What were the top songs that defined 2021. How did music reflect the world’s gradual re-emergence after a year of uncertainty. Which artists created the most impactful and memorable tracks of the year.
The Musical Landscape of 2021: A Year of Revival and Reflection
2021 marked a significant shift in the global atmosphere as the world began to cautiously re-emerge from the shadows of uncertainty and social distancing. Music, as always, played a crucial role in capturing the zeitgeist of this transitional period. From introspective ballads to exuberant dance anthems, the year’s soundtrack reflected the complex emotions and experiences of a society in flux.
As we delve into the top songs of 2021, we’ll explore how artists across various genres managed to encapsulate the spirit of the times, providing solace, celebration, and everything in between. These tracks not only dominated charts but also resonated deeply with listeners, offering a musical accompaniment to the collective journey of rediscovery and reconnection.
Doja Cat’s “Woman”: Celebrating the Divine Feminine
Coming in at number 10 on our list is Doja Cat’s “Woman,” a track that exemplifies the artist’s innovative approach to pop music. How does this song stand out in Doja Cat’s discography? “Woman” blends Afrobeats with pop sensibilities, creating a sultry anthem that celebrates femininity in all its forms. The song showcases Doja Cat’s vocal versatility and her ability to seamlessly incorporate diverse musical influences into her work.
Despite the controversies that have sometimes surrounded Doja Cat, “Woman” serves as a testament to her undeniable talent and her impact on the contemporary pop landscape. The track’s success highlights the growing influence of Afrobeats in mainstream music and demonstrates Doja Cat’s skill in crafting songs that are both commercially appealing and artistically adventurous.
Morgan Wade’s “Wilder Days”: Nostalgia and Raw Emotion in Country Music
At number 9, we find Morgan Wade’s “Wilder Days,” a country-rock anthem that captures both the recklessness of youth and the bittersweet nostalgia for those carefree times. What makes this song so emotionally resonant? Wade’s ragged, powerful voice delivers lyrics that are at once specific and universally relatable, creating an instant connection with listeners.
The chorus of “Wilder Days” features one of the year’s most memorable lines: “YOU SAID YOU HATE THE SMELL OF CIGARETTE SMOKE!” This raw, emotive delivery encapsulates the song’s themes of longing and regret, while also showcasing Wade’s ability to craft lyrics that are both poetic and viscerally impactful. In a year that saw releases from established superstars, Wade’s breakout hit proved that newcomers could still make a significant impact on the music scene.
The Rise of Morgan Wade in Country Music
How did Morgan Wade manage to break through in such a competitive musical landscape? Her success can be attributed to several factors:
- Authentic storytelling that resonates with a wide audience
- A distinctive voice that sets her apart from other country artists
- Skillful blending of country, rock, and pop influences
- Lyrics that balance specificity with universal themes
Wade’s rise demonstrates the ongoing evolution of country music and the genre’s ability to embrace artists who bring fresh perspectives and sounds to the table.
El Alfa’s “La Mama de La Mama”: The Infectious Joy of Dembow
Securing the 8th spot on our list is “La Mama de La Mama” by El Alfa, featuring El Cherry Scom and CJ. This collaboration brings together Dominican and American rap styles to create a track that exudes pure, unadulterated joy. How does “La Mama de La Mama” exemplify the dembow genre? The song’s relentless pace, rapid-fire lyrics, and infectious beat are hallmarks of this Dominican musical style.
El Alfa’s falsetto may initially elicit laughter, but the irresistible energy of the track quickly turns that amusement into enthusiasm. The song’s ability to inspire repeated listens speaks to its effectiveness as a mood-lifter and party starter. In a year where many were seeking reasons to celebrate, “La Mama de La Mama” provided a much-needed dose of musical euphoria.
