
| $ _SERVER [‘REMOTE_ADDR’] | 173.212.235.148 | ||||
| $ _SERVER [‘REQUEST_SCHEME’] | http | ||||
| $ _SERVER [‘CONTEXT_PREFIX’] | no value | ||||
| $ var. www / www-root / data / www / api.maxiesystems.com | |||||
| $ _SERVER [‘SERVER_ADMIN’] | [email protected] | ||||
| $ _SERVER [‘SCRIPT_FILENAME’] | / var / www / www-root / data / www / api.maxiesystems.com / index.php | ||||
| $ _SERVER [‘REMOTE_PORT’] | 56434 | ||||
| $ _SERVER [‘REDIRECT_URL’] | / error | ||||
| $ ] GATACE 9015 CATACE | ] [‘GATEW5] $ _SERVER [‘SERVER_PROTOCOL’] | HTTP / 1.1 | |||
| $ _SERVER [‘REQUEST_METHOD’] | POST | ||||
| $ _SERVER [‘QUERY_STRING 9014’] | $ | ‘REQUEST_URI’] | / error | ||
| $ _SERVER [‘SCRIPT_NAME’] | / index.php | ||||
| $ _SERVER [‘PHP_SELF’] | /index.php | ||||
| $ _SERVER [‘REQUEST_TIME_FLOAT’] | 1627685568.1205 | ||||
| Contribution | Authors | ||||
| Zend Scripting Language Engine | Andi Gutmans, Zeev Suraski, Stanislav Malyshev, Marcus Boerger, Dmitry Stogov, Xinchen Hui, Nikita | ||||
| UNIX Build and Modularization | Stig Bakken, Sascha Schumann, Jani Taskinen | ||||
| Windows Support | Shane Caraveo, Furevl Surasongki, Anatyere Kalle Sommer Nielsen | ||||
| Server API (SAPI) Abstraction Layer | Andi Gutmans, Shane Caraveo, Zeev Suraski | ||||
| Streams Abstraction Layer | Wez Furlong, Sara Golemon | ||||
| PHP Data Objects Layer | Wez Furlong, Marcus Boerger, Sterling Hughes, Schlossnagle 905 Sugar 905 Output 905 Ilia Alshanets185 Hand145 905 , Thies C.Arntzen, Marcus Boerger, Michael Wallner | ||||
| Consistent 64 bit support | Anthony Ferrara, Anatol Belski | ||||
| Module Authors | |||||
| Module i | Authors | ||||
| Bzip2 | Sterling Hughes | ||||
| Calendar | Shane Caraveo, Colin Viebrock, Hartmut Holzgraefe, Wez Furlong | ||||
| COM and.Net | Wez Furlong | ||||
| ctype | Hartmut Holzgraefe | ||||
| cURL | Sterling Hughes | ||||
| Syndase / Time Support | Derick5 Rethans | DB514 Derick5 Rethans 905 DB514 Wez Furlong, Frank M. Kromann, Adam Baratz | |||
| DBA | Sascha Schumann, Marcus Boerger | ||||
| DOM | Christian Stocker, Rob Richards, Marcus Boerger | ||||
| 5 enchant Alshanetsky | |||||
| EXIF | Rasmus Lerdorf, Marcus Boerger | ||||
| fileinfo | Ilia Alshanetsky, Pierre Alain Joye, Scott MacVicar, Derick Rethans, Anatol Belski | FTP | Stefan Esser, Andrew Skalski | ||
| GD imaging | Rasmus Lerdorf, Stig Bakken, Jim Winstead, Jouni Ahto, Ilia Alshanetsky, Pierre-Alain Joye, Marcus Boerger | ||||
| GetText | Alex Plotnick | ||||
| GNU GM5 | Rui Hirokawa, Stig Bakken, Moriyoshi Koizumi | ||||
| IMAP | Rex Logan, Mark Musone, Brian Wang, Kaj-Michael Lang, Antoni Pamies Olive, Rasmus Lerdorf, Andrew Skalski, Chuck 905 Hagenbuch 9015 | Input Filter | Rasmus Lerdorf, Derick Rethans, Pierre-Alain Joye, Ilia Alshanetsky | ||
| InterBase | Jouni Ahto, Andrew Avdeev, Ard Biesheuvel | ||||
| Internationalization | |||||
| JSON | Jakub Zelenka, Omar Ki lani, Scott MacVicar | ||||
