How do Under Armour hats benefit active women. What are the most popular styles of Under Armour hats for women. Which features make Under Armour hats stand out from other brands. How do you choose the right Under Armour hat for your needs.
The Rise of Under Armour in Women’s Athletic Wear
Under Armour has become a powerhouse in the athletic apparel industry, particularly in women’s sportswear. Founded in 1996, the brand has steadily gained popularity among female athletes and fitness enthusiasts. Their commitment to innovation, performance, and style has made them a go-to choice for women seeking high-quality athletic gear.
Under Armour’s expansion into women’s hats has been particularly successful. These hats combine functionality with fashion, offering protection from the elements while enhancing athletic performance. The brand’s focus on moisture-wicking fabrics, breathability, and durability has resonated with active women across various sports and fitness activities.
Why Choose Under Armour Hats?
Under Armour hats for women stand out for several reasons:
- Advanced fabric technology for superior moisture management
- Stylish designs that transition from workout to casual wear
- Durable construction for long-lasting performance
- Wide range of styles to suit different activities and preferences
- Adjustable fits for maximum comfort
Top Under Armour Hat Styles for Women
Under Armour offers a diverse collection of hats for women, catering to various needs and preferences. Here are some of the most popular styles:
1. Under Armour Women’s Play Up Cap
The Play Up Cap is a classic athletic hat designed for comfort during intense workouts. Its lightweight fabric and built-in sweatband make it ideal for running, tennis, and other high-intensity activities. The adjustable closure ensures a secure fit, while the curved brim offers ample sun protection.
2. Under Armour Women’s Renegade Cap
The Renegade Cap is perfect for women who prefer a more structured look. This hat features UA’s signature Microthread technology, which dries quickly and provides a soft, breathable feel. The pre-curved visor and adjustable closure offer a customized fit and classic baseball cap style.
3. Under Armour Women’s Iso-Chill Launch Run Cap
Designed specifically for runners, the Iso-Chill Launch Run Cap incorporates UA’s innovative Iso-Chill technology. This fabric actively cools the skin, making it an excellent choice for hot weather running. The lightweight construction and reflective details enhance both comfort and safety.
Innovative Features of Under Armour Women’s Hats
Under Armour’s commitment to innovation is evident in the features incorporated into their women’s hats:
Moisture-Wicking Technology
Most Under Armour hats utilize advanced moisture-wicking fabrics that draw sweat away from the skin, keeping wearers cool and dry during intense activities. This technology helps regulate body temperature and prevent discomfort caused by sweat accumulation.
UV Protection
Many Under Armour hats offer built-in UV protection, shielding wearers from harmful sun rays. This feature is particularly beneficial for outdoor athletes and those spending extended periods in the sun.
Adjustable Closures
Under Armour recognizes that one size doesn’t fit all. Their hats often feature adjustable closures, allowing wearers to customize the fit for optimal comfort and security during various activities.
Choosing the Right Under Armour Hat for Your Needs
Selecting the perfect Under Armour hat depends on several factors:
- Activity type: Consider the primary activity you’ll be engaging in while wearing the hat.
- Climate: Choose fabrics and styles appropriate for your local weather conditions.
- Personal style: Under Armour offers a range of designs to match different fashion preferences.
- Fit preference: Determine whether you prefer a snug or relaxed fit.
- Special features: Identify any specific features that are important to you, such as reflective elements or extra ventilation.
Care and Maintenance of Under Armour Hats
Proper care ensures your Under Armour hat maintains its performance and appearance over time. Here are some tips for maintaining your hat:
- Hand wash with mild detergent and cold water
- Avoid using bleach or fabric softeners
- Air dry away from direct heat sources
- Reshape the brim while damp to maintain its curve
- Store in a cool, dry place when not in use
Under Armour Hats vs. Competitor Brands
When comparing Under Armour hats to those from other athletic brands, several factors set them apart:
Technology Integration
Under Armour consistently incorporates cutting-edge fabric technologies into their hats, often outpacing competitors in terms of moisture management and temperature regulation.
Style Variety
The brand offers a wide range of styles, from performance-focused athletic caps to more fashion-forward designs, catering to a broader audience than some competitor brands.
Durability
Under Armour hats are known for their robust construction, often outlasting hats from other brands in terms of wear and tear resistance.
The Future of Under Armour Women’s Hats
As Under Armour continues to innovate, we can expect to see even more advanced features in their women’s hats:
Smart Technology Integration
Future Under Armour hats may incorporate smart technology, such as built-in fitness trackers or augmented reality displays for enhanced performance monitoring.
Sustainable Materials
With a growing focus on sustainability in the fashion industry, Under Armour is likely to increase its use of eco-friendly materials in hat production.
Customization Options
We may see more opportunities for personalization, allowing customers to create unique hat designs tailored to their preferences.
Impact of Under Armour Hats on Women’s Sports
Under Armour’s presence in women’s sports has grown significantly, partly due to their high-quality hats and other gear. The brand’s commitment to supporting female athletes has helped break down barriers and promote inclusivity in sports.
Sponsorships and Partnerships
Under Armour has partnered with numerous professional female athletes and teams, showcasing their hats in high-profile sporting events and increasing visibility for women in sports.
Grassroots Initiatives
The brand has also invested in grassroots programs to encourage girls and women to participate in sports, often providing gear, including hats, to support these initiatives.
Under Armour hats have become more than just athletic accessories; they’re symbols of empowerment and performance for women in sports. As the brand continues to innovate and expand its offerings, we can expect to see even more impactful contributions to women’s athletics in the future.
Under Armour Hats for Women
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Under Armour Women’s Iso-Chill Launch Multi Hair Run Hat Black | oneills.com
US$32.00
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1361541001
Runners need more from their hats than just keeping the sun out of their eyes. These are also light, stretchy, and breathable, with a built-in, cool-to-the-touch sweatband. Every runner needs a couple of these.
- Ultra-light stretch woven fabric is durable & breathable
- Iso-Chill sweatband helps disperse body heat, making it feel cool to the touch
- Oversized open back panel so you can still wear your hair up in a ponytail or bun
- Elastic back closure with buckle adjust for a secure fit
- Reflective logos
- 100% Polyester
SKU:
1361541001
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USA 1-3 days from dispatch US$14.
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CANADA 2 days from dispatch US$18.99
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EUROPE next day from dispatch US$11.99-US$16.99
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AUSTRALIA 3 days from dispatch US$16.99
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Runners need more from their hats than just keeping the sun out of their eyes.
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Fallout 4 armor and clothing | Fallout Wiki
Cleanup (Issue: verify classes/types of armor) To meet Nukapedia‘s quality standards, this article or section may require cleanup. |
Please help by improving the article.| This page lists all armor and clothing in Fallout 4. |
|
Overview
In Fallout 4, the wardrobe system allows the Sole Survivor to make up their own outfit from a variety of clothing and armor. The system is divided into nine slots and two layers :
- Base layer
- Armor (worn on top of the base layer)
- Chest
- Right arm
- Left arm
- Right leg
- Left leg
Many items in the wardrobe take up several spots, including armor spots, restricting the other pieces with which they can be combined.
Each item in each layer can offer bonuses, such as different types of damage resistance. All these items and their unique bonuses will be explained below. In addition, armor mods can be applied to certain items, which can provide additional bonuses.
Characters can enter power armor wearing any combination of clothing, adding an additional layer of armor. Wearing power armor nullifies all bonuses provided by the lower layers.
Each piece of armor falls under one of these classifications: Normal, Legendary or unique. Normal armors have no special bonuses applied to them. Legendary armors come with random bonuses and are mostly dropped by Legendary enemies. Unique armors are pre-named, have a special legendary bonus and are only available through certain merchants and quest rewards.
Body armor parts
Raider armor
Raider armor is usually the most common armor type, and can be seen as a tier 1 armor. Providing the least energy and ballistic resistance out of all armor types – in some cases, excluding the DC guard armor type – it’s the armor most commonly worn by raiders.
Images
IDs
| Name | Form ID |
|---|---|
| Raider chest piece | 0018E415 |
| Raider left arm | 0018E411 |
| Raider right arm | 0018E413 |
| Raider left leg | 0018E40F |
| Raider right leg | 0018E40D |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Mod_ID |
|---|---|---|---|---|---|
| Raider chest piece | |||||
| Raider chest piece A1 | 4 | 2 | 7 | 18 | 0018B188 |
| Raider chest piece A2 | 4 | 2 | 7 | 18 | 0018B19F |
| Raider chest piece A3 | 4 | 2 | 7 | 18 | 0018B1A0 |
| Raider chest piece A4 | 4 | 2 | 7 | 18 | 0018B1A5 |
| Raider chest piece A5 | 4 | 2 | 7 | 18 | 0018B1A7 |
| Raider chest piece A6 | 4 | 2 | 7 | 18 | 0018B1A8 |
| Sturdy raider chest piece | 14 | 11 | 12 | 33 | 0018B18C |
| Heavy raider chest piece | 24 | 20 | 17 | 48 | 0018B190 |
| Raider arms | |||||
| Raider arm | 1 | 1 | 3 | 6 | 0018B16B |
| Sturdy raider arm | 6 | 6 | 7 | 81 | 0018B16C |
| Heavy raider arm | 11 | 11 | 10 | 156 | 0018B16D |
| Raider legs | |||||
| Raider leg | 2 | 2 | 3 | 8 | 0018B178 |
| Sturdy raider leg | 7 | 7 | 7 | 13 | 0018B17C |
| Heavy raider leg | 12 | 12 | 10 | 18 | 0018B17E |
Leather armor
Leather armor, along with the metal armor below, can be seen as tier 2 armor types, serving as counterparts to each other.
Leather provides superior energy resistance but inferior ballistic resistance when compared to metal armor. The standard and sturdy variants of leather armor have inferior ballistic and energy resistances compared to the tier 3 combat armor, but heavy leather, and sturdy legs, have slightly superior energy resistance at the expense of considerably weaker ballistic resistance.
Images
IDs
| Name | Form ID |
|---|---|
| Leather chest piece | 0007B9C6 |
| Leather left arm | 0007B9C7 |
| Leather right arm | 0007B9C3 |
| Leather left leg | 0007B9C4 |
| Leather right leg | 0007B9C5 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Mod_ID |
|---|---|---|---|---|---|
| Leather chest piece | |||||
| Leather chest piece | 3 | 10 | 5 | 25 | 00182E69 |
| Sturdy leather chest piece | 14 | 23 | 9. 9 | 50 | 00182E6C |
| Heavy leather chest piece | 24 | 36 | 14.8 | 75 | 00182E6F |
| Leather arms | |||||
| Leather arm | 1 | 3 | 2 | 8 | 00182E5B |
| Sturdy leather arm | 6 | 11 | 4.6 | 18 | 00182E6A |
| Heavy leather arm | 11 | 18 | 7.2 | 28 | 00182E6D |
| Leather legs | |||||
| Leather leg | 2 | 5 | 2 | 10 | 00184BE6 |
| Sturdy leather leg | 7 | 13 | 4.6 | 20 | 00184BE5 |
| Heavy leather leg | 13 | 20 | 7.2 | 30 | 00184BE4 |
Metal armor
Metal armor, along with the leather armor above, can be seen as tier 2 armor types, serving as counterparts to each other.
