Where can I find the best singing camps in New Jersey. What are the top-rated music summer programs for kids in NJ. How do I choose the right summer camp for my musical child in New Jersey. Which NJ summer camps offer comprehensive vocal training for young singers.
Valencia School of Music: Rock and Roll Summer School
The Valencia School of Music offers an exciting array of summer music camps for aspiring young musicians in Westfield, NJ. Their Rock and Roll Summer School program stands out as a highlight, providing students with a unique opportunity to dive into the world of rock music.
Beginner’s Chapter: July 19-23
For kids aged 7-13 who are new to playing instruments, this camp runs Monday through Friday from 10 AM to 3 PM. The program focuses on:
- Introducing students to various instruments
- Developing performing skills
- Engaging in fun musical activities
- Culminating in their first rock show performance
The registration fee for this week-long, in-person camp is $400.
KidzRock Camp: July 26-30
Designed for children aged 4-7, KidzRock camp offers a fun-filled introduction to music. Participants get to explore:
- Guitar
- Keyboards
- Drums
- Singing
The camp includes group song learning, instrument experimentation, musical games, and the chance to perform with a show band. Parents can choose from:
- AM Session (9-11:30 AM): $275
- PM Session (12-2:30 PM): $275
- All Day Session (9 AM-2:30 PM): $500
Advanced Rock and Roll Summer School: August 2-6
This camp caters to students aged 13 and up (with exceptions for experienced younger musicians) who have at least two years of instrument study. The program covers:
- Soloing techniques
- Songwriting skills
- Performance techniques
- Ensemble band work
The camp runs from 10 AM to 3 PM daily, with a final performance on Saturday, August 7th. Registration is $450 for the week.
Broadway Westfield: Rock and Roll on Broadway
For those interested in musical theater, Broadway Westfield presents “Rock and Roll on Broadway” from August 9-20 at Holy Trinity School in Westfield. This comprehensive program is designed for students aged 9-17 of all skill levels.
Program Highlights
- Group and solo performances
- Acting workshops
- Singing lessons
- Dance instruction
- Final performance on August 20th
Early bird registration before June 1st is $550, with the price increasing to $600 afterward. The camp will be held in-person, with the final performance potentially being pre-recorded and broadcast depending on the situation in August.
Rider University: Comprehensive Summer Music Programs
Rider University offers a diverse range of summer music camps catering to various age groups and interests. These programs provide excellent opportunities for young musicians to hone their skills and explore different aspects of music.
In-Person Musical Theatre Intensives
This program is designed for students in grades 1-8 and runs from August 9-13, 2021. It offers a comprehensive introduction to musical theatre, covering aspects such as:
- Vocal training
- Acting techniques
- Dance and movement
- Stage presence
Virtual Young Composers Experience
For budding composers in grades 2-4, this virtual camp runs from July 6-16, 2021. The program focuses on:
- Music theory basics
- Composition techniques
- Creative expression through music
- Collaborative composition projects
Try It Out Camp
This virtual camp is perfect for beginners in grades 2-3 and consists of two consecutive one-week sessions beginning July 12, 2021. The program includes:
- Daily 45-minute group lessons
- Two 30-minute private lessons
- Choice of instrument: keyboard, violin, cello, or ukulele
Specialized Instrument Camps at Rider University
Rider University also offers specialized camps for specific instruments, catering to different skill levels and age groups.
Piano Camp: July 26-30
This in-person camp is designed for students in grades 3-7 and focuses on:
- Piano technique development
- Musicianship skills
- Ensemble playing
- Music theory
PRESTO I Junior Summer String Orchestra Camp: July 12-16
This in-person camp welcomes beginner-level string players in grades 2-5. The program includes:
- Introduction to orchestra ensemble experience
- Group playing techniques
- Basic music theory
- Fun musical activities
PRESTO II Intermediate Summer String Orchestra Camp: July 12-16
Designed for intermediate to advanced string players in grades 6-8, this in-person camp offers:
- Advanced orchestra ensemble experience
- Technical skill development
- Music interpretation
- Performance opportunities
Westminster Chamber Music Camp
The Westminster Chamber Music Camp caters to students in grades 6-12 and offers both virtual and in-person options. This July camp provides a comprehensive musical experience, including:
- Chamber ensemble coaching
- Individual instrument instruction
- Music theory classes
- Performance opportunities
Choosing the Right Music Camp in New Jersey
With so many excellent options available, how can parents and students choose the best music camp in New Jersey? Consider the following factors:
Student’s Age and Skill Level
Is the camp appropriate for your child’s age and current musical abilities? Some camps cater to beginners, while others are designed for more advanced students.
Musical Interests
Does the camp focus on your child’s preferred musical style or instrument? Whether it’s rock, classical, or musical theater, choose a camp that aligns with their interests.
Camp Format
Consider whether an in-person or virtual camp would be more suitable for your family’s needs and preferences.
Duration and Schedule
Look at the camp’s duration and daily schedule to ensure it fits with your summer plans and other commitments.
Instructors and Facilities
Research the qualifications of the camp instructors and the quality of the facilities where the camp will be held.
Cost and Value
Compare the costs of different camps and consider the value they offer in terms of instruction, experiences, and potential outcomes.
Benefits of Attending a Summer Music Camp
Participating in a summer music camp can provide numerous benefits for young musicians. Here are some key advantages:
Skill Development
Intensive instruction and practice during camp can significantly improve a student’s musical abilities in a short time.
Exposure to New Styles and Techniques
Camps often introduce students to diverse musical styles and techniques they may not encounter in their regular lessons.
Collaboration and Teamwork
Ensemble playing and group activities teach valuable skills in collaboration and teamwork.
Confidence Building
Performance opportunities and supportive environments help build confidence in young musicians.
Networking and Friendships
Camps provide a chance to meet like-minded peers and form lasting friendships with fellow music enthusiasts.
Inspiration and Motivation
The immersive experience of a music camp can reignite passion for music and motivate students to continue their musical journey.
Preparing for a Summer Music Camp
To make the most of a summer music camp experience, students should consider the following preparation tips:
Practice Regularly
Maintain a consistent practice routine leading up to the camp to ensure you’re in good musical shape.
Review Camp Materials
If the camp provides any pre-camp materials or music, review them thoroughly before arrival.
Prepare Your Instrument
Ensure your instrument is in good condition, with fresh strings or reeds if necessary.
Pack Appropriately
Bring all required materials, including your instrument, music stand, and any specific items requested by the camp organizers.
Set Personal Goals
Identify specific skills or areas you’d like to improve during the camp experience.
Maintain an Open Mind
Be ready to try new things, meet new people, and step out of your comfort zone.
The Impact of Music Education on Child Development
Participating in music camps and ongoing music education can have profound effects on a child’s overall development. Research has shown numerous benefits, including:
Cognitive Development
Music training has been linked to improved memory, attention, and problem-solving skills.
Language Skills
Musical training can enhance language processing and reading abilities.
Social Skills
Group music activities foster teamwork, communication, and empathy.
Emotional Intelligence
Music education helps children understand and express emotions more effectively.
Discipline and Time Management
Regular practice and commitment to musical studies teach valuable life skills.
Cultural Awareness
Exposure to various musical styles can broaden a child’s cultural understanding and appreciation.
Continuing Musical Education Beyond Summer Camps
While summer music camps provide an excellent boost to a child’s musical journey, it’s important to consider how to maintain and build upon this progress throughout the year. Here are some strategies for continuing musical education:
Regular Lessons
Enroll in ongoing private or group lessons to maintain consistent progress.
School Music Programs
Participate in school bands, orchestras, or choirs to gain ensemble experience.
Community Music Groups
Join local youth orchestras, choirs, or music clubs for additional performance opportunities.
Music Technology
Explore music production software and online learning platforms to expand musical knowledge.
Attend Concerts
Regularly attend live performances to gain inspiration and exposure to different musical styles.
Set Long-Term Goals
Work with music teachers to establish long-term goals and create a plan to achieve them.
The Role of Parents in Supporting Musical Education
Parents play a crucial role in nurturing their child’s musical interests and education. Here are some ways parents can support their young musicians:
Encourage Regular Practice
Create a supportive environment for daily practice and help establish a consistent routine.
Provide Quality Instruments
Invest in good-quality instruments and maintain them properly to enhance the learning experience.
Attend Performances
Show support by attending your child’s performances and celebrating their achievements.
Foster a Musical Environment
Expose your child to various types of music at home and discuss musical concepts.
Communicate with Instructors
Stay in touch with music teachers to understand your child’s progress and areas for improvement.
Be Patient and Supportive
Recognize that musical development takes time and offer encouragement during challenging periods.
The Future of Music Education in New Jersey
As we look ahead, the landscape of music education in New Jersey continues to evolve. Here are some trends and developments to watch:
Integration of Technology
Increased use of digital tools and online platforms in music instruction and performance.
Diverse Musical Offerings
Growing emphasis on world music and non-Western musical traditions in educational programs.
Interdisciplinary Approaches
More programs combining music with other disciplines like science, technology, and visual arts.
Accessibility Initiatives
Efforts to make music education more accessible to students from all backgrounds and abilities.
Career-Oriented Programs
Increased focus on preparing students for careers in the music industry, including music technology and business.
Community Partnerships
Stronger collaborations between schools, community organizations, and professional music institutions.
As New Jersey continues to offer a rich array of summer music camps and year-round educational opportunities, young musicians have an exciting journey ahead. Whether focusing on rock and roll, classical strings, or musical theater, these programs provide invaluable experiences that can shape a lifelong love of music and foster personal growth. By carefully selecting the right camp and maintaining a commitment to ongoing musical education, students can unlock their full potential and enjoy the numerous benefits that music brings to their lives.
Summer Music and Musical Theater Camps in Westfield, NJ
Valencia School of Music is excited to be opening registration for summer music camps for 2021! Rock and Roll Summer School is returning this year for sure. We will release details for Broadway Westfield once we have more information!
July 19th through 23rd
Rock and Roll Summer School has a new chapter for beginners!
This camp is for kids who love music but haven’t gotten the experience of playing an instrument yet, ages 7-13. The camp will run Monday through Friday from 10-3.
Students will learn about performing skills and learn introductions to instruments through fun activities and classes. The best part? They get to play their first rock show!
Registration is $400 for the week. The camp will be held in person.
July 26-30
KidzRock camp is the most fun kids 4-7 will have this summer learning music! Everyone gets to try out guitar, keys, drums, and singing!
Students in KidzRock will have the chance to learn songs as a group, experiment with learning different instruments, musical learning games and playing with their own show band!
AM Session 9-11:30 – $275
PM Session 12-2:30 – $275
All Day Session 9-2:30 with a lunch break at 11:30 (full day students can stay for the lunch break) – $500
August 2nd through 6th
Have fun at summer school this year learning how to rock! Rock and Roll Summer School is geared toward students ages 13+ (with exceptions for more experienced younger students) who have studied their instrument for at least 2 years.
Students will cover topics including soloing, songwriting and performance techniques in the morning sessions. The afternoon sessions will be focused on ensemble band work for a performance at the end of the week.
The camp will run from Monday, August 2nd through Friday, August 6th from 10-3 with a show to follow on Saturday, August 7th – Time and location TBD.
Registration is $450 for the week
August 9th through 20th
Broadway Westfield will be bringing our Rock and Roll on Broadway to the stage this summer! The camp and performances will be held at Holy Trinity School in Westfield, Monday through Friday from 10-3
**Please note that the signup module states a start date of 8/16 which is incorrect. The camp begins on 8/9 and continues through 8/20. The error below will be changed after May 1st when tuition is adjusted.**
Students will be able to perform in groups, small ensembles, and/or solos for a final performance on August 20th. Workshops will be held throughout the camp to help them develop their acting, singing, and dancing skills
This camp is for all levels, beginner through advanced, ages 9-17.
Tuition is $550 before June 1st and $600 June 2nd and later. The camp will be held in-person. Performance may be in-person or pre-recorded and broadcasted depending on the situation and best practices in August.
Cancellation Policy –
$50 Cancellation Fee up to the early registration date.
$100 Cancellation Fee after the early registration date
No Refunds beginning 1 month prior to camp start date
Summer Music Camps | Rider University
In-Person Primary & Middle School Musical Theatre Intensives
- Grades 1-8
- In-Person Camp
- August 9-13, 2021
Young Composers Experience
- Grades 2-4
- Virtual Camp
- July 6-16, 2021
Try It Out Camp
- Grades 2-3
- Virtual Camp
- Two consecutive one-week camps beginning July 12, 2021
Ideal for beginners, this five-day virtual experience will include daily 45-minute group lessons and two (2) 30-minute private lessons on an instrument of your choosing. Select from keyboard, violin, cello, or ukulele!
Piano Camp
- Grades 3-7
- In-Person Camp
- July 26-30, 2021
Piano Camp is a great opportunity for children and pre-teens to spend one week focusing on their piano and musicianship skills while making new friends!
PRESTO I Junior Summer String Orchestra Camp
- Grades 2-5
- In-Person Camp
- July 12-16, 2021
PRESTO I Junior Summer String Orchestra Camp welcomes beginner-level violin, viola, cello and bass students. Designed as an introduction to the Orchestra Ensemble experience, this fun filled week will provide a perfect opportunity for young string enthusiasts to learn how to play music together with other string players and make friends!
PRESTO II Intermediate Summer String Orchestra Camp
- Grades 6-8
- In-Person Camp
- July 12-16, 2021
PRESTO II Intermediate Summer String Orchestra Camp welcomes Intermediate to Advanced level violin, viola, cello and bass students. Designed as an Orchestra Ensemble experience, this fun filled week will provide a perfect opportunity for young string enthusiasts to play music together and make friends with other string players!
Westminster Chamber Music Camp
- Grades 6-12
- Virtual or In-Person Camp Options Available
- July 5-9, 2021
Come join us for a special virtual edition of Chamber Music Virtual Camp: “Solace and Inspiration” through musical collaboration. Students’ accomplishments will be celebrated in our amazing Virtual Recital for parents, relatives and friends of our campers!
Flute Camp –
CANCELLED
We hope to see everyone back next year for an in-person Flute Camp!
Jazz Starters for all Instruments
- Grades 5-8
- Virtual Camp
- July 5-9, 2021
Starting with the basics – rhythm, melody, and harmony – students will experiment with new ways to approach these music fundamentals and begin sounding like the jazz musician they want to be. Final Zoom Room Video Sharing Recital too!
Virtual Primary School Musical Theatre Camps
- Grades 2-5
- Virtual Camp
- Four consecutive one-week camps beginning July 5, 2021
Sing and dance with us from the comfort of your home! Through small group instruction, we will learn songs, choreography, and fun theatre games from Broadway’s greatest musicals each week. Material will change every week so you can register for as many programs as you wish.
Virtual Middle School Musical Theatre Intensive
- Grades 6-8
- Virtual Camp
- Four consecutive one-week camps beginning July 5, 2021
Join us for this fun musical theatre program! Daily lessons will include a session of music and choreography from the “musical of the week”, plus individualized solo vocal coaching, audition lessons, acting lessons, and fun theatre games. Invite your friends, near and far, to join you remotely. Grow as an artist, and have a great time by learning from new friends and teachers!
High School Musical Theatre Intensive
- Grades 9-12
- In-Person Camp
- August 9-13, 2021
We have arranged special permission to present the incredible songs of legendary Broadway composer, ANDREW LIPPA (The Addams Family, The Wild Party, You’re A Good Man Charlie Brown, Big Fish) in a revue for family and friends! Andrew Lippa will also offer a master class to our students!
Children’s Virtual Voice Class
- Grades 2-5
- June 28-August 18, 2021
This class incorporates several components of music learning, taught concurrently: music reading, tone-production skills, singing technique, and critical listening skills. Through music reading, children will learn the basics of music theory (notes, rests, time values) and sight-singing. Students will participate in Zoom small group classes twice a week.
Pre-Teen Virtual Voice Class
- Grades 6-9
- June 28-August 18, 2021
Students learn the basics of a sound vocal technique (breathing, posture, diction) and fundamental musical skills (sight reading, rhythm recognition). Students will participate in Zoom small group classes twice a week.
Stokes Forest Music Camp – John J. Cali School Of Music
Announcement
In consideration of the concerns surrounding COVID-19 the Stokes Forest Music Camp will not be in operation this summer.
We are very disappointed to have to make this decision but the health and safety of the students, faculty and staff is our highest priority. We look forward to seeing everyone in Summer 2021. Stay safe and healthy!
Summer 2020:
July 12 – July 25, 2020
The Stokes Forest Music Camp is run through the Cali School Extension Division within the John J. Cali School of Music in the College of the Arts at Montclair State University.
Information Session
Sunday, February 9, 2:00 – 4:00 PM
Chapin Hall (home of the Cali School of Music)
Room G01
(Park in the Red Hawk Deck)
Contact Us
Email: [email protected]
Phone: 973-655-4443
Fax: 973-655-5279
Stokes on Facebook
Directions to the camp
Stokes Info Booklet 2020
Student Application 2020
Credit Card Authorization 2020 FORM
About Us
The Stokes Forest Music Camp offers students sessions of intense music making, combined with environmental studies and recreational activities. Its mission is to cultivate a sense of individual self-discovery and self-confidence through the rigors and discipline of music study and an appreciation and awareness for the natural environment.
The Cali School Extension Division, part of the renowned John J. Cali School of Music at Montclair State University, developed the camp’s curriculum and continues to oversee its musical activities and endeavors. The Extension Division, formerly known as the Preparatory Center for the Arts, was established in 1976 to provide musical education and training for all age groups. Through the years it has served as a supplemental musical enrichment for some and comprehensive musical training ground for others who have gone on to pursue careers in music. The Extension Division and its programs are dedicated to providing students of all ages, backgrounds and levels of ability with the experience of learning music in an encouraging environment intended to enhance creative growth and promote a life-long understanding of and appreciation for the musical arts.
The Stokes Forest Music Camp is the result of the dedicated contributions these organizations bring enabling the camp to offer an exceptionally balanced program that stimulates and inspires students long after they have returned home.
