Head string. HEAD Tennis Strings: A Comprehensive Guide to Performance and Selection

What are the key features of HEAD tennis strings. How do different HEAD string types affect performance. Which HEAD tennis strings are best for various playing styles. What factors should be considered when choosing HEAD tennis strings.

Understanding HEAD Tennis String Types

HEAD offers a diverse range of tennis strings, each designed to cater to different playing styles and preferences. The main categories of HEAD tennis strings include:

• Polyester strings
• Multifilament strings
• Synthetic gut strings
• String reels

Each type of string has its unique characteristics that influence performance on the court. Understanding these differences is crucial for selecting the right string for your game.

Polyester Strings: Power and Control

HEAD polyester strings are known for their durability and ability to generate spin. They are ideal for players with fast, powerful swings who prioritize control and spin potential. Some popular HEAD polyester strings include:

• HEAD Hawk
• HEAD Sonic Pro
• HEAD Lynx

These strings offer excellent tension maintenance and are resistant to notching, making them a favorite among advanced players and heavy hitters.

Multifilament Strings: Comfort and Feel

HEAD multifilament strings are designed to provide superior comfort and feel. They are composed of thousands of microfibers, offering a softer feel and enhanced shock absorption. Some notable HEAD multifilament strings are:

• HEAD Velocity MLT
• HEAD Reflex MLT
• HEAD RIP Control

These strings are ideal for players with arm issues or those who prefer a more comfortable playing experience without sacrificing performance.

Synthetic Gut Strings: Versatility and Value

HEAD synthetic gut strings offer a balance between performance and affordability. They provide a good blend of power, control, and comfort, making them suitable for a wide range of players. Popular HEAD synthetic gut strings include:

• HEAD Synthetic Gut PPS
• HEAD Prime

These strings are an excellent choice for recreational players or those looking for a cost-effective option that still delivers solid performance.

Factors Influencing HEAD Tennis String Performance

Several factors contribute to the overall performance of HEAD tennis strings. Understanding these elements can help players make informed decisions when selecting their strings.

String Gauge: Finding the Right Balance

String gauge refers to the thickness of the string. HEAD offers various gauge options, typically ranging from 15 (thickest) to 18 (thinnest). How does string gauge affect performance?

• Thicker gauges (15-16) offer more durability and power
• Thinner gauges (17-18) provide better feel and spin potential

Selecting the right gauge depends on your playing style and frequency. Power players might prefer thicker gauges for durability, while finesse players may opt for thinner gauges for enhanced feel.

String Tension: Customizing Your Play

The tension at which you string your racquet significantly impacts performance. HEAD strings can be strung at various tensions to suit different preferences. What are the effects of different string tensions?

• Higher tensions (55-65 lbs) offer more control and precision
• Lower tensions (45-55 lbs) provide more power and comfort

Experimenting with different tensions can help you find the perfect balance for your game. Many players opt for a middle ground to achieve a blend of control and power.

Choosing the Right HEAD Tennis String for Your Playing Style

Selecting the appropriate HEAD tennis string can significantly enhance your on-court performance. Consider the following recommendations based on playing style:

Baseline Players: Power and Spin

For players who dominate from the baseline, HEAD polyester strings like the Hawk or Lynx are excellent choices. These strings offer:

• Exceptional spin potential
• Excellent control for powerful groundstrokes
• Durability to withstand heavy hitting

All-Court Players: Versatility and Feel

All-court players who mix up their game might benefit from HEAD multifilament strings like the Velocity MLT. These strings provide:

• Good balance of power and control
• Enhanced comfort for varied shot types
• Adequate spin potential for all-court play

Serve-and-Volley Players: Touch and Responsiveness

Players who frequently approach the net may prefer HEAD synthetic gut strings or softer polyester options. These strings offer:

• Improved feel for delicate touch shots
• Sufficient durability for serving
• Good tension maintenance for consistent performance

Maximizing Performance with HEAD Tennis String Hybrids

String hybridization involves using different strings in the mains and crosses of the racquet. This technique allows players to customize their string setup for optimal performance. How can you create effective HEAD string hybrids?