Metal provides superior ballistic resistance but inferior energy resistance when compared to leather armor. The standard variant of metal armor has inferior ballistic and energy resistances compared to the tier 3 combat armor, but the sturdy and heavy variants of metal have slightly superior ballistic resistance at the expense of considerably weaker energy resistance.
Images
IDs
| Name | Form ID |
|---|---|
| Metal helmet | 000787D3 |
| Metal chest piece | 000536C4 |
| Metal left arm | 0004B933 |
| Metal right arm | 000536C1 |
| Metal left leg | 000536C2 |
| Metal right leg | 000536C3 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Mod_ID |
|---|---|---|---|---|---|
| Metal helmet | 9 | 4 | 3 | 15 | |
| Metal chest piece | |||||
| Metal chest piece | 12 | 5 | 6 | 40 | 00184009 |
| Sturdy metal chest piece | 25 | 15 | 15. 5 | 115 | 0018400A |
| Heavy metal chest piece | 37 | 25 | 23.1 | 190 | 0018400B |
| Metal arms | |||||
| Metal arm | 7 | 3 | 3 | 15 | 0018401C |
| Sturdy metal arm | 15 | 8 | 7.9 | 65 | 0018401B |
| Heavy metal arm | 22 | 13 | 12.8 | 115 | 0018401A |
| Metal legs | |||||
| Metal leg | 7 | 3 | 3 | 15 | 00184013 |
| Sturdy metal leg | 15 | 8 | 7.9 | 65 | 00184012 |
| Heavy metal leg | 22 | 13 | 12.8 | 115 | 00184011 |
Combat armor
Combat armor can be seen as a tier 3 armor type, providing the best of both from the tier 2 armor types leather and metal. The standard variant has superior energy and ballistic resistance to both leather and metal. Although heavy leather armor has superior energy resistance and heavy metal armor has superior ballistic resistance, combat armor has better ballistic resistance than leather and better energy resistance than metal, making it better geared for all-purpose use.
Images
- While all other armor has identical stats for the left and right variants of limbs, combat armor has different weights for each.
IDs
| Name | Form ID |
|---|---|
| Combat armor helmet | 0011E2C8 |
| Combat armor chest piece | 0011D3C3 |
| Combat armor left arm | 0011D3C7 |
| Combat armor right arm | 0011D3C6 |
| Combat armor left leg | 0011D3C5 |
| Combat armor right leg | 0011D3C4 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Mod_ID |
|---|---|---|---|---|---|
| Combat armor helmet | 10 | 10 | 4 | 25 | |
| Combat armor chest piece | |||||
| Combat armor chest piece | 15 | 15 | 8 | 60 | 00184BD3 |
| Sturdy combat armor chest piece | 25 | 25 | 11. 7 | 140 | 00184BD2 |
| Heavy combat armor chest piece | 35 | 35 | 15.5 | 220 | 00184BF0 |
| Combat armor arms | |||||
| Combat armor arm | 9 | 9 | 2 | 25 | 00184BED |
| Sturdy combat armor arm | 13 | 13 | 4.5 | 85 | 00184BEC |
| Heavy combat armor arm | 17 | 17 | 7 | 145 | 00184BEB |
| Combat armor left legs | |||||
| Combat armor left leg | 8 | 8 | 2 | 25 | 00184BE6 |
| Sturdy combat armor left leg | 12 | 12 | 4.5 | 105 | 00184BE5 |
| Heavy combat armor left leg | 16 | 16 | 7 | 185 | 00184BE4 |
| Combat armor right legs | |||||
| Combat armor right leg | 8 | 8 | 4 | 25 | 00184BE6 |
| Sturdy combat armor right leg | 12 | 12 | 6.5 | 105 | 00184BE5 |
| Heavy combat armor right leg | 16 | 16 | 9 | 185 | 00184BE4 |
Synth armor
Synth armor can be seen as a tier 4 armor type. The standard and sturdy variants have somewhat to slightly weaker ballistic resistances compared to the tier 3 combat armor, but the heavy variant has slightly better ballistic resistance, and all variants have superior energy resistance. The end result is a standard variant that’s only slightly weaker than combat armor for all-purpose use, a sturdy variant that’s somewhat better for all-purpose use and a heavy variant that’s better all around.
Unique armor for this armor type can be obtained from the Institute from the synth requisition officer and through tier 4 settlement armor stands.
Images
- Both the synth helmet and the synth field helmet occupy all three head slots.
IDs
| Name | Form ID |
|---|---|
| Synth helmet | 00187976 |
| Synth field helmet | 0018796A |
| Synth chest piece | 00187974 |
| Synth left arm | 0018796C |
| Synth right arm | 0018796E |
| Synth left leg | 00187972 |
| Synth right leg | 00187970 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Mod_ID |
|---|---|---|---|---|---|
| Synth helmets | |||||
| Synth helmet | 9 | 11 | 3 | 33 | |
| Synth field helmet | 9 | 11 | 3 | 33 | |
| Synth chest piece | |||||
| Synth chest piece | 12 | 17 | 7 | 75 | 00046D94 |
| Sturdy synth chest piece | 25 | 29 | 12 | 125 | 00046D95 |
| Heavy synth chest piece | 37 | 42 | 17 | 175 | 00046D96 |
| Synth arms | |||||
| Synth arm | 7 | 10 | 3 | 30 | 00046D8E |
| Sturdy synth arm | 12 | 15 | 7 | 70 | 00046D8F |
| Heavy synth arm | 17 | 20 | 10 | 110 | 00046D90 |
| Synth legs | |||||
| Synth leg | 6 | 9 | 3 | 30 | 00046D91 |
| Sturdy synth leg | 11 | 14 | 7 | 80 | 00046D92 |
| Heavy synth leg | 16 | 19 | 10 | 130 | 00046D93 |
DC guard armor
DC guard armor can be seen as a tier 1 to 3 armor type. Unlike other armors, it lacks standard, sturdy and heavy variants. Compared to standard-variant armor, DC guard armor is on par with tier 2 to 3 armors, but compared to sturdy-variant armor, it’s only tier 1 to 2, and almost any heavy-variant armor is better. Due to this, its value will be higher at low levels, while being almost useless at high levels.
DC guard armor is used almost exclusively by guards in Diamond City and can only be obtained from their corpse, making the acquisition of this armor a little less practical. Guard armor may rarely be obtained from named Gunner enemies in Tessa’s area.
Images
| Forearms and helm | Shoulders and helm | Forearms and heavy helmet |
|---|---|---|
- Despite the names, “shoulder” and “forearm” armors take up the entire arm slot.
- The DC guard helm takes up the eye slot as well as the hat slot.
- The DC guard heavy helmet takes up all three head slots.
| Name | Dam Resist | Eng Resist | Weight | Value | Form ID |
|---|---|---|---|---|---|
| DC guard helmets | |||||
| DC guard helm | 5 | 5 | 1 | 5 | 000AF0F6 |
| DC guard heavy helmet | 5 | 5 | 1 | 5 | 000AF0F7 |
| DC guard chest | |||||
| DC guard umpire’s pads | 15 | 10 | 4 | 10 | 000AF0EE |
| DC guard arms | |||||
| DC guard left arm armor | 10 | 5 | 2 | 7 | 000AF0F1 |
| DC guard right arm armor | 10 | 5 | 2 | 7 | 000AF0F2 |
| DC guard left shoulder | 5 | 2 | 1 | 5 | 000AF0EA |
| DC guard right shoulder | 5 | 2 | 1 | 5 | 000AF0ED |
| DC guard left forearm | 4 | 2 | 1 | 5 | 000AF0EB |
| DC guard right forearm | 4 | 2 | 1 | 5 | 000AF0EC |
Vault-Tec security armor
Images
| Vault 111 security | Vault 111 security (pre-War) | Covenant security |
|---|---|---|
- Body armors take up all slots (chest, arms, legs).
| Name | Dam Resist | Eng Resist | Rad Resist | Weight | Value | Form ID |
|---|---|---|---|---|---|---|
| Vault security helmets | ||||||
| Vault-Tec security helmet (clean) | 5 | — | — | 2 | 20 | 001D8853 |
| Vault-Tec security helmet (dirty) | 5 | — | — | 2 | 20 | 000821B6 |
| Security helmet | 5 | — | — | 2 | 20 | 00156C0B |
| Vault security armor | ||||||
| Vault 81 security armor (dirty) | 6 | — | 15 | 7.5 | 16 | 00154F10 |
| Vault-Tec security armor (Vault 111 dirty) | 6 | — | 15 | 7.5 | 16 | 000821B4 |
| Vault-Tec security armor (Vault 111 clean) | 6 | — | — | 5.5 | 14 | 001D884F |
| Covenant security armor | 6 | — | — | 3 | 14 | 00156C0D |
Robot armor
Robot armor is an armor found exclusively in the Automatron add-on worn by the raider tribe the Rust Devils. It is an advanced equivalent of the metal armor found in the base game, being heavier but having proportionately more resistance to ballistic attacks and a similar weakness to energy based weapons.
Images
IDs
- Item IDs grant a random variable of standard, sturdy, heavy robot armor.
| Name | Form ID |
|---|---|
| Assaultron helmet | xx00864A |
| Eyebot helmet | xx00864C |
| Sentry bot helmet | xx00864E |
| Robot chest piece | xx00863F |
| Robot left arm | xx008644 |
| Robot right arm | xx008642 |
| Robot left leg | xx008648 |
| Robot right leg | xx008646 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | |
|---|---|---|---|---|---|
| Robot Helmets | |||||
| Assault helmet | 9 | 5 | 3 | 20 | |
| Eyebot helmet | 8 | 5 | 3 | 20 | |
| Sentry bot helmet | 10 | 5 | 4 | 20 | |
| Robot chest piece | |||||
| Robot chest piece | 14 | 10 | 8 | 25 | |
| Sturdy robot chest piece | 27 | 20 | 15.5 | 100 | |
| Heavy robot chest piece | 39 | 30 | 23.1 | 175 | |
| Robot arms | |||||
| Robot arm | 8 | 3 | 3 | 8 | |
| Sturdy robot arm | 16 | 8 | 7.9 | 58 | |
| Heavy robot arm | 23 | 13 | 12.8 | 108 | |
| Robot legs | |||||
| Robot leg | 8 | 5 | 3 | 16-left 10-right | |
| Sturdy robot leg | 16 | 10 | 7.9 | 66-left 60-right | |
| Heavy robot leg | 23 | 15 | 12.8 | 116-left 110-right | |
Trapper armor
It is an armor set that Trappers commonly use, and can fit over thin clothing. The standard version is slightly more protective than sturdy raider armor. The heavy version looks identical but has stats that are slightly improved from heavy raider armor. There is no sturdy variant.