Admission
Montclair State University’s Extension grants admission to students between the ages of 10 and 17 who have a musical background. Early application is encouraged! A day program is available for qualified younger students and residents of Sussex County and nearby locations. Please e-mail the Division office at [email protected] for details or call 973-655-4443.
Session Descriptions
- Two week session: The two week session provides the most comprehensive camp experience enabling students to experience all aspects of the program.
- One week session A: Session A is recommended for the younger first time camper. This session introduces students to the camp experience. It includes participation in ensemble rehearsals, optional private lessons, theory classes, recreational activities and the opportunity to participate in the camp musical. Session A students can opt to stay for the full two weeks.
- One week session B: Session B is recommended for the older more experienced student who is unable to participate the first week. This session includes optional private lessons, theory classes, recreational activities, rehearsals and the final performances of the various ensembles.
Tuition and Fees include all room and board, T-shirt, insurance, on campus medical expenses, all classes, chamber ensembles, large ensembles, concerts, master classes, recreational and environmental program activities. Tuition and Fees do not include private lessons, which can be added at a nominal cost after acceptance.
Musical Activities
Students enter with an instrumental, vocal, keyboard or composition focus. Individual student schedules typically include a large ensemble, one or more chamber ensembles, a music theory class and electives. Students may also opt to sign up for one to two private lessons a week per instrument at an additional fee. An appropriate theory class and chamber ensemble will be assigned based on the student’s background and experience.
Orchestra/Band
The orchestra and/or band are the primary ensembles for all string, woodwind, brass and percussion students. A wide variety of representative works in the orchestral and band repertoire from baroque through contemporary will be rehearsed and performed. Seating in either ensemble is established by placement audition on arrival day and reviewed weekly.
Jazz Ensembles
The Jazz Ensembles are offered to provide instrumentalists and vocalists the opportunity to learn and perform representative pieces of jazz literature. Students learn techniques of improvisation through theoretical understanding and a progressive refinement of improvisational performance skills.
Rock Band
The Rock Band provides qualified students the opportunity to learn and perform representative rock songs. Students are exposed to various techniques of rock ensemble rehearsal through the use of listening and chart reading. Additionally, emphasis is placed on an understanding of the historical contexts in which the various rock sub-styles emerged.
Select Choir
The select choir is the primary ensemble for voice students and is also open to all interested students. Repertoire from madrigals to musical theater favorites will be explored and performed.
Chamber Ensembles
Chamber ensembles offer a unique opportunity for students to develop skills and awareness in intonation and control of their instrument, refine the listening skills necessary in a small ensemble, as well as gain exposure to various chamber works. Chamber ensembles are grouped according to student level. Ensembles rehearse daily under the supervision of an experienced chamber music coach.
Music Theater Production
Each year the camp presents a music theater production. The musical is an abbreviated version of a representative music theater work. The production offers students the opportunity to participate in all aspects of rehearsing and presenting a show.
Musicianship Classes
Students are exposed to the essential principles and practices of music construction. Through reading, analysis, composing and a progressive refinement of aural skills, students are given a comprehensive approach to the understanding of music.
Concerts
The evening concerts, which span the two-week session, include performances by faculty, students and guest artists. Concerts include solo and chamber performances, a music theater production and lecture-recitals featuring professional musicians.
Private Instruction
To supplement the camp’s daily schedule of music activities, private instrumental, vocal and/or composition lessons can be arranged at a nominal cost. In the lesson, students are encouraged to expand technique, repertoire and the skills necessary to their development as a musician. Students may sign up for one to two private lessons a week per instrument or area of study.
Environmental Activities
An integral part of the Stokes experience is the unique opportunity for students to explore, understand and appreciate the natural environment. Educators and Researchers provide campers with various nature activities, studies, and presentations intended to cultivate an awareness and appreciation of the natural world in a fun and engaging way!
Recreational Activities
A variety of recreational activities are available each day in the afternoon as well as certain evenings. Students have the opportunity to participate in hiking, canoeing, row boating, archery, woodworking, the confidence building climbing wall as well as a variety of team building Action Socialization Experiences which promote communication, cooperation and respect. Evening recreational events include campfires, open mic nights, movies and more.
Facilities and Accommodations
The camp is located 57 miles from Montclair State University in the heart of Stokes State Forest, just off Route 206 in Sussex County, New Jersey. The facilities are divided into two campuses, known as Wapalanne and Sequoya. These campuses are separated by Lake Wapalanne, a gorgeous man-made lake that was created in the 1930’s as part of President Franklin Roosevelt’s WPA program. They are connected by the beautiful Rainbow Bridge, which arches over the lake. Also found on the premises are two boat docks, a frontier town, craft house, nature center, astronomy center, climbing wall and archery range. Additionally, there are a variety of well-marked trails for hiking and nature study activities.
Cabins
The facilities include twelve heated student cabins each accommodating up to twelve students and two counselors. These rustic cabins were originally built in the 1930’s as part of President Roosevelt’s WPA program.
Meals
Campers, faculty and staff dine in the Big Timbers Dining Hall. Meals are prepared on premises. The camp menu is varied and nutritionally well balanced. Special dietary needs can be accommodated including vegetarian, vegan and certain dietary restrictions.
Medical
An infirmary is maintained on the premises with a nurse on call twenty-four hours a day. In the event of a serious emergency, the camper will be taken to Newton Memorial Hospital for treatment. All medical expenses and insurance are the responsibility of parents or guardians.
Faculty/Staff
Tatyana Kebuladze, Artistic Director, Piano, Chamber Music
Artist Faculty
Meredith Foreman, Saxophone, Drums/Percussion, Jazz Band
J. J. Johnson, Viola, Violin
Adrienne Ostrander, Percussion
George Spitzer, Music Theater, Voice
Charles Yassky, Director of Bands, Clarinet
Supplemental faculty, instrument-specific, is arranged based on camper needs. Private lessons are available for all instruments
Residential Administration
Ethan D. Rioux, Co-Director of Students
Letitia G. Stancu, Co-Director of Students
Counselors
The Stokes Forest Music Camp has an outstanding counseling staff. All counselors are matriculated music majors or graduates from major music schools and conservatories including the Cali School of Music, Carnegie-Mellon, the Crane School of Music, Hartt School of Music, Ithaca College, New School in NYC, Rutgers University, Oberlin Conservatory, Julliard School, Manhattan School of Music and others. All are trained and understand the rules and regulations of the Stokes Forest Music Camp. In addition to monitoring and assisting campers in their daily routines and activities, counselors are actively involved in ensemble coaching and lessons.
Direction to Stokes Forest Music Camp
From Route 84 West: Take I – 84 west to Exit 1, Port Jervis, New York. At the end of the exit ramp, make a left turn onto Route 6. Turn left at traffic light onto Route 23 north, pass – shopping area, turn right onto Route 653, Clove Road for 7.2 miles. Left turn onto Route 206 for approximately 7.5 miles, left turn after the Flatbrook Taphouse onto Hotelen Road. Follow road straight after stop sign to Flatbrook Road. Follow from **
From Route 84 East: Take I – 84 east to Exit 10, Milford, Pennsylvania. At the end of the exit ramp, follow signs for Route 6 E, Milford, PA. At intersection of Routes 6 and 209 follow signs for New Jersey, Route 206 south. (Watch your speed in Milford, they are generous with traffic tickets) Make a left to the Milford – Delaware Bridge. After the bridge, bear right to continue on 206 S. Travel approximately 8.5 miles, left turn after the Flatbrook Taphouse onto Hotelen Road. Follow road straight after stop sign to Flatbrook Road. Follow from **
From Route 80: Take Route 80 to exit 34B, Sparta – Route 15 N. Route 15 begins as a dual lane divided highway and changes into a two-lane road. Follow 15N for about 20 miles. At the four – corner intersection of Routes 206 and 565 continue straight to Route 206N. Pass Branchville, Culvers Lake, the main entrance for Stokes State Forest. At the bottom of the hill on left is a travel trailer dealer and about 1/4 mi. on your right is a green highway sign for the location. Turn right onto Flatbrook Road. Pass the Linwood – MacDonald YMCA on the left. At the T – Intersection, turn right – and follow from **
From Route 23: Follow Route 23N to Route 94S – Hamburg. Follow 94S to the Route 15 intersection (Amoco station on right). Turn right onto Route 15N follow through the Town of Lafayette. At the four – corner intersection of Routes 206 and 565 continue straight to Route 206N. Pass Branchville, Culvers Lake, the main entrance for Stokes State Forest. At the bottom of the hill on left is a travel trailer dealer and about 1/4 mi. on your right is a green highway sign for the location. Turn right onto Flatbrook Road. Pass the Linwood – MacDonald YMCA on the left. At the T – Intersection, turn right – and follow from **
From the Washington, D.C. area: Take Route 95N to Yardley, Pennsylvania, go across the bridge, to Route 29 (Jersey) north to Route 202 N and follow to the Somerville Circle to Route 206N. Follow Route 206 directions.
From Route 206: Note: in the Netcong area, Route 206 runs concurrently with Route 80 for about one mile. Pay close attention to signs directing you onto Route 206 – N, Stanhope, (exit 25). Follow signs for Route 206N – Newton/Branchville. Pass Branchville, Culvers Lake, the main entrance for Stokes State Forest. At the bottom of the hill on left is a travel trailer dealer and about 1/4 mi. on your right is a green highway sign for the location. Turn right onto Flatbrook Road. Pass the Linwood – MacDonald YMCA on the left. At the T – Intersection, turn right – and follow from **
** Continue on Flatbrook Road for approximately 1 1/2 to 2 miles. You will pass some houses and cabins. Make a right turn onto Skellinger Road (there is a sign for the location and Lake Ocquitunnk). The lake is on your right and campsites on both sides of the road. Cross over a stone bridge, bear left and go up the hill. At the top of the hill, is the entrance for the Stokes Forest Music Camp. At this location, the buildings are painted barn red with white trim. Follow directions to the camp office.
Complete List of Summer Band Camps (United States)
If you know of a US summer band camp that is not listed, please send us information – all we need is a website address. If you would like your camp’s information adjusted or would like to add information, please contact us. Our goal is for this to be a fully comprehensive list of all US summer band camps. It is free to have a band camp listed. You may contact us anytime at [email protected].
Alabama
Auburn, Auburn University Summer Band Camps
Birmingham, UAB Summer Music Camp
Montgomery, ASU Summer Band Camp
Troy, Troy University Sound of the South Summer Music/Summer Leadership Camp
Tuscaloosa, UA Crimson Music Camp
Alaska
Fairbanks, University of Alaska Fairbanks Summer Music Academy
Sitka, Sitka Fine Arts Camp
Arizona
Flagstaff, Curry Summer Music Camp at NAU
Arkansas
Arkadelphia, HSU Band Camp
Fayetteville, University of Arkansas Summer Music Camp
Monticello, UAM Summer Band Camp
Russellville, Arkansas Tech University
California
Arrowbear, Arrowbear Summer Music Camp
Cazadero, Cazadero Music Camp
Elk Grove, Mandarin’s Drum Corps Leadership Camp
Idyllwild, Idyllwild Arts Summer Program
Irvine, Wildwood Music Camp
Lafayette, Lafayette Summer Music Workshop
La Honda, Hayword-La Honda Music Camp
Nevada City, Donner Mine Music Camp
Oakland, Laney Summer Music Program
San Diego, San Diego Summer Music Institute
San Jose, SJSU Summer in the City
South Lake Tahoe, Silver Lake Band Camp
Stockton, University of the Pacific, Pacific Music Camp
System Blue, Percussion Events
Turlock, Summer Music at Stanislaus
Walnut Creek, Floot Fire
Colorado
Boulder, CU Summer Music Academy
Fort Collins, Colorado Honor Band
Grand Junction, Colorado Mesa University Middle School Camp
Connecticut
New Hartford, Laurel Music Camp
Delaware
Newark, Community Music School Summer Camps
Florida
Gainesville, Gatorland Band Camps
St. Petersburg and Sebastian, Penny’s Marching Arts Training Camp
Tallahassee, FSU Summer Music Camp
Tallahassee, FAMU Marching 100 Summer Band Camp
Tampa, Summer Band Camp at USF
Georgia
Athens, UGA Hugh Hodgson School of Music Summer Music Camps
Augusta, Augusta Summer Music Camps
Carrollton – Spirit U Spirit of Atlanta
Johns Creek, Vivace Band Camp
Milledgeville, Encore! Band Camp
Hawaii
No camps found – please contact us if you know of a reputable camp.
Idaho
Pocatello, ISU Marching Band Camp
Illinois
Charleston, Eastern Music Camp
Lockport, Southwest Community Band Camp
Macomb, Summer Music Institute 2018 at Western Illinois University
Normal, Illinois State University Junior High Band Camp
Peoria, Bradley Band Camps
Urbana, ISYM Junior & Senior High Bands
Indiana
Bloomington, IU Summer Music Clinic
Muncie, Music for All
Iowa
Cedar Rapids, KCCK Jazz Band Camp
Decorah, Dorian Summer Music Camp
Estherville, The Reggie Schive Jazz Camp at Iowa Lakes Community College
Iowa City, Iowa Summer Music Camps
Indianola, Simpson College Camps
Waverly, Band Camp at Wartburg College
Cedar Falls, UNI Jazz Combo Camp
Kansas
Hays, FHSU High Plains Music Camp
Kansas City, UMKC
Lawrence, KU Midwestern Music Camp
Manhattan, Kansas State University Summer Music Camp
K-State Summer Music Camp – June 14-18, 2020 – At K-State’s Summer Music Camp, students in grades 5-12 are invited to campus to rehearse with experts, perform for the community, and have some summer fun. The camp staff is composed of the finest musicians and teachers from the area, including college music students.
Contact: [email protected]
K-State Leadership and Auxiliary Camp – July 12-15, 2020 – Summer is the perfect time to make sure your band or auxiliary team is a fine-tuned machine. This camp is designed for students currently in grades 9-12 in a variety of band and auxiliary groups, including drum majors, section leaders, percussionists, guard, dancers, and twirlers.
Contact: [email protected]
Potwin, Kansas Lions Band Camp–WashburnUniversity
Kentucky
Paducah, PSO Summer Music Camp
Richmond, Stephen Collins Foster Music Camp
Louisiana
Baton Rouge, Stately Oaks Summer Camp
Baton Rouge, Southern University Band Camp
Grambling, GSU High School Band Camp w/World Famed Tiger Marching Band
Hammond, Southeastern Louisiana University
Monroe, University of Louisiana-Monroe
Natchitoches, Northwestern State Band Camp
Maine
Orono, University of Maine – Maine Summer Youth Music
Farmington, Maine Jazz Camp
Gorham, Southern Maine Music Academy
Sidney, New England Music Camp
Sweden, Camp Encore/Coda
Maryland
University of Maryland, Terrapin Music Camp
Young Musicians Summer Academy
Hyattsville, DMV Percussion Academy (percussion only)
Massachusetts
Boston, Floot Fire
Hingham, South Shore Conservatory Summer Music Festival
Lowell, Mary Jo Leahey Symphonic Band Camp
Michigan
Ann Arbor, Mpulse Summer Institutes – University of Michigan
East Lansing, Spartan Youth Middle School Band Camp
Interlochen, Interlochen Center for the Arts
Kalamazoo, Seminar: Western Michigan University
West Branch, Herter Music’s Band Camp–Camp Timbers
Twin Lake, Blue Lake Fine Arts Camp
Minnesota
Bemidji, Bemidji MusiCamp
Northfield, St Olaf Music Academy
Mississippi
Fulton, ICC All-American Band Summer Band Camp
Hattiesburg, All-South Drum Major & Guard Camp
Jackson, Sonic Boom & J-Sette High School Summer Band Camp
Missouri
Maryville, Northwest Music Camp
Springfield, Missouri State Bands Alive 2018 Summer Camp
St. Louis, Webster University Band Camp
Montana
Red Lodge, Red Lodge Music Festival
Missoula, UM Summer Music Camp
Rollins, Flathead Lake Music Camp
Nebraska
Lincoln, The Middle School Band Camp
Nevada
Reno, Lake Tahoe Music Camp
New Hampshire
Durham, SYMS: Summer Youth Music School
New Jersey
Hackensack, Gramercy Brass Band Camp
Montclair, Stokes Forest Music Camp
New Mexico
Jemez Springs, Hummingbird Music Camp
Roswell, NMMI Summer Band Camp
New York
Canandaigua, Bristol Hills Music Camp
Colgate University, Hamilton, Eastern U.S. Music Camp
Fredonia, Fredonia Summer Music Festival
Ithaca, Ithaca College Summer Music Academy
Potsdam, Crane Youth Music @ SUNY Potsdam
Wheatley Heights, Usdan Summer Camps for the Arts
North Carolina
Boone, Cannon Music Camp
Greenville, East Carolina University Summer Music Camp
Greensboro, UNCG Summer Music Camp
North Dakota
Dunseith, International Music Camp
Ohio
Ada, ONU Summer Music Camp
Berea, Baldwin Wallace University Community Music School
Columbus, OSU Youth Summer Music Programs
Wooster, Wooster Music Camp
Oklahoma
Stillwater, OSU High School Summer Music Camp
Tulsa, UTulsa Band Camp
Edmond, UCO Summer Jazz Camp
Weatherford, SWOSU Music Camps
Oregon
Rockaway Beach, Northwest Band Camp at Twin Rocks
Eugene, Summer Music Camps @ UO
Wallowa Lake, Music Camps @ Wallowa
Salem, Young Musicians & Artists
Pennsylvania
Philadelphia, The Penn Band Summer Music Camp
Scranton, Camp Crescendo
Rhode Island
Providence, Music Institute at RIC
South Carolina
Charleston, Charleston Southern University Summer Music Camp
Greenville, Furman Band and Orchestra Camp
South Dakota
Brookings, South Dakota State University All-State Music Camp
Vermillion, USD Summer Music Camp
Tennessee
Jefferson City, C-N Summer Music Camp
Nashville, Belmont University Summer Winds Band Camp
Texas
Abilene, McMurry Summer Music Camps
Arlington, University of Texas at Arlington
Austin – Longhorn Music Camp
Beaumont, Lamar University Band Camp
Brownwood, Howard Payne University Band Leadership Camp
Canyon, West Texas A&M University Band Camp
MS/HS – July 5-17, 2020 — Residential $899 ($500 deposit), Commuter $365 ($250 deposit)
Scholarships are available for All-Staters and Honor Campers. Band Directors’ Workshop Continuing Education Activities. WTAMU Band Camp is one of the largest and most respected camps in the country. With 9 bands, your student is sure to be in a performing group that fits their needs. For two weeks, students have daily band rehearsals, large group rehearsals, and small section rehearsals taught by some of the most experienced and motivating directors in Texas. Students also choose an elective from classes such as jazz, rhythm reading, music theory, drum majoring, conducting, oboe and bassoon reed making, marching band, along with brass, woodwind, and percussion ensembles. Private lessons are available. Audition music can be printed from the website.
