How does the Epoch Dragonfly Gen 5 lacrosse shaft differ from traditional metal alloy shafts. What are the unique features of the Dragonfly collection. How can players choose the right Epoch Dragonfly shaft for their position and playing style.
The Game-Changing Epoch Dragonfly Gen 5 Lacrosse Shaft
The lacrosse world has been taken by storm with the introduction of the Epoch Dragonfly Gen 5 lacrosse shaft. In an era dominated by metal alloy shafts, Epoch Lacrosse has dared to be different by creating a shaft made entirely of carbon fiber. This innovative approach has not only set a new standard in shaft design but has also redefined player expectations for performance and customization.
The Epoch Dragonfly Gen 5 collection offers players an unprecedented level of choice when it comes to shaft characteristics. From varying geometries to customizable flex levels, this line of shafts caters to the unique preferences and playing styles of athletes across all positions.
Understanding Epoch Dragonfly Shaft Geometries
One of the most striking features of the Epoch Dragonfly collection is the variety of shaft shapes available. Unlike traditional manufacturers who have long offered limited options, Epoch has introduced a range of geometries to suit different player preferences:
- C: The classic octagonal shape
- E: An ergonomic design
- X: A unique X-shaped cross-section
- R: A rounded geometry
- F: Specially designed for face-off players
This diversity allows players to select a shaft that feels most comfortable in their hands and complements their playing style. For instance, the C30 model, featuring the standard octagonal shape, remains a popular choice among many players due to its familiar feel.
How do different shaft geometries affect playing style?
The geometry of a lacrosse shaft can significantly impact a player’s grip, control, and overall performance. The classic C shape provides a traditional feel, while the E shape offers ergonomic benefits for improved handling. The X shape can enhance grip strength, and the R shape provides a smooth, comfortable feel. The F shape is tailored specifically for face-off specialists, optimizing their clamping technique.
Decoding Flex iQ: Customizing Your Shaft’s Flexibility
Another revolutionary aspect of the Epoch Dragonfly Gen 5 is its Flex iQ system. Unlike traditional shafts that rely on fiberglass for flexibility, the Dragonfly utilizes advanced carbon fiber technology to provide a range of flex options without compromising durability.
The Flex iQ system ranges from iQ1 to iQ10, with higher numbers indicating greater flexibility. This allows players to choose a shaft that matches their preferred level of flex, potentially enhancing shot speed and improving passing accuracy.
What are the benefits of a flexible lacrosse shaft?
A flexible shaft can provide several advantages on the field:
- Increased shot velocity
- Quicker release on passes and shots
- Enhanced feel for the ball
- Potential for improved accuracy
However, the ideal level of flex varies from player to player, which is why the Dragonfly’s customizable Flex iQ system is so valuable.
Selecting the Right Shaft Length for Your Position
The Epoch Dragonfly Gen 5 collection offers shafts in various lengths to accommodate different playing positions:
- 30″ shafts (e.g., C30, X30, E30) for attack and midfield players
- 60″ shafts (e.g., C60, R60) for defensemen and long-stick midfielders (LSM)
- 40″ shafts (e.g., C40) for goalies
- 32″ shafts (e.g., C32B) for box lacrosse players
Why is shaft length important in lacrosse?
The length of a lacrosse shaft plays a crucial role in a player’s performance. Shorter shafts (30″) provide better maneuverability and ball control for offensive players. Longer shafts (60″) give defensive players extended reach for checks and ground balls. Goalie-specific shafts (40″) offer a balance of control and reach for making saves and clearing the ball.
Position-Specific Recommendations for Epoch Dragonfly Shafts
To help players make informed decisions, here are some position-specific recommendations for Epoch Dragonfly Gen 5 shafts:
Attack and Midfield
For offensive players, the C30, X30, or E30 models are excellent choices. These 30″ shafts offer the perfect balance of control and maneuverability. Players new to flexible shafts might start with an iQ3 flex level to get a feel for the technology.
Defense and LSM
Defensive players should consider the R60 or C60 models. These 60″ shafts provide the necessary length for defensive play while offering the benefits of carbon fiber construction, such as lightweight feel and increased durability.
Goalies
The C40 model is ideal for goalies. Its carbon fiber construction offers superior durability against hard shots while remaining lightweight for quick reactions. The shaft’s grip allows for easy hand adjustments during play.
Face-Off Specialists
Face-off middies should opt for the F30 model, which features a specialized “MotoGrip” design to maximize clamping speed and power during face-offs.
Box Lacrosse Players
For indoor play, the C32B BOX shaft provides the perfect length (32″) and incorporates all the advanced technology of the Dragonfly line.
Advanced Technology in the Dragonfly Gen 5
The Epoch Dragonfly Gen 5 incorporates cutting-edge technology to enhance performance:
Reload Technology
This innovative feature allows the carbon fibers in the shaft to return to their natural position after being stretched or compressed during a pass or shot. This “snap back” effect can potentially increase shot power and passing accuracy.
How does Reload Technology improve performance?
Reload Technology harnesses the natural properties of carbon fiber to create a more responsive shaft. When a player passes or shoots, the fibers in the shaft stretch on one side and compress on the other. As these fibers return to their original position, they create a “whip” effect that can add power to shots and passes.
The Impact of Carbon Fiber on Lacrosse Shaft Performance
The use of carbon fiber in the Epoch Dragonfly Gen 5 offers several advantages over traditional metal alloy shafts:
- Lighter weight: Carbon fiber shafts are typically lighter than metal alternatives, allowing for quicker stick movements and reduced player fatigue.
- Increased durability: Carbon fiber is known for its strength-to-weight ratio, potentially leading to fewer shaft breaks during gameplay.
- Customizable flex: The properties of carbon fiber allow for a range of flex options not easily achievable with metal shafts.
- Temperature resistance: Unlike metal shafts, carbon fiber maintains consistent performance across various weather conditions.
Are carbon fiber shafts more durable than metal shafts?
While durability can vary based on usage and manufacturing quality, carbon fiber shafts like the Epoch Dragonfly Gen 5 are generally considered highly durable. Their ability to flex under pressure, rather than bend permanently like some metal shafts, can contribute to longer lifespan and consistent performance over time.
Choosing the Right Epoch Dragonfly Gen 5 for Your Game
Selecting the perfect Epoch Dragonfly Gen 5 shaft involves considering several factors:
- Position: Choose the appropriate length based on your playing position (30″, 40″, 60″, or 32″ for box lacrosse).
- Geometry: Select a shaft shape that feels comfortable and enhances your grip and control.
- Flex iQ: Determine your preferred level of shaft flexibility, starting with a moderate flex if you’re unsure.
- Playing style: Consider how features like Reload Technology might complement your passing and shooting techniques.
By carefully evaluating these factors, players can find an Epoch Dragonfly Gen 5 shaft that not only meets their positional requirements but also enhances their individual playing style and preferences.
Can the right shaft really improve a player’s performance?
While skill and practice remain the most crucial factors in a player’s performance, having the right equipment can certainly contribute to improved play. A well-chosen shaft can enhance comfort, control, and power, potentially leading to more confident and effective performance on the field.
Review of Epoch Dragonfly Lacrosse Shaft Gen 5 (C30, C60)
So this lacrosse shaft review has been long awaited for. The Epoch Dragonfly lacrosse shaft has made quite the splash in the lacrosse world. At a time when you thought metal alloy lacrosse shafts were the best, the Epoch Dragonfly gen 5 hits the market, comprised 100% of carbon fiber. Our review? We DEFINITELY approve. Two thumbs up, standing ovation. You can’t go wrong with an Epoch lacrosse shaft. You can pick one up now by clicking the red button, otherwise read on for the full Epoch Dragonfly lacrosse shaft review, and how to pick the right one for you!
Choosing the right shaft can be difficult, especially the right Epoch Dragonfly lacrosse shaft, we know. For example, you have the Epoch Dragonfly C30, R60, C60, and then these iQ5, iQ7 letters and numbers. What do they all mean?! Don’t fret, because below we’ve detailed exactly what all of these numbers and letters represent, and how to choose the best Dragonfly lacrosse stick for your position and style of play!
Geometries: Choose Your Dragonfly Shaft Shape (C, E, X, R, F)
So the letters you see all represent the shape of the lacrosse shaft.
Warrior, STX, Brine and Gait have controlled the lacrosse shaft marketplace for years, only allowing basically one standard shape. Well thanks to Epoch lacrosse, you can now choose the shape of the Dragonfly shaft to fit your style of play. Some lacrosse players prefer the most common Epoch dragonfly C30 lacrosse shaft, which is the standard octagonal shape. Have a look at the graphic provided by Epoch Lacrosse, and choose which shape fits your preferences.
Flex iQ: Get the Right Amount (iQ1- iQ10)
Fiberglass is a no-no. And unfortunately, that’s exactly what other lacrosse shafts have been built with in order to give you FLEX. Well the Epoch Dragonfly lacrosse shaft is a game-changer, built with carbon-fiber, instead of cheap fiberglass. Now if you’re not sure what lacrosse flex is, flex is when your lacrosse shaft slightly bends when making a hard pass or shot. The benefit is a faster and quicker release. It can actually increase your lacrosse shot speed! The Epoch dragonfly lacrosse shaft comes in a range of “Flex iQ”.
The higher the number, the more the flex. The lower the number, the less the flex. Take a look at the diagram and choose a Dragonfly shaft that fits your flex preferences!
Length: Pick the Shaft for Your Position (30, 60, 40)
The numbers after the initial letter, for example Dragonfly C “30”, means the lax shaft is 30 inches long. So attack and middies will typically go with a 30″ shaft, defense and lsm 60″, and goalies 40″
Now Grab Your Epoch Dragonfly Gen 5 Shaft:
Attack and Middie Epoch Dragonfly Lacrosse Shafts
If you’re a middie or attackman, we highly recommend an Epoch Dragonfly C30, X30, or E30 shaft. You can’t go wrong with either of these shapes, just pick one that you are comfortable with. The amount of flex iQ you’ll want is determined by your preference. If you’ve never owned a shaft that possesses a lot of flex, we recommend getting an Epoch Dragonfly C30 with iQ3 so that you can feel it out.
Defense and LSM Epoch Dragonfly Lacrosse Shafts
Defense, you should be lining up to get an Epoch Dragonfly R60 or C60 lacrosse shaft.
Grab the Dragonfly C60 or R60 shape, and then choose your flex. Using a Dragonfly lacrosse defense shaft that has FLEX gives you greater slashes and maneuverability. Not to mention the Dragonfly lacrosse shaft weight is next to nothing!
Goalie Epoch Dragonfly Lacrosse Shaft
As a goalie, using a carbon fiber lacrosse shaft like the Epoch Dragonfly C40 shaft will elevate your game. First off, it won’t break from a nasty lacrosse shot. Second, it’s lightweight, allowing you to quickly get to those top corner lacrosse shots. Lastly, the grip on the goalie lacrosse Dragonfly shaft is gritty enough to hold your hand position, but slick enough to let you move them.
Face-Off Middie Epoch Dragonfly Lacrosse Shaft
Hey Face-off Middies, grab a specially designed Epoch Dragonfly F30 shaft, which is specially designed just for Face-Off-Get-Off (FoGo) Middies. Thanks to Epoch lacrosse and their “MotoGrip design, you can now maximize your clamping speed and power.
Box Epoch Dragonfly Lacrosse Shaft
For all of the reasons above, an Epoch Dragonfly C32B BOX shaft will work great for your indoor lacrosse needs. The Box lacrosse shaft is 32 inches instead of the standard 30 inches, and the Dragonfly lacrosse shaft comes with all of the awesome technology as the classic one!
More Technology with Dragonfly Lacrosse Shaft Gen 5
Reload Technology – When you are passing or shooting, the Dragonfly shaft’s carbon fibers get stretched on the front of the shaft and compressed on the back. Reload Technology makes the Dragonfly’s fibers return to their natural spot, giving you a “snap back” effect.
Uniform Release – This is also called “Kick Point” and gives you a consistent feel while shooting or passing with the Dragonfly lacrosse stick, no matter where your hands are.
Lower F.A.W. – The MMXV Gen 5 Dragonfly lacrosse shaft uses a lower F.A.W. (Fiber Areal Weight) than standard shafts. Using lighter and smaller carbon fibers gives you increased durability.