Images
| Standard | Heavy |
|---|---|
IDs
| Name | Form ID |
|---|---|
| Trapper chest piece | xx00EE79 |
| Trapper left arm | xx00EE75 |
| Trapper right arm | xx00EE76 |
| Trapper left leg | xx00EE77 |
| Trapper right leg | xx00EE78 |
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | |
|---|---|---|---|---|---|
| Trapper chest piece | |||||
| Trapper chest piece | 16 | 16 | 12 | 33 | |
| Heavy trapper chest piece | 26 | 26 | 17 | 48 | |
| Trapper arms | |||||
| Trapper arm | 10 | 10 | 7 | 11 | |
| Heavy trapper arm | 14 | 14 | 10 | 16 | |
| Trapper legs | |||||
| Trapper leg | 9 | 9 | 7 | 13 | |
| Heavy trapper leg | 13 | 13 | 10 | 18 | |
Marine armor
Marine armor is an advanced form of combat armor found in the Far Harbor add-on. The three variants (Zealot, Inquisitor, Assault) are not distinct items but are instead the result of modifying the armor at an armor workbench. However, the Zealot and Inquisitor variants look identical. Additionally, the helmet is only available in the Assault variant, and cannot be modified.
Images
| Zealot / Inquisitor | Assault |
|---|---|
IDs
| Name | Form ID |
|---|---|
| Helmet | xx009E58 |
| Chest piece | xx009E5B |
| Left arm | xx009E56 |
| Right arm | xx009E57 |
| Left leg | xx009E59 |
| Right leg | xx009E5A |
Stats
| Name | Dam Resist | Eng Resist | Rad Resist | Weight | Value |
|---|---|---|---|---|---|
| Marine armor helmet | |||||
| Assault | 19 | 19 | 10 | 14 | 90 |
| Marine armor chest piece | |||||
| Zealot’s | 38 | 38 | — | 19 | 150 |
| Assault | 50 | 49 | 10 | 25 | 210 |
| Inquisitor’s | 49 | 50 | 10 | 25 | 210 |
| Marine armor arms | |||||
| Zealot’s | 17 | 17 | — | 10 | 100 |
| Assault | 22 | 22 | 10 | 14 | 140 |
| Inquisitor’s | 22 | 22 | 10 | 14 | 140 |
| Marine armor legs | |||||
| Zealot’s | 18 | 18 | — | 10 | 115 |
| Assault | 23 | 23 | 10 | 14 | 175 |
| Inquisitor’s | 23 | 23 | 10 | 14 | 175 |
Disciples armor
The Disciples armor is worn by members of the Disciples gang, found in the Nuka-World add-on.
Images
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Form ID |
|---|---|---|---|---|---|
| Disciples helmets | |||||
| Disciples banded helmet | 14 | 16 | 19 | 65 | xx026BB7 |
| Disciples bladed helmet | 14 | 16 | 19 | 65 | xx026BB5 |
| Disciples cowl | 9 | 11 | 10 | 20 | xx026BB0 |
| Disciples head covering | 14 | 16 | 19 | 65 | xx026BBD |
| Disciples hood | 9 | 11 | 10 | 20 | xx03B557 |
| Disciples spiked helmet | 14 | 16 | 19 | 65 | xx026BB6 |
| Disciples chest | |||||
| Disciples metal chest piece | 44 | 54 | 33 | 138 | xx026BB8 |
| Disciples strapped chest piece | 26 | 28 | 19 | 75 | xx026BAB |
| Disciples arms | |||||
| Disciples metal left arm | 19 | 21 | 19 | 94 | xx026BC1 |
| Disciples metal right arm | 19 | 21 | 19 | 94 | xx026BBF |
| Disciples spiked left arm | 19 | 21 | 19 | 94 | xx026BC0 |
| Disciples spiked right arm | 19 | 21 | 19 | 94 | xx026BBE |
| Disciples strapped left arm | 12 | 14 | 10 | 40 | xx03B559 |
| Disciples strapped right arm | 12 | 14 | 10 | 40 | xx03B558 |
| Disciples wrapped left arm | 12 | 14 | 10 | 40 | xx026BB4 |
| Disciples wrapped right arm | 12 | 14 | 10 | 40 | xx026BB2 |
| Disciples legs | |||||
| Disciples metal left leg | 20 | 22 | 19 | 94 | xx026BBC |
| Disciples metal right leg | 20 | 22 | 19 | 94 | xx026BBA |
| Disciples spiked left leg | 20 | 22 | 19 | 94 | xx026BBB |
| Disciples spiked right leg | 20 | 22 | 19 | 94 | xx026BB9 |
| Disciples strapped left leg | 13 | 22 | 10 | 40 | xx03B556 |
| Disciples strapped right leg | 13 | 22 | 10 | 40 | xx03B555 |
| Disciples wrapped left leg | 13 | 22 | 10 | 40 | xx026BAF |
| Disciples wrapped right leg | 13 | 22 | 10 | 40 | xx026BAD |
Operators armor
The Operators armor is worn by members of the Operators gang, found in the Nuka-World add-on.
Images
Stats
| Name | Dam Resist | Eng Resist | Weight | Value | Effect | Form ID |
|---|---|---|---|---|---|---|
| Operators headwear | ||||||
| Operators glasses | 2 | 2 | 2 | 20 | Perception +1 | xx02873E |
| Operators goggles | 4 | 4 | 3 | 20 | Perception +1 | xx02873D |
| Operators chest | ||||||
| Operators belted chest piece | 27 | 27 | 19 | 75 | — | xx028743 |
| Operators chest piece | 27 | 27 | 19 | 75 | — | xx03B8AE |
| Operators heavy chest piece | 45 | 45 | 33 | 138 | — | xx028738 |
| Operators arms | ||||||
| Operators left arm | 13 | 13 | 10 | 40 | — | xx03B8AA |
| Operators right arm | 13 | 13 | 10 | 40 | — | xx03B8AB |
| Operators left armband | 13 | 13 | 10 | 40 | — | xx028739 |
| Operators right armband | 13 | 13 | 10 | 40 | — | xx02873B |
| Operators heavy left arm | 20 | 20 | 19 | 94 | — | xx028731 |
| Operators heavy right arm | 20 | 20 | 19 | 94 | — | xx028733 |
| Operators heavy left bracer | 20 | 20 | 19 | 94 | — | xx028730 |
| Operators heavy right bracer | 20 | 20 | 19 | 94 | — | xx028732 |
| Operators legs | ||||||
| Operators left leg | 14 | 14 | 10 | 40 | — | xx02873F |
| Operators right leg | 14 | 14 | 10 | 40 | — | xx028741 |
| Operators heavy left leg | 21 | 21 | 19 | 94 | — | xx028735 |
| Operators heavy right leg | 21 | 21 | 19 | 94 | — | xx028737 |
| Operators heavy left leg guard | 21 | 21 | 19 | 94 | — | xx028734 |
| Operators heavy right leg guard | 21 | 21 | 19 | 94 | — | xx028736 |
Pack armor
The Pack armor is worn by members of the Pack gang, found in the Nuka-World add-on.
Images
| Pack armor | Pack heavy armor |
|---|---|
Stats
Unique body armor parts
Unique body armor parts are legendary items that come pre-named and are not randomized, but are otherwise no different from regular legendary items. They can be obtained from various merchants, sometimes at set locations (as with the Freefall Legs), and possibly as quest rewards.
- ¹This nano filament material is different from another nano filament material that the player character can create, possibly a bug. It provides less energy and ballistic resistance than the normal one, showing two versions of the same thing. There is still an option to upgrade to the normal nano filament material.
Clothing
Clothing that can be worn under body armor parts and are potentially the best for defensive purposes. Unless the ballistic weave armor mod has been unlocked, the only clothing pieces that can be upgraded on an armor workbench are the vault jumpsuits.
- Unique apparel are highlighted with a beige background.
- Unplayable apparel and cut content are grayed out.
Outfits
Count as both clothing and body armor. Most will take up all armor slots, but some will allow additional armor.
- Unique apparel are highlighted with a beige background.
- Unplayable apparel are grayed out.
Headwear
Full headwear
These items count as hats, eyewear, and masks.
- Unique apparel are highlighted with a beige background.
- Pack carnival mask can wear whith Masks.
Hats
- Unique apparel are highlighted with a beige background.
- The bowler hat and the Triggerman bowler are equippable by Mister Handy or Miss Nanny robots.
Eyewear
- Welding goggles are equippable on Dogmeat.
- Robotic bits may not appear in the inventory, nor are equipable with the player.equipitem command.
Masks
- All bandanas are equippable on both NPCs and dogs as a cosmetic item.
Power armor parts
All pieces of power armor must be attached to a power armor frame.
Wearing power armor nullifies all bonuses and effects provided by any other layer of armor, including Legendary armor effects. In addition, each layer has its own weight, which is not nullified by power armor (excluding power armor plate segments attached directly to a power armor frame).
To exit power armor frames, one must press and hold the same button pressed to enter it (“E” on PC, “X” on PS4, or “A” on Xbox One).
Helmet
| Image | Name | Dam Resist | Eng Resist | Rad Resist | Health | Weight | Value | Limit | Effect | Mods | Form ID |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Raider power helm | 100 | 50 | 150 | 50 | 14 | 50 | Yes | 00140C54 | |||
| T-45 helm | 100 | 60 | 150 | 50 | 12 | 60 | Yes | 00154ABF | |||
| T-51 helm | 140 | 90 | 150 | 80 | 12 | 80 | Yes | 00140C4E | |||
| T-60 helm | 180 | 120 | 150 | 110 | 12 | 120 | Yes | 00140C4A | |||
| X-01 helm | 220 | 140 | 150 | 140 | 12 | 140 | Yes | 00154AC5 |
Torso
| Image | Name | Dam Resist | Eng Resist | Rad Resist | Health | Weight | Value | Limit | Effect | Mods | Form ID |
|---|---|---|---|---|---|---|---|---|---|---|---|
| Raider power torso | 200 | 100 | 100 | 300 | 22 | 100 | Yes | 00140C57 | |||
| T-45 torso | 200 | 130 | 300 | 200 | 20 | 140 | Yes | 00154AC2 | |||
| T-51 torso | 240 | 160 | 300 | 320 | 20 | 180 | Yes | 00140C51 | |||
| T-60 torso | 280 | 185 | 300 | 440 | 20 | 200 | Yes | 00140C42 | |||
| X-01 torso | 320 | 210 | 300 | 560 | 20 | 280 | Yes | 00154AC8 |
Left arm
Right arm
Left leg
Right leg
Unique power armor parts
Other
NPC armor
Dog apparel
Dogmeat wearing welding goggles, dog helmet, chain dog collar & heavy dog armor
Dogmeat can equip dog apparel as cosmetic items (these items don’t give any bonus to the dog, but the items cost its weight towards the dog max carry capacity). There are four different slots on the dog to equip items, including eyes, neck, headband, and torso.