Commerce, Texas A&M Commerce Blast of Brass
MS/HS, and Early College – JUNE 21-27, 2020 — Residential $660 ($200 deposit), Commuter $385 ($200 deposit), Payment Plans Available
Register for BLAST OF BRASS to study with international classical and jazz artists REX RICHARDSON, trumpet, and PATRICK SHERIDAN, tuba, along with ALEX KIENLE, horn, and KEVIN FINAMORE, trumpet, both of the Dallas Symphony Orchestra. Students participate in Large and Small Brass Ensembles, Individual Instrument Choirs, Warm-up sessions, Eurhythmics, Orchestral Excerpts, and Jazz Improv classes, College and Career Counseling, Masterclasses, and Recitals. Register today at www.blastofbrass.com
Inspiration and Knowledge Included!!!
Denton, University of North Texas Workshops, Camps, & Masterclasses
Fort Worth, TCU Summer Music Institute/Summer Camps
Friendswood, Stars and Stripes Summer Band Camp
Houston, University of Houston Cougar Band Camp
Houston, Middle School Band Camp @ San Jacinto College
Houston, TSU Middle and High School Marching Band Power Camp
Huntsville, Sam Houston State University Summer Camps
Kingsville, TAMUK Summer Band Camp
Lubbock, Texas Tech Band and Orchestra Camp
Nacogdoches, SFASU Band Camps
Plano, Summer Music Camps
San Angelo, ASU Summer Music Camps
San Antonio, Summer Camps at UTSA
San Marcos, TXST State Band Camps
Seguin, Texas Lutheran University’s Summer Music Academy
Stephenville, Tarleton State University Summer Camps
Waco, Baylor Summer Music Camps
Various locations, Floot Fire
Various Cities in the US, Bocal Majority
Utah
Provo, BYU Summer Festival
Vermont
No camps found – please contact us if you know of a reputable camp.
Virginia
Chantilly, Franklin Band & Orchestra Camp
Charlottesville, Cavalier Marching Band at UVA
Hampton, HUBC High School Band Camp
Harrisonburg, James Madison University Summer Band Camps
Fairfax, Judith Lapple Summer Woodwind Camp & Music Festival
Fairfax, Mason Community Summer Music Camps
Falls Church, Vienna Band Camp
Washington
Ellensburg, CWU Symphonic Band Camp
Washington D.C.
No camps found – please contact us if you know of a reputable camp.
West Virginia
No camps found – please contact us if you know of a reputable camp.
Wisconsin
Egg Harbor, Birch Creek
Madison, University of W-M Summer Music Clinic
Platteville, Pioneer Summer Band Camp
Plymouth, The Lakeland University Music Camp
Whitewater, UWW Camps and Conferences
Shell Lake, Shell Lake Arts Center Concert Band Camp
Shell Lake Arts Center Concert Band Camp 2020: July 12-17 — Residental $675, Commuter $545
Concert Band Camp at Shell Lake Arts Center is wildly popular! Join us for the musical fun and growth that brings students back to camp each summer. Students completing grades 6-12 work side-by-side mentoring, performing and learning about a variety of musical concepts. Classes offered for all students may include, but are not limited to, theory, history, improvisation, conducting, and even polka bands. There is a middle-level band and a high-school level band. Chamber ensembles will be offered as well as ensembles like garage band percussion. Students love to come back each year and continue to learn and grow!
Wyoming
Laramie, University of Wyoming Summer Music Camp
This list is still under construction -we are still researching and compiling this list, and we need your help! If you know of a respected summer band camp in the US that is not listed, please send us information – all we need is a website address. If you would like your camp’s information adjusted or would like to add information, please contact us. We would like this to be a fully comprehensive list of all US summer band camps. It is free to have a band camp listed. You may contact us anytime at [email protected].
Band Camp | College of Performing Arts
Band Camp
The Rowan Summer Music Camp offers students entering grades 8 through 12 the opportunity to study with some of the region’s finest instrumental, choral, and orchestral educators and performers. During this dynamic five-day camp, students participate in large and small ensembles, experience challenging quality repertoire, and have lessons with world-class faculty. Participants develop their musicianship and improve their technical abilities as they perform in master classes, attend music theory sessions, and see recitals from guest artists.
Hosted by the Rowan University Department of Music, students study in the spacious Wilson Music Building which houses Pfleeger Concert Hall, Boyd Recital Hall, two newly renovated rehearsal rooms, and over 80 practice rooms. Attendees are housed in air-conditioned residence halls and share meals in the Student Center dining hall. Supervision of the residence hall is provided by Summer Music Camp Staff and Rowan Campus Security.
Evening events feature performances by our esteemed camp faculty, and Thursday’s final concert is an exciting culminating event in which all campers perform onstage.
“…I loved my experience at the Rowan Band Camp, which is I’ve returned for a second summer. We are able to work with professional musicians and receive personalized help from them. And the overall experience of the Summer Music Camps is amazing. You meet other dedicated students who have the same music goals as you. Rehearsals are always enjoyable and the conductors are the best – equal time is spent playing my instrument, learning about new music, and laughing. I will definitely be returning next year!” |
Conductor & Band Camp Director:
Dr. Joseph Higgins, the Director of Bands at Rowan University, conducts the Wind Ensemble and Concert Band. As a winner of a National Band Association conducting competition, he was recently invited to perform with “The President’s Own” United States Marine Band. He serves as a guest conductor with outstanding high school and collegiate ensembles throughout the country. Higgins is an avid supporter of composition projects and frequently collaborates with young composers in creating and premiering new works. He began his teaching career working with middle and high school instrumental programs in Gwinnett County, Georgia. His professional affiliations include Pi Kappa Lambda (National Music Honor Society), the College Band Directors National Association, the National Band Association, the National Association for Music Education, and he is an honorary member of Phi Mu Alpha Sinfonia.
Higgins received a degree in music education from the University of Georgia and graduate degrees in conducting from Northwestern University where he studied with Mallory Thompson.
Acting in NJ-Drama School-Classes in Acting / Musical Theater / Singing / Voice / Improv / TV
TRY OUR SAMPLE ADULT INTRO TO ACTING & INTRO TO IMPROVISATION CLASS ON ZOOM, FOR FREE AT THE
NEW JERSEY SCHOOL OF DRAMATIC ARTS!
The New Jersey School of Dramatic Arts invites you to check out our ZOOM virtual online acting and Improv classes on Friday November 5th for free!
Have you always wanted to take an acting or improv class but never got around to it? Now is your chance! Come find out why NJSDA has been the top acting school in New Jersey for over 17 years!
6:30 PM – 7:00 PM • Free 30 minute sample ACTING class
7:00 PM – 7:30 PM • Free 30 minute sample IMPROV class
NJSDA has been voted Best of Essex Six years in a Row!
To Get the Zoom Link For the Free Classes:
Email us at [email protected]
or call us at 973-566-9700
We know you will love it!
__________________________________________________________________
NJSDA NEW CLASSES STARTING SOON:
• Intro to Improv – 6 Mondays starting Nov. 8th (7:30 PM – 9:30 PM)
• Intro to Acting – 6 Tuesdays starting Nov. 9th (7:30 PM – 9:30 PM)
NEW JERSEY SCHOOL OF DRAMATIC ARTS
In-Person CLASSES
At
LUNA STAGE COMPANY
New Jersey School of Dramatic Arts is thrilled to announce in-person classes for our
Adult and Youth Programs at:
Luna Stage Company
555 Valley Rd, West Orange, NJ 07052
Youth In-Person Studio Classes start Saturday, October 23rd
***See Class Schedules for Teens, Tweens and Kids for more information.
Adult In-Person Studio Classes start Monday, October 25th
***See Adult Studio Class schedules for more information
NJSDA will be enforcing strict COVID-19 protocols in accordance with the guidelines set by Luna Stage Company and Actors Equity Association.
ALL STUDENTS 12 and OVER MUST SHOW PROOF OF VACCINATION
***DEFINED AS AT LEAST 14 DAYS AFTER FINAL VACCINE
Upon Registration, All students must provide a copy of vaccination proof via email to
OR
Must present Vaccination card before entering the building.
ALL STUDENTS and FACULTY are required to wear masks and observe CDC protocols indoors regardless of vaccination status.
Affordable Tuition Policy
As part of our mission, The New Jersey School of Dramatic Arts will turn no student away due to financial difficulties. We are committed to making our classes assessible to all and we are committed to the growth and development of all aspiring artists. Please contact us by filling out the form attached to the link below, to request reduced tuition. (no financial data is required)
—————————————————————————————–
*Due to Covid 19 Our Office Hours vary and are limited.Our message system is always available at 973-566-9700. You can also email us at [email protected] and your reply will be promptly returned.
To Our NJSDA Family
We are thinking of you all in these difficult times and hope you are staying safe and healthy. We, like other businesses have been trying to adapt to keeping ourselves moving forward. Our online classes have been receiving wonderful reviews, but this pandemic has caused financial difficulties in keeping the school running.
Your donations fund programs and provide financial assistance, insuring all students have opportunities to learn and grow.
Every act of generosity counts!
Thank You!
CLICK HERE TO DONATE
The NJ School of Dramatic Arts has comprehensive acting / musical theater / improvisation and TV & Film training programs for the beginning actor to the working professional. Classes are available at all levels for Adults, Teens, and Children and are taught by industry professionals from Theater, TV, and Film.
2022 Music Production Camps in PA, NJ, NYC Manhattan, DC, MD & STL
General InformationCamp HoursCamp EnrollmentPayment OptionsConsent FormCamp Medical FormMinimum Grade RequirementCamp TuitionPrivate Lessons at CampCancellation PolicyE-Learning Backup OptionChange of Camp WeeksCamp CommuniqueCovid-19 ProtocolSnack PeriodWater BreaksRecess PeriodAuthorized Individuals to Pick Up a CamperExtended HoursOptional Lunch ProgramNut-Aware CampMedication Storage and AdministrationOnline Household InformationLavner Camps ApparelBehavioral PolicyCamper Electronic Device PolicyProject CompletionPersonal Property Policy”Lost and Found” PolicyAccount BalancesTax BenefitsFinancial AidNew and Amended Camp PoliciesContact Information
Welcome to Lavner Camps!
Welcome to our general information section for camp. Click on the headings to the right to access camp information by topic. If you have any questions please feel free to contact our camp specialists at [email protected], 888.854.CAMP (2267), or through our website chat feature. We enjoy helping families plan incredible summer experiences for their children and look forward to assisting you!
***You can enroll for one or multiple weeks at any camp. If you enroll for multiple weeks in the same camp, you will move up in curriculum. If you would like any assistance with scheduling camps for your child(ren), please let us know!***
Camp Hours
Camp Hours:
Regular Camp Hours: Regular camp hours are from 9:00am to 3:30pm.
Early Arrival: Early arrival is available from 8am to 9am.
Private Lessons/Extended Hours: We offer optional private lessons before and after camp. 45-minute private lessons take place from 8:00 to 8:45am and 3:30 to 4:15pm. 90-minute private lessons take place from 3:30pm to 5:00pm. Private lessons may be offered by our instructors either in-person, or virtually if the camp instructor is already booked and/or not available. Private lessons with our virtual instructors will still take place at camp using our computers.
Camp Enrollment
CAMP ENROLLMENT:
Camp enrollment is completed online. To access our enrollment portal, click on the “Enroll Now!” button on our website.
Payment for camp may be made by credit card or e-check.
There is a one-time $40 registration fee per child for the 2022 year. This allows each child to register for any camps, courses, tournaments, private tutoring, or other programs during 2022.
If you have any questions or issues regarding enrollment, please call our year-round office at 888.854.CAMP (2267) or email us at [email protected] for assistance. If you would like to reserve your spots in camp and you choose to email us, please provide your phone number and the location/camp weeks you wish to enroll in (we will hold these spots for you for three business days).
Payment Options
Payment is accepted via credit card or cash.
There is a one-time $40 registration fee per child for the 2022 calendar year.
If enrolling prior to March 1, 2022, you have the following payment options:
• In Full: Pay tuition in full at enrollment.
• 50/50: Pay 50% at enrollment, 50% on March 1, 2022.
• $100 Down Per Week: Pay $100 per week at enrollment, and the balance in equal monthly installments through April, 2022.
• Customized: Contact our registration team for a customized payment plan.
• Selecting an option other than Pay In Full will schedule automatic payments for the remaining balance.
• Payments are applied equally to each camp week and cannot be transferred from one week of camp to another.
• Payments made by cash should be dropped off at our year-round office at the time of enrollment, and a receipt will be provided.
Consent Form
When enrolling in camp, you must complete the entire Camper Enrollment Form for each child, which contains a consent form that must be signed by a legal guardian. If you enrolled over the phone, our office will start your enrollment, but you still need to complete your enrollment online, which includes completing/submitting the Camper Enrollment Form. If you do not complete our consent form but send your child to camp, this is considered implied consent to the terms and conditions listed in our consent form. If you are having trouble accessing online enrollment, you must print the consent form and scan/email it to [email protected] prior to your child attending camp. The consent form constitutes the entire agreement and no section of the consent form may be waived by any other writings or methods of communication.
Camp Medical Form
To provide us with your child’s medical form, please upload your camper health form to your online account or scan/email your form to [email protected], prior to your child’s first scheduled day of camp.
You may submit the health form that you used for your child’s school this school year or submit the following form:
Camper-Health-History-Form
Minimum Grade Requirement
The minimum grade requirement is the completion of Kindergarten prior to the start of your child’s camp.
Camp Tuition
Please visit your Specialty Day Camp webpage and select your desired location for the camp tuition, which can be found in the summer camp schedule.
Private Lessons at Camp
Private lessons are offered at many of our specialty day camps. You may book an AM lesson from 8:00am to 8:45am and a PM lesson from 3:30pm to 4:15pm or 3:30pm to 5:00pm.
If your child is enrolled for a private lesson before camp, early arrival coverage is included in the cost of the private lesson on that day.
- Lessons are offered in the subject matter of your child’s camp and tailored to your child’s ability level.
- Private lessons are only offered to campers in attendance during that camp week.
- All lessons should be booked via online enrollment. Spots are limited!
Cancellation Policy
Enrollment Policy. You can enroll with confidence at Lavner Camps. Click here to view our Worry-Free Enrollment Policy which outlines our policy for changes of weeks, cancellations, and postponements.
E-Learning Backup Option
If Lavner Camps is unable to hold camp at a location, it may at its sole discretion offer camp at another nearby location or through e-learning.
Change of Camp Weeks
Change of Camp Weeks: Families have the option of unlimited fee-free changes up until 30 days before the start of your camp. Within 30 days, there is a $25 fee per camp week (per child).
The new camp or camp dates requested are subject to availability. We do our best to accommodate all requests.
• A change of camp pertains to either a change of dates, change of camp, or change of location.
• A Change of Week request must be made by the Tuesday (5:00pm ET) prior to the upcoming camp week.
• A difference in camp tuition may apply. Refunds are not issued for campers who switch into a less expensive camp.
• Change of Camp Week requests must be made directly to our office by emailing [email protected].
• Change of weeks can only be made within the same summer (i.e., a camp week in Summer 2022 can only be changed to another camp week in 2022).
Camp Communique
The Camp Communique includes additional information specific to each location. Communique will include detailed information for your location, week, and courses including drop off/pickup information, what to bring to camp, campus maps and directions, and more.
Links to Summer 2022 Camp Communique will be posted as they become available, and sent via email to all registered families!
Covid-19 Protocol
To view our Covid-19 Protocol, please visit our Covid-19 Resource Page and check back for updates.
Snack Period
A snack period is offered each day for 15 minutes to give a chance for campers to take a break, eat a tasty snack, and to socialize! Campers should bring their own, nut-free snack to camp.
Water Breaks
Campers have access to water breaks as needed. Instructors ensure that our campers are taking ample water breaks throughout the camp day.
Recess Period
A recess period is offered each day following lunch. Recess can consist of games providing options for exercise, team play, and lots of fun! Recess is typically 45-50 minutes and and takes place outside, weather permitting.
Authorized Individuals to Pick Up a Camper
In order for an individual to pick up and sign out your child from camp, he/she must (1) be listed on your online Camper Enrollment Form as an authorized individual to pick up your child and (2) present a valid driver’s license or government issued photo ID. The Camper Enrollment Form is the form you completed during online enrollment, and the question pertaining to Authorized Individuals to drop off/pick up is on the first page of this form. All Authorized Individuals must be listed on your Camper Enrollment Form by the Friday prior to your child’s upcoming camp week. All amendments of authorized individuals (additions or deletions) must be made by the primary account holder on the Camper Enrollment Form. To log into your account, click on “Login” at the top of the website.
Extended Hours
Early Arrival is from 8:00am to 9:00am. If you drop off your child prior to 8:45am it is considered Early Arrival and your account will be billed for early arrival (if not previously enrolled for early arrival).
Extended Day is from 3:30pm to 6:00pm. If you pick up your child after 3:45pm it is considered Extended Day and your account will be billed for extended day (if not previously enrolled for extended day).
