Who is Erik Fjeldsted and what are his notable works. How has he contributed to the entertainment industry. What roles has he played in various productions. How has his career evolved over time.
Erik Fjeldsted’s Career Overview
Erik Fjeldsted is a multifaceted talent in the entertainment industry, known for his work both in front of and behind the camera. His career spans acting, set decoration, and art department roles, showcasing his versatility in the film and television landscape.
Notable Acting Roles
Fjeldsted has appeared in several productions, demonstrating his range as an actor. His most recognized roles include:
- Kevin in “You Kill Me” (2007)
- Paul in “Blue State” (2007)
- Bartender in “Burden of Truth” (TV Series)
- Burton Powell in “The Pinkertons” (TV Series)
- Auto Mechanic 2 in “High Life”
- Marty the Mechanic in “Make It Happen”
- Jordy in “Eye of the Beast” (TV Movie)
Behind-the-Scenes Contributions
Beyond acting, Fjeldsted has made significant contributions behind the scenes, particularly in set decoration and the art department. His credits include:
- Set Decorator for “I, Hostage”
- Art Department work on various productions
Critical Reception and Metascores
Erik Fjeldsted’s work has been received positively by critics, particularly his performance in “You Kill Me.” The film garnered a Metascore of 64, indicating generally favorable reviews. This score represents both Fjeldsted’s highest and lowest Metascore, as it is currently the only film with available critic reviews on Metacritic.
User Ratings
While critical reception provides one perspective, audience reactions offer another valuable insight into Fjeldsted’s work. “You Kill Me” received a user score of 8.3 on Metacritic, suggesting strong audience appreciation for the film and, by extension, Fjeldsted’s performance.
Exploring Erik Fjeldsted’s Filmography
Erik Fjeldsted’s filmography showcases his ability to adapt to various genres and production scales. From feature films to television series and short films, he has demonstrated a willingness to take on diverse projects.
Feature Films
In the realm of feature films, Fjeldsted has made notable appearances in:
- “You Kill Me” (2007): A crime comedy where he played Kevin alongside Ben Kingsley and Téa Leoni.
- “Blue State” (2007): A political comedy-drama featuring Fjeldsted as Paul.
- “Make It Happen” (2008): A dance drama where he portrayed Marty, a mechanic.
Television Work
Fjeldsted’s television credits span various genres and formats:
- “Burden of Truth”: A legal drama series where he appeared as a bartender.
- “The Pinkertons”: A Western crime series featuring Fjeldsted as Burton Powell.
- “Eye of the Beast”: A TV movie where he played Jordy.
- “What If God Were the Sun?”: Another TV movie appearance as Guy at Counter.
Short Films and Other Projects
Demonstrating his support for smaller productions, Fjeldsted has also been involved in short films:
- “Pisces” (2019): A short film project.
- “The Pin”: Another short film appearance.
- “North American Perspective”: A short where he played Lionel.
Erik Fjeldsted’s Versatility in Character Portrayals
Throughout his career, Erik Fjeldsted has shown a remarkable ability to embody a wide range of characters. From mechanics to bartenders, his roles have spanned various professions and personalities, highlighting his adaptability as an actor.
Blue-Collar Characters
Fjeldsted seems to have a particular affinity for portraying working-class characters:
- Auto Mechanic in “High Life”
- Marty the Mechanic in “Make It Happen”
- Bartender in “Burden of Truth”
These roles suggest a talent for bringing authenticity to blue-collar characters, possibly drawing from personal experiences or observations to create relatable performances.
Supporting Roles
Many of Fjeldsted’s characters appear to be supporting roles, which often require a different skill set than lead roles. Supporting actors must quickly establish their characters and make an impact in limited screen time. Fjeldsted’s repeated casting in such roles indicates a proficiency in this area of acting.
Set Decoration and Art Department Work
Erik Fjeldsted’s involvement in set decoration and art department work adds another dimension to his career in the entertainment industry. This behind-the-scenes work requires a different set of skills compared to acting, demonstrating Fjeldsted’s versatility and comprehensive understanding of film and television production.