Any junkyard dogs can also wear dog apparel, but in order to give it to them, the Sole Survivor needs to use reverse pickpocket to place it in their inventory. It will not be immediately equipped but will be worn once one has fast traveled away and back. Dog armor (all variants) enhances Dogmeat’s carrying capacity.
Eyewear
In this slot, the welding goggles can be equipped.
Headgear
Neck
Torso
Super mutant apparel
- Strong can equip super mutant apparel.
- Unlike humanoid armor parts for which there are legendary and unique armor pieces as well as armor types favoring ballistic, energy, or radiation resistance, for the super mutant armor parts there exists an optimal set of equipment that maximizes both Damage Resistance and Energy Resistance. This set consists of a super mutant bladed helmet, light body armor, chains, heavy gauntlets and leg armor pieces.
Headwear
Body armor
Arms
Legs
Outfit
Child apparel
Notes
- Each armor piece can have a Legendary armor effects added as a random drop from any legendary enemy (star at the end of their name).
- Counting all pieces of each variant of power armor, there are 240 total pieces of power armor that can be used for customization.
- Armor mods from one tier of armor can be placed on other variants of the same general armor. For instance, if a lightweight leather chest piece is found, the lightweight mod can be removed from the chest piece and put onto a Sturdy or Heavy leather chest piece. Since higher-tier armor requires commensurately higher levels in the Armorer perk to construct and install mods, it behooves a lower-level player to either remove and store the peak material mods (such as a polymer or nano filament) from a lower-tier piece to place on a higher-tier armor at a later time or locate a lower-tier version of that same armor, modify it, then remove and attach the mod on the higher-tier armor that is actually intended to be worn. The mods are specific to the extremity they came from. A mod taken from a chest piece cannot be applied to an arm or a leg, for example.
- Some mods are only available through the Railroad.
- For armor sets that have regular, sturdy and heavy variants, the variant is not always prefixed in the title (e.g. “Sturdy leather chest piece”). If the piece of armor is legendary or has an armor mod applied then the prefix can be removed. One has to pay special attention to the item’s base resistance to identify what type it is in the inventory screen.
- To modify an armor piece to a specific variant (normal, sturdy, heavy) use the attachMod <Mod_ID> console command, and the Mod_ID associated with that variant.
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A woman in a hat .: zina_korzina – LiveJournal
Her elastic silks,
And a hat with mourning feathers,
And a narrow hand in the rings”
Alexander Blok.
We wear hats, caps, baseball caps, some kind of military headgear a la Soldier Jane, but not this straw, entwined with ribbons, miracle.The woman in the hat is the perfect fallout from the frenzied metropolis style. A woman in a hat is already an image that is hardly compatible with life in a casual rhythm. She still breathes not gasoline, but perfume and mists. In just a hundred years, the hat has turned from an indispensable, obligatory attribute into an unnecessary but charming item, which, moreover, requires special dressing skills. The hat obliges – you cannot slouch in it, you cannot be harsh, vulgar, simple and even too businesslike in it. Buying a hat will certainly entail other expenses, and sometimes a complete overhaul of your wardrobe.
In a black hat and a black coat – certainly long and slightly fitted, every slender woman is almost Margarita. The hat mobilizes feminine elegance. With a hat, all sorts of “comfortable boots” and other slippers are impossible. The hat calls for the shoes, and, of course, with heels. Once upon a time, when women were prescribed to be charming flowers, a headdress meant a lot. In the play “A Profitable Place”, a rich sister Yulenka brings a hat to poor Polina, whom her husband treats with clever talk about virtues.The hat here acts as a symbol of a wealthy, luxurious life. And the sanctimonious but pompous chatter about honest poverty breaks down on a simple lady’s hat.
The same symbol is the ten-dollar headdress in the movie “New York Hat” with the brilliant Mary Pickford. The poor girl is fascinated by a hat with feathers and ribbons – she looks at the shop window like a beggar, tattered Cosette admiring a pink doll.Coco Chanel began her journey into the world of fashion precisely with the creation of hats – simple but elegant, as it should be for a modern and dynamic woman. She made her first hat as a gift to Emilienne d’Alanson, the famous courtesan, with whom Coco “shared” a common lover – Etienne Balsan (however, at that time Emilienne had already left Balsan!). The End Era hats have everything. And the longing for the past – all these velvet-lace things that appear in magazines as “fantsie hat in verdegree color à la Ninon de Lanclos” .No relationship to de Lanclos, but nostalgic-chic, mannered, poetically-luxurious.
There are other hats, in the style of Chanel, which believed that it was not at all necessary to rip all the feathers out of an ostrich in order to be considered elegant. There are also small toque hats, they are often worn with a small esprey feather or with a bow. Hats 1909-1912 were so large that their owners were no longer allowed into Moscow trams. But there is one more item – a hat pin, with the help of which a structure of felt, ribbons and the remains of the former ostrich was attached to the hairdo.The hairpins were long and sharp, so the tabloid press sometimes gave out that a certain lady (certainly in Paris or Nice) killed her unfaithful lover with a long and sharp hat hairpin. In the spirit of the times. Then jealous black-eyed witches, women-fate, copied the habits of Teda Bara and Francesca Bertini, were in vogue. If you really finish off, then it’s beautiful.
In the 1920s, hats, as a rule, are small, crowning the thin, elongated, long-legged silhouette of a woman-boy.A cloche headdress, a bell, hides part of the face and in profile only juicy, heavily tinted lips and a sharp nose, carefully processed with compact Coty powder, are visible. Soviet nepmen and wives of specialists – such as Ellochka Shchukina – wear hats from a picture from Paris. But those other, new ones, who are not bourgeois women, but stern activists, prefer a red kerchief or some other leather cap from the arsenal of motorists. “In this case, you can remain in the cap, and you, my dear sir, I ask you to take off your headdress,” Philip Philipovich said impressively. “.The Bolshevik aristocrat Vyazemskaya broke not only with her class, but also with her … sex.
“Fashion and Hats” – this was the name given to Elena Stanislavovna Bour, the former lover of Kisa Vorobyaninov. Fashion and hats are left to the mercy of the NEP with its lacquered boots, shimmy dance and taverns on Pyatnitskaya. And the “big world” at that time was flying at full steam into a communist utopia, hitting a motor rally, giving the country coal and dreamed of the flying cities of Georgy Krutikov … In the 1930s, hats became more interesting and whimsical.Lelong and Schiaparelli remember the cocked hats, they even create a headdress à la Maria Stuart. On the eve of a new war, it is so pleasant to remember the executed queens, the pranks of the gallant centuries, the leisurely horse rides in Blois and Sans Souci. But the rationalistic direction also developed, business, moreover – sports. Sports style – for travel and energetic pastime. Ladies’ hats of this style are similar to those of men …
Hats of the war years Christian Dior called the most ugly in the history of the costume! The women made hats out of everything that got in their way. Forced to economize on matter, Parisians took revenge on hats. We lived by the principle: I can’t afford a fancy toilet? I can’t afford anything at all! Even simpler. I don’t even have stockings, I have to draw an arrow with a chemical pencil so that everyone can see – I’m walking in stockings. So I’ll make myself a flower bed on my head! And one lady even stole a stuffed bright bird somewhere in order to sit it in the middle of bows and silk roses made from the remnants of scraps.War hats are a challenge to hardship. There was another option – a turban-shaped headdress, also created from poverty, from the impossibility of getting a haircut, from the necessity of working at the machine. The ladies were so fond of turbans that they were then worn for another three years after the war.
Hats from the Dior era are sheer aesthetics and well-defined luxury. No feathers, roses, stuffed animals, and in general – overloads. The hats look even modest, but Dior’s chic is for those who know how to choose, for sophisticated ladies who know a lot about fragrances, lace underwear and good style.By the way, the famous hat of the 1950s, called by the Soviet people with the contemptuous word “meningitis”, is also a creation of the Dior house. Why suddenly meningitis? She was so tiny that she did not warm her head, but only indicated her presence. Therefore, meningitis in the conditions of the Russian winter became simply inevitable. But whom and when did such a “trifle” stop? By the way, it was the 1950s that were, in fact, the last decade when a headdress was considered a must-have item for an elegant lady.The following decades – this is a systematic “forgetting” of hats for the sake of a variety of conventions. New conventions.
So why are hats no longer common in the 1960s? In my opinion, because the main addressee of fashion magazines has changed and, in general, the main consumer of fashionable clothes. In the 1960s, this addressee was young people, twig girls who, by and large, do not need a hat.Previously, fashion was created for adult women, not for their daughters. The hat is a lady’s dress, not a girl’s. And since fashion is now dictated by young people, headdresses have ceased to be considered generally obligatory. It is possible, sometimes useful, but the woman was no longer horrified by the absence of a new hat in her wardrobe, and she certainly would not have reinvented a turban for herself, as during the war. Tellingly, in the 1970s, when again (albeit temporarily) the type of an adult woman who was over 30 came into fashion, the hat fashion began again.Fortunately, many styles appeared at once – from ethnic and retro to safari and romantic trends – with flounces and ruffles.
And each style had its own hat or cap. There are also retro-style hats – a nostalgic memory of 1920s or 1940s fashion, it doesn’t matter. Then everything that was before, before … Before what, one wonders, was relevant? But before the space 1960s, which now seemed too straightforward, and therefore failed. By the way, the famous high fox hats, in one of which the heroine of Barbara Brylskaya walks around Leningrad at night, came from Paris, but were created under Russian influence.Ethnicity was the leading style, and many fashion designers created not only Turkish and African collections, but also Slavic ones. It is believed that it was Yves Saint Laurent who introduced the fashion for Russian scarves, hats, red boots and, of course, sheepskin coats. There. At home. And here the fashion for hats came in a roundabout way through Polish fashion magazines.
In the 1980s, polystylism was replaced by a dictate of sports and business style, with an emphasis on the former.This brings to mind the pipe caps that were popular from about 1981 to 1984/85. They were considered an element of sports style, or rather, its “space” offshoot. Moon boots, padded jackets, phosphorescent fabrics and so on. Many girls and ladies knitted for themselves such a hat that best suited these very moon rovers and puffers. But few did she walk, for even the most emaciated face in her looked round and rustic. Therefore, some wits called the cap-pipe, or rather, the girl in such a cap “the pig in the window.”.. Then various berets were in vogue, and in 1986 it was stylish to pin a brooch to the beret (on the side). Adult ladies wore retro-style hats inherited from the previous decade.