Slip Grip – You’ll notice the Epoch Dragonfly lacrosse shaft has an awesome “gritty” textured coat on the shaft, which gives you thorough grip throughout the shaft in all weathers. But, it’s also slick enough for you to freely move your hands.
Resin – All Epoch Dragonfly shafts are treated with chemical surface treatments to improve the strength between the fibers, increasing durability of the carbon fibers!
For more information head over to Epoch Lacrosse’s Website to read up on their new shafts and technology!
Epoch Lacrosse Dragonfly Gen.5: Beyond Flex
The leader in carbon fiber lacrosse shaft technology, Epoch Lacrosse, releases their Gen.
5 Dragonfly shafts with Reload Technology.
Minneapolis, MN (October 4, 2013) – Having released their Gen.4 Dragonfly shaft line-up less than 60 days ago, Epoch Lacrosse announces the launch of their 5th Generation Dragonfly shafts with Reload Technology. “The Gen.5 shaft line-up was originally planned for a 2016-17 release, but during the development process we had a breakthrough and validated that the shafts were market ready,” said James Miceli, Principal at Epoch Lacrosse. “The Dragonfly Gen.5 is the most technologically advanced shaft on the market,” he added.
Reload Technology:
There are several revolutionary features of the Dragonfly Gen.5 highlighted by the introduction of Reload Technology. Reload Technology goes beyond conventional shafts that flex and is designed to improve the recovery of the shaft back to its original position before a load was introduced. Reload Technology helps improve shot accuracy, velocity and release point.
When passing or shooting a load is introduced to the shaft causing it to flex back, this causes the carbon fibers to be stretched along the front of the shaft and compressed along the back. Reload Technology takes advantage of this situation by using low F.A.W. (Fiber Areal Weight) and high-modulus carbon fiber, which creates urgency for the fibers to return to their natural position for maximum recoil. “Working with our engineers, we wanted the additional whip and hold experienced from a more flexible shaft, but without the shaft feeling like a noodle. If the head lags behind the hands when shooting, accuracy and feel are diminished. With Reload Technology, we have addressed this issue,” said Ryan Hurley, Partner at Epoch Lacrosse. “Simply put, once the shaft flexes back it wants to quickly return to straight,” he added.
Advanced Carbon Layering with Axis Technology:
Epoch’s Gen. 5 lacrosse shafts enhance their Advanced Carbon Layering technique, found on the Dragonfly Gen.
4, with the addition of Axis Technology. Axis Technology is designed to preserve 100% of the carbon fiber properties by incorporating unidirectional low F.A.W high-modulus fiber. These fibers are strategically placed in layers and along multiple axes throughout the full length of the shaft. The result, without having to sacrifice materials, is unequalled design consistency, material integrity and performance.
Nano Tubes:
Adding Carbon Nanotubes, the strongest materials known to man, and Nanofuse® technology, a patented and proprietary material produced from the fusion of nano-crystalline molecules with a composite polymer substrate, Epoch has created a very strong and lightweight lacrosse shaft using space age materials. With the addition of new lightweight materials, Epoch’s Gen.5 Dragonfly boasts a 10-gram weight savings over their already leading class lightweight Gen.4 shafts.
Resin:
The carbon fiber prepreg used in Epoch shafts undergoes a chemical surface treatment process to improve the mechanical “locking” (compatibility) between the fibers and the matrix resin.
The result is better laminate properties of the carbon fiber. An improved laminate results in better load transfer (energy) for increased durability.
All this additional technology and performance doesn’t come without a price. The Dragonfly Gen.5 C30 has an MSRP of $160, an increase of $30 compared to the Dragonfly Gen.4. The Dragonfly Gen.5 d-pole versions have a MSRP of $240.
“The Gen.5 Dragonfly line-up was engineered for the absolute top 2-3% of players looking to maximize playability and performance. In order to achieve the performance we desired, we had to source rare and ultimately higher priced raw materials,” said James Miceli. “We realize the Gen.5 is not for everyone, however it is our mission to advance technology and performance, through technology, which often comes at an higher cost.”
Cosmetics:
To compliment the technology incorporated into the Dragonfly Gen.5, Epoch has finished these shafts using a top-coat finish containing less than 5% black paint resulting in a naked cosmetic allowing you to see the actual carbon fiber material.
“We wanted to provide a window into the technology,” said Brian Hochman, Lead Designer at Epoch. “We designed a shaft that would not take away from the material that makes up the Dragonfly Gen.5. The technology in the Dragonfly Gen.5 is absolutely incredible. So I designed the shafts to be as minimalistic as possible. I wanted to the technology to do all the talking.
Dragonfly Gen.5
The Dragonfly Gen.5 is available in two models for attack and middies. The C30iQ5 (mid flex) and C30iQ9 (soft flex) are for players who want a softer feel and additional whip/hold from a more flexible shaft when passing and shooting.
The Dragonfly Gen.5 C30’s unique concave design offers additional flex and reload, in an extremely lightweight forward-thinking shaft, offering unrivaled control.
As part of their Dragonfly Gen.5 line-up, Epoch has introduced two additional d-poles, for LSMs and Defensemen, the Gen.5 C60 and Gen.5 C60xl.
The Dragonfly Gen.
5 C60 is a lightweight, extremely durable d-pole with a true concave geometry and a FlexiQ of 8. The additional flex provides extended reach when checking and additional whip and hold when passing and shooting.
The Dragonfly Gen.5 C60xl has 14% more mass than the C60 and is designed for the d-pole looking for less flex and additional durability. It is made with our Dragonfly Gen.5 technology platform but reinforced with additional material in the slash zone. The C60xl is perfect for the size and athleticism of today’s defensemen and a FlexiQ of 5.
All Dragonfly Gen.5 shafts come with Epoch’s industry-best 1-year warranty and are available for purchase only at select Authorized Retailers.
Dragonfly C30 iQ5 (Mid-Flex)
The unique concave design offers unrivaled control for the elite player looking to elevate his game. Reload Technology helps improve shot accuracy, velocity and release point.
Generation: Gen.5
Position: Attack/ Midfield
Length: 30”
Geometry: Concave
Material: Composite w/High-Modulus Carbon Fiber
MSRP: $160
Flex iQ: 5
Release Point: Uniform
Technology Platform: A.
C.L. with Axis Technology
Reload Technology: Yes
Warranty: 1-Year
Cosmetics: Naked
Dragonfly C30 IQ9 (Soft Flex)
The unique concave design offers unrivaled control for the elite player looking to elevate his game. Reload Technology helps improve shot accuracy, velocity and release point.
Generation: Gen.5
Position: Attack/ Midfield
Length: 30”
Geometry: Concave
Material: Composite w/High-Modulus Carbon Fiber
MSRP: $160
Flex iQ: 9
Release Point: Uniform
Technology Platform: A.C.L. with Axis Technology
Reload Technology: Yes
Warranty: 1-Year
Cosmetics: Naked
Dragonfly C60 iQ8
Redefining how a d-pole should perform. This 60” shaft features lightweight design, additional durability, extreme flex capabilities, and unmatched performance. The true concave geometry is a popular choice for top-level players.
Generation: Gen.5
Position: Defense/LSM
Length: 60”
Geometry: True Concave
Material: Composite w/High-Modulus Carbon Fiber
MSRP: $240
Flex iQ: 8
Release Point: Uniform
Technology Platform: A.
C.L. with Axis Technology
Reload Technology: Yes
Warranty: 1-Year
Cosmetics: Naked
Dragonfly C60xl iQ5
Better known as “The Big Brother” of the Dragonfly Gen.5 C60. The C60xl has a 14% more material than the C60 providing a stiffer FlexiQ, increased durability and checking power.
Generation: Gen.5
Position: Defense/LSM
Length: 60”
Geometry: True Concave
Material: Composite w/High-Modulus Carbon Fiber
MSRP: $240
Flex iQ: 5
Release Point: Uniform
Technology Platform: A.C.L. with Axis Technology
Reload Technology: Yes
Warranty: 1-Year
Cosmetics: Naked
About Epoch Lacrosse: Epoch Lacrosse delivers the finest manufactured lacrosse equipment designed to increase playability and maximize performance by utilizing world-class materials and manufacturing techniques. Developed in collaboration with True Temper Sports, Epoch shafts are made from the highest-grade materials available.
They have tested and re-tested each design, to ensure optimal durability, playability and performance. Their goal is simple, to give the player every opportunity to reach their true potential. Live. Play. Be.
Visit www.EpochLacrosse.com to learn more about Epoch’s Gen.5 and Gen.4 lacrosse shafts.
To stay up-to-date on Epoch’s Gen.5 and Gen.4 product line-up, “Like” them on Facebook.com/Epochlax. You can also follow Epoch on Twitter @epochlax and check out their blog at http://www.LivePlayBe.com.
Epoch Unveils Dragonfly Gen.5 F30 Face-Off Shaft
Minneapolis, MN — Competition at the face-off X is fierce and the new NCAA rules will make hand speed and clamping power even more crucial. Epoch Lacrosse, today unveiled the 2015 Dragonfly Gen.5 F30 face-off shaft that is designed solely with the face-off specialist in mind.
Epoch picked the brains of its partners The Face-Off Factory and their staff of elite coaches to identify their wish list for a shaft.
Epoch took its research to the next level by utilizing high-speed movie cameras to study the ergonomics and connection between a player’s hands in relation to the shaft to find the ideal balance between comfort, performance and durability. No expense was spared in designing the shaft. The 2015 Dragonfly Gen.5 F30 uses hi-grade carbon fiber materials and production techniques that are usually reserved for military grade products.
“It is really nice to see a company who actually listens to the people who use their products and goes out of their way to deliver a product that exceeds our expectations,” said Bryan Burkhart, founder of the Face-Off Factory. “We put this shaft into the hands of hundreds of youth, high school and Division I players this past summer and heard nothing but rave reviews.”
The game-changing F30 shaft with its MOTOGrip is designed to maximize clamping power and torque at the draw. The green color provides a contrasting color to a players gloves and head.
The concave shaft on the lower half of the shaft provides a standard shape for comfortable passing and shooting after you win the draw and drive to the cage.
Here are some facts about the F30:
- Length: 30”
- Geometry: FOGO
- Material: Composite/ Carbon Fiber
- Price: $140
- Flex: iQ5
- Release Point: Uniform
- Technology Platform: A.C.L. with Axis Technology
- Reload Technology: Yes
- Warranty: 1-Year
- Colors: Carbon Gray
“Equipment manufacturers have pretty much ignored the face-off position over the years,” said James Miceli, Principal at Epoch Lacrosse. “We thought it was time that these hard working athletes get equipment custom tailored to meet the grueling demands of their position.
”
DR-SE-C30-iQ5 – California Pro Sports
New for 2020, Epoch breaks the mold again with the 10th generation Dragonfly, adding the Dragonfly Select, Dragonfly Pro, and Dragonfly Elite. Designed for the best of the best, the Dragonfly Select is engineered to be one of the lightest shafts on the market.
One of the most technologically advanced shafts in the game, the Dragonfly Select has built on years of design, innovation, and engineering. The Dragonfly Select is engineered using Epoch’s core technologies, such as the HD Resin Technology and flex iQ. The HD Resin Technology optimizes mechanical strength and properties, especially in impact resistance. This gives the Dragonfly Select increased durability, giving the player increased performance and an overall better shaft.
The Dragonfly Select comes in Epoch’s flagship “C” shape, the traditional concave geometry that provides a comfortable yet effective feel.
Dragonfly shafts come in different geometries to allow the player to choose the shaft that they are most comfortable:
- C30 – Traditional Concave Geometry that is most popular (Only shape available on Dragonfly Select)
- E30 – Ergonomic Geometry for ultimate control
- X30 – Xtreme Concave Geometry with cxceptional feel
Available in Epoch’s iQ5 flex, the Select is the perfect balance of strength and speed.
The iQ 5 is more of a hybrid that both flexes when a player shoots and feeds, yet can remain stiff when throwing checks, ideal for an intermediate player looking to increase shot speed.