| LDAP | Amitay Isaacs, Eric Warnke, Rasmus Lerdorf, Gerrit Thomson, Stig Venaas | ||||
| LIBXML | Christian Stocker, Fur18 Richards, Marcus Boerlve 905 Multibyte String Functions | Tsukada Takuya, Rui Hirokawa | |||
| MySQL driver for PDO | George Schlossnagle, Wez Furlong, Ilia Alshanetsky, Johannes Schlueter | ||||
| MySQLi | |||||
| MySQLnd | Andrey Hristov, Ulf Wendel, Georg Richter, Johannes Schlüter | ||||
| OCI8 | Stig Bakken, Thies C.Arntzen, Andy Sautins, David Benson, Maxim Maletsky, Harald Radi, Antony Dovgal, Andi Gutmans, Wez Furlong, Christopher Jones, Oracle Corporation | ||||
| ODBC driver for PDO | Wez Furlong | ||||
| ODBC Andreas Karajannis, Frank M. Kromann, Daniel R. Kalowsky | |||||
| Opcache | Andi Gutmans, Zeev Suraski, Stanislav Malyshev, Dmitry Stogov, Xinchen Hui | ||||
| OpenSSL | Stigl Venaongas, Scott Stigl MacVicar | ||||
| Oracle (OCI) driver for PDO | Wez Furlong | ||||
| pcntl | Jason Greene, Arnaud Le Blanc | ||||
| Perl Compatible Regexps | |||||
| Perl Compatible Regexps | Andrei514 Perl Compatible Regexps | , Marcus Boerger | |||
| PHP Data Objects | Wez Furlong, Marcus Boerger, Sterling Hughes, George Schlossnagle, Ilia Alshanetsky | ||||
| PHP hash | Sara Golemon, Rasmus Lerdorf, Stefan Esser, Michael Wallner, Scott MacVicar | ||||
| Posix | Kristian Koehntopp | Kristian Koehntopp | Kristian Koehntopp | Kristian Koehntopp | |
| PostgreSQL | Jouni Ahto, Zeev Suraski, Yasuo Ohgaki, Chris Kings-Lynne | ||||
| Pspell | Vlad Krupin | ||||
| Readline Thies | |||||
| Recode | Kristian Koehntopp | ||||
| Reflection | Marcus Boerger, Timm Friebe, George Schlossnagle, Andrei Zmievski, Johannes Schlueter | ||||
| Slava Poliakov, Ilia Alshanetsky | |||||
| SimpleXML | Sterling Hughes, Marcus Boerger, Rob Richards | ||||
| SNMP | Rasmus Lerdorf, Harrie Hazewinkel, Mike Jack, | SOAP | Brad Lafountain, Shane Caraveo, Dmitry Stogov | ||
| Sockets | Chris Vandomelen, Sterling Hughes, Daniel Beulshausen, Jason Greene | ||||
| Sodium | Frank Denis | ||||
| SQLite 3.x driver for PDO | Wez Furlong | ||||
| SQLite3 | Scott MacVicar, Ilia Alshanetsky, Brad Dewar | ||||
| System V Message based IPC | Wez Furlong | ||||
| System V Shared Memory | Christian Cartus | ||||
| tidy | John Coggeshall, Ilia Alshanetsky | ||||
| tokenizer | Andrei Zmievski, Johannes Schlueter | ||||
| XMLReader | Rob Richards | ||||
| xmlrpc | Dan Libby | ||||
| XMLWriter | Rob Richards, Pierre 905 Ricye 905 | Rob Richards, Pierre-905 Joe18 Robye | |||
| Zip | Pierre-Alain Joye, Remi Collet | ||||
| Zlib | Rasmus Lerdorf, Stefan Roehrich, Zeev Suraski, Jade Nicoletti, Michael Wallner | ||||
MOS21 The first international teleconference meeting – AFROW21 9000 The first international teleconference MOSCOW – AFRICA 2021, dedicated to the prospects of Moscow manufacturers in African countries.The organizer of the event is the “Mosprom” Export Support and Development Center.