We also offer optional private lessons before and after camp. 45-minute private lessons take place from 8:00 to 8:45am and 3:30 to 4:15pm. 90-minute private lessons take place from 3:30pm to 5:00pm.
Registration:
If you would like to book Early Arrival, Extended Day, and/or Private Lessons, please do so by the Friday prior to your child’s upcoming camp week. If you need to add any of these options during the camp week, please send your request directly to [email protected] and we will do our best to accommodate you (and will charge your credit card on file).
If your child attends Early Arrival or Extended Day and it was not previously scheduled and paid for, our office reserves the right to bill the method of payment in your account (i.e. charge your credit card on file).
While we do ask that you book in advance, we are flexible and will work to accommodate your requests even if made during the camp week!
Optional Lunch Program
Campers may sign up for our catered lunch program, or can bring their own nut-free lunch from home.
If signing your camper up for our catered lunch program, please do so in your online account by the Friday prior to your child’s upcoming camp week. If you need to add any of these options during the camp week, please send your request directly to [email protected] and we will do our best to accommodate you (and will charge your credit card on file).
Lunch menus will be available on the specific camp location pages in the Spring.
If your child does not bring a lunch to camp and is not signed up for our lunch program, we will purchase lunch for your child that day and bill the method of payment in your account (i.e. charge your credit card on file).
Nut-Aware Camp
For the safety of our campers, we are a Nut-Aware camp. Please do not send any nut products to camp with your child. While we are a “Nut-Aware” camp, we cannot guarantee a nut-free environment.
Medication Storage and Administration
For the safety of our campers, all drugs (medications) are stored under lock and key except when in the controlled possession of the person responsible for administering them. For prescription drugs (medication), they are given only under the specific instruction/directions of a licensed physician. For nonprescription drugs (medication), they are given under the signed instructions of the parents or legal guardian or signed instructions from the camper’s physician.
Online Household Information
When you create your online account with Lavner Education, please make sure to include your address and any important contact phone numbers (home, cell, work) and additional/emergency contacts.
Lavner Camps Apparel
Free t-shirt: Every camper receives one white “Lavner Camps!” t-shirt.
Additional Lavner Camps apparel is available for purchase from The Lavner Camps Store at any time.
Behavioral Policy
Lavner Education reserves the absolute right to dismiss a camper without refund for any behavior (1) that threatens or endangers the welfare and/or the safety of any camper, instructor, or any other person involved with the camp, (2) is disruptive to the overall camp environment, which interferes with the beneficial use and enjoyment by campers and staff, or (3) for any form of bullying of other campers or disrespectful behavior to camp authority.
Lavner Education emphasizes a safe, fun, and healthy camp environment that fosters learning and friendship, and appropriate camp behavior is essential to a great overall experience for everyone involved. It is imperative that every camper feels included, safe, and part of our camp community.
Campers must be potty trained in order to attend camp. A potty trained camper is someone who can 1) communicate to an instructor that he/she needs to go to the restroom, 2) be able to stop what he/she is doing, to go and use the restroom, 3) utilize the restroom facilities without any assistance and 4) postpone going to the bathroom for up to 10 minutes if they must wait for someone who is in the restroom or if they are not near a restroom. In accordance with the American with Disabilities Act, reasonable accommodations will be made for campers with disabilities.
Camper Electronic Device Policy
Campers are not permitted to use cell phones, personal computers, or any other electronic devices that connect to the internet while at camp except for camp owned computers used for camp purposes or unless otherwise determined by the camp. “While at camp” pertains to all times that a camper is on location at camp. If you would like to get in touch with your child during the camp day, please contact our onsite camp director. The onsite camp director’s contact information (name, phone, and email) will be listed on the chalkboard at the sign in location. During the camp week, you may also contact our main office ([email protected] or 888.854.2267) to obtain the contact information for the onsite director. Additionally, if your child would like to contact you during the camp day, he/she may contact you through the camp director or camp instructor.
Project Completion
We strive to have every camper complete the project minimums for each camp per the camp descriptions, however, this also requires the active participation and attendance of the camper.
Personal Property Policy
Campers may bring personal items/equipment to camp, but Lavner Education is not responsible or liable for any personal equipment that is lost, stolen, or broken.
“Lost and Found” Policy
Lavner Education is not responsible or liable for any personal items/equipment that is left behind at camp. Lost and Found items/equipment may be held at camp until the last day of camp. Any remaining Lost and Found items/equipment will be discarded/recycled at the end of the camp season.
Account Balances
If your child arrives at camp and you have an account balance, Lavner Education reserves the right to process your credit card on file for the camp week. If after attending camp you still have an account balance, Lavner Education reserves the right to process your payment method on file during scheduled billing cycles.
Tax Benefits
You may qualify for tax benefits through the dependent care credit for camp. Don’t forget to check with your accountant to see if you qualify!
Financial Aid
Due to constraints as as result of the Covid-19 pandemic, our financial aid program has been postponed to 2023.
New and Amended Camp Policies
To ensure a safe and productive camp environment, Lavner Education reserves the right to add or amend camp policies at any time. All current policies can be found at www.lavnercampsandprograms.com in real time. Please feel free to check back on our website for updates.
90,000 Demonstration of the collection of summer clothes by designer Mrs. Ye Shufan at the State Concert Hall named after A. Kats
The show of the collection of summer clothes by the Chinese designer Mrs. Ye Shufan was successfully held at the State Concert Hall named after A. Kats 10.08.2019
The month of August in the cultural life of Novosibirsk can hardly be called boring and poor for cultural events, including those with international participation. Largely thanks to the “White Festival”, which has been held for many years in a row on the stage of the Novosibirsk Philharmonic Society, residents of the city have an excellent opportunity during their summer holidays to enjoy wonderful works performed by outstanding musicians.This year was no exception, but with the only difference that the festival program included a show of the collection of summer clothes “In Search of Beauty. Leaves – Picturesque Canvases “by the Chinese designer Ye Shufang (Dalian, China).
Reference: Ms. Ye Shufang is a lecturer in the Textile Dress Department of the Liaoning Institute of Light Industry. Holds the honorary title of “Best Designer in Liaoning Province”, which is awarded to the top ten designers. Founder of the children’s clothing workshop “Leaves – Picturesque Canvases”, is a designer of traditional Chinese hanfu clothing for the Yue shan Museum of Guzhengs in Zhouzhuang.Suzhou). He has been teaching design for over 20 years and has a deep love of traditional Chinese painting in the “flowers and birds” genre. Graduate of Liaoning Normal University with a degree in Fine Arts. The author’s design works have repeatedly taken part in various international competitions and were awarded high awards. Students led by Ms. Ye have repeatedly won gold and silver medals in all-China fashion design competitions. Ye Shufang is the recipient of awards such as Best Education Worker and Best Mentor.
The inspiration for the creation of the collection Ms. Ye Shufang drew from the subjects of traditional Chinese painting: mountains and water, flowers and birds, the moon in the night sky and green reeds, embodied in a stylized monochrome print and subjects of national embroidery, combining the traditional components of Chinese culture and European fashion trends. The collection combines the West and the East, unfolds poetic pictures before the eyes of the viewer, now distinct, now elusive, scattered, but not creating the feeling of emptiness, filled, but without excess.For a designer, beauty lies in minimalism.
Models An Zhixuan, Wang Yilu, Li Jiadai invited from China, as well as students of the Confucius Institute of NSTU and girls of the chamber orchestra of the Novosibirsk Philharmonic Society took part in the show of the collection.
Reference: An Zhixuan is a well-known model who has repeatedly taken part in fashion shows for children in China, the USA, and Japan. Her portfolio includes the following achievements:
- Image Ambassador at the II International Children’s Championship “Model Idols”;
- Model at the special screening “Children’s Clothing with Movies” as part of the 2018 Spring Fashion Week.in Dalian. One of ten participants, awarded the title of “Best Young Model”.
- Special model at the presentation of the American haute couture dress brand ZIOOD at the International Fashion Week in Harbin in 2018
- Took part in the presentation of the brand “ISEE-Cinderella”
- Took part in the Shanghai International Fashion Week, participated in the shows NAUTICAKIDS, DORM, JOY & JOA
- Won the title of “Mini Miss of the Year” at the World Children’s Models Competition
- In 2017, won the title of “Best Model” at the children’s stage of the model competition in the Dalian District;
- Selected as a model for the French brand Catimini
- In the International Model Contest “IMTA”, held in Los Angeles, she won in ten nominations (absolute winner in the children’s group of models; absolute winner in the children’s group in the singing nomination, winner in the Jeans nomination, winner in the Runway-podium nomination, received awards in the nominations “Best Bathing Suit”, “Best Model Potential”, “Best Photo for Commercial Advertising”, “Best Performance in TV Beauty”, “Best Dance Performance”, “Best Performance”.
- Won the title of the winner in the children’s group of the 1st model competition “New Stars of the Chinese Dream”.
Reference: Diana Jiang is a graduate of the Confucius Institute of the NSTU. Her portfolio includes the following achievements:
- Miss Shandong Province 2017;
- Miss China 2019;
- Silver medalist of the World Championship in Traditional Wushu;
- Face of the NEWZONE cosmetics brand in New York and China.
The program of the show included three fashion shows, as well as creative performances of the participants. Spectators of the completed GKZ them. A.Katsa warmly welcomed each exit of the participants. In conclusion, the author of the collection, Ms. Ye Shufang, was presented with flowers from the grateful audience. It should be said that the presentation of Chinese fashion in Novosibirsk is being held for the first time and we can already say that this format of cooperation between China and Russia has received approval and support from Novosibirsk connoisseurs of beauty.
90,000 German Americans are … What are German Americans?
German Americans Deutschamerikaner | |
Dietrich, Marlene • Pershing, John • Steuben, Friedrich Wilhelm von | |
Self-name | Deutschamerikaner |
---|---|
Total: 50707758 people- 16.5% of the US population (2009) 90,061 | |
Language | English German |
Religion | Protestant Catholicism Judaism |
Kindred peoples | Austrians Swiss Dutch |
[edit] Demographics
Of the four major regions of the United States, Germany was the most reported with ancestors in the Midwest, second in the West, and third in both the Northeast and South.The German reported top origin in 23 states, and it was one of the top five reported ancestors in every state except Maine and Rhode Island. [67]
According to the 2000 census, this was the destruction of German Americans by the state, including in the District of Columbia. States in bold, German plurality: [citation needed]
percent
1.North Dakota 46.9 2. Wisconsin 43.9 3. South Dakota 44.5 4. Nebraska 42.7 5. Minnesota 38.4 6.Iowa 35.7 7. Montana 27.0 eight.Wyoming 25.9 9. Kansas 25.8 10. Pennsylvania 25.4 11. Ohio 25.2 12. Missouri 23.5 13. Indiana 22.6 14. Colorado 22.0 15. Oregon 20.5 16. Michigan 20.4 17. Illinois 19.6 18.Idaho 18.8 19. Washington 18.8 20. Maryland 15.7 21. Arizona 15.6 22. Delaware 14.3 23. Alaska 14.2 24. Nevada 14.1 25. West Virginia 14.0 26. Kentucky 12.7 27. Oklahoma 12.6 28. New Jersey 12.6 29. Florida 11.8 30. Virginia 11.7 31.Utah 11.5 32. New York 11.2 33. Texas 9.9 34. California 9.8 35.Connecticut 9.8 36.New Mexico 9.8 37. North Carolina 9.5 38. Arkansas 9.3 39. Vermont 9.1 40. New Hampshire 8.6 41. Maine 8.6 42 South Carolina 8.4 43. Tennessee 8.3 44. Georgia 7.0 45. Louisiana 7.0 46. Massachusetts 5.9 47. Hawaii 5.8 48. Alabama 5.7 49. Rhode Island 50. District of Columbia 4.8 51. Mississippi 4.5
National: 15.2
[Edit] By absolute number
1. California 5517470 2. Pennsylvania 3491269 3. Ohio 3231788 4. Illinois 2668955 5.Texas 2542996 6. Wisconsin 2455980 7. Michigan 2271091 8. New York 2250309 9. Florida 2270456 10. Minnesota 1949346 11. Indiana 1629766 12. Missouri 1576813 13. Washington 1319975 14.Iowa 1169638 15.New Jersey 1092054 16. Colorado 1090983 17.North Carolina 1020432 18. Arizona 977613 19. Virginia 973438 20. Maryland 937887 21. Kansas-856348 22. Oregon 811780 23. Georgia 757769 24. Nebraska 738894 25. Kentucky 638231 26. Tennessee 612669 27. Oklahoma 531375 28.South Carolina 425455 29.Louisiana 403222 30. Massachusetts 402176 31. Connecticut 365727 32. Arkansas 358764 33. West Virginia 354704 34. Nevada 338717 35.South Dakota 334068 36. Idaho 317536 37. Utah 313733 38. Alabama 354259 39. North Dakota 2 40. Montana 282130 41. New Mexico 219278 42. Mississippi 172456 43. Wyoming 144972 44. Delaware 133757 45. New Hampshire 124430 46. Alaska 121832 47. Maine 109401 48. Hawaii 83967 49. Vermont 67706 50. Rhode Island 51. District of Columbia 27450
National: 42841569 [68] [Edit] Culture
Germans worked hard to maintain and develop their language, especially in newspapers and classes in primary and secondary schools.
German Americans (German Deutschamerikaner ) are citizens of the United States of German descent and make up about 51 million people, or 17% of the US population. California, Texas, and Pennsylvania are the most populated by German Americans, although states in the northern Midwest, including Ohio, Iowa, Minnesota, Wisconsin, Nebraska, and both Dakotas, have the highest percentage of German Americans at more than one-third.None of the historic German states were overseas colonies, so it was not until the 1680s that the first significant groups of German immigrants arrived in the British colonies, settling mainly in New York and Pennsylvania. Immigration continued in very large numbers in the 19th century, with about eight million tourists from Germany. They pulled land attractions and religious freedom, and pushed out of Europe land shortages and religious or political oppression. Many came looking for religious or political freedom, while others for more economic opportunities than in Europe, and others simply for the chance to start all over again in the New World.Those who arrived before 1850 were mostly farmers who were looking for the most productive land, where their intensive farming methods would pay off. After 1840, many came to cities where “Germania”, German-speaking areas, soon emerged. [4] [5] [6]
German Americans were influential in virtually every area of American society, including science, architecture, industry, sports, culture, theology, government, and military affairs. German American generals Baron von Steuben, John Pershing, Dwight Eisenhower, and Norman Schwarzkopf commanded the US Army in the Revolutionary War, World War I, World War II, and the Gulf War, respectively.Many German Americans have played prominent roles in industry and business, including John D. Rockefeller, William Boeing, Walter Chrysler, George Westinghouse, and Donald Trump. Others, including Albert Einstein and Werner von Braun, were great scientists. Still others, such as Babe Ruth, Lou Gehriga, Jack Nicklaus, Doris Day, and Leonardo DiCaprio, became famous athletes and actors.
The first kindergarten in the United States was established by German Americans, bringing the tradition of the Christmas tree, popular American foods such as hot dogs and hamburgers.German Americans have also dominated brewing for much of American history, beginning with the breweries that were founded in the 19th century by German immigrants. Celebrations of German Americans are held throughout the country, one of the most famous being the German-American Steuben Parade in New York, which takes place every third Saturday in September. There are also annual holidays in Chicago, Cincinnati, Milwaukee, St. Louis and other cities. Like many other immigrants who came to the United States, the vast majority of people, of German or partly German descent, have essentially become Americanized.
History
Colonial
The first English settlers arrived in Jamestown, Virginia in 1607, accompanied by the first German American, Dr. Johannes Fleischer. In 1608, they were followed by five glass blowers and three carpenters of German origin. The first permanent German settlement in the United States was Jermantown, Pennsylvania, founded near Philadelphia on October 6, 1683.
Large numbers of Germans migrated from the 1680s to the 1760s from Pennsylvania to other states.They migrated to America for different reasons; Population migration has increased due to deteriorating agricultural opportunities in Central Europe, persecution of certain religious groups, and conscription; The factors for coming to America were better economic conditions, especially the ability to acquire land, and religious freedom. Often, immigrants paid for the fare by selling their labor over the years as indentured servants.
Most of Pennsylvania and New York State attracted Germans.Most of them were Lutherans or German reformers, and many belonged to small religious sects such as the Moravians and Mennonites. German Catholics rarely visited the United States after the war of 1812.
Palatinates
In 1709, Protestant Germans from the Palatinate – a region of Germany escaped difficult conditions, traveling first to Rotterdam and then to London. Queen Anne of Great Britain helped them reach her colonies in America. The trip was long and difficult to survive due to the poor quality of food and water on the ships and the infectious diseases of typhus.Many immigrants, especially children, died before reaching America in June 1710.
Palatine immigration of about 2100 people, the survivor was the largest immigration to America during the colonial period. Most of them were first settled along the Hudson River in labor camps to pay off their passage. By 1711, seven villages were established in New York by Robert Livingston Estate. In 1723, the Germans became the first Europeans to be allowed to buy land in the Mohawk Valley west of Little Falls.One hundred yards were allocated to the Burnetsfield Patent. By 1750, the Germans had occupied a strip about 12 miles (19 km) long on both sides of the Mohawk River. The soil was excellent, about 500 houses were built, mostly of stone, and the region flourished despite Indian raids. Herkimer was the most famous of the German settlements in the region, long known as “German Apartments”.
The most famous of the early German immigrants Palatine was editor John Peter Senger, who led the struggle in colonial New York for press freedom in America.A later immigrant, John Jacob Astor, who came from Baden after the Revolutionary War, became the richest man in America with his fur trading and real estate investments in New York.
Louisiana
During 1721, thousands of German pioneers of French Louisiana were settled in America by the Mississippi Colonial Company. They called on the Germans, in particular the Alsatian Germans, to immigrate when Alsace came under French rule. Alsace was sold to France after the Thirty Years’ War (1618-1648).
