How can healthcare leaders foster a culture of heroes in medical imaging. What defines a true hero in the healthcare setting. Why is treating staff well crucial for delivering exceptional patient care. How does creating positive experiences impact patient retention and competitive advantage.
Redefining Heroism in Healthcare
When we think of heroes, we often picture extraordinary individuals performing remarkable feats. However, keynote speaker Kevin Brown challenges this notion, proposing a fresh perspective on heroism in healthcare. He suggests that heroes are not ordinary people doing extraordinary things, but rather extraordinary individuals who consciously choose not to be ordinary. This subtle shift in definition opens up the possibility for everyone in healthcare to embody heroic qualities in their daily work.
Brown emphasizes that the common thread among all heroes is their dedication to helping others. This aligns perfectly with the healthcare industry’s mission, where putting patients first is a core value. However, he urges healthcare professionals to go beyond mere slogans and truly embody this patient-centric approach in every interaction.
The Impact of Patient Experience on Healthcare Success
In today’s competitive healthcare landscape, delivering exceptional patient experiences is crucial for success. Brown raises important questions for healthcare providers to consider:
- Do patients feel they have the undivided attention of staff during check-in?
- Are radiology technicians fully present and engaged during exams?
- Are patient interactions positive enough to ensure repeat visits?
Failing to create these positive experiences can severely impact a healthcare facility’s competitive edge. When patients don’t feel valued, providers are left competing solely on price, which is rarely a sustainable strategy in healthcare.
Cultivating a Hero Culture from Within
Brown advocates for a top-down approach to fostering a culture of heroism in medical imaging. He suggests that healthcare leaders should tap into their own “superpowers” to influence how staff interact with patients. The key to this transformation lies in creating exceptional experiences for employees first.
By treating staff and colleagues with kindness, respect, and support, leaders set the stage for those same positive behaviors to be extended to patients. This approach recognizes that employees need more than just equipment and a paycheck – they require emotional support, validation, and a sense of purpose in their work.
The Ripple Effect of Positive Workplace Culture
When healthcare workers feel valued and supported, they are more likely to provide compassionate, attentive care to patients. This creates a ripple effect throughout the organization, elevating the overall patient experience. Patients, in turn, receive not just medical care but also the emotional support and reassurance they need during what can be a stressful time.
Beyond Basic Care: Meeting Emotional Needs
Brown emphasizes that true healthcare heroes understand and deliver on the emotional needs of both staff and patients. For employees, this means providing support, validation, and recognition beyond their basic job requirements. For patients, it involves offering reassurance, maintaining a positive demeanor, and giving undivided attention during interactions.
These emotional connections are what transform routine healthcare visits into memorable, positive experiences that keep patients coming back and recommending the facility to others.
The Power of Personal Experiences in Healthcare
To illustrate the impact of personal experiences in healthcare, Brown shares anecdotes that highlight how small, thoughtful actions can leave lasting impressions. These stories serve as powerful reminders that in healthcare, it’s often the human touch that makes the biggest difference.
Creating Memorable Moments
Healthcare providers have countless opportunities to create memorable moments for patients. Something as simple as remembering a patient’s name, asking about their family, or taking an extra moment to explain a procedure can turn a routine visit into a positive experience that patients will remember and appreciate.
Harnessing Individual Superpowers in Healthcare
Brown encourages healthcare professionals to identify and utilize their unique strengths or “superpowers” to enhance patient care. These superpowers might include:
- Exceptional empathy and emotional intelligence
- The ability to explain complex medical information in simple terms
- A talent for putting anxious patients at ease
- Organizational skills that ensure smooth, efficient patient experiences
By recognizing and leveraging these individual strengths, healthcare teams can create a more dynamic, effective, and patient-centered environment.
Measuring Success: Beyond Clinical Outcomes
While clinical outcomes are undoubtedly crucial in healthcare, Brown suggests that true success should be measured by a broader set of criteria. This includes:
- Patient satisfaction scores
- Employee engagement and satisfaction
- Patient retention rates
- Word-of-mouth referrals
- The overall reputation of the healthcare facility in the community
By focusing on these holistic measures of success, healthcare providers can ensure they’re delivering not just medical care, but also creating a positive, impactful experience for everyone involved.
Implementing the Hero Effect in Medical Imaging
Translating Brown’s “Hero Effect” philosophy into practical actions in medical imaging requires a multifaceted approach. Here are some strategies healthcare leaders can employ:
1. Invest in Staff Development
Provide ongoing training and development opportunities that focus not just on technical skills, but also on soft skills like communication, empathy, and patient interaction. This investment shows staff that their growth is valued and equips them with the tools to provide heroic care.
2. Create a Recognition Program
Implement a system to recognize and reward staff members who go above and beyond in patient care. This could include “Hero of the Month” awards or peer-nominated recognition programs. Celebrating these everyday heroes reinforces the desired behaviors and culture.
3. Foster Open Communication
Establish channels for staff to share ideas, concerns, and feedback. This could include regular team meetings, suggestion boxes, or digital platforms. When employees feel heard, they’re more likely to be engaged and committed to the organization’s mission.
4. Lead by Example
Healthcare leaders should embody the hero mentality in their own interactions with staff and patients. This sets the tone for the entire organization and demonstrates that heroic behavior is expected at all levels.
5. Personalize the Patient Experience
Encourage staff to find ways to personalize each patient interaction. This could be as simple as using the patient’s name, remembering details from previous visits, or taking a moment to address any concerns or anxieties the patient may have.
Overcoming Challenges in Implementing the Hero Effect
While the concept of creating a culture of heroes in healthcare is inspiring, implementing this philosophy can face several challenges:
Time Constraints
In busy healthcare settings, staff may feel pressured to prioritize efficiency over personal connection. To address this, leaders can work on optimizing processes to create more time for meaningful patient interactions without compromising on care quality or efficiency.
Burnout and Compassion Fatigue
Healthcare workers, especially in high-stress environments like medical imaging, can experience burnout and compassion fatigue. Implementing support systems, promoting work-life balance, and providing resources for mental health and wellbeing are crucial in maintaining a hero culture.
Resistance to Change
Some staff members may be resistant to changing established routines or behaviors. Overcoming this requires clear communication about the benefits of the hero approach, both for patients and staff, as well as patience and persistent reinforcement of the new culture.
Measuring Intangible Outcomes
While clinical outcomes are easily measurable, the impact of improved patient experiences and staff satisfaction can be more challenging to quantify. Developing comprehensive feedback systems and tracking long-term trends in patient retention and staff turnover can help demonstrate the value of the hero approach.
The Long-Term Impact of the Hero Effect in Healthcare
Adopting Brown’s Hero Effect philosophy in medical imaging and broader healthcare settings can lead to significant long-term benefits:
Improved Patient Outcomes
When patients feel valued and supported, they’re more likely to follow treatment plans, attend follow-up appointments, and engage actively in their own healthcare. This can lead to better clinical outcomes over time.