The Global Rise of Dembow
Why has dembow music gained such international popularity in recent years? Several factors have contributed to its rise:
- Its high-energy beats make it perfect for dance clubs and parties
- Collaborations between Latin American and U.S. artists have increased its exposure
- Streaming platforms have made it easier for global audiences to discover new genres
- The genre’s fusion of various musical styles appeals to diverse listeners
As “La Mama de La Mama” demonstrates, dembow’s infectious rhythms and joyous spirit have the power to transcend language barriers and cultural differences.
Olivia Rodrigo’s “Good 4 U”: The Pop-Punk Revival
Coming in at number 7 is Olivia Rodrigo’s “Good 4 U,” a track that marked a significant departure from her earlier releases and signaled the resurgence of pop-punk in mainstream music. How did this song impact Rodrigo’s career trajectory? After the success of her more introspective tracks “Drivers License” and “Deja Vu,” “Good 4 U” showcased Rodrigo’s versatility and willingness to experiment with different genres.
The song’s angsty lyrics and guitar-driven sound drew comparisons to Paramore’s “Misery Business,” sparking discussions about influence and originality in pop music. Despite these debates, “Good 4 U” undeniably struck a chord with listeners, its cathartic chorus and sharp lyrics perfectly capturing the frustration and bitterness of young heartbreak.
The Pop-Punk Renaissance in 2021
Why did pop-punk experience a resurgence in 2021? Several factors contributed to this trend:
- Nostalgia for the sound among millennials who grew up with the genre
- A desire for more guitar-driven, high-energy music after a subdued year
- Collaborations between pop stars and established pop-punk artists
- The genre’s themes of alienation and angst resonating with pandemic-era experiences
Rodrigo’s success with “Good 4 U” paved the way for other artists to incorporate pop-punk elements into their music, leading to a broader revival of the genre in mainstream pop.
City Girls’ “Twerkulator”: The Anthem of Hot Vax Summer
At number 6, we find “Twerkulator” by City Girls, a track that became the unofficial anthem of 2021’s “hot vax summer.” How did this song capture the mood of the moment? With its high-energy beat and confident lyrics, “Twerkulator” embodied the excitement and liberation many felt as social restrictions began to ease.
The song’s journey to release was not without obstacles. Initially leaked in 2020, “Twerkulator” faced clearance issues due to its prominent samples of classic dance tracks. However, its official release in 2021 proved to be perfectly timed, coinciding with a period of renewed optimism and desire for social connection.
The Art of Sampling in Hip-Hop
How does “Twerkulator” demonstrate the creative use of sampling in contemporary hip-hop? The track incorporates elements from two iconic dance songs:
- “Planet Rock” by Afrika Bambaataa & Soulsonic Force
- “The Percolator” by Cajmere
By reimagining these classic sounds, City Girls created a track that feels both fresh and nostalgic, bridging generational gaps and paying homage to dance music history. The success of “Twerkulator” highlights the ongoing importance of sampling as a tool for musical innovation and cultural dialogue in hip-hop.
YOASOBI’s “Monster”: J-Pop’s Global Breakthrough
Securing the 5th spot on our list is “Monster” by YOASOBI, a track that exemplifies the growing global appeal of J-pop. How has YOASOBI managed to achieve such widespread success? The duo’s ability to blend various musical styles, from pop and rock to electronic dance music, has resulted in a sound that resonates with listeners across cultural boundaries.
“Monster,” an English-language version of one of YOASOBI’s biggest hits, showcases the band’s signature style. The song’s intricate composition, featuring math rock riffs, jazzy runs, and EDM-inspired drops, demonstrates the duo’s musical prowess and their knack for creating catchy yet complex pop music.
The Rise of Anime and Its Impact on Music
Why has the connection between J-pop and anime become increasingly significant in recent years? Several factors have contributed to this trend:
- The growing global popularity of anime has introduced international audiences to J-pop
- Streaming platforms have made it easier for fans to access both anime and its associated music
- The cinematic quality of J-pop often complements the visual storytelling of anime
- Collaborations between musicians and anime productions create mutually beneficial exposure
“Monster” serving as the title song for the anime “Beastars” is a prime example of this synergistic relationship between J-pop and anime. As both industries continue to gain international recognition, we can expect to see more crossover successes like YOASOBI in the future.