All Dragonfly Attack geometries will feature Epoch’s flagship Flex iQ. The iQ2 is Epoch’s stiffest flex option and is designed for those step-down shooters who appreciate a stiffer shaft to help transfer their own energy when passing and shooting. The iQ5 is more of a hybrid that both flexes when a player shoots and feeds, yet can remain stiff when throwing checks, ideal for an intermediate player looking to increase shot speed. The iQ9 is the most flexible of the shafts, ideal for younger players looking for added snap on shots and passes.
- iQ2 – Stiffest flex option for increased energy transfer
- iQ5 – Hybrid flex option for versatile players (Only shape available on Dragonfly Select)
- iQ9 – Highest flex option for quick passes and shots
Epoch’s Dragonfly Select is one of the lightest carbon fiber shafts on the market, while still being dent resistant, extremely durable and backed by Epoch’s industry-best 1-year warranty.
Best of all, it is made right here is the US.
Epoch DragonFly C60 IQ8 – Review – Absolute Lacrosse
Probably my favorite shaft in the entire Gen5 line is the C60 IQ8 dpole. This Dragonfly shows off the “Reload Technology” more than any handle in the lineup and really performs perfectly as a dpole. Up till this point the STX Hammer really stood out as the best pole on the market but the C60 in different ways ties up that spot for best handle you could use. Epoch really perfected this handle for the quick athletic close D guy or the LSM looking to make an impact.
SHAPE 10 out of 10
The C Series handles use the most common shaft shape in the octagonal grip making it probably the easiest handle to just pick up and feel super comfortable with for just about any player. The slight concave of the handle lets your fingers really get a perfect feel on the handle and just hold hard during a good check or walkin the dog on a clear.
There just is no better feel when it comes to dominating an offense as poles go. 10 out of 10.
WEIGHT 10 out of 10
The C60 is an incredibly light handle making it the perfect handle through a clear. You can throw rapid hard checks without feeling any slow down from the stick no matter how far out you are reaching. I love the opening poke check when I play D which opens you up if you can’t get the stick back in time and that’s just not an issue with the C60. When clearing the ball, walking the dog feels like carrying a shorty Miles Thompson style it is so light. The C60 definitely won’t weigh you down in the transition or when imposing your will. 10 out of 10.
GRIP 10 out of 10
Epoch does some special work when it comes to making their handles perfect and with poles it is no different. All throughout the Gen 5 Line being the C60, C60xl and the R60 Epoch added an extra Crossweave layer on the top of the poles. This adds some grip but also some durability so it really is a multilevel advantage.
The Slip/Grip does work as always and even with heavy usage with the C60’s shape we haven’t seen any degradation in the level of grip on the handle. Throw big face dodges without fear of losing the stick here. 10 out of 10.
DURABILITY 10 out of 10
Throw hammers, pokes, dodges and shots at, the C60 it isn’t going to flinch. This handle takes a crazy beating without any markings other than what it takes away from other sticks. The extra crossweave carbon fiber layered on the C60 gives it added impact resistance and makes you feel good as a pole when you see the damage done to other handles coming away with the pole. Ours has some green smears, some red, some blue and even a couple white from checks laid hard on the handles of the opposition, but no dents in the material or even minor fractures. Thanks to some tough attackmen we were able to really pressure the C60 to see how far it could go and so far we haven’t been able to find that limit even when it was fallen on top of during a faceoff.
10 out of 10.
FLEX 9 out of 10
As an IQ8, the C60 is a more flexible handle which for me is perfection. I can throw insane wrap checks that with a metal handle would never catch stick but now are yard sales. When shooting there just is no way for a goalie to read the shot but for some it is a bit much on the flex level. The Reload Technology is perfection on this handle when clearing long passes or cranking hard shots, you will feel the handle bend and then force its way forward so with less muscle you get perfect on a line passes and faster more consistent and accurate shots. The C60 does let you really feel the bend and for that take away mobile style defenseman the flex is perfect. If you’re the body up and hold style defenseman this handle may just have a little too much flex for you. 9 out of 10.
LOOKS 10 out of 10
For the minimalists out there less concerned with flash and more concerned with performance Epoch has a nice look.
For the guy who wants that flash the 382c logo still pops and when you’re scoring goals you will think this is the best looking handle you’ve ever had. The Epoch Line is simple when it comes to colors almost always black with some limited edition colors and the 382c logo which for everyone we show it to looks just absolutely perfect. 10 out of 10
OVERALL 9.8 out of 10
With so many handles tested this year and so much specialization in the design we have gotten stiffer in our reviews but honestly if you’re an LSM or a clearing D guy who wants to make the biggest impact on both sides of the field BUY THIS HANDLE! You will love it as there really isn’t anything really bad to say here. I have to say it’s now my number one stick for field lax and is being used by a few of my poles I coach. 9.8 out of 10.
7 Attack Lacrosse Shaft X30-IQ5 Epoch Dragonfly Gen Lacrosse Player Equipment newsmada.com
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90,000 Heroes of Catherine’s era were walking in the garden of the Tver Imperial Palace
On September 11, the Tver region joined the All-Russian action “Cultural Saturday”.
On this day, cultural institutions of the region prepared an extensive creative program for residents and guests of the Upper Volga region: exhibitions, performances, meetings, master classes, literary and musical evenings and much more. The main event was the project “Catherine’s Mile: Canvases Come to Life”.
In the capital of the Upper Volga region, the garden of the Tver Imperial Palace opened its doors, where a museum-city holiday was held.The heroes of Catherine’s era from the portraits that are in the permanent exhibition of the Tver Regional Art Gallery came to life thanks to the recreation of 25 historical costumes of the 18th century.
The role of Catherine the Great was played by the famous Russian theater and film actress Olga Budina, and the characters of the heroes of Catherine’s time were embodied by the actors of the Tver Theater for Young Spectators and the Tver Academic Drama Theater.
Photo: Government of the Tver Region
The musical decoration of the holiday was the works performed by the Governor’s Chamber Orchestra “Russian Camerata” of the Tver Academic Regional Philharmonic Society, soloist Emma Shtuko.
Another event of the “Cultural Saturday” was the talent fair “Slavic Circle”, unfolded on the square in front of the regional Palace of Culture “Proletarka”. For the guests of the holiday, performances of the best teams were prepared, interactive platforms worked, master classes in arts and crafts, and a fair of folk artisans were held.
The Tver Regional Universal Scientific Library named after A.M. Gorky has opened exhibitions “Genius in Science: Life, Thought, Immortality” about Russian scientists, as well as “Golden Dragonfly”, which presents educational works of students of the graphic design department of the Tver Art College named after …A.G. Venetsianova.
Photo: Government of the Tver Region
The Tver Theater for Young Spectators prepared the premiere of the play “Cosmos. Mama. I AM”. After the screenings, a meeting was organized with the creators of the production, and the creative workshop “Flight of Fantasy” was opened. On this day, the theater also presented a cultural project “Link of Generations”, within the framework of which the reading of the work “Black Orange” by D.
Sideros and its discussion took place.
Vyshnevolotsk Drama Theater prepared projects for the older generation that day.Poems of Russian poets were read here, and the performance “The Dawns Here Are Quiet” was shown.
New Tretyakov Gallery | izi.TRAVEL
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Dear friends!
We invite you to take a tour of the New Tretyakov Gallery.
PERMANENT EXPOSURE:
A unique in scale exposition of works of art of the 20th century is presented here.During the tour, we will see the key works of the era of the Russian avant-garde, talk about the artists who made its glory. In Russia, under the name “avant-garde” is meant the movement of abstract, non-figurative and non-figurative art.
Also, while visiting the permanent exhibition, you can listen to the unique audio-guided tours “Russian Avant-garde: Personal Stories” and “Personal Stories 2: Art of the 20th Century”, in which famous people – actors, directors, cultural figures, as well as art researchers – tell their personal stories related to paintings and artists of the 20th century.
_____________________
EXHIBITIONS:
“Amazons of the avant-garde” with Varvara Shmykova
Vrubel
Ivan Kudryashov
Give Kuzbass
Alla Urban. From iron into a drop of light
Generation XXI. Gift of Vladimir Smirnov and Konstantin Sorokin (03 July – 06 September 2020)
Russian fairy tale. From Vasnetsov until now (February 22 – September 13, 2020)
NOT FOREVER. 1968-1985 (07 July – 11 October 2020)
Vasily Polenov (October 17, 2019 – February 16, 2020)
Nikolay Nasedkin.Oil. Personal history (September 18 – November 10, 2019)
Ilya Repin (March 16 – August 18, 2019)
Semyon Faibisovich. Retrospective (March 27 – July 28, 2019)
“Ilya and Emilia Kabakov. Not everyone will be taken into the future” – a podcast interview with Emilia Kabakova.
“Living Room of Vereshchagin” – a story based on his letters and diaries.
“Football and not only” (Viktor Gusev tells).
“Art of the 2000s” (curated by Kirill Svetlyakov)
“El Lissitzky” (narrated by Alyona Doletskaya)
Thaw (supported by Audiogid.ru)
“Ivan Aivazovsky. To the 200th anniversary of his birth”
“Models of Serov. Who is depicted in the portraits” (with the support of Audiogid.ru)
“Wassily Kandinsky. Counterpoint: Composition VI – Composition VII. To the 150th anniversary of the artist”.
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90,000 7.Moscow International Biennale for Young Art
On November 3, the Museum of Moscow will open the second part of the Main Project of the VII Moscow International Biennale for Young Art, which will present three curatorial projects in one space.
The international project reflects various formats of presentation of works, interaction of curators and artists. Within its framework, an open large-scale competition for curators was held, as a result of which, out of 90,103,370 applications from 64 countries, 90,104, three projects were selected to be exhibited in one of the Provision Warehouses of the Museum of Moscow: “I don’t know if the Earth is spinning or not… “Lizaveta Matveeva and Francesca Altamura (Russia and the USA),” Own Places // Archival Spaces “by Julia Morale and Sterre Barentsen (Italy / Great Britain, Germany / Netherlands), forbidden body language by Elza Abdulkhakova (Russia), combining 47 artists from 90 103 10 90 104 countries. The works will be presented in the second building of the Museum of Moscow from November 3 to December 6 .
List of curatorial projects and participating artists:
I don’t know if the Earth is spinning or not… (Lizaveta Matveeva and Francesca Altamura):
Anastasia Korotkova (Russia)
Anna Afonina (Russia)
Valeria Gray (Russia)
Gabi Sahhar (Great Britain)
Gregory Callice (USA)
Danini (Russia)
Joseph Buckley (UK / US)
Dan Hershlein (USA)
Evgeny Granilshchikov (Russia)
Marina Stakhieva (Russia)
Maria Romanova (Russia)
Mikolaj Sobchak (Poland / Germany)
Matt Copson (USA)
Nikita Seleznev (Russia)
Nicholas Grafia (Philippines / Germany)
Pasmur Rachuiko (Russia / Georgia)
Sasha Zubritskaya (Russia)
Teresa Chromati (USA)
Fin Simonetti (Canada)
Hadi Fallapishe (Iran / USA)
Shadi Al-Atallah (Saudi Arabia / UAE / USA)
Own spaces // Archive spaces (Julia Morale and Sterre Barentsen):
Anya Glazer (Russia / UK)
Bo Choi (Hong Kong / UK)
Giulia Cenci (Italy)
Camille Leveque (France)
Olga Shurygina (Russia)
Rodrigo Arteaga (Chile)
Gabriel Arteaga (Chile)
Teresa Solar (Spain)
Carlos Fernandez Pello (Spain)
Fields Harrington (USA)
Emilia Shkarnulite (Lithuania)
Esper Postma (Netherlands / Germany)
forbidden body language (Elza Abdulkhakova):
Abdulkhakova Stroganov dance company:
Elza Abdulkhakova (Russia)
German Stroganov (Russia)
Mariam Nagaichuk (Russia)
Eva Valieva (Russia)
Vadim Yelichev (Russia)
Alena Papina (Russia)
Vadim Yelichev (Russia)
Nyu Simakina (Russia)
“Choir of Wish Fulfillment”:
Alexey Kirsanov (Russia)
Fedor Kokorev (Russia)
Victoria Kudryavtseva (Russia)
Vik Laschenov (Russia)
Fevralina Pokrovskaya (Russia)
Anastasia Rossokhina (Russia)
Nu Simakina (Russia)
Evgenia Fomina (Russia)
Along with curatorial projects in the second part of the Main Project, a new work by the artist Sasha Pirogova , realized within the framework of a separate grant from the Biennale, will be shown.