Interestingly, girls of my generation perceived walking in winter without a hat and without a headdress at all as … a sign of independence. Walking to school with your head open, and even with flowing hair – that was happiness. There was something ritual about it. Many girls were already hiding their caps in their briefcases on the stairs and already in this form fled to school.The hated leggings were subjected to a similar procedure. If they simply hid the hat, they hated the leggings fiercely. Good girls who obeyed their elders, of course, did not do this and even tried to lecture us: “The main thing is to be warm!” . But for us, this, after all, was not the main thing! … So, the hat gradually became an anachronism. From the 1990s, I remember only one powerful hat – the red headdress of Sofia Lauren from the movie ‘Prêt-à-Porter’, which, by some strange irony of fate, was listed in the Russian box office as Haute Couture…
Dress code of the royal family: what, where and when?
Photo author, Getty Images
The outfits of members of the British royal family always attract attention – both “twos” of all the colors of the rainbow, which Queen Elizabeth prefers, and the tiaras of the Duchess of Cambridge and even shorts young Prince George.
With all this apparent diversity, you can see that no one has seen Prince George in a Spider-Man suit or his mother Catherine in a tracksuit.
The fact is that there is a certain etiquette that dictates what members of the royal family must wear in public, and we bring some of these rules to your attention.
When should the queen wear a hat?
Photo author, Getty Images
The Queen is known for her bright, matching her dress, hats; she usually appears in them at various official events, and she has many of them.
Etiquette requires women to wear hats at formal occasions, explains Diane Mater, senior consultant at The English Manner etiquette.
“Until the 1950s, women were rarely seen without a hat, because it was believed that women should not show their hair in public. But everything has changed, and now they resort to hats only for some official events,” explains the expert …
The queen’s violet-colored hat was decorated with flowers to match with bright yellow cores, and this combination of colors gave rise to many people to compare it with the flag of the European Union (from which Britain, as you know, is trying to get out) and speculate if this is an accidental coincidence.
Why does Prince George always wear shorts?
Photo author, Getty Images
Unlike many of his peers, the three-year-old Prince George never came under the sights of cameras in a T-shirt with some cartoon character or even in long trousers – he always wears the same shorts and shirt.
Experts explain this by the fact that, according to tradition, young princes and princesses in public should always be dressed formally.
Photo author, Getty Images
This word denoted the moment when a boy could start wearing cropped trousers on the cuff – breeches – instead of traditional dresses and shirts.
Photo author, Wikimedia Commons
Even in the paintings of famous Western European artists, you can see that young princes and princesses are dressed the same – in long dresses and shirts, as in this portrait, which depicts young Louis XIV, the future Sun King, and his brother Philip.
Some historians attribute this to a very late potty training and the fact that the fasteners on men’s trousers and breeches were too intricate and inconvenient to unfasten in the event of a sudden call of nature.
“Fortunately, this morphed into shorts in the late 19th and early 20th centuries. This tradition continues in the royal family to this day,” says etiquette expert Grant Harrold, nicknamed the “Royal Butler” in the media (since he was indeed an assistant butler Prince Charles).
The Queen and Her Gloves
Photo Credit, Reuters
No self-respecting lady goes out without gloves, says Harrold, who has a habit of tweeting his tips on Twitter @TheRoyalButler.
Gloves are traditionally considered a fashion accessory, but they also have very practical benefits – they prevent the spread of germs through a handshake.
Since the Queen shakes hands with thousands of people every year, they are more than just an accessory for her.
Photo by Getty Images
“Let’s not forget that the Queen does not always wear gloves when meeting people; so it depends on what she is wearing, where she is and what exactly she is doing [at this particular moment ] “, explains Harrold.
Elegant mittens were specially sewn for royal babies: the Museum of London has preserved the lace infant mittens of the future King George III, which were intended only for official occasions: for example, the first presentation of a child to the people or the painting of the first official portrait by a court artist.
Formal everyday life
Photo author, Getty Images
You never know what the Duke and Duchess of Cambridge wear when they are alone – you can guess indefinitely.
However, even for their everyday style of clothing, in which they appear in public, there is a set of rules.
For women – a smart casual dress (knee-length, or slightly higher or lower) or trousers with a jacket or cardigan, and for men – a shirt with a stand-up collar, trousers made of thick colored cotton (chinos) and a blazer.
Prince William and his wife, Catherine, generally follow these rules and only occasionally allow themselves some liberties in the form of jeans.
Photo by Getty Images
“Many establishments do not allow jeans because they are still perceived as something very informal, so both sexes should be safe in this case,” says Diana Meiter.
“But if the duchess walks her dogs, for example, then jeans are quite appropriate,” she adds.
Everything except beige
Photo by Getty Images
The queen is said to have once said, “If I wear beige, no one will know who I am.”
“She loves bright and knows that it will be noticeable – and it only suits her,” says Diana Mater.
Experts say that the Queen’s personal assistant Angela Kelly helps Her Majesty in choosing a bright outfit.
Photo by Getty Images
It is also known that during foreign trips, the Queen’s outfit includes the traditional colors of the country (or its flag) that she visits. The same applies to receptions of foreign guests at Buckingham Palace.
“Double-breasted for the war?”
Photo author, Getty Images
Princes William and Harry served in the army and appeared in public in military uniforms more than once.
Members of the royal family wear their military uniforms for all military holidays, such as Carrying Out the Banner, or anniversaries of military events.
Photo by Getty Images
Prince William served in the RAF, but he is also a colonel in the Irish Guards, which is why he often appears in the bright scarlet regimental uniform.
It was in this that he chose to appear at his own wedding in 2011.
When flirting is not appropriate
Photo by Getty Images
Tiaras are what royals or married women wear to formal occasions, especially if the dress code requires an evening dress, points out Diana Mater.
“From time immemorial it has been established that hats are not worn indoors after six in the evening, because it was at this time that ladies changed into evening dresses, and it was then that tiaras and family jewelry were put on. Flashy diamonds or tiaras are not worn in the daytime, and nothing more married women wear tiaras, “says the expert.
Moreover, as the “royal butler” says, for married women it is a status symbol that shows that you are already “busy” and are not looking for a husband.
And for a gentleman it is a clear signal not to flirt with a woman he likes.
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A full suit of armor is a hallmark of the very late Middle Ages and the Renaissance. Plate armor is a type of personal body armor made from iron or steel plates. By about 1420, full plate armor suits had been developed in Europe. He was often seen in Western European armies, especially during the “Red Years”, “Wars of the Roses” or “Italian Wars”.The European leaders in armor technology were the northern Italians, Milan and the southern Germans. A full suit of plate armor would consist of a helmet, necklace (or necklace), hairpins, drones with armpits to cover the underarms, as was the case in French armor, or bezels (also known as ronets), which were mainly used in Gothic armor, ribs, couches, vambras, gloves, couch (back and chest) with necklace, tattoos and couch, zip skirt, couches, poles, manes and sabatons.The most complete sets, known as headsets, which were more often made for dash than for war, included exchange items, alternating pieces suitable for different purposes so that the suit could be configured for different purposes, such as combat on foot or on horseback. … The armor was stretched and completely covered the entire body of the man from neck to legs. Full costumes of Gothic armor were worn on the battlefields of the Burgundian and Italian Wars. The most heavily armed troops were heavy cavalry such as gendarmes and early couriers.Specialized knightly armor associated with medieval knights appeared in the 16th century. Early 16th century armor is a style using heavy flutes and some decorative engravings, as opposed to 15th century white armor. Among them are the influences of Italian styles. Closed helmets were also used during this era, as opposed to pallets and barges in the 15th century style. In the early 16th century, the helmet and neck design was reformed to produce so-called armor, many of which were masterpieces of craftsmanship and design.As firearms became better and more common on the battlefield, the usefulness of full armor gradually diminished. After 1650, with the development of the flintlock musket, which could assess armor from a considerable distance, the plate armor was reduced to a simple chest plate (cubes) worn by the Cubists. The decoration of thin armor increased significantly during this period. Such work required gunsmiths or collaboration with artists. Daniel Hopfer was an armor designer by training who developed engraving as a form of printing.Other artists, such as Hans Holtz, created sketches for the armor. The Milanese gunsmith Filippo Negroli, from a leading line of gunsmiths, was the most famous fashion designer for embossed armor.
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Very few items of clothing dating back to the period before the 16th century have survived: our knowledge of medieval clothing is gleaned from contemporary copper plaques, sculptures, paintings, frescoes and manuscripts. The Luttrell Psalter (compiled in 1340, British Museum) and The Novel of Alexander (1338-1344, Bodleian Library, Oxford) contain detailed depictions of not only clothing, but also agricultural, sports and local life.The Vision of Peter Pahar by William Langland, The Canterbury Tales by Chaucer and Sir Gawain and the Green Knight were written in the 14th century. and give us a vivid verbal description of the dress and manners of that time.
The end of the Middle Ages – magnificent cathedrals and romantic castles, religious fervor, crusades, chivalry, refined love and people in luxuriant robes with trains, whose gracefulness and upward aspiration echoed the architectural style of the 12th-15th centuries. – gothic. This romantic image somewhat obscures the struggle for power between the feudal lords, church pressure, the emergence of the bourgeoisie, the growing greed of the knights-crusaders and their followers; the inconveniences of living in cold castles and houses with fireplaces in the central hall, spewing smoke, lit by torches and tallow candles.Life was hard for peasants and slaves, and the plague threatened all sectors of society.
But in the same period, there was a revival of art and architecture, religious aspirations, the invention of printing in 1455, the expansion of ties between the peoples of Europe, the development of trade and the creation of professional guilds.
Changes in the life of society could not but be reflected in the costume of that period. Now it is difficult to understand the degree of influence of religion during the XIII, XIV and early XV centuries on the consciousness and behavior of a person.The great Franciscan and Dominican orders, founded in 1214 and spreading throughout Europe, were centers of learning at a time when schools were scarce and when the ability to read and write was as unnecessary for the average citizen as computer literacy is for many today. Art, like education, was also concentrated in churches: monastic communities created sculptures and frescoes to decorate their cathedrals and churches, along with exquisite manuscripts. Mosaics of colored glass and precious metals adorned with enamel vied with the richly embroidered clothing worn by the wealthy of the parish.
Gothic fashion, in contrast to the previous loose “shirt-like” Romanesque, manifested itself in a complex and tight-fitting cut of clothing. Gothic costume reaches the peak of its development at the end of the 14th-15th centuries, when the fashion created at the Burgundian court spread throughout Europe. In the XIV century, the men’s dress was shortened: now only the elderly, doctors, judges wear long clothes. A tight jacket (from the end of the 14th century opelyand), narrow track shoes, a short cloak – the clothes embody the aesthetic ideal of the era – the image of a slender young man, a gallant gentleman.In women’s clothing, the skirt is separated from the bodice. The width of the skirt is increased by additional fabric inserts. The upper part of the suit is a narrow bodice with narrow long sleeves, a V-neck on the chest and back. The woman’s body is tilted back, forming an S-shaped silhouette, called the “Gothic curve”. Like the architecture of that period, Gothic clothing received a vertical orientation: the sheer ends of the upper sleeves, sharp cuffs, groins, complex frame hats, elongated upward (atura) and pointed shoes emphasized this trend.The most popular and expensive color was yellow, which was considered masculine.