• Combine a durable polyester in the mains with a softer multifilament in the crosses for a blend of control and comfort
• Use a thicker gauge in the mains and a thinner gauge in the crosses for enhanced spin and feel
• Experiment with different tension combinations between mains and crosses to fine-tune performance

Popular HEAD hybrid combinations include Hawk/Velocity MLT for a balance of control and comfort, or Lynx/Reflex MLT for enhanced spin and feel.

Maintaining Your HEAD Tennis Strings for Optimal Performance

Proper maintenance of your HEAD tennis strings can extend their lifespan and ensure consistent performance. What are some key maintenance tips?

• Regularly check for signs of wear and fraying
• Clean your strings after each use to remove dirt and debris
• Store your racquet in a cool, dry place to prevent string degradation
• Consider using string savers to extend the life of your strings

How often should you restring your racquet with HEAD strings? As a general rule, restring as many times per year as you play per week. However, this can vary based on your playing style and string type.

Innovative Technologies in HEAD Tennis Strings

HEAD continually invests in research and development to improve their tennis string offerings. What are some of the innovative technologies featured in HEAD strings?

Crystal Core Technology

Found in strings like the HEAD Lynx, Crystal Core technology enhances the molecular structure of the string, resulting in:

• Improved tension maintenance
• Enhanced durability
• Consistent performance over time

Adaptive Feel Technology

Utilized in strings like the HEAD Velocity MLT, Adaptive Feel technology provides:

• Optimized comfort and shock absorption
• Improved energy return for added power
• Enhanced feel for better control

Environmental Considerations in HEAD Tennis String Production

As sustainability becomes increasingly important in the sports industry, HEAD has taken steps to reduce the environmental impact of their tennis string production. How is HEAD addressing environmental concerns?

• Use of recycled materials in certain string lines
• Implementation of energy-efficient manufacturing processes
• Development of biodegradable packaging options

While there is still progress to be made, HEAD’s efforts demonstrate a commitment to environmental responsibility in tennis string production.

Comparing HEAD Tennis Strings to Other Brands

How do HEAD tennis strings stack up against offerings from other major brands? While individual preferences play a significant role, HEAD strings are generally known for:

• Excellent durability, particularly in their polyester lines
• Innovative technologies that enhance performance
• A wide range of options to suit various playing styles
• Competitive pricing compared to other premium string brands

When compared to brands like Babolat, Wilson, or Luxilon, HEAD strings often offer comparable performance at a slightly lower price point, making them an attractive option for many players.

Future Trends in HEAD Tennis String Development

As technology and player preferences evolve, what can we expect from future HEAD tennis string developments? While specific innovations are closely guarded, some potential trends include:

• Further advancements in eco-friendly string materials
• Integration of smart technologies for performance tracking
• Development of hybrid strings that combine multiple materials in a single string
• Customizable string properties to suit individual player needs

These potential developments could revolutionize how players approach string selection and performance optimization.

Making the Most of Your HEAD Tennis Strings

To maximize the benefits of your HEAD tennis strings, consider the following tips:

• Experiment with different string types and tensions to find your ideal setup
• Consider professional stringing services for optimal installation
• Keep a stringing log to track performance and durability
• Be open to trying new string technologies as they become available

Remember, the best string for you is one that complements your playing style and helps you perform at your best on the court.

HEAD tennis strings offer a wide range of options to suit various playing styles and preferences. By understanding the different types of strings available, considering factors that influence performance, and selecting the right string for your game, you can enhance your on-court experience and potentially improve your play. Whether you’re a power baseline player, a serve-and-volley specialist, or an all-court tactician, there’s a HEAD string that can help you maximize your potential. As string technology continues to evolve, staying informed about new developments and being willing to experiment with different options can help you stay at the top of your game.

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HEAD Tennis String Reels

Head Sonic Pro 17 Tennis String Review

• Last Updated:
  May 16, 2022

Created for club level players, Head’s Sonic Pro Edge string is designed to offer modern, aggressive players the perfect blend of control and comfort. To find out how it performs, we’ve play tested the string and shared our thoughts on the string in this Head Sonic Pro review.

We may earn an affiliate commission from links on this page. Tennis Creative does not accept money for editorial gear reviews, so we only recommend products we love!