Special project of the Moscow International Experimental Film Festival MIEFF – a training program for filmmakers “Extracurricular Practices”, as well as open weekly film screenings and discussions will also become part of the space.
The architectural solution of the Main project was made by the Khvoya bureau (St. Petersburg).
The first part of the Main Project will be continued by the joint project with the Moscow Transport Museum “Route No. T” . Artists Igor Samolet, Alina Glazun, Alisa Omelyantseva and Roma Bogdanov, who presented their works on the facades of the Museum of Moscow in September, will continue their projects in the urban environment and create works at three stops (Metro Komsomolskaya, Metro Krasnoselskaya, Olkhovskaya Street) and inside the trolleybus of the Museum Route ” T”.The project will be implemented in mid-November.
“In November, the VII Moscow International Biennale for Young Art comes to the final stage, which unites the processes and programs initiated at the launch.
The second part of the Main Project has retained an international format – five curators from four countries and 47 artists from all over the world use various solutions to adapt their projects to the conditions of the new reality. The organization of the Biennale became possible thanks to the basic principles that were laid down at the initial stage: procedurality, openness, horizontal connections, multidisciplinarity and an emphasis on mechanisms to support young art.The complex structure of the project this year, focused on presenting the Biennale as a continuous process, made it possible not only to implement new formats, but also to go through a period of comprehensive experience for all participants, corresponding to the present day and at the same time ahead of it “, – Alexey Novoselov, Commissioner of the VII Moscow International Biennale young art.
Main project
“I don’t know if the Earth is spinning or not …”, Lisaveta Matveeva (Russia) and Francesca Altamura (USA)
Project presented by curators Lisaveta Matveeva and Francesca Altamura , will take place in online format.
Within the framework of it, a separate digital platform will be developed, on which the artists participating in the project will show multimedia works that reveal current fears and anxieties in an absurd form using black humor, satire and irony. The digital platform, developed by experimental artist Jen Liu (USA), creative technologists Doa Jafri (USA) and Qiu Yi Wu (USA) and 3D artist Anton Kozlov (Ukraine), will act as the main platform for the exhibition “I don’t know, the Earth is spinning or not.. “. An important component of the digital platform will also be the text component, which includes specially written texts by artists, essays and poetry. The project at the Museum of Moscow will become an alternative physical space, where viewers can individually experience the digital platform. The digital platform, available from November 3, and the offline exhibition will run concurrently.
Within the framework of the project “I don’t know if the Earth is spinning or not …” the following projects are presented on the digital platform:
Anna Afonina and Maria Romanova , Valeria Gray and Anastasia Korotkova (Russia) will present the Vorozheya project.
The artists will create a digital journey that pays homage to the online art of the 2000s. Their collaborative project will combine old websites with no longer used web elements, sounds, icons, calendars, texts and videos, as well as digital elements that are not easy to identify. The viewer will be able to choose their own navigation path similar to the experience of flash games.
In his Aristocrat in the Earth project, Joseph Buckley (UK / USA) will bury a newly made bronze sculpture in mud at an unknown location and provide PDF documentation.
Teresa Chromati (USA) will develop a creative code reminiscent of the Myspace page. The author will create a digital version of his paintings, which are currently on display at Delaware Contemporary. She will create a static vector file and a new soundscape specifically for the project. In his digital work Matt Copson (USA) reinterprets the standard characters of the epic – the fox and the bear. Sometimes they overlap with identities from different fan fictions, and sometimes they are part of a more self-contained narrative, such as Beckett’s dialogue between a bird and a fox.
Danini (Russia) will prepare a new multimedia work, which will become the place of assemblage of the artist’s well-known characters – its debut will take place on a digital platform. Hadi Fallapishe (Iran / USA) will show a new animation work, which contains references to both the artist’s installations and paintings and his performances. Nicholas Grafia (Philippines / Germany) and Mikolai Sobchak (Poland / Germany) will present the documentation for the new performance “Rooms”.
Evgeny Granilshchikov (Russia) will show the video work “Drama”. Dan Hershlein (USA) will present a stop-motion animation video. This will be the artist’s first video work. Pasmur Rachuiko (Russia, Georgia) will prepare a digital archive of his research project “Wild Food”, in which the artist collects and prepares wild herbs and plants. Gabi Sahhar (UK) will showcase the Truth and Kinship single-channel video for the first time, as well as 5 new digital artwork.
Nikita Seleznev (Russia) will present the film “At the Tip of the Tongue” with fragments of scenes representing love relationships. The collage behind the film is made up of images found on the internet. Among them are stills from films, amateur and advertising photos, works of artists, posters and more. Fin Simonetti (Canada) and Gregory Callice (USA) will create several screensavers that can be downloaded.
Project by Marina Stakhieva (Russia) From home with Love is a search for a personal place of power, a return to the origins through a story about your home and an intuitive combination of photographs of the faces of local residents and landscapes.The artist will present a zine and show a video for the first time. The visual longread, created on the basis of the Master Key project, by Sasha Zubritskaya (Russia) will be presented in the form of a free layout with a large number of elements – GIFs, videos, text fragments and gradients that complement the narrative.
Own places // Archival spaces. Giulia Morale and Sterre Barentsen
The project was installed through remote interaction with artists and curators and explores the essence of the definition of an archive, bringing together artists from ten different nationalities.The works, which were conceived or adapted for display in Moscow, will explore peripheral, often forgotten contexts from around the world, as well as demonstrate local manifestations of space and time, be it a Siberian city of the 19th century, a fishing village in Uzbekistan, a small agricultural community in the hills of Tuscany or subjects of the Armenian diaspora in Paris. The Free Spaces // Archive Spaces project seeks to show that the archive is not only an authoritative collection of documents or an institutional method of coercion, but can also be used as a personal way of collecting memories or organizing knowledge.The exhibition aims to slow down the pace of creation, consumption and thinking about art.
Curatorial project presented by Julia Morale and Sterre Barentsen is divided into three groups:
Collection
The first part of the project will express stories hidden in material culture rather than in written documents.
Witnesses of the anthropogenic and natural destruction of things, the artists represented in this part of the exhibition, will collect various kinds of remains showing how the stories of the past can be preserved in material objects.
The exhibition opens with work by Giulia Cenci (Italy) Ininterrottamente (Continuously), dedicated to the delicate balance between destruction and creation of the new. From her conversations with three Tuscan local people engaged in agriculture, a new agricultural machine was born, assembled from unnecessary parts of old machines. The artist wonders if groups with different interests are capable of working together with limited resources, inventing a new future.
The works of Dark Waters by Rodrigo Arteaga and “If time is infinite, then we are at any point” Gabriel Arteaga (Chile), show that even a tiny grain of sand can store information for hundreds of years.
Looking under a microscope a pile of sand in the middle of an installation room, the viewer will discover a whole informational microcosm, with the help of which Arteaga will demonstrate the variety of possible approaches to gaining knowledge. In her large-scale installation Olga Shurygina (Russia) has collected more than three thousand ceramic dishes and laid them on the bottom of the dried Aral Sea to create a “mirage”.
Reconstruction
The artists featured in the second part will create spaces in which marginal stories that exist on the verge of oblivion are recorded, preserved and told, using archival materials and historical evidence.
Film by Emilia Shkarnulite (Lithuania) “Aldona” is designed to play with eyesight: restoring the route that the artist’s blind grandmother took daily through the Soviet sculpture park. Shkarnulite will present an unconventional approach to the study of history, based on tactile perception and imagination, rather than visual and intellectual exploration.
The work of Fields Harrington (USA) and the joint project of Teresa Solar and by Carlos Fernandez Pello (Spain) are devoted to technical inventions of the recent past.Artists focus our attention on the ethical dimension of scientific discovery. At the center of Solar and Pello’s research is the figure of Harold Edgerton, the inventor of the high-speed photography and strobe technique that later made the invention of the atomic bomb possible. Harrington’s work focuses on the history of the spirometer, a medical device for measuring lung volume invented in the 19th century that served as a tool for racial discrimination against African Americans.
Recovery
In the final part, the artists will go beyond the collection of historical documents and official records and reproduce in reality the stories hidden in myriad documents.
Esper Postma (Germany, Netherlands) will go on a journey that repeats his grandfather’s trip to Java based on the travel notes he left, and Camille Leveque (France) will create his own imaginary digital journey – thanks to their work, documents come to life in space. Anya Glazer (Great Britain) in Grandma’s Bones explores the links between artistic creation and anthropology in the 20th century, drawing on materials from the archives of anthropologist Maria Chaplitskaya . Camille Leveque and Bo Choi (Hong Kong / UK) explore their own female heritage. As daughters and granddaughters, they will create matriarchal archives: Leveque will present an imaginary dialogue between her and her grandmother Lucy Kakhutyan, and Choi’s film will address the personal and collective memory contained in the objects left behind by her mother.
forbidden body language. Elza Abdulkhakova
Within the framework of the forbidden body language project, 6 performative art projects will be presented in one space, which will be used as a residence one: for rehearsals, research and networking.
The project debunks the prohibitions associated with the body. The main idea is the availability of body language, its diversity and the ability to adapt to everyone. One of the tasks of the project is to involve the audience in the process of creating art, therefore, part of the artwork participating in the project is laboratory work and will allow those who wish to be an involved viewer or a full-fledged participant, co-author. The basic scenario for adapting the works involved in the project for a wide audience is open practical classes, rehearsals and warm-ups.The project continues the project launched in December 2019 on the basis of the library. ON. Nekrasov Laboratory of Movement “6 Square Meters” – a series of thematic meetings and practical classes aimed at deepening and expanding research on bodily practices and movement.
Abdulkhakova Stroganov dance company – Elza Abdulkhakova and German Stroganov (Russia) – will show the work “Tale of Shadows”, dedicated to the study of shadow as a category of unpleasant and invisible state of the everyday, revealing the variability of shadows and their presentation.
Mariam Nagaychuk and Eva Valieva (Russia) in the STHIRAS project are engaged in the study of old age as a different form of being of the human body through movement, touch, body alignment, empathy and attention.
Vadim Elichev (Russia) reconstructs the situation of getting into the box by creating a certain ideal form of dance for one spectator. His work “The Box” will be devoted to the perception of relationships, including sexual ones.
Alena Papina and Vadim Elichev (Russia) will present the work of Female Gaze based on the study of gender through anatomy, social constructs, stereotypes and personal feelings.
Nu Simakina (Russia) will hold the “Aphonia” Laboratory dedicated to working with the voice, in which participants will search for their own voice, explore sound in situations of publicity and non-publicity, connect with each other the ability to speak freely with the feeling of their voice and those, what is spoken out loud.
The composition will be determined by the results of an open recruitment, to which practicing performers, vocalists, artists and others who are interested in working with their voice and are ready to do it in a team are invited.Applications are accepted until November 10, inclusive. Link to the open call form.
“Choir of Wish Fulfillment” (Russia) – Alexey Kirsanov, Fedor Kokorev, Victoria Kudryavtseva, Vik Laschenov, Fevralina Pokrovskaya, Anastasia Rossokhina, Nu Simakina, Evgeniya Fomina – will try to unite objects of art through listening, feeling and giving them a voice, building relationships with them and giving sound agency.
The schedule of screenings and other events of the project will be published on the Biennale website, in the social networks of the 6 square meters Motion Laboratory.
Out of time. (2020)
Sasha Pirogova, who represented the Russian pavilion at the 57th Venice Biennale, co-authored with Marina Fridman, created the first video work in the last two years “Out of Time” .
“This work is essentially an innovation: it embodies a new look at art, at its irreplaceable role in the world. This is a view of love as the greatest phenomenon, and how this phenomenon manifests itself in the art world.
This work is about love and every moment of it is saturated with this great feeling.We hope that the impression from what you see will be so powerful and life-affirming that your life will definitely change for the better. Anyway, we did everything to make it so, you just have to feel it!
We took upon ourselves the responsibility to aim at this eternal theme, knowing full well that this is what we all desperately need today, what has supported and will continue to support all of us at all times. ” – say the authors of the project Sasha Pirogova and Marina Fridman.
A special project of the VII Moscow International Biennale for Young Art and the Moscow International Experimental Film Festival MIEFF – curriculum “Extracurricular Practices” .