Jesuit Charlevoix leaves Canada for Louisiana. In his letter it was written that “these 9000 Germans who were raised in the Palatinate (Alsace part of France) were in Arkansas. The Germans left Arkansas in droves. They went to New Orleans and demanded a transition to Europe. The Mississippi Company gave the Germans rich land The right bank of the Mississippi River, about 25 miles (40 km) above New Orleans, is now known as the “German Shore.”
South
Two waves of German colonists in 1714 and 1717 founded a large colony in Virginia called Germanna.It was located near present-day Culpeper, Virginia.
German Moravians living around Bethlehem, Pennsylvania, acquired about 100,000 acres (400 km2) from Lord Granville (one of the British Lord Owners) in Piedmont, North Carolina in 1753. They established German settlements along the way, especially in the area in which the historic center of Winston Salem is now located). Shortly thereafter, the German Moravians founded the city of Zalem in 1766 and Zalem College (an early women’s college) in 1772.
German immigrants also settled in other areas of the American South, including around the Dutch Fork in South Carolina, and Texas, especially in the Austin area.
German Jews emigrated to the South of the United States during the 19th century and into the early 20th century. They formed a small German-Jewish community, especially in cities and towns, where they most often worked as local and regional traders in cattle, agricultural products, as well as bankers and business owners.Heinrich Lehmann, who founded Lehman Brothers in Alabama with his brother, is a particularly prominent example of such German-Jewish immigration. German Jews settled in cities such as Charleston, South Carolina, where they founded the first synagogue (Congregation of the Kaal Kadosh Bet Elohim) in the country. German Jews also settled in other southern cities, where they built German-Jewish synagogues.
New England
Between 1742 and 1753, about 1000 Germans settled in Wide Bay, Massachusetts (now Waldoboro, Maine).Many colonists fled to Boston, Nova Scotia and North Carolina after their homes were burned down and their neighbors killed or Native Americans captured. The Germans who stayed found it difficult to survive on agriculture and eventually turned to shipping and the fishing industry.
Pennsylvania
The wave of German immigration to Pennsylvania increased between 1725 and 1775. By 1775, Germans made up about one-third of the state’s population. German farmers were known for their highly productive livestock and agriculture.
The Studenbecker brothers are the ancestors of the car and car manufacturers who arrived in Pennsylvania in 1736 from the famous city of Solingen. Their auto company became one of the largest in America, although it was inferior to the “big three”.
From the 1790 US Census, Germans made up about 9% of the white population in the United States.
19th century
The largest influx of German immigration to America occurred between 1820 and 1914, during which nearly six million Germans emigrated to the United States.From 1840 to 1880, they were the largest group of immigrants. After the 1848 revolution in the German states, a wave of political refugees fled to America, which became known as the Forty Eights. Among them were specialists, journalists and politicians.
Cities
“From Old to New World” shows German expatriates boarding a steamer in Hamburg, New York. Harper’s Weekly, (New York) November 7, 1874
Cities Milwaukee, Cincinnati, St. Louis, Chicago, New York, Baltimore, and preferred destinations for German immigrants.By 1900, the populations of the cities of Cleveland, Milwaukee, Hoboken, and Cincinnati were over 40% German American. Dubuque and Davenport, Iowa are even larger, as are Omaha, Nebraska, where the proportion of German Americans was 57% in 1910. In many other northern cities, such as Fort Wayne, Indiana, German Americans have at least 30% of the country’s population. Many concentrations have acquired distinctive names offering their heritage, such as the “Over-Rhine” district in Cincinnati and the “German Village” in Columbus, Ohio.
A favorite place was Milwaukee, known as “German Athens.” Radical Germans trained in politics in the old country were dominated by the city’s socialists. Skilled workers dominated many crafts, and entrepreneurs created the brewing industry; The most famous brands included Pabst, Schlitz, Miller and Blatz [ 30]
While half of the German immigrants settled in cities, the other half established farms in the Midwest. From the Ohio plains state, a heavy presence persists in the countryside into the 21st century.[16] [31] Few Germans have settled in the Deep South, with the exception of a few in New Orleans. [32] [citation needed] Texas Main article: The German Texan Wahrenberger house in Austin served as a German-American school. [33]
Texas attracts many Germans who entered through Galveston, and those who came to the farm, and then immigrants who quickly took industrial jobs in cities such as Houston. As in Milwaukee, the Germans built a brewing industry in Houston. In the 1920s, first generation German-educated Americans moved into the chemical and petroleum industries.[16]
Texas had approximately 20,000 German Americans in the 1850s. They did not form a single bloc, but were very diverse and made from geographic areas and all walks of life in European society, except that very few aristocrats or upper middle class entrepreneurs made a profit. Due to this, Texas, Germany had a microcosm of Germania throughout the country.
The Germans who settled in Texas were diverse in many ways. Among them were peasants and intellectuals, Protestants, Catholics, Jews, and atheists, Prussians, Saxons, and Hessians; abolitionists and slaveholders, peasants and townspeople, humble, honest folk and ax assassins.They differed in dialect, customs, and physical characteristics. Most of them are farmers in Germany, and most of the arrivals are looking for economic opportunities. Several intellectual dissidents who fled the revolution of 1848 to seek political freedom, but few, except perhaps the Wends, were released to freedom of religion. German settlements in Texas reflect their diversity. Even in the limited space of Country Hill, each valley offers a different kind of German. The Llano Valley was a harsh, teetotaling German Methodist who abandoned dance and fraternal organizations; The Pedernales Valley was cheerful, hardworking Lutherans and Catholics who enjoyed drinking and dancing, and the Guadalupe Valley was atheist Germans, the descendants of intellectual political refugees.The scattered German ethnicity of the islands was also diverse. These small enclaves included Lindsey in Cook County, the largely Westphalian Catholic Waka in Ochiltree County, a Midwestern Mennonite state; Hurnville in County Clay, Russian German Baptist. Lockett and in Wilbarger County, Wendish Lutheran [34]
[citation needed] Germans from Russia Main article: Germans from Russia Temporary premises for Volga Germans in central Kansas, 1875
Germans from Russia are the most traditional of the German-speaking arrivals.They were Germans who lived for generations throughout Russia, but especially along the Volga in Russia, not far from Crimea in present-day Ukraine. Their ancestors came from all over the German-speaking world, at the invitation of Catherine the Great in 1762 and 1763 to carry out calculations and introduce more advanced German farming methods in rural Russia. They were promised by the manifesto of their settlement the opportunity to practice their respective Christian denominations, retain their culture and language, and retain immunity from conscription for them and their descendants.As time went on, the Russian monarchy gradually destroyed the relative autonomy of the ethnic German population. Conscription was eventually reinstated; this was especially dangerous for Mennonites who practice pacifism. Throughout the 19th century, pressure from the Russian government increased to culturally assimilate. Many Germans from Russia found it necessary to emigrate in order to avoid being drafted into the army and to preserve their culture. About 100 thousand emigrated by 1900, settling primarily in Dakota, Kansas and Nebraska.South-central North Dakota was known as the “German-Russian Triangle.” A smaller number moved further west, manifesting themselves as ranchers and cowboys.
Negatively affected by the violation of their rights and the cultural persecution of the tsar, the Germans from Russia who settled in the northern Midwest considered themselves slaughtered by an ethnic group separate from Russian Americans and having completely different experiences from German Americans who immigrated from German lands, they settled in a friendly community who have preserved their German language and culture.They raised large families, modeled on Germany’s churches, buried their dead in distinctive cemeteries using grave cast iron markers, and created a choir of groups that sang the hymns of the German church. Many farmers specialize in sugar beet, which remains a staple crop in the Upper Great Plains. During World War II, their identity was challenged by anti-German sentiment. By the end of World War II, German, which had always been used from English for state and official affairs, was in serious decline.Today, German is retained mainly by singing troupes and recipes, with Germans from Russia in the northern states of the Great Plain speaking predominantly English. German remains the second most spoken language in North and South Dakota, and Germans from Russia often use loan words such as Kuchen for cake. Despite the loss of their language, the ethnic group remained independent, and left an indelible impression on the American West. [35] [edit] Civil War
Sentiment among German Americans was largely against slavery, especially among the Forty Eighters.[27] Hundreds of thousands of German-Americans volunteered to fight for the Union in the American Civil War (1861-1865). [36] Germans are the largest immigrant group to participate in the civil war; over 176,000 American soldiers were born in Germany [37] A popular Union commander among Germans, Major General Franz Siegel was the highest-ranking German officer in the Union army, with a large number of German immigrants claiming to be involved in the “fight mit Sigel.” ] German vote in 1900 was in question, they opposed the “rejection” of the policy Brian (right poster), but also loved the overseas expansion McKinley was delivered (left poster)
Although only one in four Germans fought in the all-German regiments, they created a public image of the German soldier.Pennsylvania dispatched five German regiments, New York eleven, and Ohio six. [36] [Edit] Farms
Western Railway, with large land grants to attract farmers, set up agencies in Hamburg and other cities in Germany, promising cheap transportation and sales of agricultural land on preferential terms. For example, the Santa Fe Railroad hired its Immigration Commissioner, and sold over 300,000 acres (1,200 km2) to German-speaking farmers. [39]
Throughout the 19th and 20th centuries, German Americans showed a strong interest in joining farmers and keeping their children and grandchildren on the land.Although they needed profits to stay in operation, they used profits as a tool “to maintain family continuity.” , more equality, less absentee ownership, and wider geographic persistence. As one farmer explained, “To protect your family, it turns out that it is protecting your land.”[41] [edit] Policy
Relatively few German Americans held office, but the people voted as soon as they became citizens. In general, Protestants and Jews leaned towards the Republican Party and Catholics were strongly democratic. When voting was banned, the Germans voted unanimously against it. They strongly distrusted the moralistic crusaders whom they called “Puritans”, including the moderation of the reformers and many populists. The German community strongly opposed Free Silver, and voted strongly against the Crusaders by William Jennings Bryan in 1896.In 1900, however, many German Democrats returned to their party and voted for Brian, possibly due to President William McKinley’s foreign policy. [42] World War I war communication posters depicted caricatures of Germans. [Citation needed] 20th century [citation needed] World War I anti-German sentiment See also: American entries into World War I
During World War II, German Americans are sometimes accused of being overly sympathetic to the German Empire.Former President Theodore Roosevelt denounced “hyphenated Americanism,” insisting that double loyalty was impossible in wartime. A small minority came out in Germany, or ridiculed the British (as L. Mencken did). In addition, Harvard psychology professor Hugo Munsterberg dropped his efforts to mediate between America and Germany, and threw his efforts behind German cause. [43]
About 1% of 480 thousand enemy foreigners of German birth were imprisoned in 1917-18.The charges included espionage for Germany, or endorsement of German military action. [44] Thousands of people were forced to buy war loans to show their loyalty. [45] The Red Cross banned people with German surnames from joining in fear of sabotage. One person was killed by the crowd; In Collinsville, Illinois, German-born Robert Prager was dragged out of prison as a suspected spy and lynched. [46] The Minnesota minister was tar and feathered when he heard a dying man praying in German. [47]
In Chicago, Frederick Stock temporarily resigned as conductor of the Chicago Symphony Orchestra until he completed his naturalization papers. Orchestras replaced the music of the German composer Wagner with the French composer Berlioz. In Cincinnati, the public library was asked to remove all German books from its shelves. [48] The German street names were renamed. For example, Indianapolis, Germany Avenue was renamed Pershing Avenue – for World War I common German descent.Even the city’s name, Berlin, Michigan, was changed to Marne, Michigan (in honor of those who fought in the Battle of the Marne). In Iowa, in the 1918 Proclamation of Babel, the governor banned foreign languages in schools and public places. Nebraska banned teaching in any language other than English, but the US Supreme Court ruled to prohibit illegal in 1923 (Meyer v. Nebraska). [49] The reaction of German Americans to this tactic was often to “Americanize” names (eg Schmidt Smith, Müller Miller), and to restrict the use of the German language in public places, especially churches.[50] [Edit] World War II
Between 1931 and 1940, 114,000 Germans moved to the United States, many of whom, including Nobel laureate Albert Einstein, were Jewish Germans or anti-Nazis fled the government’s oppression. [51] About 25,000 people began paying members of the pro-Nazi Germany American Bund during the year before the war. [52] German foreigners were the subject of suspicion and discrimination during the war, although prejudice and sheer numbers meant that they suffered less in the group than Japanese Americans.The Aliens Act 1940, registration required 300,000 German-born resident aliens to register with the federal government and restrictions on their travel and property rights. [53] [54] Under the still active Enemy Aliens Act of 1798, the United States government interned nearly 11,000 German immigrants between 1940 and 1948. [55] Most of them were not American citizens. Some of them were citizens of the United States. Some were parents of active soldiers. [56] Civil rights violations took place [57] Five hundred were arrested without a warrant…. Other detentions without charge for several months or interrogation without the support of a lawyer. Beliefs have no right to appeal. [57] An unknown number of “voluntary internees” joined their spouses and parents in the camps and were not allowed to leave. [58] [59] [60]
President Franklin D. Roosevelt did not hesitate to name German Americans to occupy leadership positions, war, including General Dwight D. Eisenhower, Admiral W. Chester Nimitz, and General Carl Andrew Spaats.He appointed Republican Wendell Wilkie as personal representative. German Americans who had a fluent knowledge of the German language were an important asset for wartime intelligence, and they served as translators and spies in the United States. [61]
The war sparked strong pro-American patriotic sentiment among German Americans, some of whom by that time had contacts with distant relatives in the old country. [16] [62] [citation needed] Post-war years Checking the parking meter is worth his police car which is captured with the German word police (Polizei).It is part of the city’s emphasis on German ethnicity. New Ulm, Minnesota, July 1974.
In the post-World War II period, millions of ethnic Germans were forcibly expelled from their homes in the redrawing of the borders of Eastern Europe, including the Soviet Union, Poland, Czechoslovakia, Romania, Hungary and Yugoslavia. Most migrated to Germany, but others came as refugees to the United States in the late 1940s and established cultural centers in their new homes.Some Danube Swabians, such as ethnic Germans, who claimed language and customs after settlements along the Danube River in Hungary, later Yugoslavia (now Serbia), emigrated to the United States after the war.
After 1970, anti-German sentiment caused by World War II disappeared. [63] Today, German Americans who emigrated after World War II share the same characteristics as any other Western European group of immigrants to the United States. They are mostly specialists and scholars who come for professional reasons.After the collapse of the Soviet Union and the reunification of Germany, it became a preferred destination for immigrants, rather than a source of migration of peoples. [64]
In the 1990 US Census, 58 million Americans claimed to be exclusively or partially of German descent. [65] According to the 2005 Survey of American Society, 50 million Americans are of German descent. German Americans represent 17% of the total US population and 26% of the non-Hispanic white population. [66]
Church
Formal membership of the church in 1936 was reported as follows:
- Augustan Synod (Lutheran) – 1203 churches – 254 677 members
- Swedish Evangelical Liberty – 150 churches – 9000 members
90,019 Baptists – 300 churches – 36,820 members 90,020
90,019 Swedish Methodists – 175 churches – 19,441 members 90,020
90,019 Mission of the conventions – 441 churches – 45,000 members 90,020
Demographics
Distribution of Swedish Americans according to 2000 census
Several small towns in the United States have retained some notable Swedish influence.For example: Silverhill, Alabama; Cambridge, Minnesota; Lindstrom, Minnesota; Karlstad, Minnesota; Lindsborg, Kansas; Gothenburg, Nebraska; Oakland, Nebraska; Andover, Illinois; Kingsburg, California, Bishop’s Hill, Illinois, and Bemus Point, New York.
About 3.9% of the US population is reported to be of Scandinavian descent (which also includes Norwegian Americans, Danish Americans, Finnish Americans, and Icelandic Americans). Currently, according to the 2005 American Society Survey, a total of 56,324 Americans continue to speak Swedish at home, up from 67,655 in 2000.Most of them are recent immigrants. Swedish American communities mostly switched to English in 1920. Swedish is rarely taught in universities or colleges, and there are rarely Swedish-language newspapers and magazines.
Swedish Americans by State
Ten states with the largest presence of Swedish Americans
1 | Minnesota | 586.507 |
2 | California | 559.897 |
3 | Illinois | 303.044 |
4 | Washington | 213.134 |
5 | Michigan | 161.301 |
6 | Florida | 155.010 |
7 | Wisconsin | 149.977 |
8 | New York | 133.788 |
9 | Texas | 127.871 |
10 | Massachusetts | 119.267 |
The ten states with the largest percentage of Swedish Americans in the population
Cf.also
Literature
- Anderson, Philip J. and Dag Blanck, eds. Swedish-American Life in Chicago: Cultural and Urban Aspects of an Immigrant People, 1850-1930 (1992)
- Baigent, Elizabeth. Swedish Immigrants in Mckeesport, Pennsylvania: Did the Great American Dream Come True? (Journal of Historical Geography 2000 26 (2): 239-272. ISBN 0305-7488)
- Barton; H. Arnold, A Folk Divided: Homeland Swedes and Swedish-Americans, 1840-1940. (1994) online edition
- Barton, H. Arnold. Emigrants Versus Immigrants: Contrasting Views (Swedish-American Historical Quarterly 2001 52 (1): 3-13)
- Barton, H. Arnold. The Old Country and the New: Essays on Swedes and America (2007) ISBN 978-0-8093-2714-0
- Beijbom, Ulf. The Historiography of Swedish America (Swedish-American Historical Quarterly 31 (1980): 257-85)
- Beijbom, Ulf, ed. Swedes in America: Intercultural and Interethnic Perspectives on Contemporary Research. Växjö, Sweden: Emigrant-Inst. Väers Förlag, 1993.224 pp.
- Benson, Adolph B. and Naboth Hedin, eds. Swedes in America, 1638-1938 (The Swedish American Tercentenary Association. New Haven, CT: Yale University Press. 1938) ISBN 978-0-8383-0326-9
- Blanck, Dag. Becoming Swedish-American: The Construction of an Ethnic Identity in the Augustana Synod, 1860-1917. (Uppsala, 1997)
- Björk, Ulf Jonas The Swedish-American Press as an Immigrant Institution (Swedish-American Historical Quarterly 2000 51 (4): 268-282)
- Blanck, Dag. The Creation of an Ethnic Identity: Being Swedish American in the Augustana Synod, 1860-1917, (2007) 256 pp ISBN 978-0-8093-2715-7)
- Hale, Frederick. Swedes in Wisconsin. Wisconsin State Historical Society (1983). 72 pp.