Enhanced Reputation and Growth
Healthcare facilities known for exceptional patient experiences are more likely to attract new patients through word-of-mouth referrals and positive reviews. This can drive growth and strengthen the facility’s position in a competitive healthcare market.
Increased Staff Retention and Satisfaction
A positive work environment where staff feel valued and empowered to make a difference can significantly improve job satisfaction and reduce turnover. This not only saves on recruitment and training costs but also ensures continuity of care for patients.
Innovation and Continuous Improvement
A culture that encourages heroic behavior often fosters innovation. Staff members who feel empowered are more likely to suggest improvements to processes and patient care, leading to continuous enhancement of services.
Community Impact
Healthcare facilities that embody the hero mentality often become pillars of their communities, extending their positive impact beyond the walls of the facility. This can lead to stronger community relationships and support for the healthcare provider.
In conclusion, Kevin Brown’s Hero Effect philosophy offers a powerful framework for transforming the culture of medical imaging and healthcare at large. By redefining heroism, focusing on creating exceptional experiences for both staff and patients, and harnessing individual strengths, healthcare providers can elevate their services beyond mere clinical care. The result is a more compassionate, effective, and successful healthcare environment that benefits everyone involved – from staff to patients to the broader community.
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THE HERO EFFECT – No Strings Attached
THE HERO EFFECT – No Strings Attached
Reading Time: 4 minutes read
AHRA 2018 keynote speaker shares insights on creating a culture of heroes in medical imaging.
When asked “what is a hero?”, many people respond that it is an ordinary person who did an extraordinary thing. Kevin Brown, keynote speaker at the AHRA2018 conference, thinks we should flip that tired, rote definition. He believes instead that heroes are extraordinary people who choose not to be ordinary – and that every one of us has the power to be a hero.
Kevin Brown was the keynote speaker at the opening ceremony at AHRA 2018 in Orlando Florida.
Brown explained that all heroes have something in common: they help people. Given that, it would seem that everyone at the conference should be tying on their superhero capes. After all, many hospitals and imaging sites talk about “putting patients first” or state that, “no one is more important than the patient.”
But is your imaging facility delivering on that philosophy? Do your patients feel like they are the only person in the room when checking in with the receptionist? Do they feel like they have 100 percent of the rad tech’s attention while undergoing an exam? Are the interactions during this visit positive enough to make the patient choose your facility – over all the other providers – the next time they need an exam? If not, you’ve lost a competitive edge. Now you can only compete on price.
Creating a culture of heroes in medical imaging
Brown encouraged everyone to tap into your own super powers to influence and shape the way that staff throughout your organization treat patients. How? By first creating an exceptional experience for the people inside your organization. Treat your staff and co-workers with kindness and respect, and they in turn will treat your patients that way.
Healthcare leaders should recognize that employees need more than just the equipment to do their job or a paycheck at the end of the week. They also need support and validation. A real superhero understands – and delivers – the reinforcement and support that people want. Similarly, patients need more than imaging exams. They need reassurance, a bright smile, undivided attention.
Brown illustrated the power of the personal experience by sharing humorous stories about his attachment to his hairdresser and favorite fast food restaurant that have earned his loyalty by making him feel special. And he tugged at heartstrings with a personal story about how the caring attitude and personal attention of a chef at Disney World led to a lasting and caring relationship with his son who has autism.
Being a hero part two: no strings attached
Even superheroes have busy schedules and shortages of resources. How can a medical administrator be all powerful when paperwork and meetings are sapping your energy like a load of kryptonite? Brown says it is accomplished by being in the moment; by showing up fully and attentively. Focus on “the now” and the person standing in front of you, and not on “what’s next”. Most importantly, offer help without expecting anything in return – no strings attached.
To illustrate the point, Brown encouraged attendees to think about all the people who made a positive difference in their lives even when the interactions were short lived. Then he asked attendees to consider whether and how many people would think of them if asked the same question.
Radiology administrators don’t wear capes and they would be foolish to leap a tall building. But we all have the power to embrace a simply philosophy: be kind for no reason, and help others without expecting anything in return. In doing so, you are likely to build a more compassionate workforce that truly does put the patient first, and sets your organization apart from the competitors.
What “super powers” do you bring to work each day to build a culture of caring and compassion?
#heroeffect #AHRA2018 #AHRA
Katie Kilfoyle Remis is the editor of Everything Rad and Carestream Health’s social media strategist.
Kevin Brown is author of the book THE HERO EFFECT: Being Your Best When It Matters The Most.
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Be A Hero By Helping Others ‘With No Strings Attached’
While everyone understands that “being helpful” can be good for business, too many organizations are “only willing to be helpful to the extent that there is a return on investment,” author and motivational speaker Kevin Brown said during XChange 2019 on Sunday.
“Heroes help people with no strings attached,” Brown said during the opening keynote at XChange 2019, which is being hosted by CRN parent The Channel Company this week in Las Vegas. “It’s the ‘no strings attached’ part that we have trouble with … We like the rules of engagement, the conditions–‘I’ll do this for you if you do this for me.'”
But heroes, both inside and outside of business, have recognized that just “being helpful” when there’s an immediate ROI is not enough to make a profound difference, said Brown, author of “The Hero Effect.”
In his hour-long keynote, Brown shared examples from his own life of people who went the extra mile, even without promise of reward, to be helpful.
In the anecdotes he shared–a hairdresser who provided stunning service during his first appointment, a chef at a Disney World restaurant who cared for his young autistic son’s dietary needs, an early mentor who taught him to become a salesman during a rough period in his life–the extra efforts made a huge impact on everyone involved.
For instance, the hairdresser got a client for life, Brown said, while in the case of the early business mentor, a lifelong friendship resulted. The Disney World chef ended up implementing a new dietary needs training program for her staff–dubbed the “apple pancakes experience,” since that is what the chef had gone out of her way to make for Brown’s son, Josh.
“How do you own a moment in time so fully and completely that it transcends special needs, race, religion, gender, and every other label we like to slap on each other? How do you do that?” Brown said. “You want to take your business places it’s never been? You want to grow your people to a level they’ve never even aspired to? You want to give back to your home and your communities in ways that it never has been [given to] before? It starts right here in this space. Because if you don’t own this, somebody else will. There is somebody hot on your heels right now. An up-and-comer, striving, growing, reaching. And they’re ready to clean your clock. ”
Everyone is “chasing satisfaction,” but satisfaction is not enough, Brown said.
“We’ll pay a premium for someone who does more than they’re paid to do,” Brown said. “In the absence of it, we will become commoditized and have to compete on price alone.”
Chad Hodges, vice president of business development at Rancho Cordova, Calif.-based Enterprise Networking Solutions, told CRN that Brown’s talk resonated with his own “pay-it- forward” mentality in business and life.
“Some people have a tendency to hoard knowledge, because they think it’s going to make them more important, or better. But the reality is, our time on this earth is short. So let’s share as much as we can,” Hodges said. “I think if you’re going through life only wondering what you’re getting out of it, you’re never fulfilled.”