The Extracurricular Practices program will occupy a separate area in the space of the Main Project. Within the framework of a special project, weekly film screenings, discussions and meetings with students will be held. The program was created for young filmmakers, the goal of which is to shake the established idea of how and why to make a movie.Mixing up-to-date art theory and practical training, the project will invite twelve participants, representatives of various Russian cinema and art schools, to look at direction from a different angle. The program will show eight screen works dedicated to film collectives. The collective is a variety of opinions and experiences, and in the program, the curators tried to adhere to this diversity – both in terms of gender, racial and class representation, and in terms of cinematic form.The project will take place from November 3 to December 6 at the Museum of Moscow.
The second part of the Main project of the VII Moscow International Biennale for Young Art will unite the entire structure of the Biennale, within the framework of which has already started the first part of the Main project at the Museum of Moscow with the results of a competition for artists, 7 special projects , some of which continue in exhibition spaces Moscow. Also, together with the Foundation for the Support of Contemporary Art, Winzavod Biennale launched Educational program , which consists of three blocks: a cycle of five international discussions “Salon of Outcast Categories”, “Biennale Diary”, which brought together communities of theorists and art critics, and a practical part: the master -classes from printing workshops.As part of the Biennale for Young Art, has been running since September. Parallel program , which includes 23 projects from various Moscow institutions. The Biennale will be completed by the Portfolio Review Program, aimed at identifying young artists from the regions of Russia, who will be selected for participation through an open call, starting from November 5. The program will take place from 1 to 4 December in Moscow in the following areas: art, media art and art criticism. The Pushkin Museum of Fine Arts became the institutional partners of the Portfolio Review.A.S. Pushkin and the NCCA, Dialogue of Arts magazine, Artguide and the Moscow School of Contemporary Art.
Special Projects Biennale of Young Art in October and November
Voznesensky Center with the participation of Institute of Contemporary Art “BAZA” presented the project “CLOSED FISH EXHIBITION. RECONSTRUCTION”. The project at the Voznesensky Center is a reconstruction by young artists of one of the key events in the history of Moscow conceptualism – the “Closed Fish Exhibition” by Igor Makarevich and Elena Elagina, who are celebrating the 30th anniversary of their joint activity this year.The exhibition opened on October 21 and will run until November 22. Artistic director and author of the idea – Yan Ginzburg, curator – Dmitry Khvorostov.
In State Museum and Exhibition Center “ROSIZO” the exhibition “Map of Human Nature” is being held, which will run until November 1. More than 200 applications from contemporary artists were submitted to participate in the special project, of which 19 authors were selected.
The following projects are taking place at the exhibition grounds in Moscow:
Exhibition “This is all that”.Takes place until November 15 at the Electromuseum in Rostokino gallery ;
Exhibition “Surroundings”. Takes place until November 8 in the gallery “Peresvetov Pereulok” ;
Exhibition “Unarchiving”. Takes place until November 29, in the gallery “Nagornaya” ;
Exhibition “The gathering”. Takes place until October 29, at the Bogorodskoye Gallery ;
Exhibition “Fences Behind the Fences”. Takes place until November 8 in the gallery “Here on Taganka” ;
Exhibition “Systems.Super systems “. Takes place until November 22, at the Khodynka Gallery ;
Exhibition “Family values”. Takes place until January 10, in the gallery “On Peschanaya” .
Moscow International Biennale for Young Art is a large-scale project in the field of contemporary art in Russia. The objectives of the Biennale are to discover new names, support and stimulate creative initiatives of artists and curators of a new generation, create conditions for their public expression and, as a result, develop an environment for contemporary art and international integration.The Moscow International Biennale for Young Art has been held since 2008. The project was initiated by the annual festival of young art “Stop! Who goes?” (held by the National Center for Contemporary Art (NCCA) annually from 2002 to 2006) and the exhibition of young art “Workshop” (held by the Moscow Museum of Modern Art annually from 2001 to the present). The project is actively developing and continues to search for new directions in the field of supporting young art, involving in the project cultural institutions interested in the development of young art, as well as working with the urban environment.The VII Moscow International Biennale for Young Art will take place until December 6 and consists of a competition program for the Main Project, special projects, an educational program, a regional portfolio revue program and parallel program projects. For the online educational program schedule, as well as for the opening dates of the biennale projects, visit youngart.ru
Moscow Museum of Modern Art is the first state museum in Russia, founded in 1999 by the President of the Russian Academy of Arts Zurab Tsereteli.His personal collection, which consisted of more than 2,000 works by famous artists of the 20th century, laid the foundation for the museum collection, which is currently one of the most representative collections of Russian art of the 20th century. MMOMA is an active participant in the artistic life of the country and is located at six sites in the city. Also in the heart of the capital is the MMOMA Educational Center, where you can visit the art library, museum cafe, lecture hall and see works from the MMOMA collection.The institution’s priority areas of activity are also education in the field of art, support for young artists, its own publishing program, the development of inclusive projects, scientific activities and laboratory expertise. Today, the museum is actively developing a regional program and contributes to maintaining a single rhythm of the country’s artistic life. In 2019/2020, MMOMA celebrates its 20th anniversary. www.mmoma.ru
Museum of Moscow was founded in 1896. The museum is located in the Provision Warehouses, an architectural monument of federal significance.The fund collection includes about 800,000 items, including a rich collection of archaeological artifacts. The Museum of Moscow also includes several branches: the Museum of Moscow Archeology, the Lefortovo Museum of History, and the Gilyarovsky Center. www.mosmuseum.ru
Working hours of the main project of the VII Biennale at the Museum of Moscow – from 12.00 to 22.00
“Rock is no longer a cutting object”
Artemy Troitsky, one of the leading Russian rock critics, moved to Estonia two years ago, shortly after the Russian annexation of Crimea.He went not so much to political emigration, but to a place where he could breathe and work more freely. In an interview with Radio Liberty, Troitsky recalls the golden era of Russian rock, examines the world music industry with an experienced eye, and talks about why heavy metal and its associates have lost their function as a generator of social protest – not only in Russia, but throughout the world. This is the first interview that Troitsky gives in a new role for himself – the host of the music show Radio Liberty.
– A quarter of a century ago, it seemed that if it had not been for Viktor Tsoi with his song about change, then there would have been no collapse of the Soviet Union.How do you think now, how great was the political charge of Soviet rock music?
– Rock music undoubtedly had a political charge, but it was not located exactly in that part of the shell, as is commonly thought. There were very, very few such specifically formulated political songs in Soviet rock. You can literally list on the fingers of one hand the groups that performed these songs: “Television”, “Kino”, “DDT”, maybe a couple of little-known underground groups. But in general, of course, there were no songs about the Communist Party, songs about the KGB, songs about the Ministry of Culture or some other vile Soviet organizations, in general, there were no rock bands in the repertoire.The political nature of rock music was contained in the very fact of its performance. That is, if you had long hair (and in the punk years, on the contrary, short hair), appropriate pants, an appropriate manner of speaking using hippie slang, and even more so if you had an electric guitar in your hands, then you automatically became an outcast of society. That is, you were not a normal Soviet young man, but some kind of suspicious type. This whole story began with dudes in the 50s, continued in full measure with hippies, punks, metalheads, rockers and so on.
The golden period fell on the years of the greatest persecution of our rock, that is, this is the first five-year plan of the 80s
Accordingly, there was an alternative in the form, on the one hand, of Komsomol members, on the other hand, less formal Lyuber and similar patriotic young people. On the one hand, I cannot say that in the USSR rock was some kind of protest songs or political songs, it was not. On the other hand, undoubtedly, this was an anti-Soviet phenomenon, it opposed the official Soviet culture and the official way of life in general, from songs to the manner of dressing and behaving, presented a definite, and very harsh alternative.And in this sense, of course, it was anti-Soviet music.
– The Soviet bard song, like Galich, Okudzhava, Vysotsky, was more politically charged, do you think?
Artemy Troitsky
– There were different rockers and there were different bards. There were at least two or three people among the bards whose songs were politically much sharper and more specific than any rock song. I mean, of course, first of all Alexander Galich. Julia Kim had poignant dissident songs, Vladimir Semyonovich came across a lot of things that in no case could sound at official concerts or broadcast on radio and television.The bard song was, as it should be, more intellectual, especially in terms of satire, all sorts of direct mockery of the Soviet regime than the songs of rockers.
– Was there a golden period in the history of Russian rock music? When did Russian rock become a star, if at all?
As soon as the redneck empire began to slowly disintegrate and spread, the sharpness of rock inspiration was lost
– The golden period fell on the years of the greatest persecution of our rock, this is the first five-year plan of the 80s.Let’s just say, from mid-1980 to mid-1985. Because the second half of 1985 marks the beginning of Gorbachev’s perestroika. Then, in fact, it was shown to the country and the world that almost everything is better that in general in this genre we have created – starting with “Aquarium”, then Mike Naumenko, then Viktor Tsoi. At the same time or a little later, Petr Mamonov made his debut. At the same time – the first albums of Yuri Shevchuk, the first album of “Nautilus Pompilius”, containing their sharpest songs. And as the cherry on top of the cake – Alexander Bashlachev, whom I personally consider the most talented, tragic and at the same time the most political of all our rock authors.
– Why is this golden age over? Generation has sang its own? Or such a phenomenon as Russian rock can exist only with strong resistance from the environment?
Alexander Bashlachev
– Most likely option number two. Because the resistance of the environment, of course, inspired in many ways, created a sense of adventure and a game of cat and mouse. It was very adventurous and very fun, it attracted a large number of people who, perhaps, under other conditions, would not have started playing music at all.Then this underground or semi-underground rock was on the crest of a wave with redneck, inertia, scoop and so on. As soon as the empire of redneck began to slowly disintegrate and spread, the sharpness of rock inspiration was lost.
Everything went on in a very interesting year until 1988-89, and after that other temptations arose. First, commercial, and many succumbed to these temptations. Secondly, there were temptations to go for export. Let us recall the story of the same Boris Grebenshchikov, the “Center” group of Vasily Shumov, some other groups, Zhanna Aguzarova – America has become a desirable target for our rockers.
We ate “Pink Floyd” and wanted something simpler, such as disco music
But there were other reasons why everything fell apart. This is partly due to the fact that the audience, in general, is fed up with such music. It was about the same story as with the glorious classic Western rock of the late 60s – early 70s. All these great musicians, great poets, symphonic rock and rock operas, this and that, were difficult for the general public. We ate Pink Floyd and wanted something simpler, like disco music.Roughly the same thing happened in Russia by the end of the 1980s. Tsoi, of course, is a separate phenomenon, since we had Kino, probably the only rock group that united, on the one hand, the youth avant-garde, and on the other, a lot of ordinary young people, art students, senior schoolchildren. But if we talk about the same “Aquarium”, about “Nautilus” or “Sounds of Mu”, then, of course, they were difficult for the simple audience, which preferred something more fun, more danceable and not so heavy in content.This, too, naturally, was the reason that the field of tension around Russian rock subsided by the end of the 80s.
– Now the social environment has returned, which it is quite possible to resist, but nothing like the beginning of the 80s is happening. Can’t you return to the old water?
– I think there is no way to return to that water, and for various reasons. And because, after all, the situation is different now. Of course, Putin’s Russia is not exactly Brezhnev’s Soviet Union. In some ways it is worse, but in some ways it is better.I would say that Putin’s Russia is more complicated than Brezhnev’s. You cannot accept such direct, straightforward solutions as those offered by rock music, they will not be effective. In addition, this story has a global connotation: rock music in the 50s, 60s, 70s, even partly in the 80s was at the forefront of youth culture on a global scale. These times are gone, apparently, irrevocably, the current radical young people are unlikely to take electric guitars in their hands, they are all with computers, they are either in business, or in new technologies, or in IT .Rock is no longer a sharp cutting object. The same thing is happening in Russia, and this applies not only to rock and roll, this applies to music in general. For a long time, music was on the public foreground, but now it has left this proscenium, other figures are “dancing” there. Music has taken a quiet place among other cultural phenomena – theater, cinema, literature, and so on, it has ceased to be the eye of the hurricane, the epicenter of a hurricane.
Group Lumen with the composition “State”
– It turns out that now there is no reason to expect any meaningful musical expression of social or political protest in Russia, and individual, relatively recent, escapades by Yuri Shevchuk or Noize MC are only special cases that do not change the overall picture?