Lucy Dacus’ “VBS”: Indie Rock’s Poetic Storytelling
At number 4, we find Lucy Dacus’ “VBS,” a masterclass in evocative songwriting within the indie rock genre. How does Dacus manage to create such vivid narratives in her music? Her ability to balance specific, personal details with universal themes allows listeners to connect with her stories on multiple levels.
“VBS” (which stands for Vacation Bible School) draws from Dacus’ own experiences at Christian camp, painting a picture of youthful piety undercut by currents of restlessness and nihilism. The song’s lyrics are rich with details that hint at a larger narrative, inviting listeners to fill in the gaps with their own imagination.
The Power of Narrative in Songwriting
Why do songs with strong narrative elements often resonate so deeply with listeners? Several factors contribute to the effectiveness of storytelling in music:
- Narrative songs can evoke vivid imagery and emotions
- Personal stories often touch on universal experiences and feelings
- Detailed lyrics can transport listeners to specific times and places
- Storytelling can add depth and complexity to musical compositions
Dacus’ skill in crafting these musical narratives has established her as one of the most compelling voices in contemporary indie rock. “VBS” exemplifies her ability to create songs that function almost like short stories set to music, offering listeners a rich, immersive experience.
The Continuing Evolution of Popular Music in 2021
As we reflect on the top songs of 2021, what trends and patterns emerge? The year’s music was characterized by a diverse range of sounds and themes, reflecting the complex emotions and experiences of a world in transition. From the nostalgic pop-punk revival to the global rise of genres like dembow and J-pop, 2021’s musical landscape was marked by both innovation and a return to familiar sounds.
Artists across genres demonstrated a willingness to experiment and push boundaries, whether through genre-blending tracks like Doja Cat’s “Woman” or narrative-driven indie rock like Lucy Dacus’ “VBS.” At the same time, many of the year’s biggest hits tapped into a collective desire for joy and celebration after a period of uncertainty and isolation.
The Impact of Streaming on Musical Diversity
How has the dominance of streaming platforms influenced the music industry and listener habits? Several key effects can be observed:
- Increased exposure for niche genres and international artists
- Greater emphasis on individual tracks rather than full albums
- The ability for songs to gain popularity through viral moments and social media
- More frequent collaborations between artists from different genres and cultural backgrounds
As we move forward, it’s likely that the boundaries between musical genres and national scenes will continue to blur, leading to even more diverse and innovative sounds in the years to come.
The top songs of 2021 not only provided the soundtrack to a world re-emerging from a global crisis but also pointed towards the future of popular music. As artists continue to push creative boundaries and listeners become increasingly open to new sounds and styles, the musical landscape promises to remain vibrant, diverse, and ever-evolving.
The 10 Best Songs of 2021
When we remember 2021, few things will be more evocative than the music that provided the soundtrack to the world as we re-entered it after a long year filled with uncertainty and social distancing. This year, there was a song for every occasion, every event, and every emotion—from the reflective sounds of Lucy Dacus’ “VBS” to the exuberant strains of Farruko’s triumphant banger, “Pepas,” here are the songs we couldn’t stop listening to in 2021.
10. “Woman,” Doja Cat
Whatever you may think of Doja Cat’s Internet controversies or viral hits, there’s no denying her immense talent or her fearless, experimental influence on the pop music landscape. This is seen most cogently with “Woman,” a sultry Afrobeats-driven anthem for the divine feminine within every woman. The track is a sonic delight, showing off not only Doja’s flexible vocals to great effect but featuring the versatility of genres that she’s managed to not only master but meld with her music.
9. “Wilder Days,” Morgan Wade
In a year in which Justin Bieber, Adele and ABBA put out music, it’s nevertheless hard to find a more eminently screamable chorus lyric released this year than “YOU SAID YOU HATE THE SMELL OF CIGARETTE SMOKE!” The line is the handiwork of the rising country singer Morgan Wade, whose ragged voice perfectly matches her Springsteen-esque material; the song somehow captures both the glorious recklessness of youth and the pangs of nostalgia for such chaos at the same time.