Juan Fernandez, vice president of managed IT services at Oklahoma City-based ImageNet Consulting, told CRN that he believes many in the IT industry have “lost sight of the human aspect of caring. ”
“[Brown] mentioned that today–we’re not paying attention to the smiles, and whether or not we’re generating a smile. We’re paying attention to whether or not I’m going to pay my bills, or what my bonus is going to look like, or am I going to make my quarter,” Fernandez said. “We’ve lost a lot of the human aspect of why we became business owners. And it was to change something for the better.”
Brown said that investing yourself “fully in this moment” with other people is the key to really making a difference–whether you’re working in customer service or running the whole business.
“I mean no disrespect by this, but anybody can do what you do. With enough training and time, I could do what you do, and do it at a high level. With enough training and enough time, you could do what I do, and do it at a high level,” he said.
“The fact that you’re brilliant at what you do, the fact that you’re the best of the best at what you do, the fact that you help move people from where they are to some place better, solve their most pressing issues with excellence–that is icing on the cake, ladies and gentlemen, but that is not why people come to you,” Brown said. “People don’t come to you for what you do. They come to you for who you are.”
Pulling on Strings of Destiny: Act 1 – Chapter 1 – Music_Feeds_My_Soul – 僕のヒーローアカデミア | Boku no Hero Academia
Chapter Text
Nezu was the smartest being in the world. It was not a brag, it was simple fact. High Spec was the single most strongest intelligence Quirk in the world, and it was in his paws.
Due to that fact, Nezu often was asked to look over various experiments or was asked to keep dangerous experiments under his care just in case. Some of them were simple machines. Only once someone was stupid enough to try it with a child they had basically made into a weapon.
Those people were dead now, with their experiment happily working under Nezu as a teacher and also as a rescue hero, happily using the number they had been assigned in an attempt to dehumanize them as a hero name. Thirteen loved to cackle with Nezu over the fact that they had managed to get around their tormentors.
Nezu was used to having dangerous machines or experiments under his care, just as he was used to people trying to steal them.
The people being successful was not something he was used to.
“What did they steal?” Eraserhead, Aizawa Shouta and one of his favourite staff members asked, looking around the wrecked room that Nezu kept the ‘it works but is too dangerous to be allowed to actually be put into production or used unless it is the end of the world but it could be useful at the end of the world so we need to keep it’ machines.
The name was created by Thirteen when bored. Nezu just found it funny.
“It’s hard to tell…” Nezu muttered, looking around.
Not the death ray, not the cyro gun, no-
“Quirk Amplifier,” Nezu said, seeing no sign of it.
“Amplifier?”
“It enhances someone’s Quirk to a thousand times its strength. All users died though after letting go, too much flowing through them.” Nezu informed Shouta, frowning at the room. “In a situation where it is needed, it would be useful. For example- over a hundred years-”
“Shield Maiden,” Aizawa interrupted, nodding. He named a hero from a hundred years back who had managed to create a shield to protect the entire Earth from being destroyed by an asteroid. She had died after the task, but she lived on in history as one of the greatest heroes ever. If a situation like that happened again, an amplifier would be useful.
“Exactly. If needed, we could use it. And now it is gone.”
“…So who took it?” Aizawa asked. Nezu frowned.
“We need to find out, and find out why not alarms went off,” Nezu informed Aizawa before they left, Nezu dropping to all fours to move fast. He rarely did so. Even in a Quirked world people were uneasy around those too odd or strange for them to understand, and the fact he was the smartest being in the world while not being human disturbed many. As such, in order to not cause too much trouble for himself or for others, he acted as human as possible. It was easier that way.
However, around this she trusted such as his staff, he acted more animalistic at times. It was nice to do so. He wasn’t human, and he didn’t like pretending he was.
The two reached his office where he scurried up to his chair and pulled up the cameras of the school on his computer. Aizawa moves to stand behind him and watch himself.
On screen, three people, two female and one male, walked down the hall dressed in janitorial uniforms. UA often did have students clean much like other Japanese schools but due to the sometimes dangerous substances left by Quirks, plus often how tired students could be or how injured they could be after Hero classes, they had janitors as well.
They watched as the male placed a small explosion on the door that broke the lock, letting them in. The cameras inside the room showed them hunting for the amplifier before finding it and leaving.
Nezu went through more cameras before finding them leaving the school. He dug into the electronic records to find that they were temporary agents for a company they usually hired from due to some accidents.
“Faked background check?” Asked Aizawa.
“Or they stole the uniforms anyway, most likely.” Nezu pulled up the picture of the three temporary hires to reveal they weren’t the same people. “I don’t think they’re alive.”
“Dammit.” Aizawa pulled out his phone. “I’ll contact the underground association, see if anyone’s heard anything.”
“I’ll alert the Commission.”
As both went to work, Nezu wondered why they needed the amplifier. What was their goal?
-0-
Time watched as his sisters looked over the amplifier. They’d done it. He’d never sent himself or anyone so far back before. God was he amazing.
He fingered the future version of the amplifier around his neck. Or well, he was amazing with help.
“We’re all set,” Portal said to him, his sister looking at him in worry. “… you’ll let go when we start won’t you?” It wasn’t really a question.
“It’s starting to fail and besides- We’re all dead.” He said to them. “You, me and Watcher we’re all dead. Even if I hadn’t used this, sending us this far back would kill us. It’s the day of our birth sure, but changing the timeline so much will erase us from this reality.”
“I really don’t wanna talk about realities.” Said Watcher. She held in her hand a vial, and she looked angry. “Knows that there is one with fucking Limitless still around pisses me the fuck off.”
“Agreed.” Portal snarled. “That cunt needs to fucking die.”
“And we’re doing it.” Time said, smiling. “We’re killing her today.” The two women smiled at him.
“We love you brother.” They told him just as they started the version of the amplifier they stole. Just as the one he was wearing was beginning to fail. He closed his eyes.
Burn in Hell Midoriya Izumi, the Hero Limitless.
-0-
The day started like any other. Midoriya Izumi was dressed in her uniform and was heading to school after having dropped Tomoe off at daycare, ignoring the stares of the other people as she jogged, trying to remember her plan for the day.
‘School, hit the beach after and try to get an area cleaned up. All Might isn’t with me today so I have to stick to lighter stuff and leave Tomoe at the daycare for longer,’ she thought, feeling a pain at the fact she couldn’t pick her daughter up right after school.
She hated how she got her daughter. She loathed the circumstances. She wanted Yamanaka-sensei to burn in hell for what he did to her. She had been thirteen when he did that to her and she hated it. Hated it so much she choked on her hatred.
But she would not regret Tomoe. Not like her mother regretted her. She wouldn’t.
As she jogged, she noticed a strange feeling in the air. A sense of anticipation. Like something would happen soon and fast.
Everyone seemed to feel it. They traded looks and shifted. She noticed a few sidekicks on the streets doing patrolling were on edge as they looked around.
Nothing could prepare her for the sudden portal-like thing that opened up. Two women looked out at the world, both blonde and both looking exhausted but gleeful.
“Hello, I’m Portal.” hissed one of them. The other grinned. The two were completely identical and looked eager.