– I think it all depends on how you look at the situation – is the glass half full or half empty? Firstly, it makes no sense to reduce everything to rock music – both rock and rap with hip-hop are in the same bundle.At the same time, it is not necessary to say that today they represent some kind of powerful socially significant movement, as it was in the 80s. There is no movement, but there are separate forces, they are rather scattered, but quite diverse. On the one hand, there are the 70s veterans, that is, Andrei Makarevich, Boris Grebenshchikov. On the other hand, people of classic Russian rock of the 80s – Yuri Shevchuk, the same Vasya Shumov, for example, Misha Borzykin, the TV group. And on the third hand, there are some young people, the same Noize MC (Ivan Alekseev), or a wonderful, in my opinion, poet and artist Vasya Oblomov.There are a myriad of obscure, mostly punk and post-punk bands that never appear on radio or television. Perhaps the only one of them that is more or less popular is the group Lumen from Ufa, the authors and performers of the song with the refrain “I love my country so much, but I hate the state.” A huge number of such protest groups are playing in underground premises! I regularly receive demos, live links, I listen to all this – there are a lot of interesting angry bands.Of the new ones, for example, the Laughter group with the Import Substitution album, or the Okolopankovskaya group from Tambov, Operation Plasticine. Everyone is mostly post-Tsoi or punks straightforward, but with very good lyrics.
“Operation Plasticine” group with the composition “Dragonfly”
– Where do they come from? The golden generation of Soviet rock, about which you spoke, is all intellectuals, students, entirely graduates of architectural institutes. And where did the new people come from – is it some kind of music of the city outskirts, guys from training halls with cheap heavy iron?
– The rocker environment, in principle, has not changed much.First of all, these are students, people who are sufficiently educated, interested in the outside world, know English, and sometimes even sing in it. I would not say that the social base of rock has changed. Naturally, new features and lines have appeared that are not always attractive to me. However, it is wrong to think that rock music has become the music of urban madmen and marginalized people.
Group “Laughter” with the composition “You feel bad”
– Goran Bregovic once noticed that any rock that is not performed in English loses its meaning.In other words, everything that is sung in French, Croatian, Russian or Polish in the rock paradigm is not “that” at all. Do you agree?
– No, that’s not true at all. I think there is a ton of evidence to the contrary. This is roughly the same as saying: the opera can only sound in Italian. But “Carmen” sounds great in French, I’m not even talking about operas by Tchaikovsky or Prokofiev, so everything is fine with other languages. And it’s the same with rock music – there are Frenchmen, Germans, Italians and Russians who have made their languages absolutely organic and convincing.
– What then is the main thing in rock, if not the language? “Rock is freedom”, as any rocker would say?
Few people are interested in classic domestic rock outside of Russia
– This is a too general statement of the question. Freedom is a lot besides rock. I would say that rock is a very definite, moreover, a limited in time musical direction with corresponding musical, energetic and life-style characteristics.Unlike academic music, which, in fact, comes down to music itself as an example of pure art and pure creativity, rock is to a large extent “tied” to external attributes – clothing, demeanor, a kind of code of conduct for musicians, the same admiration for freedom , pacifism, anti-regime and so on. All this can be put into a not too big puzzle – and you get a completely adequate picture of rock music.
– Is domestic rock in any way visible on the international stage? Is there something in Russia worthy of showing it on the international arena? At one time, there was an opinion that, since Russian rock was supposedly “based” on lyrics, and the music was supposedly not very good, if not lousy by and large, then the road to the big world was forbidden to him.This is true?
– It can be said definitely and probably already definitively that classical Russian rock, in which there is about the same amount of Anglo-American rock as there is from Russian bard song and literary tradition, outside Russia (outside the Russian diaspora, to be more accurate) is of little interest to anyone. This is absolutely certain – there have been numerous attempts to get out of this circle, and they have not been crowned with anything. On the other hand, a generation of cosmopolitan rockers has already grown up who sing in English, who are in the context of the world rock conjuncture.And I must say that some of these guys are successful.
– Are these guys who surely interfere with rock and ethno? Any pseudo-Hutsul groups, something like that?
– Optional. This is correct on the one hand – in fact, there is a completely productive vein, a mixture of rock music with all sorts of national exoticism. It may be Slavic exoticism, but so far the eastern exoticism – Tuvinians, Yakuts, Buryats, Altaians – has found a use for itself to the greatest extent.There are very compelling examples of the mixture of rock and local rituals.
– Do you mean throat singing?
– Yes, first of all throat singing, all kinds of shamanic music. It sounds very exotic and unusual, therefore it resonates with music gourmets and exotic lovers in the West. But besides that, there are also people who just play Western music and do it quite well. As an example, I can cite two St. Petersburg bands that are doing very well on the European stage.One, called Pink Shiny Ultroblast, is an indie rock band with tangible success in the UK. Naturally, the success is non-commercial, not the success of the charts, but their records are selling well, they get good reviews, they perform in quite status clubs and at pretty festivals. The second group plays chamber progressive rock, called iamthemorning . Just a couple of months ago, they received the prize for the best prog-album of 2016. And I must say that they also had a gorgeous press, and in this progressive rock niche they have now become a noticeable phenomenon.
Pink Shiny Ultrablast Band with Cherry Pit
– But Russian attempts to calculate a group that will be the same as American and Western European ones, only better (like the attempt that Stas Namin once made with the Gorky Park group (exaggerating a little, I will say: using balalaikas to play hard rock and to become world famous) is a senseless undertaking? Or is it possible in the big musical commercial world?
Rock music is not going anywhere now
– I think that such attempts are unlikely to take place again.The group Gorky Park was designed for a very specific period – 1988–89, the peak of the so-called humpmania, the “red wave”. The Soviet Union was then a popular country, Mikhail Sergeevich Gorbachev was a cult global character. Then Western producers were interested in promoting someone like that from Soviet artists on the wave of this popularity. Hence, in fact, the American contract of Grebenshchikov, and the French contract of Center, and the German contract of the Cruise group, and of Stas Namin’s project.Now Russia is not at all a fashionable country, there is no particular interest and waves of sympathy, empathy, and so on for Russia, so on the part of Western people there is no particular interest in promoting something Russian.
The last time they did this – and even then not under Russian sauce, it was about the group t.A.t.U. It was a purely production project, in principle, like Gorky Park , only not in the style of rock, but in the style of youth dance music. Group t.A.t.U. was successfully promoted in the West not under the sauce that these are girls from Russia, but under the sauce that, firstly, they are lesbians, and secondly, they are victims of pedophiles. t.A.t.U., most likely, forever, or at least for a very long time, will remain the only Russian artists who at least for some time topped the global charts.
iamthemorning group with Lighthouse composition
– You mentioned that rock has ceased to be the mainstream of modern music.At one time it seemed that ethnic music gave him a new breath. You mentioned a new interest in the seemingly dead progressive rock. What keeps modern rock music afloat, what does it eat at all? You say that having lost its social charge, such music has exhausted itself as a social phenomenon. As for “pure” music – where is it going, what allies is it looking for?
– Rock music doesn’t go anywhere. She fixated on what had already been created, almost all of it consists of an endless series of loops and riveels.Since the 1980s, nothing fundamentally new in rock music has been invented. All those who came after – new wave, electro-pop, post-punk and so on – basically repeated what we heard before. Even such sensational directions as grunge with Nirvana or Brit-pop with Blur and Oasis – are essentially retrodirections, and not a breakthrough to something new. We can say that the era of great geographical discoveries in rock music (and, it seems to me, in music in general) is over.Naturally, some unknown peaks, waterfalls, rivers and so on remain, but all continents are already clearly open.
Our music community is highly atomized
I think that rock music has settled down in the form of a large musical layer, which has very specific genre characteristics, and within the framework of these genre characteristics, in fact, it develops and remains attractive. Including – attractive musically, primarily due to its drive, its energy, its lifestyle.Rock assumes a certain recklessness, a certain degree of freedom, unusual for more academic musical directions. Therefore, new strength and fresh blood are constantly coming to rock music. Actually, rock repeats the history of jazz – the music that preceded rock. Jazz music is still alive, too, only it serves a completely different social niche than before. Jazz has become intellectual salon music (by the way, in my opinion, nothing new in jazz has been invented since the late 60s, since the time of Coltrane and Miles Davis).But the jazz flair – elegant, salon – remained, and it has many admirers. Likewise, the reckless, sexy, rebellious flair of rock ‘n’ roll continues to attract both listeners and those who want to freak out with power tools on stage.
– Let’s go back to Russia. Is there any well-formed rock community in Russia, or, more broadly, a musical community? If so, how is it organized?
– I am now not the best specialist to cover this topic, because, unlike the 80s and 90s, I have neither my own record company, nor a concert agency.Now I have dropped out of this clip of musical functionaries, so my opinion is the thoughts of an outside observer. Our music community is highly atomized. Music is divided into a large number of completely unrelated camps. There are two main camps – relatively speaking, pop and not pop. The pop camp exists in several dimensions. The first and most important dimension is television with a bonus in the form of radio, despite the fact that music radio has recently been losing its influence due to extreme inertia and stamping on certain formats.The second environment in which pop music is brewed is corporate parties. Such a system of communicating vessels – television and corporate parties – existed for most of the 90s, almost all zero years, and, in general, still exists today.
Artists are birds of the wrong flight, people of the wrong level, which should be taken seriously
The scheme is very simple: an initial capital is required, this money is used to make a sound recording of, perhaps, a single song, and one video clip is shot as smartly as possible.Then, for bribes, the song is distributed on the radio, the video clip on television, the artist becomes more or less recognizable. After that, invitations to corporate parties begin through all sorts of event managers. Corporate parties traditionally gave our pop artists more money than not only the sale of audio carriers (it’s generally ridiculous to talk about this in Russia, a country of widespread piracy), but also public speaking. All these guys – especially television pop stars like Nikolai Baskov or Dima Bilan – earn an order of magnitude more on corporate events than on concerts, even if these are concerts in sports palaces.Accordingly, this whole story is the most cynical, the most commercial, and musically the most low-quality. The only achievement that can be recognized here is visually, in terms of staging gorgeous shows, in terms of filming video clips, if not a world, then quite a decent European level has been achieved, since a lot of money is invested in such events. In general, in Russia it is believed that the main thing is the show, and music is nothing more than a soundtrack for the show.
Well, the opposite camp is not pop music, which also exists in two main environments.Wednesday number one is the Internet, where an insane amount of recordings from all kinds of artists, from punk rock to chanson, are splashing around. The second Wednesday is live concerts at a variety of venues, from large theater halls where rock veteran artists perform, to small clubs and basements where little-known and beginners perform. Plus the story that appeared in our country relatively recently – summer festivals, where this kind of music also lives and flourishes. As you can see, there is no connection between these two large groups.Rock music, hip-hop, even most of the chanson do not have access to television, except for small Internet channels or TV channels such as “TV Chanson”. And pop music is not announced in any way – except for corporate events and occasionally sports palaces – in a living space.
– How do you feel about the history of the last major politicization of music in our language space? We are talking about Ukrainian prohibition lists regarding Russian performers.
When the singer Valeria or the singer Gazmanov are on the prohibitive lists – it’s funny to me
– I will express an opinion that may not please one or the other side.I believe that artists are birds of the wrong flight and people of the wrong level to be taken seriously. When artists become functionaries (as it happened, for example, with Nikita Mikhalkov or Joseph Kobzon), they move into a slightly different category. These are political actors, official actors, and other requirements should be imposed on them. Therefore, when the same Mikhalkov and Kobzon find themselves on the prohibition lists, this does not cause much protest in me. When the singer Valeria or the singer Gazmanov are on the lists – it’s funny to me! I believe that the Ministry of Foreign Affairs of Ukraine, or the Ministry of Foreign Affairs of Latvia, or the security services of these countries could have much more serious targets than people who grimace at the microphone.In my opinion, it would be much more honest if the same Valeria or Gazmanov (and perhaps the same Kobzon) were called to Ukraine, if they met a certain welcome there, and after that they themselves would no longer go to Ukraine wanted, – says music critic Artemy Troitsky.