Head Sonic Pro Key Features & Specs

String Testing Setup

For our review, we play tested the Head Sonic Pro using a Wilson Pro Staff RF97  and a full bed of the string at three different tensions to get an idea of how it performs at higher and lower tensions. Here are the exact test details:

• String: Head Sonic Pro 17 Black
• String Tension: 52 lbs, 55 lbs & 58 lbs.
• Test Frame: Wilson Pro Staff RF97

Head Sonic Pro Review- Test Results

Here’s a quick overview of the ratings we awarded the string in our test:

Control – Score: 81

Head Sonic Pro is designed for control above all, and it definitely delivers. While it doesn’t offer quite as much control as an edged polyester string, it definitely performs well when compared to other smooth polys.

Having tested the string at various tensions, we found the string plays best in the mid-50s in tension. At the higher end, the string played a little too dead and it was difficult to get much purchase on the ball, while at the lower end, we felt it lost too much tension and was lacking control. Personally, we favoured the 55 lbs setup, which seemed to get a little better as the tension dropped.

Power – Score: 67

Naturally, as a control oriented polyester string, the Head Sonic Pro is a rather low-powered string, which makes it a difficult string to use for beginners. That being said, it still offers enough of a punch and any player able to generate their own pace should have no problem hitting through the ball. The stiffness of the string actually allowed us to really swing freely on our groundstrokes.

We found it to be too underpowered at higher tensions and much preferred it when strung at 55 lbs or below, but that may just be our personal preference. It’s also worth remembering that, like all other polys, the Head Sonic Pro will lose a fair bit of tension in the first few hours of play, so it will offer more power as the tension drops off a bit.

Spin – Score: 77

It’s no surprise that, as a smooth polyester, the Head Sonic Pro doesn’t offer massive amounts of spin potential. That being said, we were still able to get enough of a bite on the ball on groundstrokes and didn’t have too much trouble hitting slice serves.

If, however, you feel you’d need more spin, be sure to check out the Head Sonic Pro Edge, which offers a lot more spin potential while still maintaining the great levels of control and comfort.

Comfort – Score: 71

As far as polyester strings go, the Head Sonic Pro is a relatively soft string and while it’s not necessarily one of the most comfortable strings out there, it’s fairly comfortable to play with. We never noticed any arm issues even playing with a very heavy and stiff frame like the Pro Staff RF97. That being said, some people have reported some discomfort.

If you are prone to arm issues but still want to give this string a go, we’d suggest definitely going for thinner 17g version of the string and using it at a lower tension. We’d also suggest blending it with a softer multifilament or synthetic gut string to avoid any issues.

Feel – Score: 74

Again, poly strings are fairly tough strings, so they aren’t exactly known for their amazing feel. That being said, we did find the Head Sonic Pro to be fairly responsive and offer a crisp feel for the first few hours of play. After that, the string does start to feel a little muted, though given the price of it, it’s easy enough to get it restrung once playability does drop off a little.

We had no issues hitting drop shots or drop volleys and got an overall nice feel from the string.

Playability Duration – Score: 72

While it’s not uncommon for poly strings to lose a fair bit of tension early on, we would say that the Head Sonic Pro seems to lose a little more than average.  However, it wasn’t so much about the tension loss as it was about the loss of feel. After maybe 8-10 sets we noticed the string started to feel a little dull and muted, at which point we preferred to restring it rather than play on until the string breaks.

Personally, we found that strung at 52 lbs, the tension eventually dropped a little too low for our liking and kinda led to a loss of control. We much preferred it strung a little higher around 55 lbs, though that’s all down to personal taste.

Durability – Score: 83

When it comes to durability, the Head Sonic Pro definitely delivers. It’s a very durable poly string and we found ourselves having to cut the string out of the frame before it ever broke. As long as you account for that initial loss in tension, durability with this string is excellent.

With that in mind, we’d definitely suggest the Head Sonic Pro 17 gauge over the 16g as the slightly thinner string will offer a little more comfort and feel without really sacrificing much on the durability side of things.

Head Sonic Pro is a very budget friendly string and is in fact on of the cheaper polyester strings on the market. Retailing at around £55-65 per 200 metre reel in the UK or around $140 for 660 ft in the US, it’s definitely great value for money and it’s actually a very widely available string, so it’s pretty easy to get your hans on.