“I’m Watcher.” said the other. “And our… our brother.” Watcher choked sightly.
“Our brother was Time.” hissed Portal. “We’re here to stop the rise of Limitless!” Portal’s words caused Watcher to laugh.
“You don’t know who Limitless is. Limitless is the future world’s greats hero,” Watcher snarled, the words ‘world’s greatest hero’ said in a sing-song mocking tone. “We came BACK to stop the rise of Limitless and the other great heroes.”
“Back to today, when we’re born and before they even get to school.” sneered Portal. “My power is the ability to project images to people of my choosing. Watcher here has the ability to show the future as long as she has a focal point.”
“And what do I have here?” asked Watcher mockingly, holding up a vial of something red. “Blood, from Limitless. As a focal point, can’t go wrong.” the two laughed and Watcher shotgunned the vial down her throat, while Portal continued their speech.
“Time brought us back, with help from our version of the Quirk amplifier Nezu had stored away. It killed him. And we’ll die using this one.” she held up the box the two were touching. “But our goal will be reached. Every single secret, every single lie or truth will be shown.”
“Death to Limitless.” Watcher snarled before her eyes flashed white. “Watch your future shown to Japan itself.”
With that, the screen began morphing.
‘Combination of Quirks. Portal is seeing what Watcher is showing her and then projecting it to everyone,’ Izumi thought instantly. She felt a hole in her gut as the images began to form, taking some time.
‘Who is Limitless?’
Across the country, there were multiple reactions.
-0-
“Get everyone we have on hunting these villains down!” an agent of the Hero Public Safety Commission shouted at another as people ran around, contacting as many heroes as they could. No one knew who Limitless was, but from the sounds of it, they were young. Very young.
Hopefully within the fifteen to sixteen range, but possibly younger. With the introduction of Quirks, schools had begun starting later than normal due to the time it often took to get control over a Quirk, so the agent knew the age was probably from three to maybe fifteen or sixteen. Possibly they meant university but they hadn’t heard of any potential hero in any school calling themselves Limitless.
‘Possibly they’re from another school and just planning on entering a hero university, but doubtful.’ the agent thought, watching as people scrambled.
-0-
Endeavour frowned at the screen, eyeing his son. He was on his mandatory rest day and had planned on spending the day training Shouto when this screen appeared.
‘It has to be Shouto who is this Limitless. Who else could it be?’ he wondered to himself, his frown deepening as Shouto watched the screen blankly himself. It was possible it was someone else, Endeavour would admit but he couldn’t believe it. His son had the greatest potential with his Quirk. No one else could be it.
Shouto himself watched the screen thoughtfully. He had planned on using something ice-related for a hero name, to piss off his father. Limitless… hmm, he was Limitless in his abilities with his mother’s Quirk.
It sounded good.
-0-
Bakugou Katsuki scowled at the screen, explosions crackling in his hands.
How dare those shitty villains threaten him!? He was the future number one, he would topple All Might from his throne and no one could stop him! Not even these shitty villains from the future!
The name is stupid but he guesses Murder probably wasn’t allowed in a hero name, which is bullshit, so he’ll make do.
He’ll crush them.
-0-
Stain was impressed. This Limitless was enough to have three villains scurrying back in time to stop them.
However, it appeared there were secrets in the past of Limitless, enough that the villains thought it possible for them to be removed from the future.
He would watch. And if Limitless was a good hero, he would allow them to live and grow.
If not, their blood would spill.
-0-
Shigaraki Tomura scowled, scratching his neck as he glared at the screen. Stupid cheaters. Even if it was helping him and the others, he hated cheaters! If you weren’t willing to grind and work your way up to the next level you didn’t deserve the status. It was that simple.
He glared at the screen while Kurogiri watched silently.
“I hate them.” he hissed through his teeth.
“They can give us info. Think of it as a bonus difficulty. We might know this Limitless’s secrets, but they might know us too. ”
It did help to think of it like that, Shigaraki found. He grinned.
Time to see who it was.
-0-
Nezu and Aizawa frowned at the screen. They were too late.
“Can we track them?” Aizawa asked. Nezu shook his head.
“No, it’s too late to try. We just need to watch, and protect Limitless.”
Whoever they were.
Movie review – Kubo and The Two Strings: A Stop-Motion Hero’s Journey
Featured photo courtesy of Laika/Focus Features
9 out of 10
Laika, the animation studio behind “Kubo and the Two Strings” and its predecessors Coraline and Paranorman, is one of the few places still doing stop-motion animation, which is unfortunate, because it’s one of the major reasons Laika’s films work so well. The greatest strength of the studio is its ability to funnel their creativity into building engaging worlds. Whether it be the memorably morbid Paranorman or Caroline, or in this particular case the high fantasy of “Kubo and the Two Strings,” they’ve consistently created new and fascinating worlds with each of their films. Now everything in the film contributes to that, it has to, but their stop-motion style is a big part of why it works so well. Another stop motion film “Wallace and Gromit” portrays generally mundane things, but still visually engages its audience. Laika isn’t portraying mundane things. In fact the exaggerated fantastical character that it places in wild imaginative places are about as far from mundane as you can get. Of all their films, “Kubo and the Two Strings” takes advantage of that to the greatest extent.
There’s a sense of scale to Kubo that hasn’t been in Laika’s other work. You can see it in the environments, you can see it in the storytelling, you can even see it in the mythos the film creates. It pervades every piece of the film, and is really the defining difference between it and their earlier work. It’s also why this is, in my opinion, their most visually arresting film yet. The breadth of environments and characters they’re allowed to create really gives them an incredible range to work with, on a scale they’ve never had. It makes the film visually arresting, and it reinforces everything that the film is doing whether it be world building or even character development.
One of the other things “Kubo and the Two Strings” does incredibly well is its casting. Charlize Theron and Matthew McConaughey both fill out their supporting roles incredibly well largely because they’re allowed to just play versions of themselves. If you’ve seen them act before then the roles they play will be familiar, but those roles really work within the context of the film. It’s simply good casting. The same goes for the titular Kubo. It’s very easy for children protagonists to be unlikable, especially when they play surrogate to the audience. But Kubo balances childhood vulnerability and lightheartedness with the necessary traits for him to function as protagonist in what is essentially a hero’s journey. It makes him a believable, relatable character that, along with his strong supporting cast, really gets us invested in the film.
My only real major issue with the film is that there are two points in it where the location was abruptly changed and each time it caused an awkward break in the film’s pacing. They weren’t a huge problem, and the pacing of the film overall was fine, but they were both such specifically bad transitions that they merit mention.
All in all though, “Kubo and the Two Strings” is just a great new step for Laika and an even better opportunity to take the family out to see a film. It looks great, has a strong cast and does some of the best world building I’ve seen all year.