The first episode of the weekly program of Artemy Troitsky “Music on” Svoboda “listen at 10:05 pm on December 31 with reruns on January 1 at 3.05, 9.05, 15.05 and on January 2 at 0.05 and 6.05. Moscow time
* All informational, photo, video materials on the official website of the educational organization are posted with the consent of the staff, parents (legal representatives) of the pupils. … |
rgdb.ru – 18.07.2021
Fedulova, Anna Alekseevna (teacher, author of children’s books).
It’s not scary together! : inspiring stories about friendship between children and animals / Anna Fedulova; artist Julia Goncharova. – Moscow: Strekoza, 2021. – [46] p. : col. silt ; 26 cm – (Education with love). 3000 copies – ISBN 978-5-9951-4782-4. (0+)
In this book you will find two amazing stories at once: “About the cat Lapushka and the girl Katya.A story about the uniqueness and dissimilarity of each ”and“ About the puppy Mitya and the boy Vova. The history of friendship between a dog and a man. ” Together with their heroes, the guys will understand that a loyal friend is one who will never offend and will always come to the rescue. And also that it can be of any size and age, with eyes of different colors or hair that looks like golden sand. After all, for a sincere friendship, all this is completely irrelevant. Why? Perhaps because each of us has the same soul mate who, like the first, walks around the world and dreams of meeting a loving and tender friend!
Catalog “RGDB Recommends”
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Gianferrari, Maria (Italian writer).
Be like a tree! / Maria Gianferrari; translation from English by Daria Nalepina; artist Felicita Sala. – Moscow: Nigma, 2021 .– 48 p. : col. silt ; 28 cm. 2000 copies. – ISBN 978-5-4335-0908-5. (0+)
This is an educational story for children about how trees live, grow and communicate. It’s also an inspiring manifesto – “Be like a tree!” That is, be persistent, strong and support those who are around.In this mesmerizing book, the young reader will learn about the importance of community, friendship and mutual support in the lives of trees and people – and how he himself can help others.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Forostyan, Nadezhda (writer; 1987 -).
What’s going on in the shoe rack? : fairy tale / Nadezhda Forostyan; illustrations by Olga Bazelyan.- Moscow: Nigma, 2021 .– 24 p. : col. silt ; 28 cm. 2000 copies. – ISBN 978-5-4335-0688-6. (0+)
The heroes of this unusual story are a real family living … in a shoe rack! Big Daddy-Boot, neat Mom-Shoe and restless little sisters-Sandals. Everyone lives happily and amicably, and something interesting is constantly happening to them. Young readers will be happy to learn who was helped by a caring dad, how mom taught her daughters to tie straps, who the sisters met and who was missing in a shoe … Nadezhda Forostyan graduated from the philological faculty of the Vologda State Pedagogical University.Even in her student years, she began to write poetry and prose, was published in magazines. With the birth of her daughter, she became interested in children’s literature. She worked as a journalist, librarian and specialist in the Department of Education. Lives in Rostov-on-Don. Olga Bazelyan is an illustrator and a member of the Moscow Union of Artists. In 2004 she graduated from the Moscow State Academic Art Institute. V.I.Surikova, Faculty of Book Graphics. Pupil of German Alekseevich Mazurin. Awarded with a 1st degree diploma for illustrations to the fairy tale “The Frog Princess” in the competition “The Art of the Book.Tradition and Search. “
Catalog “RGDB Recommends”
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Blackall, Sophie (Australian illustrator).
If you come to Earth / Sophie Blackall; translated from English by Yuri Shipkov. – Moscow: Career Press, 2021 .– 76 p. : col. silt ; 30 cm.3000 copies – ISBN 978-5-00074-294-5. (0+)
This book can be called the book of a little earthling. Imagine that an alien has arrived on Earth. What will you tell him about how we live, what we do, what we love, how we communicate, what is on our planet? This book is about how we are all different, and about the fact that we all have one home – our planet. For children 3 – 8 years old. Sophie Blackall is one of the most significant women writers of our day. She has received two Caldecott medals for her books for children and many other awards.
Catalog “RGDB Recommends”
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Maar, Paul (German children’s writer, playwright, translator, illustrator; 1937 -).
Magic drops for Subastic / Paul Maar; per. with him. M. Koreneva; rice. auth.]. – Moscow: Labyrinth Press, 2021 .– 319 p.: ill. ; 23 cm – (To be continued … Subastic). 5000 copies – ISBN 978-5-9287-3244-8. (0+)
Subastic is back! Thanks to a bubble with magic drops, the cheerful, mischievous Subastic meets Peppermint again – this time with Martin Peppermint, the son of that very timid and shy clerk from the first books of the series already beloved by readers. Martin is ten years old, and he and the class go to ski camp for a week, although the whole idea is not very to his liking.Firstly, he does not know how to ski, and secondly, his best friend at the last moment stays at home and Martin is lodged alone in a room. But the appearance of Subastic, as always, changes everything, and a trip to the mountains turns into a real adventure. It will appeal to younger schoolchildren who love funny stories and witty, cheerful heroes, as well as everyone who dreams of a magical fulfillment of desires.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Palomas, Alejandro (Spanish writer; 1967-).
Son: story / Alekhandro Palomas; per. from Spanish by Svetlana Silakova; silt Theo. – Moscow: Text, 2021 .– 204 p. : ill. ; 25 cm – (Once). 3000 copies – ISBN 978-5-7516-1684-7. (12+)
The family of nine-year-old Guilier is going through hard times. His mother, a flight attendant, went abroad and disappeared, and his father, an aircraft mechanic, lost his job. He is very upset that his Son is indifferent to sports and is immersed in strange fantasies. Indeed, Guillier wants to become … Mary Poppins.Well, it would seem that at nine years old it is not shameful to believe in magic. But his teacher suspects that everything is not so simple, and together with the school psychologist begins to unravel this almost detective story. It turns out that the most difficult thing for sophisticated adults is to take a child’s word for it, and for a child – to patiently take care of vulnerable and slow-witted adults. Will they eventually understand each other? And can you hope for a Christmas miracle? Alejandro Palomas’s story has been translated into two dozen languages. The book has won several prestigious literary awards, including the Spanish National Prize for Children and Youth Literature.
Where to find: hall for students in grades 5-11, book storage.
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Perelman, Yakov Isidorovich (Russian and Soviet mathematician, physicist and world scientist, journalist and teacher; 1882-1942).
Box of riddles and tricks / Yakov Perelman; artist Sofia Berlin. – St. Petersburg: Swing, 2021 .– 79 p. : ill. ; 25 cm – (Cubed). 5000 copies – ISBN 978-5-2-43-3.(6+)
Riddles and answers, questions and jokes, intricate drawings, imaginary miracles, funny arithmetic problems, entertaining experiments – before you a whole box of exciting puzzles and tricks! The best guide to the world of entertaining sciences – Yakov Isidorovich Perelman will help to solve them. Don’t rush to look at the answers. Try to solve all the problems yourself: it will bring pleasure to both children and adults.
Where to find: hall for students in grades 5-11, hall for preschoolers and younger students.
Where to buy:
Gromova, Olga Konstantinovna (writer, librarian-bibliographer; 1956 -).
Walchen: novel / Olga Gromova; artist: Chechulina Margarita; after E. Yamburg. – Moscow: CompassGid, 2021 .– 423 p. : ill. ; 24 cm .– ISBN 978-5-00083-740-5. (12+)
Cloudless Crimean summer. Thirteen-year-old Vali has a vacation ahead of her: swimming, reading, talking with her best friend.And then – seventh grade and four years of excellent study for the sake of the dream of going to medical. And then – a whole life. But on June 22, 1941, war broke out, and every day brought change. Young men have disappeared from the streets. For hours already, you have to stand behind the simplest products, and then receive them at all by cards. Here the invaders burst into the houses, and previously unthinkable orders and threats appeared on the pillars and walls. A few months will pass and the girl will be sent along with hundreds of others to Germany, where the OST sign will be hung on her, like a stigma: “Ostarbeiter” is not a person, but a cheap labor force.Hard work, injustice, hardship – and growing up, meeting amazing people who call her in German: Walchen. The first love. And again – a whole life. “Walchen” is a new long-awaited novel by Olga Gromova, the author of one of the main children’s books of the 21st century – “Sugar Child”, which has already gone through eight editions in Russia and translated into a dozen languages from French to Thai. Through the life story of Walchen and her elder friend Natasha, through the smallest historical details and countless human destinies, a picture of the era is created.As in Sugar Child, Walchen is based on the true fates of many people. This book also lacks black and white, there are no unambiguous assessments – but there is an exciting plot, and a lot of questions to which the characters are looking for answers. And an invitation to dialogue – with friends, at school, in the library, to dialogue with History.
Where to find: hall for students in grades 5-11, book storage.
Where to buy:
Kolpakova, Olga Valerievna (children’s writer, editor; 1972 -).
Entertaining biology: [how do animals and birds find their way home? why do plants shoot? why doesn’t a fly fall from the ceiling? does candy grow on a candy tree? why do fish swim in flocks? what did man spy on animals?] / Olga Kolpakova. – Moscow: Sunday: Pechatnaya Sloboda, b.g. – 143 p. : col. silt ; 25 cm – (My first book). – ISBN 978-5-3590-1298-0. (6+)
The book will introduce young readers to the basics of biology, which they have to study at school.Children will learn about “living” and “nonliving”, about viruses, bacteria and their conditions of existence, about the endless variety of flora and fauna, about the “sense organs” of plants, the behavior of animals, as well as about what a person can and should learn by nature. Written in a fascinating and accessible form, the book will not only broaden the horizons of children, but also teach them to treat all life on Earth with care and love. Written in an accessible and fascinating form, the book contains excellent illustrative material (paintings by Russian and foreign artists, photographs) that will help a child to better assimilate accessible, but not always easy material, to understand the “scientific” meaning of many phenomena occurring in nature.”Entertaining biology” is written for children 6-9 years old – preschoolers and junior schoolchildren, but it will also be useful for their parents. It will be no less useful for primary school teachers and kindergarten teachers: “biology lessons” can be carried out in a meaningful and fun way.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Kruzhkov, Grigory Mikhailovich (Russian poet, essayist, translator; 1945 -).
Rutabag stories: (based on the book by Karl Sandberg): collection of fairy tales / Grigory Kruzhkov; illustrations by Ekaterina Safro. – Moscow: Nigma, 2021 .– 56 p. : col. silt ; 28 cm. 2000 copies. – ISBN 978-5-4335-0899-6. (6+)
If one day you buy a special ticket with a blue lightning bolt and a hole in the middle, then along the zigzag rails, you can come to the town of Pechenka-S-Lukom – the capital of the amazing Country of Rutabag. Here, right from the sky, balloons grow, piglets wear checkered bibs, and the musician Nose Potato talks to the Green Rat about life … Readers of this book will get acquainted with unusual characters and will be happy to learn why Jimmy Hammer went to the Country of Rutabaga and how in the village of Yolki-S -With sugar they built a tower up to heaven; how did old Jim Hanger treat the Babylonian Baboons and what exciting adventures made Elusive Joe the best cowboy in Rutabag, and, finally, do the rails in this country really go zigzag? Incredible and funny stories are complemented by the ironic illustrations of Ekaterina Safro.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Sala, Felicita (Italian illustrator, animator).
Recipes from balconies, roofs and gardens / author and illustrator Felicita Sala; translation from French by Daria Nalepina. – Moscow: Nigma, 2021 .– 40 p. : col. silt ; 28 cm. 3000 copies – ISBN 978-5-4335-0906-1.(6+)
Spring has come to the Flower City! Residents are busy with their gardens, and someone is already preparing to harvest an early harvest. Fresh vegetables and fruits can be used to prepare delicious seasonal delicacies: pea soup with mint and basil, cherry clafoutis, tzatziki sauce, pumpkin pie, potato croquettes with cod … You can find recipes in this wonderful collection, and you can grow vegetables and herbs in the garden or even on the balcony. And you will also learn how to properly organize a small plot and take care of the plantings in order to please yourself and your loved ones with a wonderful harvest!
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Safronova, Olga Viktorovna (Russian writer).