The women’s costume was largely influenced by church doctrine, which asserted that sin entered the world with Eve’s help, that women were the eternal cause of sinful lust and thus the source of all vices. Women were forced to hide their beauty, although this was not always possible. Everyone, except young girls and brides, had to cover their hair and bare their bodies as little as possible. It is interesting to note that even the Virgin Mary has always been depicted with her hair covered, and many monastic headdresses today are similar to those worn by women in the early 13th century.Religious moralists attacked both men and women, reproaching them for their rich and defiant attire.
The Crusades, contributing to the development of interethnic ties, introduced Europe to the culture of the East, introduced the West to oriental arts and crafts – especially in the field of making fabrics. They also gave impetus to the expanded use of emblems: mottos or images of the coat of arms on the shield and robe of the knight proclaimed his title or lineage, so that friends and supporters would instantly recognize him.The popularity of knightly tournaments led to their use even in women’s clothing. The spectators at the tournaments must have had an excellent knowledge of the coat of arms. Emblems were also an indispensable element of the wardrobe of the servants and retinue of a noble nobleman, when he and his household moved from one house or castle to another (which happened quite often): in this way he emphasized his importance.
The privileges and power of the aristocracy and feudal lords were challenged by the bourgeoisie, or merchant class, for whom the growth of trade meant the growth of wealth, and Latin-speaking scholars who traveled to the developing universities of Paris, England and Italy.In the 14th and 15th centuries, numerous laws were introduced to regulate public spending as the government tried to control the lifestyle of the confidently gaining weight of the lower classes. But if in the XII century. a woman from the bourgeois estate could be fined for dressing like a noble lady, then by the XIV century. her clothing could even surpass that of an aristocrat in riches and splendor.
Great fortunes were made on the import of textiles from the East, from Spain and Italy, as well as on the export of raw wool, which is equally important for the creation of clothing.Saracen weavers have produced brocade in Granada since ancient times, and the Norman conquerors of Sicily brought Greek weavers to Lucca in the 13th century, from where they spread to Florence, Genoa, Venice (famous at the end of the 14th century for its magnificent silk brocade, velvet and fabrics with metal thread), Bologna and Milan. These ornate fabrics were a revelation to Italy’s northern neighbors. The strongest influence of these Italian city-states came later, during the Renaissance, and even later the emigration of many weavers to France and Flanders turned Paris, Rouen and Lyon in the 16th and 17th centuries.to large centers of silk weaving. Philip Heinault, wife of King Edward III of England, founded a cloth factory in Norwich in 1331, employing Flemish weavers, but raw wool, England’s main export commodity, was spun almost entirely in Flanders. The protection of this vital trade for the country’s economy was one of the causes of the Hundred Years War.
It is possible to give a general description of the changes that the styles of clothing of different European peoples have undergone over the 250 years considered, commenting on the deviations from the general pattern.There was a transition from free-flowing robes, very long for women, but also for men reaching knees, in the 13th century, to more tight-fitting silhouettes, which became important due to the improvement of craftsmanship and knowledge of the cut, as well as the use of buttons from the 14th century. (Buttons were borrowed by the crusaders from the Turkic and Mongol peoples and replaced the previously used buckle fasteners.) In the late 14th – early 15th centuries. the toilets became more strict and prim, and the styles created at the Burgundian court became more sophisticated.Women wore elaborate hairstyles, while men wore very short tunics, dangling sleeves, and long-toed shoes. The simple styles of peasant dress, on the other hand, hardly changed from the 13th to the 16th centuries. The peasants were subsistence farming; they spun and weaved from their own wool and flax and were warmed by the skins of wild and domestic animals. To protect them from the cold, the men wrapped their legs with bundles of straw or leather belts, which fastened their long stockings crosswise. As access to the materials produced in cities became easier, raw hides fell out of use.Peasants admired the outfits of the upper classes when they passed by, or the peasants themselves were in the city, but remained indifferent to fashion for quite some time.
Men ́s clothing
The undergarment consisted of a straight, loose-fitting robe with sleeves, originally called a shemiz, and turned into a shirt. Its length almost reached the knees, there were often cuts from the middle of the hem in the front and on the back. This garment was worn over a garment that resembled underpants in shape, the analogue of which is difficult to find.But in the painting by Piero della Francesca “The Baptism of Christ” the figure of a man taking off his shirt and remaining in very tight-fitting underpants (underpants) is clearly depicted. In Italian they were called “mutand” and, apparently, were sewn from “biancherin”, this complex term referred to all items made of white linen, intimate and others. Sometimes the name “bre” is used to mean something like that, but perhaps this term refers to more casual clothing.
A cott was worn over the shirt: a narrow robe, reaching to the middle of the calf or to the ankle, with a very low waist, often decorated with braid along the neckline and hem.The one-piece sleeves, wide at the armhole and tapering to the wrist (now known as the “bat” shape), were first rolled up and secured and later fastened with buttons. The cotta could be worn separately, but was often worn with a surcoat. Initially, it was a simple cape for armor (like a chain mail vest) – a rectangular piece of fabric with a hole for the head. The cloak worn by the knights over the armor became part of ordinary clothing, transforming into a sleeveless tunic that reached the knees or ankles, with armholes wide enough to accommodate the sleeves of a cotta, it could have slits in the front or back and was worn as with a belt. and without.Later, sleeves were apparently attached to it, and it began to look like a dress. The custom of wearing one garment on top of another or several at the same time and the detachable sleeves make it difficult to identify the types of clothing. The same subject can be given different names, which also causes confusion.
From military clothing passed to civilian “gibon” (1290-1400), worn over a shirt and derived from a short leather or quilted jacket “gambison”, which was worn under armor to avoid skin irritation.Civilian clothing was also quilted or padded with fur, it could be with sleeves, which by the second half of the XIV century. shortened and began to reach the wrists, not the knees, or without sleeves; by the end of the same century, it began to be called a doublet (a kind of camisole), the name originated in France.
In the middle of the XIV century. there was a noticeable change in men’s clothing with the introduction of the “cotardie”: semi-fitted knee-length outerwear with buttons in the front, a low neckline and plug-in sleeves that reached the elbows with an extension in the form of a tongue at the back.After about 1350, the cotardies became tighter (probably cut in an oblique line), and the elbow extensions developed into long, drooping bands known in England as tip-pits and in France as coudier. These long ribbons, which almost reached the ground, often hung from a cuff attached to the upper arm, and their edges were carved with barbs. Cotardis were often combined, for example, consisting of two or four colored parts or of plain and striped fabrics.A belt with a bag or purse was located low on the hips. The manufacture of these garments clearly required considerable skill, which indicates the rapid development of tailoring, which has now become an exclusively male profession: until the middle of the 12th century. women sewed clothes at home. The first charter was granted by the tailor of Hamburg in 1152, but at the beginning of the 13th century. the guild split in two; in France, the Parisian tailors’ guild was divided into tailors who made ordinary garments and made camisoles worn with armor.Men also sewed women’s clothing; it is known that in France at the beginning of the XIV century. the Queen and her ladies of the court invited only male tailors.
At the end of the XIV – beginning of the XV centuries. cotardi ceased to be popular with young people and it became fashionable to wear “uplend” – an outfit with an open front, falling in large folds from the shoulders, the length of which varied from hip level to floor. At first they were worn hanging loose, but by the middle of the 15th century. began to give them a certain shape: the folds, going from the shoulder or chest to the hem, were fixed with a belt or fastened from the inside with ribbons or stitches.The stiff collar, very high in the back, was buttoned up immediately under the chin, or cut out so that the neck or undergarment was visible in the front. The style of the collar changes over time.
Several types of sleeves were attached to the upland: extending from the usual armhole and expanding to a funnel-shaped socket, almost reaching the ground, often with scalloped edges; or also very wide sleeves, hanging low from the closed wrist, as if forming a bag that could be used as a pocket; or long, wide sleeves, gathered into a cuff and folded in irregular folds on the forearm, with richly patterned vertical slits showing fur lining, into which you could slip your arms, leaving the sleeves hanging loose.Uplend was also worn over a doublet (which was already worn as outerwear in the middle of the 15th century). The fur doublet was used as a coat in the modern sense. Cloaks, gowns and short capes began to be worn at home for warmth. In the second half of the XIV century. long uplends began to be called “mantle” – they have become a symbol of the dignity of scientists and officials since the XIV century. The short robe is often called a tunic.
In the XIII and XIV centuries. woolen stockings were made, as a rule, together with a foot, but sometimes with a strip.They were long enough to be attached to a belt with metal-tipped cords. With the arrival of a very short camisole at the beginning of the 15th century. stockings began to be connected at the crotch with a wedge-shaped piece of fabric in the front, called a codpiece, attached to the groin and tightened with laces. These combined stockings were held in the same manner as the individual ones, although metal-tipped laces could now be attached to clothing under the camisole. The stockings were often multi-colored and, although they were usually cut from the material and fitted to the leg with skillfully placed seams, it is believed that even in those early days some stockings may have been crocheted.Shoes that fit tightly and follow the natural shape of the feet were often richly embellished with embroidery and jewelry. But by the middle of the XIII century. elongated socks became almost caricatured exaggerated, and by the middle of the XIV century. have reached the limit. Burgundy fashionistas’ shoes could be decorated with stiff and padded socks, the length of which was three times the length of the foot, sometimes reaching such sizes that they had to be supported with thin chains attached to a strip at the knee, although this was an extreme fashion and was rare.But by the middle of the 15th century. shoes began to take on a more natural shape again.
Soft mid-calf boots were worn outside the house, for riding they could be higher and pulled over the knee. They were made of elastic leather and fitted around the leg like a stocking and often had lacing on the inside or outside of the leg. For peasants or rural residents, boots were made of rough cowhide. Over shoes in the 15th century. for protection from dirt, they wore shoes with wooden soles, attached with leather straps.
In the XIII century. men cut their hair to or below the jawline. They were worn in the middle or with bangs, curled and even dyed. Most men shaved cleanly, although by the end of the century there were small, neatly trimmed beards, pointed or forked.
Beards were accompanied by a small drooping mustache, but they were not particularly popular. By the end of the XIV and XV centuries. the lower part of the head was shaved to the ears and above, and the hair was combed from the crown, giving the head a spherical shape (as in the portrait of the English king Henry V in the National Portrait Gallery in London).