8. “La Mama de La Mama,” El Alfa
No song this year matches the silliness nor the pure unadulterated euphoria of “La Mama de La Mama,” a collaboration between the Dominican rappers El Alfa and El Cherry Scom and the Staten Island rapper CJ. The track is a prime example of the Dominican genre dembow—in which beats and syllables hurtle along at breakneck speed—and shows the breakout star El Alfa at his loosest and most joyous. You might laugh at first at his ridiculous falsetto, and then you might blast the song 20 times in a row due to its relentless exuberance.
7. “Good 4 U,” Olivia Rodrigo
After the releases of the maudlin “drivers license” and the wistful “deja vu” in early 2021, it seemed like the ascendant pop star Olivia Rodrigo had picked a lane: a disciple of the Lorde, Maggie Rogers and Billie Eilish School of Morose Interiority, if you will. And then she swerved hard left with “good 4 u,” a sulking, sneering guitar anthem that proved her versatility, cultural acuity, lyrical wit and fearlessness to zag. Was the song a near carbon copy of Paramore’s “Misery Business”? Sure. Was it also a transcendent suckerpunch of a song that re-injected some much-needed pop-punk brashness into the center of the mainstream? Absolutely.
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6.
“Twerkulator,” City Girls
During this hot vax summer, there was no hot girl anthem more fitting than the City Girls’ “Twerkulator,” a bombastic, high-energy track that was impossible not to booty pop or at least bust a move to while listening to it. While the song initially leaked ahead of the City Girls’ 2020 album, City on Lock, due to clearance issues (it prominently samples two classic dance samples, Afrika Bambaataa & Soulsonic Force’s “Planet Rock” and Cajmere’s “The Percolator,” respectively), the song didn’t make its official debut until 2021. Upon its release, however, its infectious beat and the brash, braggadocious charms of JT and Yung Miami confirmed that it was, indeed, finally “time for the Twerkulator.”
5. “Monster,” Yoasobi
The J-pop duo YOASOBI has taken Japan by storm over the last couple years, topping several charts, accruing billions of streams and winning this year’s “Artist of the Year” at MTV’s Video Music Awards Japan. “Monster,” an English language version of one of their biggest hits, thrums along with the band’s trademark vivacity. It seamlessly integrates a giant pop hook with furious math rock riffs, jazzy chromatic runs and a seismic EDM-esque drop. Given the song’s yearning, cinematic nature, it’s wholly unsurprising that it served as the title song to the anime Beastars.
4. “VBS,” Lucy Dacus
The best lyrics aren’t just beautifully poetic or descriptive, but also conjure a whole universe that lies just beyond them and out of reach. The singer-songwriter Lucy Dacus is a master at this craft: she writes vivid scenes that nonetheless force the listeners to use their imaginations to fill in the narrative gaps on their own. Her song “VBS” takes its story from Dacus’ own experiences at Christian camp, where darker undercurrents of restlessness and nihilism course below her piety. The song overflows with details that beg to be explored in a novel or feature film: “Your dad keeps his sleeves down through the summer for a reason / Your mother wears her makeup extra thick for a reason,” she sings. Meanwhile, the song builds to one of the most epic musical climaxes of the year, which nods to the metal band Slayer.
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3. “All Too Well (Taylor’s Version),” Taylor Swift
When Taylor Swift announced she was re-recording her 2012 album, Red, “All Too Well” was a hotly anticipated track. The song, an achingly beautiful breakup ballad that has received cult classic status thanks to fan speculation that it’s about Swift’s split with Jake Gyllenhaal, has, in 2021, matured and grown into a 10-minute epic with new, keenly recognized lyrics that not only explores first love, but questions the imbalanced power dynamics of the relationship. The extended version is an improvement on a design that Swift has made her own over the course of her career—that is, ballads on the ins and outs of love—but with Taylor’s version of “All Too Well,” we bear witness to a woman who is reclaiming her narrative and taking up her time and space. It’s a journey that’s well worth 10 minutes.