Related
Viola Hero – Easy Pop Specials For Strings
Series:
Easy Pop Specials For Strings
Format: Softcover
Score & Parts
Composer:
Stephen Bulla
Level: 2-3
Now it’s time for those inner part specialists to have their moment in the spotlight, featured here on a hard-driving groove that rocks the house. Stephen Bulla puts it right on the money for your orchestra’s “heroes.” Dur: 2:30
Instrumentation
Instrumentation | Number of Parts | Pages Per Part |
---|---|---|
FULL SCORE | 1 | 8 |
VIOLIN 1 | 8 | 1 |
VIOLIN 2 | 8 | 1 |
VIOLA | 4 | 1 |
CELLO | 4 | 1 |
STRING BASS | 4 | 1 |
PIANO | 1 | 2 |
PERCUSSION 1 | 1 | 1 |
PERCUSSION 2 | 1 | 1 |
$40. 00
(US)
Inventory #HL 04490799
UPC: 884088262884
Width: 9.0″
Length: 12.0″
Run time: 0:02:30
Prices and availability subject to change without notice.
Find the lines describing the appearance of the hero, write them down in the workbook
Leo Tolstoy work
Seryozha had a birthday boy
3. How do you think, well 4. Complete a short-term project and decide if your opinion coincides with M. Shakhanov’s vision. HELP PLEASE
URGENTLY!!!!!!! WHY are the images of heroes still popular and used in films and cartoons? Express your attitude to the heroic deeds of the heroes …
…
MORE THAN 150 WORDS ALREADY !!!!! WHO CAN HELP PLEASE ONLY OBLIGATORY BIG !!!!!!!!!!!!!!!!!!!!!!! I give a hundred balls
URGENT Complete one of the tasks of your choice. Write an essay on one of the suggested topics. The volume of work is 150-200 words (please help)
help urgently I have litter quality bad teacher almost burned litter
urgently I have litter help urgently !!!!
Restore lines of poetic text by keywords:
a) For me, but I must admit defeat, it’s time.
___________________________________________
1. Provide the correct definition.
a) “Ilya Muromets and Nightingale the Robber” refers to a social and everyday epic.b) The work “Song of the Prophetic Oleg” by A.S.
…
Pushkin belongs to the genre of a fairy tale.
c) A common feature for literature and folklore is belonging to the art of words.
d) The main theme of the work “Borodino” by M. Yu. Lermontov is the relationship between the old soldier and the young.
2. What expressive means does M. Yu. Lermontov use in the above excerpt: “Damascus steel sounded, buckshot squealed”?
a) Metaphor
b) Epithet
c) Cacophony
d) Antithesis.
3. Which hero belongs to this statement: “Betrayed to betray is a just law”?
a) Genghis Khan
b) Cairo Khan
c) Karashoks
d) Father Karashoka
4. Finish the definition. The coincidence in the sounding of the endings of the poetic lines is called …
a) Stanza
b) Rhyme
c) Antithesis
d) Comparison
5. Indicate the incorrect genre attribute of the ballad:
a) The narration is conducted from the first person – the participant of the described events.
b) Happy ending.
c) The story of the mysterious, tragic.
d) Dialogue plays an important role in the development of the plot.
Tasks requiring a short answer:
1.
2. Restore lines of poetic text by keywords:
a) For me, but I must admit defeat, it’s time.____________________________________________________________________________________________________________________________________________________________________________
b) You, with a grin, look, weakened, in body, though; as if, but a slave, not a lord, I, yours.
____________________________________________________________________________________________________________________________________________________________________________
3. Comment on the significance of the recovered passages of the poem.____________________________________________________________________________________________________________________________________________________________________________
4. Explain who is the main character in the poem and why?
__________________________________________________________________________________________________________________________________________________________________________
The task requiring a detailed answer:
What folklore genres did A.S. Pushkin in the work “Song of the Prophetic Oleg”, M.Shakhanov in the work “Otrar poem about the defeated winner, or Genghis Khan’s miscalculation” and why? Justify your answer.
____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
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Three trips of Ilya Muromets Find lines describing the appearance of the hero write them down in the workroom
L.N. Tolstoy
Seryozha had a birthday boy
3. How do you think, well 4. Complete a short-term project and decide if your opinion coincides with M. Shakhanov’s vision. HELP PLEASE
URGENTLY!!!!!!! WHY are the images of heroes still popular and used in films and cartoons? Express your attitude to the heroic deeds of the heroes …
…
MORE THAN 150 WORDS ALREADY !!!!! WHO CAN HELP PLEASE ONLY OBLIGATORY BIG !!!!!!!!!!!!!!!!!!!!!!! I give a hundred balls
URGENT Complete one of the tasks of your choice.Write an essay on one of the suggested topics. The volume of work is 150-200 words (please help)
help urgently I have litter quality bad teacher almost burned litter
urgently I have litter help urgently !!!!
Restore lines of poetic text by keywords:
a) For me, but I must admit defeat, it’s time.
___________________________________________
1. Provide the correct definition.
a) “Ilya Muromets and Nightingale the Robber” refers to a social and everyday epic.b) The work “Song of the Prophetic Oleg” by A.S.
…
Pushkin belongs to the genre of a fairy tale.
c) A common feature for literature and folklore is belonging to the art of words.
d) The main theme of the work “Borodino” by M. Yu. Lermontov is the relationship between the old soldier and the young.
2. What expressive means does M. Yu. Lermontov use in the above excerpt: “Damascus steel sounded, buckshot squealed”?
a) Metaphor
b) Epithet
c) Cacophony
d) Antithesis.
3. Which hero belongs to this statement: “Betrayed to betray is a just law”?
a) Genghis Khan
b) Cairo Khan
c) Karashoks
d) Father Karashoka
4.Finish the definition. The coincidence in the sounding of the endings of the poetic lines is called …
a) Stanza
b) Rhyme
c) Antithesis
d) Comparison
5. Indicate the incorrect genre attribute of the ballad:
a) The narration is conducted from the first person – the participant of the described events.
b) Happy ending.
c) The story of the mysterious, tragic.
d) Dialogue plays an important role in the development of the plot.
Tasks requiring a short answer:
1.
2. Restore lines of poetic text by keywords:
a) For me, but I must admit defeat, it’s time.____________________________________________________________________________________________________________________________________________________________________________
b) You, with a grin, look, weakened, in body, though; as if, but a slave, not a lord, I, yours.
____________________________________________________________________________________________________________________________________________________________________________
3. Comment on the significance of the recovered passages of the poem.____________________________________________________________________________________________________________________________________________________________________________
4. Explain who is the main character in the poem and why?
__________________________________________________________________________________________________________________________________________________________________________
The task requiring a detailed answer:
What folklore genres did A.S. Pushkin in the work “Song of the Prophetic Oleg”, M.Shakhanov in the work “Otrar poem about the defeated winner, or Genghis Khan’s miscalculation” and why? Justify your answer.
____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________
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…
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90,000 Favorite heroes and favorite lines of Pushkin were chosen in Russia – Uchitelskaya Gazeta
In the undisputed leaders of the national rating – the poem “I loved you …” and “Tatiana’s letter to Onegin”, among the works of Pushkin the most beloved are “Eugene Onegin” and “The Captain’s Daughter”.