Two headdresses: a tight-fitting cap and a cap with an attached cape were worn throughout this period, and the fashion for them continued until the 16th century. with some changes. A cap: a hat made of plain white linen, similar to a child’s cap, covering the ears and tied under the chin, was worn by all strata of society, the most expensive were sewn from very thin transparent linen. The hood, at first similar to the hood of a monastic robe, in the XIV century. began to tightly fit the head (the so-called “chaperone”), and its end descended to the back with a long “tail” known as “lyripipe” (sometimes it is mixed with “tippet” – long narrow ribbons hanging from the sleeves, mentioned earlier) …In the XIV and XV centuries. the hood was worn with an open face and fixed on the head in the shape of a turban. It was secured by winding a long “tail”, the ends of which fell over the shoulders (during the Second World War, soldiers wore their comforters in this way). For convenience, they began to fasten the draped hood with stitches, and in the 15th century. evolved into a tall, padded bolster, later called the “raundeet”, laid down to resemble the original cut. This headgear was also worn hanging over one shoulder and secured with a lyripipe.Elements of this costume can be seen today on the robes worn at the initiation ceremony of the Order of the Garter.
There were many styles of felt hats, especially in the period before the 13th century, when they were painted in different colors.They had a round low crown and brims of different widths, sometimes curling up and protruding in front. Hats of the same shape were woven from straw, at first they were worn only in the village, but later also on official occasions. The huge hat depicted in the portrait of the Arnolfini spouses (1434, National Gallery, London) by the Dutch painter van Eyck is woven from black straw.The peasants also made hats from reeds. They were often worn over a cap or hood.
Among the smaller hats there was one style, trimmed or lined with fur, the crown of which, made of soft cloth or velvet, lay in soft folds. It was often called the sack hat. Another headdress, which was worn mainly in Italy, had no brim and looked more like a fez, and its height suggests that it was specially stiffened. Although hoods were also common in Italy, they were rarely supplied with ‘tails’.Both men and women wore wreaths and garlands of flowers on special occasions, especially weddings. Gold tiaras, studded with jewels, were worn by members of the nobility, and brooches were used to decorate hats.
Women’s clothing
Women’s clothing was originally similar to men’s. A woman’s shirt, similar to a man’s, but reaching the ground, was later called a shirt. Dressed on a shirt, a cotta, less wide in the armhole than a man’s, with a very low cut for the neck in the center, slightly close to the chest, and then freely falling down to the ankles, loosely or with a long belt, was called “curtle”.In the second half of the XIV century. clothes appeared more tight-fitting, with sleeves like male catardis, including “tippits”; often with buttons in front, with an oval neckline and very wide skirts: apparently, wedges were added to the side seams. This outfit was called both cotardie and surco. At the front there were two trimmed slits that played the role of pockets through which one could get a purse hanging from a belt that girded the cotta.
Images from this period suggest that some women wore a bodice tailored like a man’s cotardie, joined at the hips with a pleated or flared skirt, with a decorated belt covering the junction.An outfit like this was often seen under an upper surcoat that was different from a man’s: it had a deep neckline and wide slits on the sides from shoulder to hip, through which the lower garment was visible. The rich turned the cutouts off with fur, and on the chest there was a low yoke or plastron made of fur, richly decorated, “plakard”. Some surcoats without side seams hung loosely, others fit tightly, but the most magnificent were very long in the front and back, and the wearer had to lift the hem when walking, showing a lining of contrasting fabric or fur.Such clothes have been worn since the second half of the XIV century. before the beginning of the 15th century, on special occasions until 1525
Upland women were worn at the end of the 14th century. It was long and loose, with a high collar and sleeves like a man’s (but sleeveless with slits). Uplend could be pleated, from a high waist, which was emphasized by a belt under the bust. The high collar descended with a wedge-shaped neckline to chest level and was trimmed with fur or plain fabric. Similar collars can be seen on dresses worn in Burgundy at the end of the 14th-15th centuries.This front is characterized by a high waist, a tight-fitting bodice with long, narrow sleeves reaching to the knuckles, the neckline of which was trimmed with a wide strip of contrasting material or fur, wide belts and exceptionally long wide skirts, flared or pleated to the bodice.
Cloaks or mantles tied at the chest with elegant cords were worn as outerwear. Indoors, robes were worn on special occasions.
The women’s stocking pants were actually stockings that were held in place by garters.They could only be seen while riding. The footwear was similar to men’s, but without overly lengthened socks.
Women’s hairstyles, in the XIII century. quite modest, by the 15th century. took fantastic and absurd forms, rising significantly above their heads. Italian women were less susceptible to this fashion, although their hairstyles were also quite complex, draped turbans and the most complex weaves of jewelry, hair and fabrics were especially fashionable. In addition, the hair of the Italians was not completely covered.However, they rarely walked with their heads uncovered: it was believed that this was appropriate only for very young girls, brides or the queen at the coronation. A small tiara of gold and precious stones or a wreath of flowers was worn over her loose hair. Young girls wore a cap over their loose hair, sometimes women wore it until the 16th century. at home or as a base on which other hats were worn.
At the beginning of the XIII century. hair was collected in a small knot or bun at the back of the head and covered with a special scarf – a piece of thin white linen, which was placed on the neck in front under the chin, and its ends were fixed at the crown of the head or attached to a bandage on the head.The French called this headscarf “barbett”, and the same name was used for the narrow linen headband worn in the same way. Above this headdress was usually placed a blanket, light or dark, which hung down at the back and sides. By the middle of the century, small round flat-topped beanies began to be worn over a headscarf or barbett; sometimes they had a cutout at the top, through which a strip of fabric was pulled and draped over a hat.
Perhaps this small cap gave impetus to the development of fashion for larger turbans (similar to those worn by the Dutch countess of the 15th century.shown in Figures from the Mantel in the Amsterdam Museum).
By the XIV century. the hair was put in braids over the ears, and the headscarf was placed over them and held in place by a bandage or diadem adapted for such a voluminous hairstyle, leaving the braided hair visible from the front. Hair styled in this way was later placed in gold nets, adorned with precious stones, connected by a headband or diadem, over which a veil was worn. These mesh pouches, called “bumps” or “rosettes,” were sometimes lined with silk, and since the back of the neck and the top of the forehead were shaved, no hair was visible at all: even the eyebrows were plucked into a thin line or completely shaved off.By 1410, this type of headgear had evolved into a “horned” one with extended rosettes, later it was enlarged with the help of a wire frame, from which a veil hung behind the head. This style changed to rosettes extended over the head and forming a V-shaped arch above the forehead, secured by a diadem, with a veil behind, which was fashionable from 1420 to 1450 and was later called the heart-shaped headdress. This uniform was also decorated with a padded bolster attached to the inside of the rosettes, towering over the headdress, which was worn with or without a veil.The gennin headdress, which is considered to be typical of the Gothic period, came into fashion in the middle of the 15th century; it was often worn with a large veil supported by a wire frame and was called a “bow tie.” Tower-shaped peaked shapes, popular in Burgundy, were rare in England and Italy.
Hoods and voluminous straw or felt hats were worn by both women and men. Babies were swaddled in strips of cloth, often heavily embroidered. Older children were dressed like adults, but skirts and sleeves were slightly shorter.On official and solemn occasions, children from aristocratic and wealthy families were dressed up as richly as their parents. Caps were worn for both girls and boys; girls could see their hair from under it.
Children’s clothing
Babies were swaddled in strips of cloth, often heavily embroidered. Older children were dressed like adults, but skirts and sleeves were slightly shorter. On official and solemn occasions, children from aristocratic and wealthy families were dressed up as richly as their parents.Caps were worn for both girls and boys; girls could see their hair from under it.
Accessories and jewelry
Men and women, rich and poor, carried a purse or other objects on their belts, such as a knife in a case or keys. A sling or chest bandolier was worn obliquely, which was originally used to support the sword, and at the end of the 14th and 15th centuries. was used as an adornment by men and women, was often adorned with jewelry and even hung with bells.Gloves made of suede, huskies or fabric, soft and wide at the wrist or with leggings, were often tucked into the belt when removed from the hands. Work gloves were made of leather.
The growing demand for jewelry in Europe during the Middle Ages allowed jewelers to gradually free themselves from the control of the church and form guilds, developing rules for teaching the craft and setting high standards of craftsmanship. Jeweled belts, brooches (round, star or pentagonal), rings and chains with precious pendants were worn by both men and women.Lady Phi in The Vision of Peter Pahar is described as follows:
“… Her hands were decorated with a thin gold mesh with rubies, red as hot coals, the most expensive diamonds, sapphires and green beryls [emeralds] …”
Gems were considered an antidote and a remedy for diseases. Fine examples of jewelry art are sword and dagger hilts. With the advent in the XV century. with a deep cut, women began to wear heavy, collar-like necklaces, and men who had orders wore them on a chain or necklace.
Fabrics and colors
In the XIII and XIV centuries. in Western Europe, a large selection of fabrics appeared, which soon became widely available, since in the 15th century. the skill of European weavers increased significantly. They mainly produced fine cambric for bedspreads and veils and canvas for coarser clothing. Cotton fabrics were originally imported from Egypt through the ports of Asia Minor, but from the 12th century. cotton was cultivated and spun in Italy, making it possible to produce fabrics of various colors, thicknesses and patterns.In Germany, hand-printed fabrics were made from the 12th to the 14th centuries, until the monasteries developed mass production methods for cutting out printing plates from which capital letters were printed in manuscripts.
Wool was the main material for sewing men’s and women’s clothing, it was produced in various thicknesses and colors, including serge, flannel, cameline (considered a fabric made of camel wool, probably imported from Cyprus and Syria, the first mention – in 1248), and in the XV century. a kamlot appeared, a dense fabric made of wool.Lady Phi, in Langland’s piece, wears a dress “gorgeous of scarlet cloth with ribbons of solid gold and precious stones.” “Scarlet”, in this case, is not a color, but a fabric made of soft fine wool, dyed with cochineal; after making it could remain scarlet or painted on top in black or just a dark color, hence the name “black and scarlet”.
Among silks, Kamchatka fabrics, brocade, and sendal stood out – a coarser variety of canaus: thin, soft, iridescent silk with a taffeta weave, as well as a very expensive variety of brocade with interwoven gold and silver threads, from which gold or silver fabrics were made.Thin silk linen was used for veils.
Velvet, known in Europe since 1298, was patterned, with split pile and brocade. Woolen velvet was produced in Venice, cotton velvet in Lucca. The rich richly decorated their clothes with sable, squirrel and ermine fur, and those who were poorer used rabbit, wolf or sheep skins. Clothes, from which special strength was required, were made of leather.
The colors in the paintings and frescoes have faded with time, but it is clear that the fabrics were originally shiny, as we read about “crimson Venetian brocade embroidered with golden flowers”, “golden fabric trimmed with gold sequins and trimmed with ermine”, “brown Venetian brocade with drops of gold. “All paints were of vegetable origin. Heraldic mottos were embroidered in gold on the front of the surcoat, and a multi-colored dress could be smooth on one side and cheerfully embroidered with heraldic birds or fish on the other; clothing could be covered with horizontal or vertical stripes of different colors. In contrast, the homespun clothing of peasants and poor townspeople, often faded and stained, was inherent in somber colors. The knight from the Prologue to Chaucer’s Canterbury Tales wears a bumazey (canvas-like) tunic “dyed dark with dirty spots where his armor left a mark.”