Set Decorator for “I, Hostage”
As a set decorator for “I, Hostage,” Fjeldsted would have been responsible for selecting, designing, and arranging objects on the set to create the appropriate atmosphere for the production. This role requires a keen eye for detail, an understanding of historical and cultural contexts, and the ability to work closely with the production designer and art director.
The Importance of Set Decoration
Set decoration plays a crucial role in storytelling, helping to establish the setting, time period, and characters’ personalities through visual cues. Fjeldsted’s work in this area contributes significantly to the overall production value and audience immersion in the story.
Geographical Focus of Erik Fjeldsted’s Work
While specific information about the locations of all of Fjeldsted’s projects is not provided, we can make some inferences based on the productions mentioned:
Canadian Productions
Several of the TV series and films mentioned have Canadian connections:
- “Burden of Truth” is a Canadian legal drama series.
- “Blue State” is a Canadian-American co-production.
- “The Pinkertons” is a Canadian-Hungarian co-production set in the American Old West but filmed in Manitoba, Canada.
This suggests that Fjeldsted has strong ties to the Canadian film and television industry, possibly indicating that he is based in Canada or has spent significant time working there.
International Reach
Despite the Canadian focus, Fjeldsted’s work has reached international audiences:
- “You Kill Me” is an American production that received wider distribution.
- “Make It Happen” is a British-American co-production, showing Fjeldsted’s involvement in international projects.
Erik Fjeldsted’s Career Trajectory
Examining the chronology of Fjeldsted’s known works provides insight into his career development:
Early Career
The earliest mentioned works are from 2007, including “You Kill Me” and “Blue State.” These roles, while not lead parts, were in feature films, suggesting a strong start to his acting career.
Mid-Career Diversification
As his career progressed, Fjeldsted appears to have diversified his roles:
- Taking on television roles in series like “The Pinkertons” and “Burden of Truth”
- Expanding into set decoration with “I, Hostage”
- Continuing to appear in feature films and TV movies
Recent Projects
The most recent project mentioned is “Pisces” from 2019, indicating that Fjeldsted has remained active in the industry. However, without a complete filmography, it’s challenging to determine the full extent of his recent work.
Impact and Legacy of Erik Fjeldsted’s Work
While Erik Fjeldsted may not be a household name, his contributions to various productions have helped shape the landscape of Canadian and international film and television. His work both in front of and behind the camera has contributed to the success of numerous projects.
Contributions to Canadian Cinema
Fjeldsted’s involvement in Canadian productions has supported the country’s film and television industry. By taking on roles in Canadian series and films, he has helped to create distinctly Canadian content and provide opportunities for local talent.
Versatility as an Asset
Fjeldsted’s ability to work in multiple aspects of production – acting, set decoration, and art department – showcases the importance of versatility in the entertainment industry. His career serves as an example of how diversifying skills can lead to a sustained presence in a competitive field.
Supporting Player in Notable Productions
While often in supporting roles, Fjeldsted has been part of productions that have gained critical acclaim or popular success. “You Kill Me,” for instance, received positive reviews and featured established stars like Ben Kingsley and Téa Leoni. Fjeldsted’s participation in such projects, even in smaller roles, contributes to the overall quality of these productions.
Erik Fjeldsted’s career in the entertainment industry spans various roles both on-screen and behind the scenes. From his acting performances in films like “You Kill Me” and “Blue State” to his work in set decoration, Fjeldsted has demonstrated versatility and adaptability. His involvement in Canadian productions highlights his contribution to the country’s film and television landscape, while his appearances in international projects show a broader reach. Although often in supporting roles, Fjeldsted’s performances have been part of critically acclaimed works, with “You Kill Me” receiving favorable reviews. His ability to work across different aspects of production – acting, set decoration, and art department – showcases a comprehensive understanding of the filmmaking process. While not a major star, Fjeldsted’s career illustrates the important role that versatile, skilled professionals play in bringing diverse stories to the screen, contributing to the rich tapestry of film and television entertainment.