2. “Essence,” WizKid ft. Justin Bieber and Tems
Wizkid’s sultry “Essence” was already a standout track on his 2020 album, Made in Lagos, thanks to a dulcet assist from fellow Nigerian artist Tems, but the Afrobeats star’s hit became ubiquitous in 2021, after he released a remix of featuring Justin Bieber alongside Tems. The song’s seductive beat and lush vocals make it one of the most easy, luxurious sonic experiences of the year, an ode to longing, to lust, and yes, to love.
1. “Pepas,” Farruko
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No song better captured the supreme ecstasy of re-emerging in the world after a long year of social distancing than the exhilarating, exuberant “Pepas,” from the Puerto Rican artist Farruko. The dance track, which relies on an intoxicating reggaeton beat and an energizing shot of guaracha (an offshoot of Latin America’s tribal house music), begins with slow crooning before devolving into a triumphant chorus, spiked with a healthy dose of EDM. The ecstatic appeal of “Pepas” has propelled Farruko to the top charts, but its true effect can be felt in the instant burst of energy it summons when it’s blasted out of the window of a car driving by or played on a packed dance floor.
Write to Cady Lang at [email protected].
35 Best Songs of 2021
“2010” — Earl Sweatshirt
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Earl Sweatshirt comes and goes as he pleases, making music when inspiration strikes. Traditional form, structure, and even releases aren’t really part of the style of the artist born as Thebe Kgositsile. After parting ways with Columbia Records after 2018’s Some Rap Songs, he released the alluringly short Feet of Clay the following year. On “2010,” he enters the track in mid thought with a fluttering synth: “I’ma need a bigger bag for the cohort / Tryna make a millionaire out of slum dogs / Bet that, head crack, blunt force,” he raps. It’s an opening line that acts as an instant reminder that Earl is one of hip-hop’s most mind-boggling lyricists, balancing abstract thought with clever wordplay and vivid personal memories. —Matt Miller
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“The Future” — Nathaniel Rateliff & the Night Sweats
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Nathaniel Rateliff & the Night Sweats broke out with their particular, you-can’t-help-but-dance brand of rock n’ roll back in 2015. But at the outset of last year, the frontman wasn’t sure he had any more happy songs in him. Going through a divorce, he told Esquire he wouldn’t get the group back together until the pep returned, and instead favored more sedate solo fare releases. That changed in 2021, and this, the first song on their return LP, announced a boisterous, undeniable return. —MV
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“Keep An Eye on Dan” — ABBA
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ABBA just released their first album in 40 years, it contains a song called “Keep An Eye On Dan,” and we’re just supposed to go on like everything is normal? Preposterous. All of the new LP, Voyage, is a beautiful and bizarre ride into the interior lives of four divorced bajillionaire Swedish pop geniuses—or at least we think so, the one thing we know for sure is that none of these people has spoken a word of English since 1981. After a few dozen listens, we’re not sure whether Dan is the ex-husband, or the child who’s being dropped off for a weekend with a new stepmother, or what. We also don’t care. Listen to it once, know that you’ll be screaming “KEEP AN EYE ON DAN” for days afterwards, and thank us later. —Dave Holmes
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“Like I Used To” — Sharon Van Etten & Angel Olsen
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Listening to “Like I Used To,” it seems almost criminal that Sharon Van Etten and Angel Olsen had never collaborated before. The ease with which two of today’s most revered singer-songwriters share this track is astonishing—their voices the perfect complement in tone, timbre, power, and style. When they join together on the chorus, their deliveries lock together like building blocks for a transcendent musical structure. —MM
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“Cry It Out” — Adele
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The best song off of Adele’s 2021 LP, 30, finds the singer at her most Winehouse-ian—which is to say soaked in R&B and completely irresistible. —MV
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“New Shapes” — Charli XCX ft. Christine and the Queens
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Charli XCX and Christine and the Queens have already established themselves as a dream team when it comes to making club-rattling art pop. Adding Caroline Polachek to that equation on “New Shapes” only further launches Charli’s sound into another stratosphere. Soaring falsettos glide across the crisp synth pulses and stomping drum machines. Like the best of Charli’s music, it’s fit for an emotional experience on the dancefloor. —MM