Tangle with red speck. A fairy tale from a wool store: a fairy tale / Olga Safronova; illustrations by Ekaterina Zhirkova. – Moscow: Nigma, 2021 .– 28 p. : col. silt ; 28 cm. 2000 copies. – ISBN 978-5-4335-0861-3. (0+)
In one small wool shop there are colorful skeins and balls, and each of them dreams of something.Someone wants to become a warm sweater, someone – a winter hat, and someone would be happy to make friends with a kitten. Only a tangle with a red speck could not think of anything. And then one day he goes on a trip around the city. On the way, he will meet a lot of people, get to know the janitor and even help his mother find the lost baby. Book for preschool children. Olga Safronova – graduated from the Faculty of Journalism of Moscow State University. She worked for Uchitelskaya Gazeta, glossy magazines, and even created stories for Finnish television.A few years ago she moved to Barcelona – and began writing fairy tales, pretending that it was for her son. But it turned out that not only. The first book, “Kal-kut-ta!”, Was published in Russia, the second, “El elefante que hablaba kikuyu” (“An elephant who spoke Kikuyu”), in Ecuador. Ekaterina Zhirkova is an illustrator, a graduate of S. A. Alimov’s workshop at VGIK. She worked with the publishing houses “Verger”, “Labyrinth Press”, “Capital”, “Walk to History”. She has designed several books in cooperation with publishing houses in Germany and Italy.Winner of the diploma “MASTER OF THE YEAR” VATIKAM 2015, France, finalist of the annual literary competition “New Children’s Book” in 2017
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Hest, Amy (American children’s writer).
No Man’s Dog: Two Stories About Inseparable Friends / Amy Hest; illustrations by Amy Bates; per.from English Galina Earley. – Moscow: Enas-kniga, 2021. – [68] p. : col. silt ; 26 cm – (Kind book). 3000 copies – ISBN 978-5-91921-909-5. (0+)
No dog trustingly runs after. She really wants to be loved. So that the best person in the world would give her a name and make friends with her. And for this the dog is ready to give him a devoted heart. This watercolor book contains two tender and touching stories about the happy meeting of lonely children and stray dogs.
Catalog “RGDB Recommends”
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Valakhanovich, Ksenia Leonidovna (Belarusian poet).
I’m not a step away from my mother! / Ksenia Valakhanovich; illustrations by Lyubov Eremina-Noshin. – Moscow: Enas-kniga, 2021. – [30] p. : col. silt ; 26 cm – (Funny books for toddler and toddler). 6000 copies – ISBN 978-5-91921-915-6. (0+)
Mom is the whole world. A world of love, warmth and care! This is the closest person and best friend in the world.Together with your mother, you can go to the forest and find a live snake in the grass, bake a delicious cake and arrange a fun cleaning, together escape from the Indians and find a magic treasure – right in your mother’s purse! And she is also the most beautiful and kind in the world. Because mine! Ksenia Valakhanovich composed gentle, touching and funny poems about a variety of mothers, and Lyubov Eremina-Noshin drew wonderful pictures for them.
Catalog “RGDB Recommends”
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Chmielewska, Iwona (Polish writer and illustrator; 1960-).
Bloomka’s Diary / written and painted by Ivona Khmelevskaya; translated from Polish by Irina Shestopalova. – Moscow: Forest of hands, 2021 .– 64 p. : col. silt ; 21 cm .– ISBN 978-5-6041216-3-4. (6+)
Warsaw – Krokhmalna Street, 92 – Orphanage. Once upon a time Blumka, Dr. Korczak, Mrs. Stefa and two hundred children lived here, including: Zygmus, who gave life to a silver fish, Reginka, whose stories could light up the darkest night, Fields, who grew peas in her ear, Khaimek, whom the ants brought to court, Chizhik, who helped so diligently, carrying coal in an enamel pot, and a mouse, for which crumbs fell straight from the sky.Blumka wrote it all down in her diary, and when she didn’t have enough words, she added pictures. Until the day the war began … Iwona Chmielewska is a world famous Polish artist and writer. Lives and works in Torun, where he also teaches at the Faculty of Fine Arts of the Nicolaus Copernicus University. Her illustrated books have received numerous awards and have been published in South Korea, Japan, Germany and other countries.
Where to find: hall for students in grades 5-11, hall of sociology, psychology and pedagogy of children’s reading, book storage.
Where to buy:
Barklem, Jill (English illustrator and author of children’s books; 1951-).
Adventures in Blackberry Glade / Jill Barklem; translated from English by O. Mäeots. – Moscow: AST, 2021 .– 128 p. : col. silt ; 27 cm. – (Stories in a Blackberry Glade) (Willie Winky’s Books). 3000 copies – ISBN 978-5-17-136096-2. (0+)
For many generations, mice have been living in small houses on the Blackberry Glade, hiding from everyone in the roots and trunks of trees.Mice never sit idle: they harvest in the fields, prepare stocks of nuts and berries for the winter, so that later they can enjoy incredible jams, puddings and pickles in a pleasant company near the fireplace. But every inhabitant of Blackberry Glade will always find time for fun and entertainment: whether it is a birthday or the first day of spring. Funny and touching stories about mice in Blackberry Glade were first published in 1980. Author Jill Barklem studied the nature and life of 19th century England for a long time before starting to write books.”Adventures in Blackberry Glade” is a collection of stories “High Hills”, “Children of Violet”, “Secret Staircase” and “Sea Story”.
Where to find: hall for preschoolers and primary schoolchildren, book storage.
Where to buy:
Luciani, Roberto (Italian writer, illustrator).
Eli and Mo. A day off the internet / text and illustrations by Roberto Luciani; translated from Italian by Daria Grierson.- Moscow: Voice Group Media, 2021 .– 64 p. : col. silt ; 26 cm – (Voicebook). 3000 copies – ISBN 978-5-
9-32-7. (0+)
An elephant and a fly are best friends. True, they never saw each other in person. Their homes are separated by a large road along which an endless stream of cars moves, so every day after school they rush behind the computer monitors to start communication as soon as possible. But one day, during a terrible thunderstorm, electricity went out, and friends could not meet on the network. What to do now? This warm and funny story will tell about the peculiarities of friendship on the Internet and the joys of meeting in reality.Today, when the big digital world has become a familiar part of the life of even the smallest users, it is especially important that they immediately become familiar with the simple rules of communication on the Internet.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Schmachtl, Andreas H. (German writer, illustrator; 1971 -).
Tilda Apple Seed.Big Trouble / Andreas H. Schmachtl; translation from German by Anna Torgashina; illustrations by the author. – Moscow: Mann, Ivanov and Ferber, 2021 .– 133 p. : col. silt ; 24 cm – (MYTH-Childhood). 5000 copies – ISBN 978-5-00169-367-3. (0+)
New stories about the mouse Tilda and her friends. In this book, big changes await the heroes: crowds of tourists, a new church mouse, first love and much more. The village between the hills is beautiful at any time of the year, whenever you drop by. And the white mouse Tilda Apple Seed could not even imagine life anywhere else, except in a cozy house near the church wall.She did not suspect that big changes would soon take place in her measured life. One morning a stranger came to her. He stated that the old pastor is retiring, which means that the church mouse should also go with him. Therefore, Tilda is obliged to free her house for a new church mouse. Was she going to have to leave? And tourists began to come to the village between the hills to walk around the surroundings and admire the scenery. But they had nowhere to stay with an overnight stay. And then Tilda had an interesting idea – why not open a hotel with breakfasts for her? But these are not all the changes that have taken place in Shipovnikovaya Lane.Belchata Billy and Benny will go to school, Humphrick decides to return to his homeland, Molly will fall in love, and Rupert will help get rid of the ghost. And, of course, long tea parties with delicious and aromatic buns await friends.
Where to find: hall for preschoolers and younger students, book storage.
Where to buy:
Ugolnikov, Yuri Alexandrovich (historian, literary critic).
Dinosaurs against mammals: a story of a rivalry that has not ended until now / Yuri Ugolnikov; silt: Dobrovolsky O.D. – Moscow: Bombora: Eksmo, 2021 .– 287 p. : ill. ; 22 cm. – (Subscribe to science. Books of Russian popularizers of science). Bibliography: p. 284-287. – 2000 copies. – ISBN 978-5-04-102475-8. (12+)
The story of life is a story of struggle, wars – varying degrees of bloodiness, alliances – varying degrees of strangeness, cunning strategies, intricate plots and unexpected outcomes. The result of the confrontation between mammals and dinosaurs was the appearance of you and me. Historian and literary critic Yuri Ugolnikov unfolds a gripping story of the emergence and rivalry of living organisms on our planet.Secret enemies and unexpected friends. Disappearances and sudden returns. Cataclysms, extinctions and the birth of a new life.
Where to find: hall for students in grades 5-11.
Where to buy:
Reader. Grade 5. – Moscow: ID Meshcheryakova, 2021 .– 368 p. : col. silt ; 24 cm. – (Classics on the shelves). 3000 copies – ISBN 978-5-00108-799-1. (6+)
What is tithe and how is it different from a hectare? Where is the horse snoring? What kind of word is “Šibenik”? What did the room look like? Why could the Cossack be expelled from the Sich? Reading classical literature sometimes raises many questions not only for children, but also for their parents! In this book, we will sort the classics and classics on the shelves, tell in detail about what unfamiliar words mean, and accompany them with interesting facts and illustrations.Thanks to colorful notes, acquaintance with the works of A.? S. Pushkin, L.? N. Tolstoy, I.? S. Turgenev, A.? P. Chekhov, N.? V. Gogol, will become an exciting immersion in history and culture, present the most unexpected discoveries and make the school curriculum truly exciting.
Where to find: hall for students in grades 5-11, book storage.
Where to buy:
Microsoft 90,000 at CES 2020: Trends for a New Decade of Device Development – Microsoft News & Stories
Moscow, January 13, 2020 – Edge computing devices and solutions became a major Microsoft theme at CES 2020. New PCs, high-tech showcases and IoT solutions demonstrate the power of Microsoft’s unique evolving partner ecosystem.
Working with partners around the world has long been a priority for Microsoft and has been a defining factor in the success of Windows 10 and Azure. This approach allows the best experts in the industry to work together to accelerate the process of innovation and time to market for devices with unique features for our customers.
Decade of Critical Change
Looking back over the past decade, we see that some innovations have been able to reshape entire markets. We live in an era of services, cloud computing, artificial intelligence (AI) and machine learning. A new generation of Windows computers and entirely new product categories are being created to integrate with cloud services and AI, support new technological capabilities such as virtual and augmented reality, and new ways of working with data.
Today, as we enter the era of intelligent computing, and the number of connected devices is constantly growing, computers have become capable of what they simply could not do ten years ago. We expect the pace of innovation to grow over the next 10 years. 5G networks being deployed everywhere will process massive amounts of data at much higher speeds. Graphics will improve as HDR displays continue to improve and 8K becomes ubiquitous. There will be new types of devices: in 2020, sales of devices with dual screens and flexible displays began.
Consumer expectations and demand for cutting edge devices will continue to grow, and the way we use personal computers will continue to evolve as cloud computing and our understanding of AI and machine learning evolve.
Partner Innovation at CES
The impact of the innovations created over the past decade is reflected in various types of devices. Features like Windows Hello and Windows Ink require specialized hardware, and this week our partners showcased their designs to complement Microsoft software, such as power button fingerprint scanners, cameras with built-in security, and more.
As the Windows ecosystem grows every year, CES 2020 showcased a range of innovative devices, from incredibly thin and light laptops and 2-in-1 converters to powerful gaming platforms, always-connected devices and more.
Here are some of them:
Acer Swift 3 with support for fast charging: 30 minutes plugging into an outlet – 4 hours of battery life.
ASUS Expert Book B9 with NanoEdge bezel-less display.The 14 “screen fits into a standard 13” laptop case and occupies 94% of the case surface.
Latest version of the popular XPS 13 from Dell : The InfinityEdge display bezel is now even smaller, the screen size has increased by 6.8%, the 16:10 aspect ratio provides a more square shape, and the screen brightness is increased by 25% compared to the previous model.
HP Elite Dragonfly , the world’s first laptop with built-in Tile technology that allows users to easily find their lost device.It is made from ocean plastic debris, with over 82% of the mechanical parts made from recycled materials.
Lenovo Yoga Slim 7 with Lenovo exclusive Q-Control Smart Cooling, which uses AI to optimize battery life, extending battery life by an average of 20%.
Samsung Galaxy Book Flex Alpha with extended battery life (up to 17.