- Hasselmo, Nils. Perspectives on Swedish Immigration (1978).
- Johnson, Amandus. The Swedish Settlements on the Delaware, 1638-1664 (Two Volumes. International Printing Company, Philadelphia. 1911-1927)
- Kastrup, Allan. The Swedish Heritage in America (1975)
- Kvisto, P., and D. Blanck, eds. 1990. American Immigrants and Their Generations: Studies and Commentaries on the Hansen Thesis after Fifty Years . (University of Illinois Press).
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References
90,000 What to expect in 2019 – Weekend – Kommersant
special project
What to expect in 2019
Weekend studied plans for museums and galleries, theaters and stadiums, TV channels and film distributors and compiled a list of events that you can start waiting for right now – however, for some you should buy tickets right away.
Diego Velazquez. “Meninas”, 1656
Photo: Museo Nacional del Prado
Pablo Picasso. “Meninas”, 1957
Photo: Museu Picasso
On November 19, 1819, the Royal Museum of Painting and Sculpture was opened to the public in Madrid, later renamed the Prado Museum. One of the world’s best art museums will celebrate the anniversary all year round with a whole series of exhibitions, both historical, cultural and purely art.Among the first are the Prado Museum. 1819-2019. Place of Remembrance ”(until March 10), dedicated to the role that the luxurious and ever-growing collection has played in shaping the image of Spain and Spanish cultural identity, and“ Prado 200 ”(November 1, 2019 – November 1, 2020), which tells the history of museum architecture , collections and expositions. The jubilee program of art exhibitions has been drawn up with great intellectual grace. Take Velasquez, Rembrandt, Vermeer. Kindred Views in Spain and the Netherlands “(June 25 – September 29): A project with the Amsterdam Rijksmuseum seeks commonality in the Spanish and Dutch Golden Ages to overcome the legacy of the Eighty Years War, which has not yet ended for art historians, stubbornly opposing Velazquez and Rembrandt, Riber and Hals.Or here is Sofonisba Anguissola and Lavinia Fontana (October 22, 2019 – February 2, 2020): a sensational exhibition will bring together fifty pieces of the first two professional artists in Europe. Directly on the 200th birthday of the Prado, November 19, 2019, a grand exposition “Only the will supports me. Drawings by Goya ”, timed to coincide with the publication of a new catalog-reason for the drawings of the great Spanish artist – the museum is proud of the largest collection of his works.
Oskar Schlemmer.Figures from the Triadic Ballet, 1922
Photo: courtesy of the press service of the Pushkin Museum of Fine Arts
T. Lux Feininger. Leap over the Bauhaus, 1927
Photo: Nachlass T. Lux Feininger / Bauhaus-Archiv Berlin
In 2019, all progressive humanity will celebrate the 100th anniversary of the Bauhaus – the avant-garde school that changed the ideas of this humanity about architecture, design, art and modernity. The celebrations will begin with a festival at the Berlin Academy of Arts: the exhibition “Light.Shadows. Prints “, where” Light-space modulator “Laszlo Moholy-Nagy enters into a dialogue with the works of Christian Boltanski and other shadow theater lovers, Robert Wilson’s play” Krapp’s Last Tape “by Samuel Beckett, as well as many visual, dance and puppet shows, performances and concerts , referring to practice or directly reconstructing the experiments of Oskar Schlemmer, Paul Klee and other professors – after all, experimental theater occupied an important place in Bauhaus pedagogy.By the way, the main Bauhaus exhibition in Russia – “Oskar Schlemmer: the dancing artist” at the Pushkin State Museum of Fine Arts (October 28, 2019 – January 26, 2020) will be dedicated to this. But, of course, the main celebrations will take place in Germany: the new Bauhaus Museum in Weimar will open on April 6, and the new Bauhaus Museum in Dessau will open in the fall, while the “Original Bauhaus” exhibition will be shown in the Berlin Gallery (September 6, 2019 – January 27, 2020) based on the collection of the Bauhaus Archive and dedicated to the dissemination of Bauhaus ideas in the past and present.
Photo: E. Bauer / Opera national de Paris
Berlioz’s monumental work based on Virgil’s Aeneid has already played a significant role in the modern history of the Bastille Opera – staging The Troyens, this theater, in fact, opened on March 17, 1990. From Dmitry Chernyakov, the director of the new version, they traditionally expect, of course, not so much an epic canvas of the Trojan War as complex stories of family and clan relationships in a novel format.The conductor Philip Jordan and the outstanding singing caste, which include, in particular, Elina Garancha, Stephanie d’Ustrak and Paata Burchuladze, are in charge of the musical part. The total duration of the performance is more than five hours, with two impressive intermissions.
Photo: Jean-Claude Carbonne
Angelin Preljocaj insists that in her ballets she pays close attention to the narrative and plot. In fact, of course, “we do not love them for this” – but for the ability to turn the most abstract concept into visible movement.In this case, the choreographer explores one of the main natural phenomena for ballet – the phenomenon of gravity. The density of the atmosphere and the mutual attraction of bodies, the collision of particles – all this will become a cross-cutting plot of his new ballet.
Rembrandt. Self-portrait, 1639
Photo: Rijksmuseum
Rembrandt. Self-portrait, 1628
Photo: Rijksmuseum
The 350th anniversary of the death of Rembrandt in Amsterdam will be celebrated all year round, since the Rijksmuseum houses the world’s largest collection of works of the hero of the occasion.At the exhibition with the uncomplicated title “All Rembrandts” (February 15 – June 10), all of it – at least in terms of painting – will be exhibited for the first time in museum history: 22 paintings (it was believed that 24 canvases of the master are kept in the Hermitage, but the Research Project ” Rembrandt “, which upset so many museums, has considerably reduced their number), 60 drawings and 300 engravings (out of 1300 available). The restoration of the Night Watch will begin in July at the Rijksmuseum – it will be produced in the current fashion right in front of the public, and the painting will be placed in a special aquarium room designed by Jean-Michel Wilmotte.The festival will conclude with the exhibition “Rembrandt – Velazquez” (October 11, 2019 – January 11, 2020), dedicated to the different ways in which the great Dutchman and the great Spaniard emerged from the shadow of Caravaggio.
Photos: Netflix
An alien from space named Richard Hargreaves creates in a universe very similar to ours, a combat squad – an academy of seven children endowed with superpowers. After his death, the “graduates” of the collapsed academy reunite to ward off the threat from their world and investigate the mysterious death of their “father” – this is the plot of the Dark Horse comic book series, which emerged in the 1980s in defiance of the industrial giants DC and Marvel.In fact, this is, of course, a metaphor – a story that every dysfunctional family is unhappy in its own way, including a dysfunctional superhero family. The role of the White Violin starred Ellen Page, from the star of the independent Sundance cinema, herself became a Hollywood superheroine.
The decree on the opening of a theater in Petrograd, which would later become the Bolshoi Drama Theater, was signed by Maxim Gorky’s wife – actress Maria Andreeva, in 1918 she was also the first Soviet commissioner for theaters.The first director of the theater was Alexander Blok, the first performance was performed on February 15, 1919 – it was Schiller’s Don Carlos. Outstanding actors and directors worked here, but in our memory the BDT is still primarily the theater of Georgiy Tovstonogov, who headed it from 1956 to 1989. The Bolshoi Drama Theater is celebrating its anniversary: the current artistic director of the theater, Andrei Moguchy, together with the entire troupe and production team of the BDT, will take care of making it a very special evening.
Yuri Korotkov’s story “Hipsters” has already turned into a successful film by Valery Todorovsky, why shouldn’t it also become a successful musical! Aleksey Frandetti has already received two Golden Masks for musicals by the age of 35; he will have actors of the universal genre (they say they still have to learn to play different musical instruments), costumes by Timofey Ryabushinsky, choreography by Irina Kashuba. So that the balance in the repertoire does not lean too much towards the frivolous side, the next premiere of the Theater of Nations announced a very serious “Iranian Conference” by Ivan Vyrypaev with a fabulous cast, which will include Yevgeny Mironov, Ingeborga Dapkunaite, Chulpan Khamatova, Ksenia Rappoport, Igor Stanislav Gyubshin Yuri Stoyanov, Alexey Vertkov, Roza Khairullina and many others.
Photos: FX
The series, based on the biography of the great choreographer and director of Cabaret, Bob Fossey, tells about his creative and romantic partnership with actress and dancer Gwen Verdon. Thanks to Fossey, the talented debutante turned into a Broadway star, and he found in her the perfect tool for realizing his ideas. Their relationship was itself a full-fledged Hollywood melodrama – not divorced from his first wife, Fossey openly cohabited with Gwen, meanwhile his health deteriorated – insomnia, epileptic seizures – and his creative and human temperament was always at its peak.Sam Rockwell starred as the frantic Fossey, and Michelle Williams played the red-haired siren Verdon.
Ron B. China. “Wedding”, 1989-1993
Photo: courtesy of the press service of the Pushkin Museum of Fine Arts
Lucian Freud. “Girl in Striped Pajamas”, 1983-1985
Photo: Tate Gallery
Despite the prospects of “Brexit”, England is getting closer: the Pushkin Museum promises two exhibitions of the British, whom we love, but do not really know.The first, School of London (March 4 – May 20), made in collaboration with the Tate Gallery, will showcase the circle of post-war expressionist artists who defied the temptations of abstraction and conceptual art that Ronald China coined the name School Of London. The most famous of them, Francis Bacon and Lucian Freud, of course, do not fit within the conventional Kitayev circle, but placed on a par with Frank Auerbach, Leon Kossoff, Michael Andrews, China itself and David Bomberg, the avant-garde artist of the first half of the century and the teacher of a good half Londoners suddenly take on a new face in this non-conformist context.The second project was prepared for the “December Evenings”: the first solo exhibition in Russia by Thomas Gainsborough (November 25, 2019 – February 9, 2020). His, the quintessence of Englishness in a portrait and a harbinger of impressionism, we have only one paintings: “The Lady in Blue”, kept in the Hermitage. The works will be brought from the largest museums in London: the National Gallery, the Tate, the Victoria and Albert Museum, the National Portrait Gallery, the Royal Academy of Arts and other collections.
Photo: Ilya Kukharenko; Dmitry Laudin / Stutterstock
Timofey Kulyabin, who has always relocated the characters of classical opera or drama to this day, has now taken up the aquatic, nymphs and witches.Conductor Ainars Rubikis, playwright Ilya Kukharenko and costume designer Galya Solodovnikova are working with him on Dvorak’s Rusalka – the production group of the Novosibirsk Tannhäuser, complemented by video artist Alexander Lobanov from the Blue Soup group and lighting designer Damir Ismagilov. Let’s hope that by the time of the premiere in the Criminal Code there will not be an article “for insulting the feelings of the mercenaries.”
Simon Stone, one of the most interesting young directors working in Europe, will stage three stories by Elizabethan playwrights: Shakespeare will be accompanied by the well-forgotten Thomas Middleton and John Ford (not to be confused with the filmmaker).At the center of all stories is women’s revenge and, accordingly, women victims and women furies. The director even brought together an exclusively female caste, led by Valeria Bruni-Tedeschi. By the way, Stone’s performances, as a rule, have such complex scenographic and technical parameters that our theatergoers could see them only in Europe so far – it is simply too expensive to transport them to Moscow. In 2019, fortunately, the Chekhov Festival will fill this gap for the first time and will bring Ibsen’s Yun Gabriel Borkmann in his production.
Ilya Repin. “Reception of volost elders by Alexander III in the courtyard of the Petrovsky Palace in Moscow”, 1886
Photo: Stefano Mazzola / Awakening / Getty Images
Ilya Repin. “Portrait of V.I. Repina as a Child “, 1874
Photo: State Tretyakov Gallery
Three floors, 180 canvases and 130 graphic sheets, 26 museums in Russia and abroad, many private collections – the exhibition opens the celebrations of the 175th anniversary of the birth of Ilya Repin (1844-1930), the next anniversary exhibitions will be held not only in Russia, but also in Finland and France.The textbook “Burlakov”, “Zaporozhtsev” and “Didn’t Expect” will be shown with rarely exhibited items, the State Council will arrive from the Russian Museum in full force – a colossus measuring four by nine meters will go to Moscow for the second time in its life. They promise a modern interpretation of the school classic, but the cunning classic himself, without interpreters, does not get tired of confirming the reputation of a cutting-edge artist. In any case, few of the 19th century critical realists managed to become the main character of the main article of the main avant-garde critic of the 20th century, and Ilya Efimovich fights one-on-one with Picasso and Joyce on the pages of Clement Greenberg’s Avant-garde and Kitsch.And “Ivan the Terrible”, killed a second time last year, continues to excite the most vivid feelings in especially impressionable spectators.
Komar and Melamid. “Passport”, 1976
Photo: Moscow Museum of Modern Art
A large retrospective of Vitaly Komar and Alexander Melamid, the inventors of Sots Art, the most non-Soviet of the Soviet underground artists, who spoke the same language with the Art & Language group and John Baldessari even before leaving the USSR, and after emigration naturally fit into the American artistic landscape and were the first of the Russians who participated in the documenta, are prepared by Joseph Backstein and Andrey Erofeev.The exhibition, created in collaboration with the Breus Foundation, will showcase the duo’s entire history – from birth in the late 1960s to their disbandment in the early 2000s. Komar & Melamid will appear to the public as unsurpassed masters of satire, humor and irony: here is almost the first performance in Russian art with cooking and eating cutlets from the Pravda newspaper, and the People’s Choice project with national versions of the “best” and “worst” paintings based on opinion polls. But at the same time they will appear as the finest analysts of the Soviet unconscious, who predicted all post-Soviet phantom pains and traumas in their sarcastic and eerie Stalinians.
Photo: Annapurna Pictures
One of the leading American indie directors, known for his experiments with time (“Boyhood”), this time filmed a dramatic comedy based on the bestseller of the same name by Maria Semple about the mysterious disappearance of an exemplary wife and mother Bernadette (Cate Blanchett) on the eve of a family trip to Antarctica. Her daughter goes in search, who has to learn a lot about her family – and, perhaps, more than she would like.
Photo: WDSSPR
The main Hollywood visionary, Tim Burton started out as an artist at the Walt Disney studio, so it makes sense that he became the director of the film adaptation of one of the main Disney characters – the flying circus elephant Dumbo. Burton’s film, however, has almost nothing to do with the plot of the original cartoon of 1941 – only big ears remained from him, thanks to which Dumbo first becomes a universal laughing stock, and then – everyone’s favorite.But in Burton’s film, everyone strives to monetize the gift of free flight to the detriment of the interests of its owner, and only the former circus star Holt Farriet (Colin Farrell), along with their children Millie and Joe, are trying to prevent this. The villains in Dumbo are played by Michael Keaton and Danny DeVito.
Varlikovsky owns one of the most spectacular and pretentious modern statements about theater: “Theater is an island in a sea of fear”. It is not surprising that he turns any opera story into a postmodern thriller.”Lady Macbeth” is, of course, the perfect material for this. The realm of the subconscious bursting outward, hellish cruelty, dark passions – one can assume that all this will be in abundance on the stage of the Paris Opera. At the conductor’s stand – Ingo Metzmacher, in the role of Boris Timofeevich Izmailov – wonderful bass Dmitry Ulyanov.
Photo: Jan Versweyveld
Photo: Jan Versweyveld
Ivo van Hove, still one of the most interesting European directors, is perhaps the best today at combining a complex, technically sophisticated staging theater with a meticulous psychological history, “the life of the human spirit” – without any pathos, however.Perhaps that is why he periodically with great success turns not to plays, but to screenplays, for example, by Bergman. Van Hove’s closest premiere is Death in Venice based on the story of Thomas Mann, although it can be assumed that the movie played its role again, and this performance is not only based on Mann, but also based on Visconti. By the way, the second premiere of the year at Toneelgroep also deserves every attention – it will be “The Cherry Orchard” directed by Simon McBurney.
Photo: ROH, Johan Persson
Twelve years ago, Christopher Wheeldon became the first Englishman to be invited to perform at the Bolshoi Theater.Then he began to rehearse “Hamlet”, but already in the process of rehearsals changed his mind – and as a result released a ballet entitled “Misericordes” to the music of Arvo Pärt. The documentary Strictly Bolshoi about this work won an Emmy award. And now Wheeldon begins rehearsing a ballet based on Shakespeare’s play again: I wonder if some kind of metamorphosis will happen to her too? However, Wheeldon loves not only modern dance, but also fabulous, enchanting subjects – in his choreographic “baggage” there are, for example, the wonderful “Alice in Wonderland” and “The Nightingale and the Rose”, so we are waiting for the “fabulous” continuation on the stage Big.
Oskar Kokoschka. “Red Egg”, 1941
Photo: National Gallery in Prague
Over the past year, the Leopold Museum celebrated the 100th anniversary of the death of two of the three great Viennese modernist artists, Gustav Klimt and Egon Schiele. Now it was the turn to pay tribute to the third, Oskar Kokoschka (1886-1980). A serious retrospective – one and a half hundred exhibits, paintings, pastels, watercolors, drawings, prints, theatrical sketches – is being prepared together with the Zurich Kunsthaus, which houses a significant collection of the artist’s works and where his last major exhibition took place.Bound by the bonds of apprenticeship, friendship and love with all the heroes of Viennese Art Nouveau – from Adolf Loos and Hugo von Hoffmannsthal to Alma Mahler and Georg Trakl – it would seem that Kokoschka was originally written to become a part of this unique cultural landscape, if not for the stigma of “degenerate art ”, which made him first a forced and then a voluntary exile, an asylum seeker – in the Czech Republic, Britain, Switzerland. Kokoschka’s Vienna Exhibition celebrates his return.