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“Chaise Longue” — Wet Leg
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Since dropping in June, Wet Leg’s “Chaise Longue” has garnered nearly 2 million views on YouTube and another 4.5 million streams on Spotify. That may seem like small potatoes to those familiar with, say, Bieber’s streaming numbers, but it’s an incredible feat for a debut single for any band, especially one from the small Isle of Wight. “It’s been a lovely surprise,” Hester Chambers, one half of the duo, told Under the Radar shortly after the song blew up. “We wrote it in one an evening, just writing for fun and being silly and we had no clue at the time that it would connect with so many people.” That blithe attitude (this song opens with what may be a reference to Mean Girls’ “buttered muffin” joke) toward post-punk absolutely rips, and is what makes Wet Leg so effortlessly cool. Rock music needs not take itself so seriously. Let the numbers show we’ve been waiting for it. —MM
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“Middle of Love” — Jake Wesley Rogers
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Missouri-born, Nashville-dwelling Rogers made an early name for himself in as mainstream a fashion as possible, making it to the quarter-finals of America’s Got Talent at age 15. Now he’s signed to Justin Tranter’s Facet label, and he’s embracing his queerness as his melodic chops get stronger. Rogers picks up where 1970s Elton John and Freddie Mercury left off, and this track is glorious AM gold for the streaming age. —DH
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“Control” — Mannequin Pussy
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“‘I’m in control’ / That’s what I tell myself / When all the walls around me / Close in,” Dabice sings early on this diary of pent-up frustration. Building from anxious guitar and vocals to an eruption of drums and screams, it’s a cathartic release that feels very much attuned to the past two years. It’s a necessary reminder that when everything is on fire around us we can still find some modicum of power. Even if it’s simply freedom to rip our bed to shreds when we feel like it. Let loose. Go fucking nuts. You’ve earned it. And Mannequin Pussy has the perfect soundtrack for it. —MM
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“Treat Me Like a Lady” — Wanda Jackson
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63 years and 32 studio albums into her Hall of Fame career, the Queen of Rockabilly has no right to still be going this hard. With a hell of a lot of swing and heaps of boogie-woogie—plus some rock n’ roll sizzle from Joan Jett, who produced the LP, and her band The Blackhearts who serve as a backing band here—this one’ll kick your door down. —MV
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“Sundown Town” — Vince Staples
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Over disintegrating Kenny Beats production, Vince Staples lays bare his anxious view of the world on “Sundown Town.” And while it’s a perspective both disturbing and disheartening, the song is a testament to the rapper’s incredible command of language—and his ability to distill the phobia of his past and present into a few quick bars. A sharp two-and-a half minutes, he doesn’t need a second longer. —MM
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“Immune” — Jensen McRae
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Earlier this year, up-and-comer McRae tweeted: “In 2023, Phoebe Bridgers is gonna drop her third album & the opening track will be about hooking up in the car while waiting in line to get vaccinated at Dodger Stadium and it’s gonna make me cry. ” The post went viral, so she posted a thirty-second pre-emptive cover of that song and that went viral, so she recorded the whole thing. A natural aversion to things that go viral kept us from clicking and listening. And then she closed her set at the Troubadour in Los Angeles with it a couple of weeks ago, the crowd shouted it back at her, and everything was right in the world. It’s a sweet, sad, perfectly-observed song about Love in These Times, and even if it began as an exercise in someone else’s songwriting style, it is purely Jensen McRae. Keep an eye on her. —DH
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“Silk Chiffon” — MUNA
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As hot vax summer gave way to delta variant autumn, it felt like we could all use a pick me up. Enter “Silk Chiffon”—a feather-light indie pop offering from Los Angeles trio Muna. Their first single since signing to Phoebe Bridgers new label Saddest Factory Records, it’s a sugary ode to the halcyon days of young queer love. With its simple, tender melody and shimmery chorus, the hit single recalls late ‘90s bubblegum pop. At last, the gays have their own proper makeout jam. —Abigail Covington