Verdict – Who Is This String For?

Overall, Head Sonic Pro is a great all round string. It delivers on it’s promise of control and comfort, making it a good fit for club level players taking part in regular competitions and looking for a budget-friendly string.

• 
  Control
• 
  Durability
• 
  Budget Friendly

• 
  Not suitable for beginners

” Head Sonic Pro is a great all-round poly string for club level players and developing junior players. It’s also really budget-friendly too!”

Chris Czermak

Tennis Creative

Overall Score

Amazon UK

Amazon. com

Similar Tennis Strings

Personally, we found the Head Sonic Pro to play similar to MSV Co-Focus and Kirschbaum Super Smash, as they all offer a pretty similar overall feel and durability. It also plays a little like Yonex Poly Tour Pro, but offers a little less spin potential but a little more power.

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Repetition of header table on subsequent pages

Word for Microsoft 365 Word 2021 Word 2019 Word 2016 Word 2013 Word 2010 Word 2007 More…Less

When working with very long tables, they will work on multiple pages. A table can be set up so that rows or rows of its head rows automatically appear on every page.

There are two ways to set up a table so that its header rows or rows repeat.

The following options are available here

1. You can select the header line or lines to be repeated on each page. The selection must include the first row of the table.

2. Under Table Tools on the Layout tab , in the Data group, select Repeat Header Rows .

Or you can use this method:

1. In a table, right-click the row you want to repeat and select Table properties.

2. In the Table Properties dialog box, on the Row tab, select the Repeat as heading on every page check box .

3. Press button OK .

Notes:

• Repeated header tables are only visible in Layout Mode or when the document is printed.

• If you change the title page on the first page, it will also change on all other pages. You can only change the header row of a table on the first page—header rows on subsequent pages will be blocked.

• Although Word will automatically repeat title pages on new pages, manual insertion into a page break table does not repeat title pages.

Insert or create a table

Creating Tables in Adobe InDesign

User’s Guide
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1. InDesign User Guide
2. InDesign Basics
   
   1. Introduction to InDesign
      
      1. What’s New in InDesign
      2. System requirements
      3. General
      4. Using Creative Cloud Libraries
   2. Working environment
      1. Working environment basics
      2. Toolbox
      3. Parameter setting
      4. Operating environment “Touch control”
      5. Default key combinations
      6. Document recovery and cancellation
3. Creating and arranging documents
   
   1. Documents and pages
      1. Creating documents
      2. Working with master pages
      3. Working with multiple documents
      4. Set the page size, margin, or issue area
      5. Working with files and templates
      6. Creating book files
      7. Adding basic pagination
      8. Numbering of pages, chapters and sections
      9. Converting QuarkXPress and PageMaker documents
      10. Sharing content
      11. Basic Workflows with Managed Files
      12. Saving documents
   2. Nets
      1. Nets
      2. Grid formatting
   3. Layout Tools
      1. Rulers
      2. Rulers and units
4. Add content
   
   1. Text
      1. Add text to frames
      2. Linking text boxes
      3. Arabic and Hebrew options in InDesign
      4. Creating text along a path
      5. Markers and numbering
      6. Glyphs and special characters
      7. Text layout
      8. Text variables
      9. Create QR codes
      10. Text editing
      11. Text alignment
      12. Wrap text around objects
      13. Linked objects
      14. Related content
      15. Paragraph formatting
      16. Character formatting
      17. Find/Replace
      18. Spell checker and language dictionaries
   2. Typography
      1. Using fonts in InDesign
      2. Kerning and tracking
   3. Text formatting
      1. Text formatting
      2. Working with style packs
      3. Tabs and indents
   4. Review text
      1. Track and review changes
      2. Add editorial notes in InDesign
      3. Import PDF file comments
   5. Adding links
      1. Creating a table of contents
      2. Footnotes
      3. Creating an index
      4. Endnotes
      5. Signatures
   6. Styles
      1. Paragraph and character styles
      2. Mapping, exporting, and organizing styles
      3. Object styles
      4. Drop caps and nested styles
      5. Working with styles
      6. Leading
   7. Tables
      1. Formatting tables
      2. Creating tables
      3. Table and cell styles
      4. Selecting and editing tables
      5. Stroke and fill tables
   8. Interactive functions
      1. Hyperlinks
      2. Dynamic PDF documents
      3. Bookmarks
      4. Buttons
      5. Forms
      6. Animation
      7. Cross references
      8. Structuring PDF documents
      9. Page transitions
      10. Audio and video
   9. Graphic objects
      1. Introduction to paths and shapes
      2. Drawing with the Pencil tool
      3. Drawing with the pen tool
      4. Apply line parameters (dash)
      5. Compound paths and shapes
      6. Edit contours
      7. Clipping paths
      8. Changing angle parameters
      9. Frames and objects
      10. Align and distribute objects
      11. Related and embedded graphics
      12. AEM Resource Integration
   10. Color and transparency
       1. Color application
       2. Using colors from imported graphics
       3. Working with color swatches
       4. Color mixing
       5. Shades
       6. Spot and process color basics
       7. Overlay colors
       8. Gradients
       9. Flattening a transparent graphic
       10. Adding transparency effects
5. Sharing
   1. Working with InDesign cloud documents
   2. Cloud documents in InDesign | FAQ
   3. Sharing and collaboration
   4. Submit for editing
   5. Checking a published InDesign document
   6. Feedback management
6. Publication
   