Photo: pixabay.com
June 6 is the birthday of Alexander Pushkin. This year, 222 years have passed since the birth of the first Russian poet. By this date, the MyBook book service conducted a survey among readers who named their favorite works of Pushkin and their favorite characters created by the imagination of a genius.
In the course of the poll, it was possible to compile a rating of the popularity of Pushkin’s lines. According to TASS, the first place in the ranking was taken by the poem “I loved you …”, dedicated, as researchers believe, to Anna Olenina, who in 1828-1829 was the poet’s beloved.This lyrical miniature of Pushkin was recalled by 44% of the respondents during the poll. In second place in popularity is Tatiana’s Letter to Onegin (42.1%), which is usually learned by heart at school, mainly by girls. The third most popular poem is “I remember a wonderful moment” (38.9%), addressed to Anna Kern. The ratings are closed by “Winter Morning” and “Monument” with the result of 34.7% and 30.5% of the votes, respectively.
The study also made it possible to find out which works of Pushkin are loved by Russians more than others.Out of competition was the novel in verse “Eugene Onegin” – 69%. It is followed by “The Captain’s Daughter” (52.6%), “The Tale of Tsar Saltan” (41.1%), “The Queen of Spades” (40%) and “The Tale of the Fisherman and the Fish” (38.9%) …
Accordingly, the favorite Pushkin hero among Russians is Eugene Onegin. Almost 40% of the respondents voted for him. Tatyana Larina received 31.5% of the vote, Petr Grinev – 30.54%.
On the birthday of Pushkin, the International Day of the Russian Language, established by the UN in 2010, is also celebrated.Since 2011, it has been a public holiday in Russia. Earlier, VTsIOM found out that more than half of Russians advocate the purity of the Russian language, while 45% use borrowed words. The study found that 67% of Russians believe that it is necessary to use Russian words and enter their own terms. 23% of the respondents disagree with them. In their opinion, it is necessary to borrow foreign words that are actively used all over the world (23%).
The use of foreign words in ordinary and business communication is more likely to pose a threat to the development and preservation of the Russian language, 54% of Russians told VTsIOM specialists.30% of respondents from Moscow and St. Petersburg (47%), as well as from cities with a population of over one million and cities with 500-950 thousand inhabitants (36-35%) see this as an opportunity for enriching speech.
Despite the possible threat to the purity of the Russian language, more than half of Russians calmly react to the abuse of foreign terms in speech.
A quarter of Russians (24%) reported using various outdated words and phrases. The most popular among them are: madam, sudarushka (9%), until (3%), sir (3%), young lady (2%).64% of our compatriots never use outdated forms of Russian words.
“Sail”, analysis of Lermontov’s poem
The famous poem “Sail” was written in 1832 in St. Petersburg. 17-year-old Lermontov created it during one of the walks along the coast of the Gulf of Finland. In the original version, the first line read: “The distant sail is whitening.” The final version of this line was borrowed from the poem “Andrey, Prince of Pereyaslavsky” by AA Bestuzhev-Marlinsky.
The poem reflects the personal experiences of the young man. Shortly before that, he left Moscow University, abandoning his dream of becoming a philologist. At the insistence of his beloved grandmother, Lermontov moved to St. Petersburg, intending to enter a cadet school. Before admission, the young man thought a lot about his past and possible future destiny – these thoughts and feelings formed the basis of the work.
The poem of the young poet is distinguished not only by its vivid imagery, melody and poetic beauty, but also by the depth of emotions and feelings reflected in it, an amazing maturity of thought.
Compositionally, the poem consists of three stanzas. Composition clearly separates the sail and the lyrical hero: in each stanza, the first two lines depict a changing seascape, and the next two lines reflect the inner state and feelings of the lyrical hero watching the sail. Lermontov uses ellipsis to separate the description of nature and lines dedicated to the psychological state of the hero.
The images of the poem are allegorical. To denote life, the poet used the traditional image of the sea , symbolizing the vicissitudes of life, and the sail is a symbol of the person himself, his soul.The conflict “sail – sea” turns into a conflict “man – life”. A person thrown into the sea of life is infinitely lonely among the same people floundering in it.
In “Parus” the author’s “I” is hidden, but it is easy to guess it behind the pronoun “he”: unlike the word “sail”, used only in the first line, it occurs six times in the text.
In the first stanza, the images of the sail and the lyrical hero are united by the word “loneliness”. The loneliness of the hero is caused by disappointment in life, the bitterness of some loss; he asks a painful question: how to achieve inner harmony.
In the second stanza, the hero seeks salvation from loneliness in the struggle with the elements, but, “alas,” meeting with the storm does not bring happiness – happiness cannot be found from the outside, it is contained within a person.
In the third stanza, contrary to the pacified, harmonious picture of the world, the hero seeks to find peace of mind in the renewal of life, in a cleansing storm.
Along with the motive of loneliness , Lermontov raises in “Parus” a theme that is invariably of interest to him – the problem of the goal and meaning of human existence .
“Sail”, being a lyrical novel in genre , refers to landscape-symbolic poems and has a deep philosophical meaning. The landscape in the work reflects the inner world of the poet.
The poem was written in iambic tetrameter using a cross rhyme (the first and third lines of each stanza end with a feminine rhyme, for the second and fourth lines a masculine rhyme is used).
To enhance artistic expression, Lermontov uses repetitions in Parus, including anaphora ( what he is looking for, what he threw ), syntactic parallelism, inversion ( sail to a lonely, distant country, in the fog of the blue sea ).The poet makes extensive use of personifications ( the wind whistles, waves play), metaphors ( a jet lighter than azure ), epithets ( golden ray of the sun ). Saturation with verbs gives dynamism to the poem. To convey the contrast on which the composition of the poem is built, Lermontov resorts to the antithesis ( to a distant country – his native land, he threw – he is looking for ).
To depict the changing picture of the seascape, the poet uses onomatopoeia: in the first stanza, with the help of the predominance of the sounds “l”, “n”, “m”, “r”, the effect of a measured swaying of waves is created during calm; the change in the sea (the sound of waves and the whistle of the wind) is transmitted by the prevalence of the sounds “s”, “t”, “u”, “h”.
In the poem in , the image of the sail shows the poet himself, his soul. “Sail” is Lermontov’s poem about himself, because the real Poet always remains “lonely” and “rebellious” , and his freedom-loving soul, full of anxious restlessness, thirsts for eternal searches, thirsts for a storm.
“Homeland”, analysis of Lermontov’s poem, composition
“Prophet”, analysis of the poem by Lermontov
“Clouds”, analysis of the poem by Lermontov
“A Hero of Our Time”, a summary of the chapters of the novel by Lermontov
“Demon”, analysis of Lermontov’s poem
“Borodino”, analysis of the poem by Lermontov
“Cliff”, analysis of the poem by Lermontov
“Leaf”, analysis of the poem by Lermontov
“Duma”, analysis of the poem by Lermontov
“Three Palms”, analysis of the poem by Lermontov
“Beggar”, analysis of the poem by Lermontov
“Prayer (In a difficult moment…) “, analysis of Lermontov’s poem
“Death of a poet”, analysis of the poem by Lermontov
“I go out alone on the road”, analysis of the poem by Lermontov
“Dagger”, analysis of the poem by Lermontov
Based on the work: “Sail”
According to the writer: Mikhail Yurievich Lermontov
90,000 Harry Potter: The First And Last Line Of Every Protagonist In The Film Franchise | All About Movies
The first and last lines tell a lot about a character – who has the best opening and closing quotes from Harry Potter?