Participants:
– Anna KUZMENKO, Deputy Head of the Moscow City Investment and Industrial Policy Department;
– Vice President of the Moscow Chamber of Commerce and Industry Suren VARDANYAN;
– Executive Secretary of the Stergomen’s Southern African Development Community Lawrence TAX;
– Director of the Department of Asia, Africa and Latin America of the Ministry of Industry and Trade of the Russian Federation Sergey NOSOV;
– Member of the Federation Council Committee on Economic Policy, Chairman of AFROCOM – Coordination Committee for Economic Cooperation with African Countries Igor MOROZOV;
– President of the Nigerian Private Sector Alliance Prince Kayode ADETOKUNBO;
– Mikhail KOROLEV, Deputy General Director for Innovative and Technical Development, Scientific and Technical Center Bakor LLC;
– President of the pharmaceutical company Kiara Health Skhumbuzo NGOZVANA.
Within the framework of the event, issues related to both the advantages of capital producers and the prospects for export to African countries and the potential of industrial cooperation were discussed. The participants shared their experience and talked about the peculiarities of foreign economic activity of African countries, answered the most frequently asked questions regarding trade relations between Russia and Africa, and also talked about the prospects of Moscow companies in the African market.
The international teleconference consisted of two blocks: a plenary session and three industry round tables.The plenary session was devoted to the possibilities of industrial and investment cooperation between Moscow companies and companies from African countries.
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First international teleconference MOSCOW – AFRICA 2021
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First MOSCOW – AFRICA 2021 international videoconference
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Session plénière MOSCOU – AFRIQUE 2021. Axes et possibilités de coopération industrielle et la coopération en matière d’investissement
90,000 So did the Jets win or lose? Understanding the most resonant history of the tour – First & Goal
What happened
The Jets tank malfunctioned and turned in the wrong direction.
On Sunday, New York City’s streak of 13 consecutive defeats ended with a sudden 23-20 win over the Rams (9-4 season).Previously, only two teams scoring 0-13 or worse in the season managed to defeat opponents with a positive win / lose balance.
Three teams 0-13 or worse have gotten their first win against an opponent with a winning record:
In 2011, the 0-13 Colts beat the 7-6 Titans.
In 1962, the 0-13 Raiders beat the 9-3-1 Patriots.
And in 2020, the 0-13 Jets have beaten the 9-4 Rams. pic.twitter.com/9G2xbz9EVN
– ESPN Stats & Info (@ESPNStatsInfo) December 21, 2020
Calling the Jets the winners is hard to imagine.
Although they are still at the bottom of the AFC Vostok division with a 1-13 result and have no chance to rise higher, it seems that the Jets lost the most important battle of the season. The battle for the first draft pick and the Clemson quarterback Trevor Lawrence.
Jets are in the victory formation.
So are the Jaguars.
– Adam Schefter (@AdamSchefter) December 20, 2020
The Jets line up in a winning formation. Actually, like “Jaguars”.
How it was
Before the match, the Jets were considered outsiders with a 17-point handicap. Let’s note right away: they became only the fifth team in the history of the league, which managed to win as a 17-point underdog. Curiously, the second major upset this year also belongs to the club from New York and also against an opponent from the NFC West division.