   1. Hosting, exporting and publishing
      1. Online publishing
      2. Online Publishing Panel
      3. Copying and pasting graphic objects
      4. Exporting content to EPUB format
      5. Adobe PDF Options
      6. Export content to HTML 9 format0014
      7. Export to Adobe PDF
      8. Export to JPEG format
      9. Export to HTML
      10. Overview of DPS and AEM Mobile
      11. Supported file formats
   2. Printing
      1. Booklet printing
      2. Marks and bleed
      3. Printing documents
      4. Inks, color plates and screen lines
      5. Overlay
      6. Creating PostScript and EPS files
      7. Preflight files before sending
      8. Printing miniatures or large documents
      9. Preparing PDF files for service providers
      10. Preparation for printing plates
7. InDesign Extension
   
   1. Automation
      1. Data Merge
      2. Plug-ins
      3. Capture extension in InDesign
      4. Scenario Development
8. Troubleshooting
   1. Bugs fixed
   2. Crash on startup
   3. Settings folder error: read-only
   4. Troubleshooting file problems
   5. Unable to export to PDF
   6. Recovering InDesign documents

Tables are made up of rows and columns, which in turn are made up of cells. A cell is like a text frame in which you can add text, anchored frames, or other tables. Tables can be created in Adobe InDesign CS5 or exported from other applications.

Note.

You must switch to Layout mode to create, edit, and format tables in Adobe InCopy.

Creating tables

Tables are made up of rows and columns, which in turn are made up of cells. A cell resembles a text frame that can contain text, an inline graphic, or other tables. You can create a table in the usual way or by converting existing text into it. In addition, a table can be embedded within another table.

The new table, when created, fills the full width of the container text frame. If, when inserting, the insertion point is at the beginning of a line, then the table is inserted on the same line; if the insertion point is in the middle, on the next line.

Text wrapping around tables is done in the same way as for inline graphical objects. In particular, when adding and removing text located above, as well as changing its size, the table will move through the frames in the chain. However, the table is not displayed on a frame with text on the path.

Michael Murphy provides an article on creating and formatting tables: Features of Using Tables.

Jeff Witchel of InfiniteSkills.com presented a video on Table Setup Basics.

Creating a table in the usual way

InDesign has the ability to create tables in an existing text frame (Using the Insert Table option). Alternatively, you can create a table and let InDesign create a text frame around it (Using the Create Table option).

Using the Insert Table option

1. To create a table in an existing text frame, use the Type tool and place the insertion point where you want to create the table.

2. Choose Table > Insert Table.

   Note.

   If the cursor is currently outside of a text frame, the Create Table option is available.

3. Specify the number of rows and columns.

4. If the contents of the table should span multiple columns or frames, specify the number of rows for headers and footers to repeat information in.

5. (Optional) Set the table style.

6. Click the OK button.

   The new table spans the full width of the text frame.

Using the Create Table option

When using the Create Table option, you do not need to first create a text frame in the document. After you create a table in your document, a text frame will be created to fit that table.