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“MMMOOOAAAAAYAYA” — illuminati hotties
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Illuminati hotties’ topsy-turvy “MMMOOOAAAAAYAYA” is filled with musical fuckery. I’m convinced that they’re just trying to tie our brains into knots. There are key changes. There are random tempo left turns. There’s a gibberish chorus. And absolute euphoric joy. Even after dozens of listens it’s still hard to keep track of where the song is going to go next. It shouldn’t work. (Really.) And yet, it does. The visuals for “MMMOOOAAAAAYAYA” are also awesomely subversive, with a gloopy take on D’Angelo’s iconic ‘Untitled (How Does It Feel)’ video. Don’t overthink this one. —MM
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“Valentine” — Snail Mail
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Snail Mail’s Lindsey Jordan was just a teenager when her critically acclaimed debut album made her an indie-rock superstar in 2018. Now returning three years later, Jordan has only expanded and honed her craft with “Valentine,” a heart-breaking love-torn track that explodes with synths, guitar, and Jordan’s vivid anguish. “You won’t believe what just two months do / I’m older now, believe mе, I adore you,” she sings, achingly, before the song’s chorus just about bursts with grief. It hits hard, and it’s simply wonderful. —MM
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“Solar Power” — Lorde
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Lorde gets back to the minimalism of her breakthrough single “Royals” on the verses of this one, but then you blink three times and you feel it kicking in: the hook to be bellowed at pool parties until autumn. It’s a little George Michael’s “Freedom ‘90,” it’s a little Primal Scream’s “Loaded,” the video definitely takes a cue from Humira, and while none of us has successfully made a bong out of a fennel bulb, that doesn’t mean we won’t keep trying. We have all wondered whether we can kick it, especially this year, but I think Lorde is right: yeah. We can. —DH
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“Kiss Me More” — Doja Cat, ft. SZA
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Pop music’s favorite chameleon’s reign remains uninterrupted. Doja Cat, a 25-year-old LA native hot off the release of her third album, Planet Her, moonlights in many genres: hip-hop, R&B, disco, and electro, tying her excursions together with an undeniable, resplendent joy. That’s certainly true here, on this sticky-as-bubblegum roller rink flirtation featuring SZA. —Madison Vain
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“It’s Alright (Baby’s Coming Back)” — Blinker the Star
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“I had a daydream that Clive Davis signed me to Arista Records but the deal was: he got to choose the material, as he would have for Whitney Houston or Carlos Santana,” Jordan Zadorozny told Spill magazine about his latest album Arista. “It was a fun exercise because it put my songwriter’s ego in the back seat, and with imaginary Clive in my head picking the songs, the job was to just make it a real Blinker the Star album. ” There are covers of classics by Madonna, Boz Scaggs and ZZ Top, but the kicker is this version of an overlooked Eurythmics jam. —DH
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“Butter” — BTS
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Immovable at number one since its release in late May, “Butter” continues BTS’ hot streak and injects pure joy into a stressful, angsty season. In their boastful and bouncy second English-language single, our winter-issue cover guys get just cocky enough to show us they know they’re killing it, yet still name-check ARMY to remind us they know who got them there. US radio airplay still lags behind streaming and sales for this one, but it doesn’t matter: this is the unquestioned song of the Summer of Butter. —DH
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“Atlantic” — The Weather Station
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‘“My god,’ I thought / ‘My god, what a sunset’ / Blood red floods the Atlantic,” Tamara Lindeman sings in the opening lines of “Atlantic. ” There’s a steady tide of drums. A storm of trilling synths swirls in the background while Lindeman tries to reckon with the beauty of nature and the looming doom of the climate crisis. “I was thinking about the weight of the climate crisis—like, how can you look out the window and love the world when you know that it is so threatened, and how that threat and that grief gets in the way of loving the world and being able to engage with it,” she told Apple Music of the song. It’s a song that attempts to come to terms with the great catastrophe of our generation. And when a song is this gorgeous we can’t help but listen. —MM
Matt Miller
Culture Editor
Matt Miller is a Brooklyn-based culture/lifestyle writer and music critic whose work has appeared in Esquire, Forbes, The Denver Post, and documentaries.