Largest Upsets This Season
Wk 15 NYJ (+17) at LAR
Wk 13 NYG (+11) at SEA
Wk 5 LV (+10.5) at KC
Wk 5 MIA (+8) at SF
Wk 14 PHI (+7.5) vs NO
Wk 4 PHI (+7.5) at SF pic.twitter.com/GzFzU5SJ4b– SportsLine (@SportsLine) December 21, 2020
The Jets took the lead from the first minutes of the match. Sam Darnold, whom only the lazy hadn’t thought about exchanging for another team lately, was quite good. If they decide to exchange him in the offseason, Sunday’s match will be in the box for his successes. Darnold passed 207 yards, made 22 completes out of 31 assists, threw 1 pass touchdown, and made no interceptions.On the ground in 5 tries, he scored 18 yards.
By halftime the Jets were leading 13-3, with the Rams scoring a field goal in the last seconds of the second quarter. The second half saw the touchdown of veteran Frank Gore, who played his 240th game on Sunday. Adam Gays said after the match: “It’s good that we have a Hall of Fame level running back.”
Touchdown, @frankgore! @Nyjets extend their lead in LA, 20-3. #TakeFlight
?: #NYJvsLAR on FOX
?: NFL app // Yahoo Sports app: https: // t.co / 4dWJuGxOxQ pic.twitter.com/bKTK9XrxQw– NFL (@NFL) December 20, 2020
Even the Panther Jets Braden Mann contributed to the victory. With 5 minutes 33 seconds before the end of the match, he struck the pant, which was returned by Nsimba Webster. Tom managed to break through the front line of the Jets and it looked like the return would give the Rams a good position on the pitch. But Mann was able to stop the return (and tell me after that that the panthers are not athletes!)
Punters are athletes too
(via @thecheckdown) pic.twitter.com/88efPU1Y4C
– Jets Videos (@snyjets) December 20, 2020
The #Jets might lose out on the No. 1 pick because, in part, their punter made a tackle. That right there is poetry.
– Mike Garafolo (@MikeGarafolo) December 21, 2020
The Jets may lose their first overall pick in the draft due in part to their panther tackling. Pure pleasure.
The Rams got the ball at 43 yards in the Jets half, and lost yards on the second try due to a violation.
To be fair, we note that “Sheep” were incredibly bad. They never managed to catch up with the Jets, although by the end of the fourth quarter (after the aforementioned antler) there were still chances to level the score. But Sean McVeigh, who had recently been hailed as a game-changing genius, instead of hitting a field goal, decided to try 4-for-4. It all ended badly. Safety Marcus Maye hit the ball and the Rams never touched him for the rest of the game.
Textbook from @alldayMAYE.
? #NYJvsLAR on FOX pic.twitter.com/4qt7uglJFs
– New York Jets (@nyjets) December 20, 2020
Why are Jaguars claiming the first peak now
Same as the Jets, the season after week 15 (1-13) Jacksonville Jaguars. But in case of equality of results, additional indicators are taken into account, in this case – the complexity of the schedule. For Jacksonville it is estimated at 0.546, for the Jets it is 0.602. Since the Jugs played on a lighter grid, they are more likely to qualify for the first draft pick after the New York team wins.ESPN estimates the chances of the Jaguars at 71% and the Reaktivists at 29%.
What players and fans are saying
Usually, when a team wins, everyone rejoices. The players were really happy: in the “victories” column, the zero finally ceased to show off, the season no longer seemed completely lost.
Kept working. Kept fighting. # TakeFlight pic.twitter.com/cLjpZqpJwW
– New York Jets (@nyjets) December 21, 2020
Sam Darnold said winning was “an amazing feeling,” and when asked about speculation about Lawrence, he said, “It’s not our business.”Head coach Adam Gays was clearly pleased, with relief on his face: “I’m just happy for the guys. It’s nice to see how happy they are. We didn’t know what victory was for so long. ” Really long – as much as 358 days.