1. Choose Table > Create Table.

   Note.

   If the cursor is currently in a text frame, the Insert Table option is available.

2. Specify the number of rows and columns.

3. If the contents of the table should span multiple columns or frames, specify the number of rows for headers and footers to repeat information in.

4. (Optional) Set the table style.

5. Click the OK button.

6. Use the cursor to create the desired table.

   InDesign creates a text frame to fit the outlined area and creates a table in the text frame.

The table row height is determined by the selected table style. For example, different cell styles defined in the table style can be used to format different parts of a table. If cell styles contain paragraph styles, then the line height in that area will be determined by the leading value in the paragraph style. If paragraph styles are not used, then the line height is determined by the default service margin value in the document. The service field is determined by the leading value. In this context service field is approximately equal to the highlight height of the selected text.

Create a table from existing text

Before converting text to a table, make sure it is properly prepared.

1. Preparing text for conversion includes placing new paragraph start characters, tabs, commas, or other characters that separate columns. Lines are separated by tabs, commas, new paragraph characters, or other characters. (In many cases, text can be converted to a table without additional preparation.)

2. Select the Text tool , and select the text you want to convert to a table.

3. Select Table > Convert Text to Table commands.

4. In the Column Separator and Row Separator fields, specify where rows and columns should begin. To do this, select “Tab”, “Comma” or “Paragraph”, or enter another character (for example, a semicolon). (Any character entered will be displayed in the menu the next time you create a table from text.)

5. If the same delimiter is specified for columns and rows, specify the number of columns for the table to be created.

6. (Optional) Specify the table style for formatting.

7. Click the OK button.

If there are fewer elements in any row than there are columns in the table, then the remaining cells will be empty.

Embedding one table within another

1. Do one of the following:

   • Select the cells or table to embed in another table, then choose Edit > Cut or Copy. Place the insertion point in the cell where you want to paste the table, then choose Edit > Paste.

   • Click the cell, choose Table > Insert Table, set the number of rows and columns, then click OK.

2. Adjust the indentation of cells if necessary (see Formatting text in a table).

When creating a table in a cell, the part of the table outside the cell cannot be selected with the mouse. In this case, you need to expand the row or column, or place the insertion point in the first part of the table, and then use keyboard shortcuts to move the insertion point and select the text.

Import tables from other applications

When you import a Microsoft Excel spreadsheet or a Microsoft Word document with tables using the Place command, the data is imported as an editable table. Formatting is configured in the Import Options dialog box.

You can also paste data from an Excel spreadsheet or Word spreadsheet into InDesign or InCopy documents. The format of text pasted from other applications is determined by the settings in the “Clipboard Handling” section. If the Text Only option is selected, the data is displayed as unformatted tabbed text, which can then be converted to a table. If the “All information” option is selected, then the inserted text will be displayed in a formatted table.

If text is being pasted into an existing table from another application, create enough rows and columns to accommodate it, set the Buffer Handling preferences to Text Only, and make sure at least one cell is selected (except when when you need to insert the entire table into a cell).

If you need more control over the formatting of the imported table, or if you want to keep the formatting of the spreadsheet, it’s best to import it with the Place command. If you want to create a link with spreadsheet formatting, select the Create links when placing text and spreadsheet files option in the File Handling preferences.

Note.

You can also copy and paste tab-delimited text into a range of table cells. This is a convenient way to replace content if you want to preserve formatting. Let’s say you want to update the contents of a formatted table in a monthly journal. One option is to link to an Excel spreadsheet. However, if the content comes from another source, you can copy the tabbed text to the clipboard, select a range of cells in a formatted InDesign table, and paste the content into it.

Adding text to a table

A table cell can contain text, bound objects, XML tags, and other tables. When text is inserted, the table row height will be increased accordingly, unless the row is set to a fixed height. You cannot insert footnotes in tables.

1. Using the Type tool, do one of the following:

   • Place the insertion point in a cell and enter text. To create a new paragraph in the same cell, press Enter or Return. Moving through the cells is done by pressing the “Tab” key (when you press the “Tab” key, a new line is added in the last cell). Moving through the cells in reverse order is performed by pressing the combination of the keys “Shift” and “Tab”.