Erik Fjeldsted – IMDb
Erik Fjeldsted is known for You Kill Me (2007), Blue State (2007) and Pisces (2019).
Known for:
You Kill Me
Blue State
Pisces
Europe
Credits
Art Department
Set Decorator
- I, Hostage
- Set Decorator (props)
- Released
- TV Series
Actor
- Burden of Truth
- Bartender
- TV Series
- A Mother’s Love
- Male Body
- Short
- The Pinkertons
- Burton Powell
- TV Series
- North American Perspective
- Lionel
- Short
- High Life
- Auto Mechanic 2
- Make It Happen
- Marty – Mechanic
- Eye of the Beast
- Jordy
- TV Movie
- What If God Were the Sun?
- Guy at Counter
- TV Movie
- You Kill Me
- Kevin
- Blue State
- Paul
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Erik Fjeldsted Movies Profile – Metacritic
Erik Fjeldsted’s Scores
- Movies
| Average career score: |
64 | |
|---|---|---|
| Highest Metascore: |
64 |
You Kill Me |
| Lowest Metascore: |
64 |
You Kill Me |
Score distribution:
Positive:
1
out of 1Mixed:
0
out of 1Negative:
0
out of 1
1
movie
review
- By date
- By Metascore
- By user score
view
- 30
- 100
per page
| Title: | Year: | Credit: | User score: |
|---|---|---|---|
64 | Jun 22, 2007 | Kevin | 8. |
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Eric Foreman
Neurosurgeon, member of Dr. House’s team. The character appears in the pilot episode of the series, and from the very first days of his work, he is attacked and bullied by House because of the color of his skin and his difficult past.
Foreman’s past is generally a stumbling block in his relations with people. He was born into a poor family, his parents live on a pension, and his brother is in prison. That is why in the society shown in the series, he looks a little out of his path, almost alien, because medical education in America costs a lot, and people from the poor strata of society rarely get into it.
In his youth, Foreman contacted the wrong people and got into an unpleasant situation – he stole a car, for which he received a criminal record. But when House was selecting doctors for his team, Foreman’s criminal record was, ironically, the reason House chose Eric.
Foreman loves his parents, and he went to study as a doctor in part so that they would have a reason to be proud of their son. Most likely, if Foreman had not gone to study, his future would have been that, as a member of a gangster group, he would have been involved in theft or drug trafficking.
Eric Foreman is perhaps the most controversial character on the show. He is courageous, able to repulse the boss, but at the same time he is not always honest, and sometimes he is impossibly cowardly. For example, during the period of the series, when he had a relationship with Thirteen, and he was afraid that House would find out about them and fire someone.
The most difficult relationship he had with Cameron. Initially, their relationship soured due to the fact that he stole her article and published under his own name. But in the second season, Foreman acted simply inhumanly when he contracted an unknown disease: Eric deliberately injected Cameron with a syringe, thereby passing on his disease to her in the hope that this would stimulate her to find salvation.
Eric is touchy in places, but not in everything. Barbs about skin color, for example, don’t hurt him. But reminders of a dysfunctional youth act irritably, and House takes advantage of this, over and over again prying his colleague more and more.
Throughout the series, we see Foreman’s transformation: he begins to turn into a second House, adopts his mannerisms, habits and habits. When they tell him about it, he does not even admit it to himself. As a result, this similarity with House becomes the reason for Foreman’s departure from the team. One of the patients, not knowing the exact diagnosis, Foreman prescribed the wrong treatment, and she died, and all because he wanted to take a risk, as House does.
After his departure, Foreman worked at another hospital, but there was no need for a doctor with House’s methods. After some time, he returned to the team. He changed, but he became a scapegoat again. Periodically, Foreman replaced House as head of the department, and in the final season he even rose to the post of head physician.