In 2019, Alla Pugacheva turns 70.Judging by the posters, she is doing her anniversary concert in collaboration with Natella Krapivina, the producer of Svetlana Loboda, who is now the main pop singer of the post-Soviet space. Mrs. Krapivina successfully works both in the mainstream and in the art house field: she produced the film “Acid” by Alexander Gorchilin. So from the anniversary show “P.S.” you can expect unexpected turns.
Photo: Alexander Ivanishin
Sergei Zhenovach is a very detailed director, and one of his main features has always been a persistent unwillingness to fit into standard production rhythms that turn the theater into a production line for premieres.But the position of the owner of two houses obliges – three stages of the Moscow Art Theater and two stages of the Studio of Theater Arts are in great need of these premieres. Accordingly, Zhenovach is rehearsing two titles, the exact dates will probably not be known soon, but in any case this is the Russian repertoire classic so beloved by the artistic director: at the STI he will release Gogol’s “Marriage” at the very end of the season, and at the Moscow Art Theater – Bulgakov’s “Run “.
Photo: Kommersant / Kirill Belyaev
Dead Can Dance will begin their tour in the French city of Rene.The Australian duo recently released their ninth studio album, Dionysus.
In support of the oratorio album, Lisa Gerrard and Brendan Perry will also perform in London, Brussels, Berlin, Utrecht, Paris, Barcelona, Lisbon, Milan, Frankfurt, Bochum, Warsaw, Prague, Budapest, Belgrade and Plovdiv. Concerts in Russia have not yet been announced.
The American neoclassicist will play for the first time his “12th Symphony”, entirely dedicated to David Bowie. Together with the London Contemporary Orchestra, organist James McVinnie and Benin-based singer Angelique Kidjo, Philip Glass will present variations on themes from songs released by David Bowie under the producer’s supervision of Brian Eno on the 1977 albums Low and Heroes.”My task was to play these tunes as if I had composed them myself,” says Philip Glass.
Photo: 20th Century Fox
Army mechanic Roy McBride (Brad Pitt), in search of his father (Tommy Lee Jones), who disappeared 20 years ago, goes to an abandoned station on the very edge of the solar system, just like Joseph Konrad’s sailor Marlow went to Central Africa in search of Agent Kurtz …James Gray makes no secret of the fact that after “The Lost City of Z”, which was a kind of rehearsal and in which, by the way, it was Brad Pitt who was supposed to play the role of Colonel Fossett, he was aiming straight into “Heart of Darkness” Konrad’s novel, which inspired Coppola’s Apocalypse Now), and promises the most realistic space travel in film history – whatever that means.
Photo: Courtesy of Non-Stop Production
The most anticipated Russian art film.Kantemir Balagov, a 27-year-old student of the Kabardino-Balkarian workshop of Alexander Sokurov, two years ago received the Special View Criticism Prize in Cannes for “Closeness”. He is shooting the second film with producer Alexander Rodnyansky, and judging by the fact that the shooting has already been completed, “Dylda” has a good chance of being in the Cannes Competition. The action takes place in post-war Leningrad, in the center of the plot are two women returning to the city that survived the blockade. Balagov wrote the script together with the writer Alexander Terekhov (“Stone Bridge”), but even before the launch said in an interview that he was carefully reading Svetlana Aleksievich’s documentary novel “The War Has No Woman’s Face” and was thinking about the possibility of its adaptation.
Photo: Scope Features / Vostock Photo
Adam Driver, Tilda Swinton, Tom Waits, Bill Murray, Steve Buscemi and Chloe Savigny are not yet the full cast of Jim Jarmusch’s new zombie movie. Nothing is clear about the plot, but we can say that the director’s corporate style (slightly frostbitten dialogues, heroes who are in no hurry, even if in a hurry) the zombie theme fits even more than the vampire theme he addressed five years ago (“Survive only lovers “).Filming ended in the summer, and the release date will most likely be determined after the announcement of the Cannes Film Festival program.
The first international project of the winner of the Palme d’Or -2018 for Shoplifters by Hirokazu Koreeda, not filmed in Japan. The scene is Paris, starring French stars Catherine Deneuve, Juliette Binoche and Ludivine Sagnier, as well as American Ethan Hawke. Actresses play actresses here – the synopsis promises a film about the filming of a fantastic film, in which a mother and daughter are shot, and the mother plays a woman who does not age (obviously, this is Deneuve).In 2019, the international project of another winner of the highest Cannes award is expected – Thai Apichatpong Weerasetakun finished shooting the film “Memoria” in Colombia with Tilda Swinton in the title role. Both paintings will surely end up in the competition program in Cannes or Venice.
Photo: AP / dpa, Britta Pedersen
Kiss continued to insist that they had the most expensive and spectacular concerts, even when U2 had already invented their claw stage for the 360 tour and Muse were flying their drones.It is worth going to the concert as part of the “End Of The Road” tour because the tour of the American group is really the last one. The main intrigue is not about what will be on stage, everything is clear there – the makeup on faces, Gene Simmons spitting blood, Paul Stanley flying, everything is like a textbook. Fans are more concerned with how the set list will be drawn. Will the band focus on 1970s songs or expand the palette with more recent material?
Paul Cezanne. Pierrot and Harlequin, 1888
Photo: courtesy of the press service of the Pushkin Museum of Fine Arts
The subtitle “Moscow Takes Revenge” is appropriate for the project, which is considered the highlight of the season in the Pushkin Museum itself.And twice. First, in Paris: the first exhibition, which presented the collection of Sergei Shchukin entirely and separately from the collection of Ivan Morozov, was held two years ago at the Louis Vuitton Foundation – despite the record attendance, Muscovites thought that Parisians did not praise the avant-garde collector who patronized Matisse and Picasso in those years when they had no other such generous connoisseurs. Secondly, at St. Petersburg: since the State Museum of New Western Art was closed, dividing the collections of Shchukin and Morozov between the Pushkin Museum and the Hermitage, many of Shchukin’s things have never been to Moscow.Now the Hermitage will share all the Shchukins that it has. True, Morozov’s things from the Pushkin Museum of Fine Arts will be taken to the Hermitage in exchange, so that an alternative exhibition “All Morozov” will be gathered there. A shock dose of the French avant-garde will be supplemented with a shock dose of contemporary art – from Yves Klein to Pierre Huig: an exhibition from the collection of the Louis Vuitton Foundation (June 3 – September 29), so elegantly reminiscent of its involvement in the Shchukin project, will be held in parallel – in the Gallery of Art of the Countries Europe and America of the XIX – XX centuries.
Photo: Owen Sweeney / Invision / AP
Elton John is on the epic Farewell Yellow Brick Road tour that will stretch over three years. The most memorable concerts promise to be in the Swiss Montreux. The history of the local jazz festival goes back more than 50 years, Elton John was friends with the founder of the festival, Claude Nobs, but the concerts announced this summer will be the first performances of the musician in the history of Montreux Jazz.On the website of the festival, tickets for Elton John’s concerts are no longer available, but you should keep your finger on the pulse.
Photo: AFP
Castellucci is one of the few theater directors who prefer abstract plots to concrete ones. And the more abstract the better. Several years ago, Castellucci demonstrated how virtuoso a theater, in which there is not a single living soul at all, can be, staging a ballet for the Ruhr Triennial for dust, bone meal and concrete mixers.This year, Castellucci became a resident of the Aix-en-Provence music festival and is supposed to transform Mozart’s Requiem into a full-fledged musical performance.
Photo: Reuters
This concert has already been declared historic and has already caused a scandal. It was originally supposed to be held as part of the British Summer Time festival, which is sponsored by Barclays Bank. When tickets went on sale, Neil Young expressed outrage at the fact that he had not been cleared for sponsorship.Young said he doesn’t want Barclays Bank to be on the billboard: “This organization is funding fossil fuels. This is not to my liking. I believe in science. I am worried about climate change, the global environmental crisis and its consequences for my grandchildren. ” As a result, the company AEG, organizing the concert, refused sponsorship. Once again, to make it clear: not from Neil Young, but from a sponsor – a large bank. The Bob Dylan and Neil Young concert will take place in Hyde Park on schedule.
90,002 Photo: Jean Louis Fernandez
Festival-School of Contemporary Art “Territory” and the Musical Theater named afterKS Stanislavsky and Vl. I. Nemirovich-Danchenko will show in Moscow the last performance of a large form, in which Akram Khan participates as a performer. In the center of the performance is the figure of an Indian dancer who becomes a soldier of the colonial forces of British India during the First World War. Akram Khan combines on stage the traditional Indian Kathak dance and the plastic language of modern choreography to demonstrate how the human body becomes an instrument of destruction and at the same time a victim.”Xenos” is not the only Moscow “tour” of Akram Khan this summer, two weeks earlier on the New Stage of the Bolshoi Theater as part of the Chekhov Festival will show his production of “Giselle”, in which the main character became a poor emigrant and the Kathak dance is also present.
Photo: Andrew Cooper / Sony Pictures Entertainment
The heroes of the film – the former star of the Western show Rick Dalton (Leonardo DiCaprio) and his stunt double Cliff Booth (Brad Pitt) – are the fictional neighbors of director Roman Polanski (Rafal Zaveruh) and Sharon Tate (Margot Robbie) in 1969.The murder of Tate by the Charles Manson gang (Damon Herriman) is the ominous background on which New Hollywood is born (by the way, about Westerns: in 1969, McKenna’s Gold with Gregory Peck and Omar Sharif and The Wild Gang by Sam Peckinpah were simultaneously released on screens , the main reformer of the genre, and Tarantino would not be himself if it did not matter to him). Tarantino writes his own Hollywood story on top of real events and promises that the new film will be closest to “Pulp Fiction” – this has already been believed by Al Pacino, Kurt Russell, Dakota Fanning, Tim Roth, Bruce Dern and Michael Madsen.
Photo: AFP
The action of Eden von Horvath’s novel takes place in a conventional country, where “girls marched through the streets in search of missing pilots, young men wishing all blacks death, and parents believing lies on banners. And those who do not believe, also keep pace with everyone, in the same ranks. ” Several of these young men go to a paramilitary rally in the bosom of nature, but one of them dies rather quickly under unexplained circumstances. The relationship between historical time and personal tragedies and neuroses is one of the favorite themes of the chief director of the Berlin Schaubühne theater, Thomas Ostermeier.The premiere of his production of Horvath’s novel will take place in Salzburg, but will move to Berlin in the fall.
Photo: Kommersant / Kirill Belyaev
The British band The Cure will take part in the annual Afisha Picnic festival. In Russia, their audience is no less than that of Depeche Mode, although their fans are inert. The only performance of The Cure in Russia took place at the Maksidrom festival in 2012, and the audience came much less than the organizers expected.2019 should improve the situation, especially since the group intends to release a new album. It should also be remembered that the old records of The Cure served as a source of inspiration for a good half of the Russian rock bands of the 1980s and 2000s.
Photo: @ lakearrowhead360
After Logan’s Luck in 2017, Steven Soderbergh seems to be shooting at double speed, with two of his new films coming out in 2019. The political thriller Laundry, starring Gary Oldman, Meryl Streep and Antonio Banderas, is about Panamagate, based on Pulitzer Prize laureate Jack Bernstein’s book on Investigative Journalism The Panama Papers.But, perhaps even earlier than Laundry, there will be a sports drama about the basketball agent “High Flight Bird,” which Soderbergh directed from a script by Tarell McCraney (Oscar for Moonlight). The rights to both films are held by Netflix.
Albrecht Durer. Roller wing, about 1500
Photo: The Albertina Museum, Vienna
Albrecht Durer. “A large piece of meadow”, 1503
Photo: The Albertina Museum, Vienna
The world’s largest collection of Dürer’s drawings is kept in the Albertina – there are about 140 of them, including the textbook “A Piece of Sod” and “Hare”, which surpassed even Klimt-i-Schiele in popularity, being noted on a good half of all souvenirs sold in Vienna.The Durer that usually hangs in the state rooms of the Albertina is not real – it is a facsimile: the graphics are displayed for a short time, and even more so so valuable, so that the chance to see the original Durer’s sheets falls to a mere mortal spectator once in a lifetime. Albertina, however, will not limit herself to just her reference collection, but will supplement it with things from European and American museums. The overriding task of the exhibition is to prove that drawing in Dürer’s legacy is no less significant than painting and engraving.
Yoko Ono will not come to Moscow for the first time: in 2007, as a special guest of the Moscow Biennale, she opened her exhibition-installation “The Odyssey of a Cockroach” at TSUM.But over the past years, it seems, even in the eyes of gloss and television, she managed to turn from a widow into an artist, which she, in fact, was before, during and after Lennon. Today, not a single history of contemporary art is complete without mentioning her, the veteran of Fluxus, the pioneer of performance and the living classic of conceptual art, her name. It is in this role that she will appear at the exhibition that the Moscow Museum of Modern Art will do as part of the Territory festival. Based on the idea of Gunnar B.Kwaran, director of the Astrup-Fearnley Museum in Oslo and one of the best curators of our day, the center of the Moscow exhibition will be Yoko Ono’s Instructions – ephemeral attempts at active communication with the viewer, one of the first signs of conceptualism. In addition, in the Territories program, which will take place in Moscow from 10 to 20 October, you should definitely pay attention to the play Medea by Simon Stone and one of the last performances by Eimuntas Nyakrosius “Zinc” – based on prose by Svetlana Aleksievich.
Photo: Gotham / GC Images / GettyImages.ru
The 1980s fashion continues: after the Transformers universe, which sent the Bumblebee heroes in 1987, it was Gotham City’s turn. It was in the 80s, according to director Todd Phillips, that the loser comedian Arthur Fleck reincarnated as the king of the underworld and a permanent patient of a mental hospital, better known as the Joker. The main role in the spin-off is played by Joaquin Phoenix.
Photo: Warner Bros
The long-awaited adaptation of Donna Tartt’s 800-page novel of the same name, one of the most striking events in fiction of the decade.Ansel Elgort plays the young Theodore Dekker, who became the accidental owner of Karel Fabricius’s masterpiece The Goldfinch after the explosion at the Metropolitan Museum of Art. It’s a little alarming that the script for the film was written by Peter Strohan, who recently rewrote Yu Nesbo for the movie “The Snowman” – far from the most successful screen adaptation of modern prose.
Leonardo da Vinci. The Beautiful Ferroniera, 1490
Photo: Musee du Louvre, dist. RMN – Grand Palais / M. Urtado
Leonardo da Vinci died on May 2, 1519 in Amboise – the 500th anniversary of his death will be celebrated everywhere, but the main exhibition will be held in the Louvre.On the simple grounds that Leonardo died a French – in the service of the French king Francis I, that the Louvre houses a key collection of the Florentine genius, and that, finally, the intrigue of The Da Vinci Code is twisted in this museum of museums. But seriously, no other museum could have accumulated so much Leonardo in one place: seventeen more from other collections will join the five Louvre paintings, now – with varying degrees of agreement among scholars – attributed to the artist, as well as a large number of drawings and manuscripts , including from the British Royal Collection.It is a pity that museums do not keep statistics on the nationality of visitors – so in a year we would have found out who is the more Russian artist, Bruegel or Leonardo.
Photo: Abaca Press / TASS
The film about one of the most famous trials at the turn of the 19th and 20th centuries is originally titled “J’accuse” (“I accuse”) after the title of an open letter from Emil Zola, the release of which became a milestone in the case of Captain Alfred Dreyfus, a Jew accused of espionage in favor of Germany and sentenced to civil execution.After the letter was published in 1898, Zola was convicted of libel for a year in prison (the writer managed to escape to England), and only in 1906 the Dreyfus case was revised – the captain was fully acquitted. The script was written based on the book by Richard Harris (he and Polanski worked together on Ghost) – the director’s appeal to historical events a century ago looks symbolic against the background of the demands for his extradition to the United States in the 1977 case and the accusations by the activists of the MeToo movement. Alfred Dreyfus is played by Louis Garrel, and the chief of French intelligence Georges Picard, who insists on Dreyfus’s innocence, is played by Jean Dujardin.
Photo: Scope Features / Vostock Photo
A new film by the American indie star, twice nominated for an Oscar (and the fifth woman in the history of cinema to receive a nomination for Best Director), actress and director Greta Gerwig – the adaptation of the classic novel of the same name in 1868 by feminist writer Louise May Alcott. Saoirse Ronan, Florence Pugh, Emma Watson and Eliza Scanlen play the four March sisters, who take their first vacation with their mother without a father who went to the Civil War as a priest to raise the morale of the northerners.The film also stars Timothy Chalamet, Meryl Streep and Laura Dern.
Photo: Press Service of Art Pictures Studio
The second part of “Attraction” was announced immediately after the success of the first film about the fall of a flying saucer in Chertanovo. The script was written for over a year, filming ended in the fall of 2018, and another year will be spent on special effects. The plot is again kept secret – it is known that the action takes place three years after the events that happened in the first film.And, judging by the fact that Rinal Mukhametov is again playing in “Attraction-2”, his hero still did not die (flashbacks, however, have not been canceled either). Bondarchuk’s film will be released on New Year’s Eve, where his main competitor will be the historical drama about the Decembrists “Union of Salvation” by Andrey Kravchuk and producers Konstantin Ernst and Anatoly Maksimov.
Photo: Fabrica de Cine
One can only guess how many Oscar nominations the new film by Martin Scorsese will have, but the number of Oscar winners and nominees involved in it is already a little uncomfortable.Stephen Zellian (Schindler’s List, Gangs of New York) was written by Stephen Zellian (Schindler’s List, Gangs of New York) and Rodrigo Prieto (Brokeback Mountain, The Silence ), and the main roles were played by Robert De Niro, Al Pacino, Joe Pesci and Harvey Keitel. The rights to the film were bought by Netflix, the production budget was $ 125 million.