Over eight films and ten years, fans watched as Harry Potter and his friends went from adorable child wizards to incredible magical warriors ready to slay the darkest wizard of all time.The characters grew, changed, in many (heartbreaking) cases died … and the last flashback even showed what happened years later, when their own children were aged to go to Hogwarts.
But only the most dedicated fans can remember the first and last sayings that each of these protagonists said in films – which, in many cases, is not the same as their first or last lines in books. Like a host of other tricks WB has done for the franchise, some of them may surprise book fans, but they all reveal something about the character’s journey in films.
Fred & George Weasley
Fred is not him, but me! And you madam call yourself our mother.
– Are you okay, Freddie? Yes and you ?
Technically, Fred and George Weasley could be two characters, but it’s almost impossible to see them separately. And their first and last line works together because these two brilliant young men have always, always been together … until they cease to exist. Their first line comes when Harry notices that the Weasleys are stepping onto the platform, and Fred and George are teasing their mother about who is who.It’s the perfect setting for pranksters, but their final line shows how far they’ve come. They are quieter, more solemn, but still show how they fight for each other, how they try to calm each other before the battle at Hogwarts.
Professor McGonagall
Good evening, Professor Dumbledore. Are these rumors true, Albus?
– I’ve always wanted to use this spell
For a character with as many incredible lines as Professor McGonagall, her first line is a little disappointing.She appears when Dumbledore leaves Harry with the Dursleys and asks him about the “rumor” (that Voldemort is dead, but so are the Potters). Her latest line, however, is one of the best in the entire franchise as she shows her softer, funnier side by giggling that she always wanted to use a spell to revive the Hogwarts guardians. It’s a moment of frivolity in a serious scene, and it’s absolutely perfect.
Neville Longbottom
Trevor!
– Harry’s heart was beating for us, for all of us, and this is not the end!
Neville’s first line is also a little disappointing as he jumps forward to grab his wayward toad when the students first arrive at Hogwarts.This makes him look like a slightly awkward joke, which is not entirely appropriate at first. However, Neville’s last line is one of the strongest in the films, and it shows how far he has come. From a nervous boy who has lost a toad, Neville turns into a young man who confronts Voldemort and gathers troops when it seems that all hope is lost.
Hagrid
Professor Dumbledore, Sir. Professor McGonagall.
– Harry …
For such a huge character, Hagrid’s first and last lines are surprisingly short.The first is when he comes with little Harry to leave with the Dursleys and he just greets Dumbledore and Professor McGonagall. His last line, however, is hardly a line as he sees Harry. However, in both cases, Hagrid is determined by the people around him, which suits the loyal half-giant quite well.
Dumbledore
I should have known you would be here … Professor McGonagall.
-Of course it’s in your head, Harry, but who told you that’s why it shouldn’t be true?
Fans may be surprised to remember that Dumbledore’s last line is in the final film, although his death comes long before that.However, when Harry sacrifices himself, he meets “Dumbledore” in the form of a temporary afterlife, and they have a conversation about everything that happened. His last phrase, in fact, is one of the most quoted. His first one is slightly less memorable, but still perfect for the character as he seems to know what’s going on without having to speak.
Voldemort
Use the boy.
– I killed Snape!
For such a large character, both the first and last lines of Voldemort are surprisingly short.The first time he appears is when he was on the back of Quirrell’s head, and he tells him to “use” Harry to find out how to get the Stone. It’s a spooky and incredible moment that also makes Voldemort obsessive about Harry. His final phrase is disappointing as he struggles to understand why the elder wand still doesn’t accept him as a host.
Draco Malfoy
So what they say on the train is true. Harry Potter came to Hogwarts.
– She’s powerful, but they’re not the same thing. He doesn’t quite obey me. Do you see what I mean?
Draco goes through a huge amount of character development throughout the films, loses his confidence, fights and fights Harry again and again. He first meets Harry when they arrive at Hogwarts, and immediately tries to somehow dominate Harry and suck up to him. His last lines unfortunately do not show how far he went as he talks to Harry about his wand in the room rescue before attacking him.Instead, his final moment in the film is when the grown-up Draco calmly nods to Harry on the Hogwarts platform, which shows much more how he ended up changing.
Ron Weasley
Excuse me, would you mind? All other seats are taken.
– I’m just saying that this is the oldest wand, the most powerful wand in the world. With her, we would be invincible.
Ron has some incredible moments throughout the Harry Potter franchise – but neither the first nor the last lines are necessarily counted among them.At first, he sits down next to Harry just because he cannot find another place, and neither of them can know how close they will become. It does show, however, that Ron was always friendly and was never too preoccupied with getting to know Harry because of his fame (possibly his generosity with chocolate frogs, though …). His last line is addressed to Harry as he decides what to do with the older wand.
Hermione Granger
Has anyone seen the toad? A boy named Neville has lost a toad.
– “We”?
Hermione’s opening scenes paint her as an insufferable know-it-all on purpose, of course! However, her very first line is actually trying to be helpful. Although she seems to look down on Neville for losing his toad, she’s still trying to help find her, and that’s literally Hermione. She knows she knows best, but she will still be there and help. In the end, however, her last line reveals that she is relinquishing control (a huge change in personality for her) when she and Ron ask Harry what he will do with the older wand and she corrects Ron to “WE” “what are we going to do? ” – knowing that it was entirely Harry’s decision.
Harry Potter
Yes, Aunt Petunia.
– Ready?
For the central character in the franchise, Harry’s first and last lines are not particularly remarkable, which is surprising. His first quote, submission to Aunt Petunia, definitely works to establish his position in the family, and his resignation with his lot in life, and it definitely makes sense from a narrative standpoint. But looking back, we can say that there is nothing particularly remarkable about this line.His final moments, however, are more impressive as he calms his son down on his first day at Hogwarts. The whole speech becomes more meaningful as he reveals to the audience that his son is called “Albus Severus” and reminds him that it doesn’t matter what house he is in, since it is all about who he is. This last official phrase, however, is just the end of a big speech and pales in comparison.
Console Commands – Dota 2 Wiki
Here is a list of all commands (cheats) that can be used in training mode, if this option is enabled.