Fans are overwhelmed by other feelings. They already consider the season not only lost, but also lost in terms of potential team restructuring. Hopes of recovery in the coming season seem dim. Social media literally exploded with outraged messages.
The @nyjets can’t even lose a season properly.There’s goes a generational QB talent.
– James (@EWRTiny) December 21, 2020
The Jets can’t even lose a season. But there is an extraordinary quarterback. ”
The jets can’t even tank right.
– Dan Audia (@Danaudia_) December 21, 2020
“Jets” do not even know how to tank properly. ”
The jets are so bad that they accidentally won
– Sheck Ves La kobe sprewell (@VesselsAndrew) December 21, 2020
The Jets are so bad they won by accident. “
This is the single lowest moment as a @nyjets fan. There was hope for the future. We are handed a franchise QB and we win a meaningless game. This is going to set the franchise back years. Lawrence was going to be our answer. Words can’t describe this pain
– Casey Szczublewski (@ Caseyski5) December 21, 2020
“Worst moment for a Jets fan. There was hope for the future. We could have taken on a franchise quarterback and won a pointless match instead.This will set the franchise back years. Lawrence was our decision. There are no words to convey the pain. ”
NY state needs to take the franchise away from the Johnsons. The incompetence at every level is just absolutely mind blowing. Each self sabotaging debacle is worse than the one before it in ways we didn’t even know were possible. We are the worst franchise in American pro sports.
– Alec Wade Ginsberg PharmD (@awgins) December 21, 2020
“New York needs to take the Johnson franchise away.The incompetence at every level is overwhelming. Each losing sabotage is worse than the last … We are the worst team in American professional sports. ”
Even Adam Schefter allowed himself to fantasize a little.
Could it be …? pic.twitter.com/pRZZFSJZXR
– Adam Schefter (@AdamSchefter) December 20, 2020
“Is this possible?!.”
Not without the avalanche of memes, traditional in such cases.
The New York Jets trying to tank for Trevor Lawrence pic.twitter.com/mKnu2mbzrS
– NFL Memes (@NFL_Memes) December 21, 2020
The Jets (0-13) defeat the Rams (9-4). pic.twitter.com/XBSbCLPQJq
– FOX Sports: NFL (@NFLonFOX) December 21, 2020
THE JETS HAVE DONE IT pic.twitter.com/EqMCscMJNX
– FOX Sports: NFL (@NFLonFOX) December 21, 2020
pic.twitter.com/mRk5Ro7jg6
– Barstool Sports (@barstoolsports) December 20, 2020
The real reason the Jets won this week: pic.twitter.com/8BoJkNxdcj
– NFL Hate Memes (@NFLHateMemes) December 21, 2020
When we needed him most … .. he vanished pic.twitter.com/6JKE2Nxd1b
– Jimmy Byrnes (@ JimmyByrnes1) December 21, 2020
How it all ends
Each team has two matches ahead. The Jets will play at home against Cleveland and away at New England. The Browns need a win to advance to the playoffs, the Patriots don’t need anything anymore (unless Bill Belichick wants to bite his divisional rivals and take them away from Trevor Lawrence.Well, you get the idea).
Jaguars meet at home with Chicago and away with Indianapolis. The Bears are still hoping to make the playoffs, and Indianapolis will probably want to get even for the game they lost to the Jaguars in the first week. So an easy walk at Jacksonville is not expected.
If both teams lose the remaining matches, Jacksonville should go the first pick in the draft. For Trevor Lawrence to leave for New York, at least one Jaguar win and two Jets defeats are needed.
But all is not lost for the New York team. Even if the Jets get their second draft pick, they could still qualify for one of Lawrence’s next quarterbacks. They are Justin Fields (Ohio State), Zach Wilson (Brigham Young), Trey Lance (North Dakota State). So a strong class of quarterbacks in the upcoming draft can still help out the Jets, which went wrong last Sunday.
See also: Darnold at Washington, Erz at Pittsburgh. Predicting the main trades of the future off-season 90 110
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