Photo: Stefano Mazzola / Awakening / Getty Images
Paolo Sorrentino has finally finished filming the sequel to Young Pope for HBO, where the character of Jude Law will certainly appear – the controversial pontiff, smoker and cherry cola lover Leni Bellardo, who showed Kuzkin’s mother, aka Pope Pius XIII, with the moss-covered Vatican curia.But the main action will not revolve around him, but will focus on the main character played by John Malkovich, for the sake of whom the series changed its name, disowning the previous story. The details of the plot were not disclosed, but it is known that the new series will feature Sharon Stone, who flourishes with age, on the occasion of filming in Rome, having an affair with an Italian journalist.
Photo: Good Omens / Amazon / BBC
A comic fantasy novel, written by Terry Pratchett in 1990 and co-written with Neil Gaiman, gets the best possible acting.This is some kind of Anglophile’s dream: David Tennant as the demon Crowley and Michael Sheen as his rival, but by coincidence, Aziraphale’s accomplice. These two will do their best to delay the apocalypse, replace the Antichrist in the hospital and engage in other cute pranks. In addition to the gorgeous Englishmen, the series involves John Hamm as the Archangel Gabriel and Frances McDormand – she portrays nothing less than the voice of God.
Photos: Pearl Street Films
Martin Scorsese glorified New York, David Simon immortalized his native Baltimore in The Wire, and Ben Affleck is an adherent of Boston, where the 1990s were also, as they say, “dashing”.His series is about the so-called “Boston Miracle” or “Operation Ceasefire”, when the police went to cooperate with representatives of urban communities in the most disadvantaged areas and in addition to negotiations with members of street gangs. The crime rate really dropped after that. Kevin Bacon stars in the show as a retired FBI man who forges a strategic alliance with Boston’s new district attorney to change the city’s very criminal justice system.
Photos: HBO
You can forget about the adaptation of Zack Snyder – Damon Lindelof, the author of the unforgettable show “Lost” and those close to the genius of “Left Behind”, took over the “watchmen”.What he turned the cult work of Alan Moore into, while one can only guess – the showrunner addressed the most reverent fans of the comic book with a long letter, from which it follows that the plot in the series is not the same as in the original source, they say, it’s like the New Testament in relation to Old and generally “remix”. The action will take place before and after the events told by Moore, and new characters will appear in it. But at least Jeremy Irons plays Ozymandius here.
The focus of the new drama about the legendary catastrophe is the heroism of people who had to deal with the consequences of the release at the ill-fated nuclear power plant in 1986 – we called them “liquidators”.Starring Jared Harris from Mad Men, he plays the Soviet chemist Valery Legasov, who invented the composition of the mixture that was used to fill the smoldering reactor. Legasov spent a critical amount of time at the site of the disaster, but did not die from radiation – two years after the accident, he committed suicide the day before he was supposed to announce information about the causes of the disaster to the scientific community. Stellan Skarsgård and Emily Watson also starred in the five-part drama.
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Hristov Boris – Radio Orpheus (Moscow 99.2 FM)
Boris Hristov: a voice from God
performed Russian folk songs in his solo performances.
A group of young people shouting “Hallelujah!” poured out of the doors of the Ippolitov-Ivanov School on a cold evening in 1977. The frosty air tickled his throat. The guys did not take care of their vocal cords even a few hours earlier at the Komsomol meeting, when they saved their classmate, who sings in his free time in the church choir, from expulsion.The guy, as a token of gratitude for the support provided, invited everyone to visit to listen to the disc, which was forbidden at that time.
The proposed list of “non-systemic” surnames was impressive. But none of our heroes guessed that they were on the verge of discovering a great mystery – the singing art of the Bulgarian bass Boris Hristov. In 1976, the artist, together with the choir of the Cathedral of St. Alexander Nevsky in Sofia, recorded a release with Orthodox chants.
The owner of the apartment put the disc on the turntable, the room was covered with a choir canopy – “The Evening Sacrifice” … The echoes of the purest polyphony melted away, letting forward the voice of amazing power and beauty – “May my prayer be corrected” … There was a miraculous warmth in the soloist’s timbre, incomprehensible from the point of view vocal technique and stage skills.For a little more than forty minutes, Khristov healed souls with the music of Chesnokov, Zinoviev, Bortnyansky, living during this time his entire bright and long singing career, which by that time was tending to decline. Christ is already over sixty. Almost half of them are devoted to the stage.
But none of those present at the impromptu concert knew about this. The singer, who has become the personification of Russian classics for the entire cultural world, an unsurpassed interpreter of the works of Mussorgsky, Borodin, Tchaikovsky, Glinka, the discoverer of Cui’s work, has long been a stranger to the country in whose language he sang at La Scala, the Metropolitan …
The story goes that in the 1950s, Khristov was not invited to the main theater of the United States due to the fact that he often performed Russian folk songs in his solo performances.But much earlier, as a child, Boris Hristov sang in church and became imbued with love for the Orthodox liturgy. The church choir taught the boy a subtle sense of the ensemble, which implies mastering the voice according to the principle: listen to your neighbor in the party, do no harm to the order, harmony, bring the phrase to the end, stretching the fading sound to the next measure, do not distort the spiritual meaning of the music and avoid ostentatious bravura and feigned feelings …
Is it any wonder that Khristov, who studies vocal skills in Italy, is negligible, only for several months, and even then with interruptions due to the Second World War, as a result, he became an artist with an impeccable sense of style and the magical gift of “wounding” souls and the hearts of the listeners with their singing.
For some of Christ’s admirers, he is primarily an opera artist who has collected a huge collection of portraits of various characters: Philip II in Verdi’s Don Carlos, Boris Godunov in the masterpiece of the same name by Mussorgsky, Leporello in Mozart’s Don Giovanni, Gremin in “Eugene Onegin” by Tchaikovsky, Prince Galitsky in “Prince Igor” by Borodin (sung in 1951 during his debut at La Scala).
It is extremely comfortable to listen to the recordings of popular arias performed by the Bulgarian singer, each fragment is a complete number.Hristov paints the image as a whole and textured. This presentation of the material is close to the chamber vocal genre. And here there was no equal for Christ. In the early 60s, the artist recorded on the disc Mussorgsky’s songs, romances of other “Kuchkists”, Tchaikovsky’s vocal ballads … They were sung naked and heartfelt, with a burning revelation, on the verge of a confession possible in public, of which, perhaps, only a mysterious Slavic soul is capable …
Perhaps, it was precisely Christ’s consistent appeal to romances throughout his career that became for the singer a rehearsal for one of the main projects of life – a disc with sacred music.Under the arches of the majestic cathedral, his voice flies away somewhere under the dome and then fills the space with overtones and subtlest timbre shades – aloof-melancholic, mystical-pathetic, rebellious and muffled pastels.
After this outstanding work on the creative path of the master, the finish line 10 years long began to be seen. In 1986 Hristov gave his last concert. In 1993, the great Bulgarian bass passed away at the age of 79. In our country, by that time, sacred music was amnestied.A disc with recordings of church chants with Christ as the soloist can be brought from abroad for a long time without the risk of being detained at customs by the competent authorities or found on the Internet. The vocalist, who has found harmony with an imperfect world, still generously shares his divine talent with all of us.
“The troubadour of the Russian song” – this was the name of Boris Hristov. The singer was born in the city of Plovdiv shortly before the First World War. His ancestors came from Macedonia. The boy inherited the musical gift – his grandfather sang in the church choir and had a magnificent voice.A popular legend said: “When Christo sang psalms, the nightingales fell silent and listened to him.”
Boris also begins his journey in the church choir. At the insistence of his mother, the young man graduated from the Faculty of Law of Sofia University and even started his own practice. However, at his leisure, Khristov continues to perform at concerts. His talent is noticed, and the singer receives a state scholarship. He studies vocals in Italy, then in Salzburg.
The Second World War begins. Once in a labor camp, Boris sings for his comrades, mainly works by Russian composers.Then critics will write that Russian romances performed by the famous bass are not just a song, it is a heart, a soul, where every note is felt.
After the war, Khristov continued his studies in Rome, with Professor Strachchali, with whom he had studied before. He agrees to teach the young man for free, since Boris did not even have money for food. The successful debut of the aspiring singer takes place in the Italian city of Reggio Calabria. The audience is delighted with the performance of Collin’s aria from Puccini’s La Bohème. The talented bass sings three times as an encore.Then a triumphal performance in Rome with the part of Boris Godunov already finally consolidates the star status for Christ. The doors are now open to him at La Scala, Covent Garden. They write about him: “An exceptional artist, artist – singer with brilliant insight.”
Hristov did not succeed in performing at the famous Metropolitan Opera in New York. He received an invitation, but for political reasons, the entry of a Bulgarian into the United States was prohibited. Boris did not debut on the American opera stage until 1956, after the severity of immigration laws began to decline.He sings at the San Francisco Opera.
A difficult period for the singer comes along with the illness. After brain surgery due to a tumor, Christov leaves the stage, but returns a year later. The soloist ends his career in Rome in 1986. The last concert took place on the stage of the Bulgarian Academy.
81. The Winnipeg epic continues. Neruda
Chile’s Ambassador to France – Gabriel Gonzalez Videla – did not make much effort to organize the rescue of Spanish refugees, although he was listed as president of the Chilean Committee for Solidarity with Spain.Too great popularity of Pablo Neruda caused him a feeling of envious annoyance. Next to Neruda, he clearly remained in the shadows. The irritated ambassador began to deliberately send such information to Chile, which could not but complicate the situation of the consul for Spanish immigrants.
One strange subject, who held the position of the first adviser, also had a hand in this. Pablo Neruda told me about him several times. Indeed, this person could be a type from Hitchcock’s films {107} .Elsa Triolet made him a character in her novel. This fellow’s name was Arellano Marin. In the early 1930s, he was considered one of the most brilliant students at the Catholic University of Santiago. Theaters in the capital staged his plays … In the evenings, this promising student played cards for a long time with the rector of the university, Monsignor Carlos Casanueva. In all his appearance Arellano Marin looked like a snake in a pince-nez: an elongated face, oily shifting eyes, a look that leaves to the side, long arms, always sweaty palms … Through the efforts of high patrons, he ended up in the Chilean consulate in New York.The then consul, Alfredo Gray, a major exporting merchant, was a personal friend of President Alessandri.
I met Arellano Marín in mid-1938 when I came to New York as part of the Chilean delegation to the Peace Youth Congress held at Vassar College in Poughkeepsie. We had a presidential election in Chile. Arellano Marin smelled like a bloodhound! – that the Popular Front could win, and therefore, at the first meeting with me, he suddenly began to pour out his sympathies for the left.He probably thought that he completely captivated me with a cleverly played performance. Well, Arellano is an actor and author of plays, and he has cards in his hands. He spared no pompous words or tears when he spoke of his readiness to give up everything and everyone and devote himself entirely to the cause of the Revolution. A little later, when we were driving along the Brooklyn Bridge together, he suddenly told me about his stormy romance with a woman from his early youth. But I knew that this woman was very honored …
On the night of the Popular Front’s victory, the nimble Marin left New York on the first plane.The next day he was already in Santiago and went straight to us to announce his firm decision to become a real revolutionary, to serve the revolution and the highest goals of communism. Arellano Marin began to wear alpargats [92], without a tie. Shouted at all the crossroads that he would create the People’s Theater, which would perform on the streets and stadiums, organize singing unions and involve thousands of Chilean workers in them. This neophyte was simply raging. His eyes, still elusive, glowed with the brilliance of Damascus steel.For his new comrades, he brought a whole mountain of gifts.
And now, two weeks later, Arellano Marín was accepted, as the most worthy of the worthy, to serve in the Ministry of Foreign Affairs and was appointed adviser to the person whom the president decided to make foreign minister. This newly minted advisor received me in the hall, which I mentally called the “hall of the world map”: there an intricate image of our mother earth hung all over the wall and multicolored flags indicated on it the location of the Chilean embassies and consulates.Everything that happened between me and Marina made me remember the stories of Neruda about how, twelve years before these events, he set off on a distant journey to the East. Now the diplomatic posts were arbitrarily assigned by Arellano Marín. But he did not use a globe, as it was under Neruda, but a luxurious map … Having given me the most benevolent smile, he said:
– Choose any consulate!
– How is it? I asked in confusion.
– Very simple – any consulate.You are not yet ripe for the embassy, too young.
– Imagine, I want to work in Chile. In addition, I do not control myself and work where the party tells me. I don’t want anything from you, and I’m not going to leave the country at all.
Then I learned that this upstart was spreading his peacock’s tail not only in front of me.
Wow! He swore that he would forget and think about a diplomatic career, that he would give all his strength to the development of mass revolutionary art, and managed to get into the Chilean embassy in France before Pablo Neruda! When the poet arrived in Paris, the dexterous Marin was already the first adviser.He welcomed Neruda with open arms, was filled with a nightingale. Pablo introduced him to the literary circle of leftist writers. Arellano quickly became friends with Louis Aragon and Elsa Triolet. He quickly won the trust of the Republican government in exile, and it entrusted him with fairly responsible affairs.
On September 1, 1939, when the war broke out, Neruda took refuge in the Chilean embassy of Aragon with Elsa Triolet. The author of “Rich Quarters” was searched everywhere by the police during the “strange war”.
The Republican government – and it found itself in a difficult situation – gave into the “reliable” hands of Manuel Arellano Marin a significant part of the money fund exported from Spain.The Spaniards believed that he would keep money as a shrine. But soon the “reliable friend” disappeared, pocketing the entire amount. He went to spend his “honeymoon” with his Turkish friend and spent everything clean, not even thinking that the fate of many Spanish patriots depended on the money entrusted to him.
Many years later, at the end of World War II, two Spanish Republicans discovered this type in a New York hotel. And they called him to account. Arellano Marín nearly died of fear.I cried, on my knees I prayed for forgiveness. The Spaniards left with a wave of their hand. They never managed to get the truth.
In those days, when Neruda was consul for Spanish immigrants, he more than once reproached Arellano for his exorbitant extravagance and at the same time wondered where this man got so much money … It was just before the arrival of the German fascists in Paris. A fortune was paid for a passport, just to be saved from the Nazis. They gave gold and jewelry for the opportunity to flee to America.The first adviser of the embassy, of course, was not comfortable with Neruda’s remarks that he was living luxuriously, allowing himself insane spending, which could not but arouse suspicion. With his inherent cunning, Marin did everything to discredit Neruda in the eyes of the Chilean government …
After several unsightly adventures in Hollywood, where Arellano was associated with the magazine “Cinelandia” – by that time he was already wilted, managed to stumble on many things and his life, as they say in one tango, “flew downhill” – it occurred to him to publish in Diario Ilustrado an open letter, skillfully concocted to appear before the readers as a kind of “pure angel” trapped by the communists, who wants to be cleansed of sins committed inadvertently, out of naivety, and in deep repentance to return to the holy mother earth.
Many years later, I suddenly saw him in a train carriage on the way from Santiago to Puerto Montt. Even more restless eyes all the time slipped away. View of the descending picaro [93]. It turns out that this contraption managed to pull off some dark affairs at the Southern University of Valdivia, where he was … the scientific secretary. Arellano Marin eventually turned into the most outspoken extortionist, moreover, a real swindler. He was still doing dirty checks and bills. And sank lower and lower.I didn’t get out of prisons. But somehow he always at the right moment met some kind-hearted person and, succumbing to tearful stories, tales – and he was a great master at that – extended a helping hand.
Elsa Triolet told in her novel only partially the whole story of his incredible rise and fall. It is a pity, because the life of this subject, so eventful, is a perfect parabola and is waiting for his novelist, who would describe it from beginning to end …
The work on compiling the lists of Spanish refugees was drawing to a close.The Spaniards were looking forward to being welcomed aboard the Winnipeg. The poet-consul was assisted in all matters by the young Spaniard Dario Carmona, short, fair-haired, with a thin face. Those who didn’t take a minute to rest, were on the move all the time. In fact, he became Neruda’s secretary on a voluntary basis. Then Dario Carmona himself went to Chile, and there over time became an excellent journalist. His irresistible green eyes and amazing gift of speech won the hearts of many women. After the Pinochet clique came to power, Dario Carmona left Chile in deep sadness and returned to Spain.However, he failed to settle down, to find himself on the land where he was born, and returned to his Spanish-Indian America … And then he died in one of the American equatorial countries, never parting with the pipe dreams of an eternal wanderer …
Neruda, who devoted so much effort to this business, never had to see the steamer taking passengers to the distant mainland. The secret reports of the ambassador and the first secretary did a disservice to Neruda, and in the palace of La Moneda his shares plummeted. One day, Pablo Neruda receives a telegraphic message of strange content: “The seal informs about your activity in sending Spanish immigrants.Please refute the information received or cancel this action. ” When Pablo got acquainted with such an unexpected ultimatum, two possible solutions came to his mind at once. The first is to call representatives of the press and show them the steamer, where by some miracle two thousand Spaniards are accommodated, read the telegram in a solemn voice and immediately put a bullet in the forehead. The second option is “to sail with the emigrants and land in Chile ‘by the power of reason or poetry’”.
The Chilean Communist Party appealed to the Chilean government, stating that it was about the life or death of people.We suggested using the phone to speed things up, although at that time a conversation across the ocean at such a great distance was extremely difficult and in this situation – risky. But Neruda, picking up the telephone receiver, spoke so firmly that he was immediately understood in Chile. Foreign Minister Ortega, supporting Neruda, resigned … A government crisis was brewing. After all, it was the president who gave permission to sail the steamer “Winnipeg” with Spanish immigrants on board!
The French authorities noted the “high organizational level” of the work carried out by Neruda.Everything was verified and thought out, down to the smallest details. The Winnipeg passengers were from different regions of Spain. It seemed to these people who had lost their homeland that everything was about to collapse and the end of the world would come. There were only a few days left before the start of World War II …
Finally, Pablo Neruda received a telegram of thanks from President Aguirre Cerda. “Winnipeg” (translated from Swedish “winged”) – this word somehow immediately fell in love with the poet – finally raised the anchor and headed for Valparaiso.In the long voyage, sadness gave way to fun … In those days, Neruda said that the flight “Winnipeg” – the best of all the poems he wrote. “Let the critics, if they please, cross out all my poetry, but they will not be able to cross out this poem.”
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