Dave Holmes
Editor-at-Large
Dave Holmes is Esquire’s L.A.-based editor-at-large. His first book, “Party of One,” is out now.
Madison Vain
Madison Vain is the Digital Director at Esquire; a writer and editor living in New York, she previously worked at Entertainment Weekly and Sports Illustrated.
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The Weeknd – artist of the year in the world, Scryptonite – in Russia – Music on DTF
“Dynamite” from BTS is the most popular track.
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Apple published the charts of the most popular songs and albums in 2021 among the subscribers of its streaming service, and also announced the winners of the third Apple Music Awards 2021. For the first time, the company named not only the musician of the year in the world, but also in several other countries, including Russia.
Apple Music Awards 2021 Winners
- Artist of the Year – The Weeknd
- Breakthrough of the Year – Olivia Rodrigo
- Album of the Year – Olivia Rodrigo – SOUR
- Song of the Year – Olivia Rodrigo – “drivers license”
- Best Songwriter – H.E.R.
- Russian Artist of the Year – Scryptonite
- African Artist of the Year – Wizkid
- French Artist of the Year – Aya Nakamura
- German Artist of the Year – RIN
- Japan Artist of the Year – OFFICIAL HIGE DANDISM
Top 10 albums in Russia
- Miyagi & Andy Panda – YAMAKASI
- Scryptonite – “Whistles and papers”
- SLAVA MARLOW — ARTEM (EP)
- Egor Creed – PUSSY BOY
- Scriptonite – 2004
- Basta – 40
- Scriptonite – Holiday on the street 36
- Artik & Asti – Millennium X
- MORGENSHTERN – MILLION DOLLAR: BUSINESS
- JONY – Sky Roses (EP)
Top 10 tracks of 2021 in Russia
- HammAli & Navai – “Bird”
- SLAVA MARLOW – “I’m getting drunk again”
- Vanya Dmitrienko – “Venus-Jupiter”
- Ramil’ – “Shine”
- Masked Wolf – “Astronaut In The Ocean”
- Dzharakhov & Markul – “I’m in the moment”
- Miyagi & Andy Panda – “Minor”
- Miyagi & Andy Panda – “Cartridge”
- MORGENSHTERN – “Cristal & WASH”
- Scriptonite – Pure (OST Psycho)
Top 10 songs in the world
- BTS – “Dynamite”
- Olivia Rodrigo – “drivers license”
- Ariana Grande – “positions”
- Pop Smoke – “For The Night” (feat. Lil Baby & DaBaby)
- The Weeknd – “Blinding Lights”
- Justin Bieber – “Peaches” (feat. Daniel Caesar & GIVĒON)
- Olivia Rodrigo – “good 4 u”
- The Kid LAROI & Justin Bieber – “STAY”
- Jhay Cortez & Bad Bunny – “Dakiti”
- Dua Lipa – “Levitating” (feat. DaBaby)
Most popular lyrics
- Olivia Rodrigo – “drivers license”
- Olivia Rodrigo – “good 4 u”
- Yuuri – “Dried Flower”
- BTS – “Dynamite”
- Doja Cat – “Kiss Me More” (feat. SZA)
- Drake – “Wants and Needs” (feat. Lil Baby)
- Olivia Rodrigo – “deja vu”
- Ariana Grande – “positions”
- Justin Bieber – “Peaches” (feat.