Teams | Example | Equivalent commands for console | Description / Notes |
---|---|---|---|
-lvlup # | -lvlup 25 | dota_hero_level n | Increases the level of the hero. |
-levelbots # | -levelbots 5 | dota_bot_give_level # | Increases the level of all bots. |
-gold # | -gold 15000 | dota_give_gold | Gives you gold. |
-refresh | -refresh | dota_hero_refresh | Removes cooldowns and grants mana / health. |
-respawn | -respawn | dota_hero_respawn | Resurrects the hero. |
-spawncreeps | -spawncreeps | dota_spawn_creeps | Spawns creeps. |
-spawnneutrals | -spawnneutrals | dota_spawn_neutrals | Creates neutral creeps. |
-startgame | -startgame | dota_start_game | Sets the timer to 0:00, everything starts over. |
-killcreeps | -killcreeps | dota_kill_creeps | Kills all creeps. |
-killwards | -killwards | dota_killwards | Destroys all wards. |
-dumpbots | -dumpbots | dota_bot_dump_state | Displays the status of bots. |
-createhero | -createhero npc_dota_hero_lion enemy | Creates a specific unit (enemy). | |
-item | -item item_blink | dota_create_item | Grants a specific item |
-givebots | -givebots item_blink | dota_bot_give_item | Gives a specific item to all bots |
-ping | -ping | dota_ping | Shows the current ping.Can be applied during real game, no cheats included. |
-wtf | -wtf | dota_ability_debug_enable | Turns on the WTF mode – the use of spells and items will not cost mana, and the items and spells themselves will receive an instant recharge. |
-unwtf | -unwtf | dota_ability_debug_disable | Turns off WTF mode. |
-allvision | -allvision | dota_allvision_enable | Dispels all fog of war. |
-normalvision | -normalvision | dota_allvision_disable | Turns fog of war back on if it was turned off earlier. |
-disablecreepspawn | -disablecreepspawn | dota_creeps_no_spawning_enable | Turns off the appearance of creeps on the lanes. |
-enablecreepspawn | -enablecreepspawn | dota_creeps_no_spawning_disable | Enables spawning of creeps. |
Notes []
- List of all heroes for team “-createhero”: Heroes
- List of all items for the “-item” command: Items
- The command “-spawnneutrals” does not spawn creeps on points where the fog of war is dispelled.
“Sea” analysis of Zhukovsky’s poem according to plan briefly – history of creation, poetic meter, rhyme, epithets
4.5
Average mark: 4.5
Total estimates received: 247.
Updated February 26, 2021
4.5
Average mark: 4.5
Total estimates received: 247.
Updated February 26, 2021
“Sea” V.Zhukovsky is written in the spirit of romanticism. The poem shows how subtly the poet felt the powerful element. At school, he is studied in grade 9. We suggest that you familiarize yourself with a brief analysis of the “Sea” according to plan. He will be an excellent assistant in preparing for lessons and the exam.
Experience as a teacher of the Russian language and literature – 27 years.
Brief analysis
Before reading this analysis, we recommend that you familiarize yourself with the poem More.
History of creation – was written in 1822, when V. Zhukovsky had already formed as a poet and was known in literary circles.
The theme of the poem is the beauty and character of the sea.
Composition – the work is conditionally divided into semantic parts: a description of a calm sea and a landscape that reproduces the raging sea expanses. Formally, the poem is not divided into stanzas.
Genre – elegy.
Poetic meter – tetrameter amphibrach, lines do not rhyme.
Metaphors – “you are alive; you breathe confused love, you are filled with anxious thought ”,“ what moves your immense bosom ”,“ you beat, you howl, you lift waves ”,“ you, admiring the sky, tremble for it ”.
Epithets – “silent sea, azure sea”, “earthly bondage”, “distant, bright sky”, “mysterious, sweet” life, “radiant azure”, “dark clouds”.
Creation history
The analyzed poem by V.Zhukovsky wrote in 1822. The mature period of the poet’s work was marked by the transition from sentimentalism to romanticism. This trend was very popular in Russian literature at the beginning of the 19th century. We can see its signs in The Sea, which researchers consider the poet’s programmatic work.
The history of the creation of the poem is connected with the personal experiences of the author. At the time of the appearance of the literary sea landscape, he was in love with Maria Protasova, but he could not start a family with her. Maria’s mother was the poet’s cousin.
Topic
In the work, the author develops the theme of the beauty and power of the sea. The main characters of the lines are the lyrical hero and the sea. To show all the facets of the elements, V. Zhukovsky creates static and dynamic landscapes in one piece.
Under the image of a lyrical hero is a person who knows how to understand nature, and speaks to the expanses of the sea like an old friend. Being alone with the sea brings him pleasure: “I stand enchanted over your abyss”
.
In the first part of the poem, the sea is silent. The azure of the sea pleases the lyrical hero’s eye. He is sure that the sea is alive, and he also knows that the expanses of water are fraught with a disturbing thought. The lyrical hero asks the sea to reveal its secrets, hidden deep in the bosom of the waters. He guesses that the sea element is reaching for the sky. It merges with the “radiant azure”
of the sky, and is filled with its light.
The union of sea and sky is destroyed by black clouds. They are trying to take away the height, but the water element does not give it up without a fight.The sea beats, howls, seethes with waves and breaks the mist. Soon it is victorious, but it is worried for a long time, heated up by the battle. To reproduce the raging sea, the author strings verbs. They add dynamism to the landscape.
In the last verses, the lyric hero tells how the sea admires the sky motionlessly, but inside it worries about it. Apparently, this “character trait” of the sea is what the hero likes.
It can be assumed that by means of metaphorical images V. Zhukovsky spoke about his relationship with M.Protasova. The sea is the embodiment of the author himself, and the sky symbolizes his beloved.
Composition
In the 9th grade, it is important to be able to analyze the semantic and formal organization of works. According to the meaning, “Sea” can be divided into two parts: a description of a calm sea and a landscape that reproduces the raging sea expanses. The poem is not divided into stanzas. Due to the peculiarities of the composition, the lines resemble waves in the endless sea.
Genre
V. Zhukovsky himself defined the verse as an elegy.Indeed, it was written in this genre, because the work is of a contemplative nature, and sad notes appear in its lines. Poetic size – amphibrachial tetrameter. The lines are not united by rhymes, their consonance is based on the rhythm.
Expressions
V. Zhukovsky used artistic means to convey the inner state of the lyrical hero and reproduce the beauty of the sea. The main role in the text is played by metaphors : “you are alive; you breathe confused love, you are filled with anxious thought ”,“ what moves your immense bosom ”,“ you fight, you howl, you lift waves ”,“ you, admiring the sky, tremble for it ”
. Epithets add expressiveness to marine paintings: “silent sea, azure sea”, “earthly bondage”, “distant, bright sky”, “mysterious, sweet”
life, “light-colored azure”, “dark clouds”
.
The author reproduced the sound of the sea using alliteration . In some stanzas he used words with the consonants “w”, “w”: “you are alive; you breathe “,” you fight, you howl, you lift waves, you tear and torment “
.
Poem Test
Hall of Fame
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Magomed Osmanov
8/8
Viktoria Chebotareva
8/8
Uliana Knyazeva
7/8
Danil9 Azaran2
Danil9 Azaran2 9000
7/8
Dasha Chokak
7/8
Ekaterina Shmakova
8/8
Lilnait Student
8/8
30
30
Alexander Bagrov
8/8
Analysis Rating
4.