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12 misconceptions about archery imposed on us by films and TV series
Myth 1. Arrows of Ail can easily pierce armor in Stock DeviantArt
Medieval armor is pretty useless in most movies. One blow with the sword, and the warrior, clad in armor, falls, losing his spirit on the spot.And arrows pierce armor like paper. True, it is absolutely incomprehensible: if the armor was so vulnerable, why did the knights wear it at all and spend crazy money on equipment.
In fact, the armor provides excellent protection against arrows, even fired from a powerful English growth bow. Believe it or not, look at this experiment conducted by the Ted’s Workshop reenactors. Even a point-blank shot did not cause significant damage to the cuirass, leaving only a dent. And at a long distance the bow has no chance at all.
Each of the infantrymen wore a thick felt jacket and chain mail, so thick and strong that our arrows had no effect on them. I saw some with one to ten arrows sticking out of them, but despite this, they continued to advance at their usual pace, without leaving the ranks.
Baha ad-Din Walad, Khorezm historian and lawyer.
Simple chain mail, which most fans of medieval battles think of as a rather useless thing, also perfectly protected from bow shots.
Another thing is that thin armor made of metal up to 1 millimeter thick, as well as chain mail of not very high-quality weaving, arrows completely pierced . Yes, and no king would have enough finance to equip the entire army in armor. So volleys from bows quite effectively destroyed manpower and horses, which is also important.
Myth 2. With a bow you can cross rivers and shoot in the rain
In the restart of the Tomb Raider game series, the brave tomb raider Lara Croft is armed with a bow.With him, she runs under tropical showers, dives into the stormy waters of lost rivers, jumps from waterfall to waterfall – in general, she has fun as she can. And then he calmly crawls onto land, squeezes the water out of his hair, takes out a bow and shoots all sorts of bandits.
Roughly the same thing we saw in The Lord of the Rings, when Legolas helped defend Helm’s Deep – the downpour did not prevent him from accurately blasting the orcs to the right and to the left.
But in reality, a wet onion becomes useless.
Rain and dampness have an extremely negative effect on wood, and a wet bowstring from the veins or intestines of animals quickly weakens and stretches – so you can’t shoot a lot of wet weapons. Therefore, the bows were transported in special cases and covered with a layer of wax to protect them from moisture.
At the Battle of Crecy in 1346, before the battle of , it rained heavily, rendering the crossbows of the Genoese riflemen fighting for France useless. And the English and Welsh archers prudently removed the bowstrings from their bows and put them in their hats to protect them from moisture.When the rain stopped, they started shelling again.
Modern hunting bows made of synthetic materials are more resistant to water. But even they, getting wet, begin to shoot worse than dry ones.
Myth 3. In order to incapacitate a fighter, you need several arrows
A scene from the movie “The Lord of the Rings: The Two Towers”
Usually in films, heroes wounded from a bow continue to fight for a long time. And in order to finally finish them off, you have to stick the unfortunate with arrows like hedgehogs – just remember how Boromir from The Lord of the Rings died.
In reality, the bow is a much more dangerous weapon than you might think. The wounds he inflicts are more painful than gunshot wounds, because the arrow is larger than the bullet. It affects the wound more strongly if the person affected by it moves.
According to study in the Cureus Journal of Medical Science, such injuries were fatal in 72% of cases. More people have been killed with bows than with any other weapon in history. So one arrow would be enough for Boromir.
Myth 4. A bow is a weapon for fragile and weak fighters
Still from the movie “Robin Hood: The Beginning”
In movies, books and games, bows are usually shot by those who do not have enough strength to fight hand-to-hand. It is unlikely that a mighty barbarian with bulging biceps will take small arms – more often the latter is preferred by various elves, fragile girls or teenage boys, like Atreus from the God of War game.
In fact, to shoot effectively from a bow, you need well-developed muscles in the arms and back.After all, the tensile force of medium weapons starts from 35 kilograms, and in Great English it can exceed 70.
Try to perform a lever draft in a simulator with such a weight, while holding the handle with three fingers. And you will understand that the physical training of an archer must be decent.
Modern sports compound bows, of course, require much less effort to pull the string. But in the typical gloomy Middle Ages, they were not to be found.
Myth 5.To shoot from a bow, a woman will have to cut off her chest
Still from the movie “Tomb Raider: Lara Croft”
Right or left, depending on which hand is stronger. At least, according to Hippocrates and Mark Junian Justin, this is exactly what Amazons did – so that a magnificent bust did not interfere with shooting and throwing a spear.
But this, of course, is nonsense. Cutting off and cauterizing your chest to shoot your bow is optional, even if you are size 6. After all, the string is pulled to the ear or cheek.
In addition, in ancient times, a mastectomy without normal pain relievers and antiseptics would most likely have ended in disaster.
Myth 6. Archers can aim for a long time
Shot from the TV series “Arrow”
Usually in the movies we are shown how the arrows pull the bowstring, then take a long and accurate aim and only then shoot the arrow. Some manage, keeping the enemy “on the gun”, to talk to him heart to heart and only after a minute or two finish off, finally, the foe.
Karla Kompanion, professional archer and shooting trainer, mentioned this to while reviewing the 2012 TV series Arrow.
The only thing I think is wrong is how easily the hero keeps the bow taut forever, especially when standing in front of the enemy at gunpoint. To hold the string for so long, you need to have incredible strength.
As we already mentioned, in order to keep the string taut , you need to hold from 35 to 70 kilograms in one hand pulled back, which is very difficult. Therefore, the arrows aim quickly and do not pull the string for several minutes – there is no strength for this.
Myth 7. Arrows are cheap ammunition
Still from the TV series “Knights”
In computer games, arrows are usually the most affordable consumables. An experienced archer shoots them like a machine gun, creating a real rain of shells. So even if the fighter lacks accuracy, this can be compensated for by the rate of fire. It is so?
Not at all. Arrows are not at all as cheap as modern RPGs paint them. According to surviving records from the Tower of London arsenal, a standard bundle of 24 arrows cost , ranging from 10p in 1353 to 18p in 1399.The archer usually carried with him a pack of these (up to 50 arrows).
That is, the cost of a minute of shooting of an English warrior is approximately equal to one such good cow.
Unsurprisingly, Henry V had to borrow 10,000 marks in the City of London (roughly $ 4.5 million today) to purchase arrows for his army before the Battle of Agincourt. Although these shells were made from cheap materials, their creation required a lot of manual labor.
That is why archers, after the battle, walked across the battlefield and picked up arrows – you will be left without ammunition, and your weapon will turn into a useless stick, which will not even be able to hit anyone. And also the medieval robin hoods prudently carried maces and daggers with them, so that, after shooting, they could engage in hand-to-hand combat.
Myth 8. The quiver with arrows is convenient to carry behind the back
A scene from The Hunger Games: Mockingjay
Usually in the movies, shooters do it this way.Apparently, they take an example from Geralt of Rivia, who carries his swords just behind his back. But in fact, every time reaching for the shoulder for fresh ammunition is extremely inconvenient.
Therefore, the overwhelming majority of archers at all times – both English arrows, Mongol horsemen, and even hunters-Indians from North America – carried their quivers on their hips, attaching them to their belt.
Ammunition was rarely hung over the shoulder. For example, the Bayeux tapestry depicts four archers at the Battle of Hastings, three of whom are carrying their quivers correctly, and one behind their backs.Apparently, he was taken by surprise and did not have time to gird himself with his equipment as expected. And I forgot my helmet too.
Tapestry from Bayeux. Image: Myrabella / Wikimedia Commons
And even taking out shells from a belt quiver was not very convenient. So the archers, preparing for a volley, could stick several arrows in front of them into the ground in order to have quick access to them. Again, by wounding the enemy with a projectile soiled with soil, it was possible to provide him with blood poisoning or tetanus.
And yes, unlike what we are shown in the movies, the arrows in the quiver were carried with their sharp tips upwards .This was done in order to protect the plumage from weather and accidental damage.
Myth 9. The bow is carried taut
Still from the movie “Tomb Raider: Lara Croft”
Another thing about transporting this wonderful weapon. In the movies, the heroes usually cling a bow to their body. At the same time, his handle and shoulders stick out behind the character’s back, and the bowstring touches the chest.
However, in reality, no one, absolutely no one carries a weapon like that. Firstly, it is corny inconvenient and so you can damage the bowstring.Secondly, if the latter accidentally bursts, your face will be lashed painfully. And finally, the taut bowstring gradually weakens and the bow becomes unusable.
So most of the time the weapon traveled without a bowstring – it was fastened just before the battle.
And they did not put bows over their heads. Except that occasionally they were hung on the shoulder like this. But usually long bows were worn in the hand, and short ones – as, for example, among horse nomads – were transported in a special case called sideak or bow.
Myth 10. Archers shoot at the command “Fire!”
A still from the TV series “Game of Thrones”
In many films, for example, The Lord of the Rings, Frozen, Gladiator and Kingdom of Heaven, the commanders of the troops order their soldiers: “Aim!” and “Fire!” And this is not a quirk of our translators – quite often in the original movie, archers are given the command “Fire!”. This is, of course, nonsense, because bows are not firearms. Before the invention of the muskets of the Fire! did not exist.
In fact, the medieval lords, ordering to get ready, shouted to arrows “Knock!” or “Stretch!” It is logical, because the string is pulled. And when you need to fire a volley, the command “Loose” sounded, that is, “Let it go!”
This, incidentally, was demonstrated in “Game of Thrones”, when during the Battle of the Bastards Ramsay Bolton commanded his riflemen to attack the troops of Jon Snow. Realism, yes.
Myth 11. Hold the arrow while aiming with a finger
A still from the TV series “Game of Thrones”
Ygritte from “Game of Thrones” does exactly that .And in vain, because it will disrupt the trajectory of the arrow. In addition, her fingers will hurt when the feathers pass over them.
Katniss Everdeen from The Hunger Games prudently does not hold on to the shaft, but puts it somewhere in her palm. So the arrow will really not touch your fingers – only it will fly away anywhere except the target.
Normal archers do not hold arrows between their fingers, but place them on the fold of the index so that they freely break off the bowstring.
Myth 12.Fire arrows were used in every battle
In the battles on the screens, we now and then see how archers shoot enemy armies with fire arrows. In Gladiator, Braveheart and Game of Thrones, flaming projectiles now and then bump into someone. But in reality, was nothing like this.
To set fire to an arrow, it is necessary to wrap its tip with a cloth, preferably impregnated with something combustible. And such an addition will greatly shift the balance of the projectile.And the penetrating ability of an arrow wrapped in a rag will clearly not be up to par.
And finally, attacking infantry with burning arrows is not the smartest thing to do: people are largely composed of liquid.
Fire arrows in movies add for the spectacularity and so that the viewer can see who is hitting whom.