   • Copy the text, set the insertion point in the cell, then choose Edit > Paste.

   • Place the insertion point where you want to add text, choose File > Place, and then double-click the text file.

Adding graphics to a table

1. Place the insertion point in the table cell where you want to add the image.

2. Do one of the following:

   • Choose File > Place, and then select one or two graphic files.
   • Select and drag one or more graphics from the Graphics category in the CC Libraries palette.

   The images will appear in the PlaceGun tool.

3. Click inside table cells to place images.

4. Do one of the following:

Note.

InDesign snippets cannot be dragged from the Graphics category of the CC Libraries palette.

When adding a graphical object to a smaller cell, the cell height will be increased, but the cell width will remain the same, that is, part of the object may be outside the cell’s right border. If the line the graphic is placed on has a fixed height, and the object’s height is greater than the line’s height, this will result in displacement of the contents of the cell.

Note.

To avoid this, place the image outside the table, resize it, and then paste it back into the table cell.

Images can also be placed in table cells using the methods described below.

• Choose Object > Anchored Object > Paste, then specify paste settings. You can add graphics to the anchored object later.
• Copy a graphic or frame, position the insertion point where you want it, then choose Edit > Paste.

If a long table is created, it can span multiple columns, frames, or pages. You can use headers and footers to repeat certain information at the top and bottom of each individual table fragment.

Headers and footers can be added when creating a table. You can also add headers and footers and customize how they appear in the table in the Table Options dialog box. You can also convert the main rows of a table to headers and footers.

The header is displayed only once in each frame.

Note.

To number tables sequentially (for example, “Table 1A”, “Table 1B”), add a variable to the header or footer (see Creating figure and table captions).

1. To create headers, select the rows at the top of the table, and to create footers, select the rows at the bottom of the table.

2. Choose Table > Convert Rows > To Headers or To Footers.

1. Place an insertion point in a table, and then choose Table > Table Options > Head and Trail Rows.

2. Set the number of lines for headers and footers. You can add blank lines to the beginning or end of the table.

3. Customize the display mode: header and footer information can be displayed in each column of text (if there are multiple columns in a text frame), once in each frame, or once per page.

4. Set the “Except first” option to prevent header information from appearing in the first row of the table. Set the Except Last option to prevent the information in the footer from appearing in the last row of the table.

   The Except First option is especially useful for specifying a continued header or footer. For example, for a table that spans multiple pages, you could say “Table 2 (continued)” in the header. To prevent the text “(continued)” from appearing on the first page, select the “Except First” option and enter Table 2 in the first row of the table.

5. Click the OK button.

If you want to create multiple similar rows and columns or duplicate columns and rows, you can use different methods.

You can perform the following common table row and column operations:

• Drag and drop table rows and columns from one location to another within the same table.
• Duplicate rows and columns.
• Insert rows and columns before or after other rows/columns.
• Copy the contents of a row to a column, or the contents of a column to a row.

Drag and drop rows/columns

You can drag table rows and columns from one location to another within the same table. To drag and create duplicate rows/columns, follow these steps.

1. Select the row or column to be dragged to another row or column. Make sure the entire column or row is selected. You cannot drag a partially selected row or column.

2. Move the mouse pointer over the selected rows. A unique cursor will be displayed, indicating that the selection can be moved.

3. The element row can be dragged. You can swap columns and rows. A dragged row is inserted only as a row, and a dragged column is inserted only as a column.

   Dragging rows and columns

   In this example, when you move a row from one location to another, the number of rows remains the same: only 3.

   Note.

   Drag and drop is only possible within the same table.

4. To duplicate a row or column , select the row or column, and then press or hold the Alt (Win) or Opt (Mac) key. You can drag multiple consecutively selected rows or columns.

5. Drag the selected row or column to the desired location. The total number of rows or columns increases as duplicates of the selected object are created.

   You can also copy content from the header and footer rows to the main area rows (by pressing the Alt/Opt key). Similarly, body lines can be duplicated and converted to header and footer lines.

If the Alt/Opt key is not used to duplicate rows, headers can only be dragged within the header section (only available if there are multiple headers). If the Alt/Opt key is not used to duplicate rows, it is not possible to drag rows from the main area into the header section.